The theory of moral sentiments: By Adam Smith, ...

which seem ridiculous to strangers give no offence to the people who are used to them.

Fashion is different from custom, or rather is a particular species of it. That is not the fashion which every body wears, but which those wear who are of a high rank, or cha|racter. The graceful, the easy and com|manding manners of the great, joined to the usual richness and magnificence of their dress, give a grace to the very form which they happen to bestow upon it. As long as they continue to use this form, it is connected in our imaginations with the idea of something that is genteel and magnificent, and tho' in itself it should be indifferent, it seems on ac|count of this relation, to have something about it that is genteel and magnificent too. As soon as they drop it, it loses all the grace, which it had appeared to possess before, and being now used only by the inferior ranks of people, seems to have something of their meanness and aukwardness.

Dress and furniture are allowed by all the world to be entirely under the dominion of custom and fashion. The influence of those principles, however, is by no means con|fined to so narrow a sphere, but extends it|self to whatever is in any respect the object

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Title
The theory of moral sentiments: By Adam Smith, ...
Author
Smith, Adam, 1723-1790.
Canvas
Page 373
Publication
London :: printed for A. Millar; and A. Kincaid and J. Bell, in Edinburgh,
1759.

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"The theory of moral sentiments: By Adam Smith, ..." In the digital collection Eighteenth Century Collection Online Demo. https://quod.lib.umich.edu/e/eccodemo/k111361.0001.001. University of Michigan Library Digital Collections. Accessed June 12, 2025.
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