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POETICAL PIECES: CONSISTING OF
- THE TRAVELLER,
- THE DESERTED VILLAGE,
- EDWIN AND ANGELINA,
- RETALIATION,
- AND OTHER POEMS.
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POETICAL PIECES: CONSISTING OF
THE TRAVELLER: OR, A PROSPECT OF SOCIETY.
DEAR SIR,
I AM sensible that the friendship between us can acquire no new force from the ceremonies of a Dedication; and, perhaps, it demands an ex|cuse thus to prefix your name to my attempts, which you decline giving with your own. But as a part of this poem was formerly written to you from Switzerland, the whole can now, with propriety, be only inscribed to you. It will al|so throw a light upon many parts of it, when the reader understands, that it is addressed to a man, who, despising fame and fortune, has re|tired early to happiness and obscurity, with an income of forty pounds a year.
I now perceive, my dear brother, the wisdom of your humble choice. You have entered upon a sacred office, where the harvest is great, and the labourers are but few; while you have left
the field of ambition, where the labourers are many, and the harvest not worth carrying away. But of all kinds of ambition, as things are now circumstanced, perhaps that which pursues poeti|cal fame is the wildest. What from the increas|ed refinement of the times, from the diversity of judgments produced by opposing systems of cri|ticism, and from the more preval••••t divisions of opinion influenced by party, the strongest and happiest efforts can expect to please but in a very narrow circle.
Poetry makes a principal amusement among unpolished nations; but in a country verging to the extremes of refinement, Painting and Music come in for a share. And as they offer the feeble mind a less laborious entertainment, they at first rival Poetry, and at length supplant her; they engross all favour to themselves, and though but younger sisters, seize upon the elder's birth|right.
Yet, however this art may be neglected by the powerful, it is still in greater danger from the mistaken efforts of the learned to improve it. What criticisms have we not heard of late in fa|vour of blank verse, and Pindaric odes, cho|russes, anapests and iambics, alliterative care and happy negligence! Every absurdity has now a champion to defend it, and as he is generally
much in the wrong, so he has always much to say; for error is ever talkative.
But there is an enemy to this art still more dan|gerous, I mean party. Party entirely distorts the judgment, and destroys the taste. A mind capable of relishing general beauty, when once infected with this disease, can only find pleasure in what contributes to increase the distemper. Like the tyger that seldom desists from pursuing man after having once preyed upon human flesh, the reader, who has once gratified his appetite with calumny, makes, ever after, the most agree|able feast upon murdered reputation. Such readers generally admire some half-witted thing, who wants to be thought a bold man, having lost the character of a wise one. Him they dig|nify with the name of poet; his lampoons are called satires, his turbulence is said to be force, and his phrenzy fire.
What reception a poem may find, which has neither abuse, party, nor blank verse to support it, I cannot tell, nor am I much solicitous to know. My aims are right. Without espousing the cause of any party, I have attempted to mo|derate the rage of all. I have endeavoured to shew, that there may be equal happiness in other states, though differently governed from our own; that each state has a particular principle
of happiness, and that this principle in each state, and in our own in particular, may be carried to a mischievous excess. There are few can judge, better than yourself, how far these positions are illustrated in this poem.
I AM, SIR, YOUR MOST AFFECTIONATE BROTHER, OLIVER GOLDSMITH.
THE DESERTED VILLAGE.
DEAR SIR,
I CAN have no expectations in an address of this kind, either to add to your reputation, or to es|tablish my own. You can gain nothing from my admiration, as I am ignorant of that art in which you are said to excel; and I may lose much by the severity of your judgment, as few have a juster taste in poetry than you. Setting interest therefore aside, to which I never paid much attention, I must be indulged at present in following my affections. The only dedication I ever made was to my brother, because I loved him better than most other men. He is since dead. Permit me to inscribe this Poem to you.
How far you may be pleased with the versi|cation and mere mechanical parts of this at|tempt, I don't pretend to enquire; but I know you will object (and indeed several of our best and wisest friends concur in the opinion) that the depopulation it deplores is no where to be seen, and the disorders it laments are only to be found in the poet's own imagination. To this I can scarce make any other answer than that I sincere|ly believe what I have written; that I have taken all possible pains, in my country excursions, for these four or five years past, to be certain of
what I alledge, and that all my views and enquiries have led me to believe those miseries real, which I here attempt to display. But this is not the place to enter into an enquiry whether the country be depopulating or not; the discussion would take up much room, and I should prove myself, at best, an indifferent politician, to tire the reader with a long preface, when I want his unfatigued attention to a long poem.
In regretting the depopulation of the country, I inveigh against the increase of our luxuries; and here also I expect the shout of modern politi|cians against me. For twenty or thirty years past, it has been the fashion to consider luxury as one of the greatest national advantages; and all the wisdom of antiquity in that particular, as er|roneous. Still, however, I must remain a pro|fessed ancient on that head, and continue to think those luxuries prejudicial to states, by which so many vices are introduced, and so ma|ny kingdoms have been undone. Indeed, so much has been poured out of late on the other side of the question, that, merely for the sake of novelty and variety, one would sometimes wish to be in the right.
I AM, DEAR SIR, YOUR SINCERE FRIEND, AND ARDENT ADMIRER, OLIVER GOLDSMITH.
THE title and nature of this POEM, shew that it owed its birth to some preceding circumstances of festive merriment, which, from the wit of the company, and the very ingenious Author's peculiar oddities, were probably enlivened by some poignant strokes of hu|mour. This piece was only intended for the Doctor's private amuse|ment, and that of the particular friends who were its subject; and he unfortunately did not live to revise, or even finish it, in the manner which he intended.
The master of the St James's coffee-house, where the Doctor, and the friends he has characterized in this Poem, held an occasional club.
Doctor Barnard, Dean of Derry in Ireland, author of many in|genious pieces.
Mr Edmund Burke, member for Wendover, and one of the great|est orators in this kingdom.
Mr William Burke, late Secretary to General Conway, and mem|ber for Bedwin.
Mr Richard Burke, Collector of Granada, no less remarkable in the walks of wit and humour than his brother Edmund Burke is justly di|stinguished in all the branches of useful and polite literature.
Author of the West-Indian, Fashionable Lover, the Brothers, and other dramatic pieces.
Doctor Douglas, Canon of Windsor, an ingenious Scotch gentle|man, who has no less distinguished himself as a Citizen of the World, than a sound Critic, in detecting several literary mistakes, or rather forgeries of his countrymen; particularly Lauder on Milton, and Bower's History of the Popes.
David Garrick, Esq joint Patentee and acting Manager of the Theatre-Royal, Drury-Lane.
Counsellor John Ridge, a gentleman belonging to the Irish bar, the relish of whose agreeable and pointed conversation is admitted, by all his acquaintance, to be very properly compared to the above sauce.
Sir Joshua Reynolds, President of the Royal Academy.
An eminent Attorney.
Mr. T. Townsend, Member for Whitchurch.
Mr Richard Burke. This gentleman having slightly fractured one of his arms and legs, at different times, the Doctor has rallied him on those accidents, as a kind of retributive justice for breaking his jests upon other people.
Sir Joshua Reynolds is so remarkably deaf as to be under the ne|cessity of using an ear trumpet in company.