A collection of poems in six volumes. By several hands: [pt.6]
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- A collection of poems in six volumes. By several hands: [pt.6]
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- London :: printed by J. Hughs, for R. and J. Dodsley,
- 1763.
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"A collection of poems in six volumes. By several hands: [pt.6]." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004887768.0001.006. University of Michigan Library Digital Collections. Accessed April 24, 2025.
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The Nymphs who preside over springs and rivulets are ad|dressed at day-break in honour of their several functions, and of the relations which they bear to the natural and to the moral world. Their origin is deduced from the first allegorical deities, or powers of nature; according to the doctrine of the old mythological poets, concerning the gene|ration of the Gods and the rise of things. They are then successively considered, as giving motion to the air and ex|citing summer-breezes; as nourishing and beautifying the vegetable world; as contributing to the fulness of na|vigable rivers, and consequently to the maintenance of commerce; and by that means, to the maritime part of mi|litary power. Next is represented their favourable in|fluence upon health, when assisted by rural exercise: which introduces their connection with the art of physic, and the happy effects of mineral, medicinal springs. Lastly, they are celebrated for the friendship which the Muses bear them, and for the true inspiration which temperance only can receive: in opposition to the enthusiasm of the more licentious poets.
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[figure] HYMN TO THE NAIADS.
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ODE To the Right Honourable FRANCIS Earl of HUNTINGDON. MDCCXLVII.
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ODE To the Right Reverend BENJAMIN Lord Bishop of WINCHESTER.
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INSCRIPTIONS.
I. For a GROTTO.
TO me, whom in their lays the shepherds call Actaea, daughter of the neighbouring stream, This cave belongs. The fig-tree and the vine, Which o'er the rocky entrance downward shoot,Page 30
II. For a Statue of CHAUCER at WOODSTOCK.
SUCH was old Chaucer. such the placid mien Of him who first with harmony inform'd The language of our fathers. Here he dwelt For many a cheerful day. these ancient walls Have often heard him, while his legends blithe He sang; of love, or knighthood, or the wiles Of homely life: through each estate and age, The fashions and the follies of the worldPage 31
III.
WHOE'ER thou art whose path in summer lies Through yonder village, turn thee where the grove Of branching oaks a rural palace old Imbosoms. there dwells Albert, generous lord Of all the harvest round. and onward thence A low plain chapel fronts the morning light Fast by a silent rivilet. Humbly walk, O stranger, o'er the consecrated ground; And on that verdant hilloc, which thou see'st Beset with osiers, let thy pious hand Sprinkle fresh water from the brook and strew Sweet-smelling flow'rs. for there doth Edmund rest, The learned shepherd; for each rural art Fam'd, and for songs harmonious, and the woes Of ill-requited love. The faithless pride Of fair Matilda sank him to the gravePage 32
IV.
O YOUTHS and virgins: O declining eld: O pale misfortune's slaves: O ye who dwell Unknown with humble quiet; ye who wait In courts, or fill the golden seat of kings: O sons of sport and pleasure: O thou wretch That weep'st for jealous love, or the sore wounds Of conscious guilt, or death's rapacious hand Which left thee void of hope: O ye who roam In exile; ye who through the embattled field Seek bright renown; or who for nobler palms Contend, the leaders of a public cause; Approach: behold this marble. Know ye not The features? Hath not oft his faithful tonguePage 33
V.
GULIELMUS III. FORTIS, PIUS, LIBERATOR, CUM INEUNTE AETATE PATRIAE LABENTI ADFUISSET SALUS IPSE UNICA; CUM MOX ITIDEM REIPUBLICAE BRITANNICAE VINDEX RENUNCIATUS ESSET ATQUE STATOR; TUM DENIQUE AD ID SE NATUM RECOGNOVIT ET REGEM FACTUM, UT CURARET NE DOMINO IMPOTENTI CEDERENT PAX, FIDES, FORTUNA, GENERIS HUMANI. AUCTORI PUBLICAE FELICITATIS P. G. A. M. A.
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VI. For a Column at RUNNYMEDE.
THOU, who the verdant plain dost traverse here, While Thames among his willows from thy view Retires; O stranger, stay thee, and the scene Around contemplate well. This is the place Where England's ancient barons, clad in arms And stern with conquest, from their tyrant king (Then render'd tame) did challenge and secure The charter of thy freedom. Pass not on Till thou have bless'd their memory, and paid Those thanks which God appointed the reward Of public virtue. And if chance thy home Salute thee with a father's honour'd name, Go, call thy sons: instruct them what a debt They owe their ancestors; and make them swear To pay it, by transmitting down intire Those sacred rights to which themselves were born,Page 35
ODE.
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ODE TO THE TIBER. WRITTEN ABROAD.
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ELEGIES.
ELEGY I. Written at the CONVENT of HAUT VILLERS in CHAMPAGNE, 1754.
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ELEGY II. On * 1.5 the MAUSOLEUM of AUGUSTUS. To the Right Honourable George Bussy Villiers, Viscount Villiers. Written at ROME, 1756.
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ELEGY III. To the Right Honourable George Simon Harcourt, Visc. Newnham. Written at ROME, 1756.
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ELEGY IV. To an OFFICER. Written at Rome, 1756.
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ELEGY V. To a FRIEND Sick. Written at Rome, 1756.
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ELEGY VI. To another FRIEND. Written at Rome, 1756.
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The LYRIC MUSE to Mr. MASON. On the Recovery of the Right Honourable the Earl of HOLDERNESSE from a dangerous Illness.
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On the IMMORTALITY of the SOUL.
BOOK I.
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BOOK II.
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The ARBOUR: An ODE to CONTENTMENT.
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The GROTTO: An ODE to SILENCE.
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The DROPSICAL MAN.
A JOLLY, brave toper, who cou'd not forbear Tho' his life was in danger, old port and stale beer, Gave the doctors the hearing—but still wou'd drink on, Till the dropsy had swell'd him as big as a ton. The more he took physic the worse still he grew, And tapping was now the last thing he cou'd do. Affairs at this crisis, and doctors come down, He began to consider—so sent for his son. Tom, see by what courses I've shorten'd my life, I'm leaving the world ere I'm forty and five; More than probable 'tis, that in twenty-four hours, This manor, this house, and estate will be yours; My early excesses may teach you this truth, That 'tis working for death to drink hard in one's youth. Says Tom, (who's a lad of a generous spirit, And not like young rakes who 're in haste to inherit,) Sir, don't be dishearten'd; altho' it be true, Th' operation is painful, and hazardous too, 'Tis no more than what many a man has gone thro'. And then, as for years, you may yet be call'd young, Your life after this may be happy and long. Don't flatter me, Tom, was the father's reply, With a jest in his mouth and a tear in his eye; Too well by experience, my vessels, thou know'st, No sooner are tap'd, but they give up the ghost.Page 126
PARADISE REGAIN'D.
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To the Right Hon. Sir ROBERT WALPOLE.
— Quod censet amiculus, ut si Caecus iter monstrare velit.— HOR.
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To a LADY on a LANDSCAPE of her Drawing.
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ODE to CUPID on VALENTINE'S Day.
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To the Honourable and Reverend F. C.
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To the Reverend T — T—, D. D.
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VACATION.
HENCE sage, mysterious Law, That sitt'st with rugged brow, and crabbed look O'er thy black-letter'd book, And the night-watching student strik'st with awe; Away with thy dull train, Slow-pac'd Advice, Surmise, and squint-ey'd Doubt Dwell with the noisy rout Of busy men, 'mid cities and throng'd halls, Where Clamour ceaseless bawls, And enmity and strife thy state sustain. But on me thy blessings pour, Sweet Vacation. Thee, of yore, In all her youth and beauty's prime, Summer bore to aged Time, As he one sunny morn beheld her Tending a field of corn: the elder There 'mid poppies red and blue, Unsuspected nearer drew, And, with softly-sliding pace Hast'ning to a stol'n embrace,Page 149
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To a LADY very handsome, but too fond of DRESS.
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ANACREON. ODE III.
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An Imitation of HORACE, Ode II. Book III. Angustam amice, &c.
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A Reply to a Copy of Verses made in Imitation of Ode II. Book III. of HORACE. Angustam amice pauperiem pati, &c. And sent by Mr. TITLEY to Dr. BENTLEY.
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Inscription on a GROTTO of Shells at CRUX-EASTON, the Work of Nine young Ladies.
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VERSES occasioned by seeing a GROTTO built by Nine Sisters.
SO much this building entertains my sight, Nought but the builders can give more delight; In them the master-piece of Nature's shown, In this I see Art's master-piece in stone. O! Nature, Nature, thou hast conquer'd Art; She charms the sight alone, but you the heart.An EXCUSE for INCONSTANCY, 1737.
WHEN Phoebus's beams are withdrawn from our sight, We admire his fair sister, the regent of night; Tho' languid her beauty, tho' feeble her ray, Yet still she's akin to the God of the day.Page 163
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To VENUS. A RANT, 1732. Set to Music by Dr. HAYES,
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The POWER of MUSIC. A SONG. Imitated from the SPANISH.
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LETTER from SMYRNA to his Sisters at CRUX-EASTON, 1733.
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Part of a LETTER to my Sisters at CRUX-EASTON, wrote from CAIRO in EGYPT, AUGUST 1734.
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LETTER from MARSEILLES to my Sisters at CRUX-EASTON, MAY 1735.
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The HISTORY of PORSENNA, King of RUSSIA IN TWO BOOKS.
Arva, beata Petamus arva, divites et insulas. HOR. Epod, 16
BOOK I.
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BOOK II.
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The EVER-GREEN.
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ANSWER.
CANDOUR.
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LYSANDER to CLOE.
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CLOE to LYSANDER.
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To the Memory of an agreeable LADY bury'd in Marriage to a Person undeserving her.
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An ELEGY, written on VALENTINE Morning.
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The DOWAGER.
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ODE to the Honourable ****
NOW Britain's senate, far renown'd, Assembles full an aweful band! Now Majesty with golden circle crown'd, Mounts her bright throne, and waves her gracious hand. "Ye chiefs of Albion with attention hear, "Guard well your liberties, review your laws, "Begin, begin th' important year, "And boldly speak in Freedom's cause." Then starting from her summer's rest Glad Eloquence unbinds her tongue. She feels rekindling raptures wake her breast, And pours the sacred energy along. 'Twas here great Hampden's patriot voice was heard, Here Pym, Kimbolton fir'd the British soul, When Pow'r her arm despotic rear'd But felt a senate's great controul. 'Twas here the pond'ring worthies sat, Who fix'd the crown on William's head, When awe-struck tyranny renounc'd the state, And bigot JAMES his injur'd kingdoms fled.Page 227
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To Miss ****. By Miss ELISA CARTER.
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Lady MARY W***, to Sir W*** Y***
Sir W***** Y*****'s Answer.
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Miss SOPER'S Answer to a Lady, who invited her to retire into a monastic Life at St. CROSS, near WINCHESTER.
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REPENTANCE.
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A SONG.
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CYNTHIA, an Elegiac POEM.
—Libeat tibi Cynthia mecum Roscida muscosis antra tenere jugis. PROPERT.
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DIALOGUE to CHLORINDA.
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To CHLORINDA.
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The Fable of IXION. To CHLORINDA.
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A TALE. To CHLORINDA.
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ODE on Lyric POETRY.
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ARION, an ODE.
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HORACE, Book II. Ode II. Quid bellicosus Cantaber, &c. Imitated by Lord B—H.—PAUL to FAZ.
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A PANEGYRIC on ALE.
—Mea nec Falernae Temperant vites, neque Formiani Pocula colles. HOR.
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ODE to the Genius of ITALY, occasioned by the Earl of CORKE'S going Abroad.
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To C*** P****, Esq
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Epistle from the late Lord Viscount B—GB—KE to Miss LUCY A—K—NS.
DEAR thoughtless CLARA to my verse attend, Believe for once thy lover and thy friend; Heaven to each sex has various gifts assign'd, And shewn an equal care of human-kind; Strength does to man's imperial race belong, To yours that beauty which subdues the strong; But as our strength when misapply'd, is lost, And what should save, urges our ruin most; Just so, when beauty prostituted lies, Of bawds the prey, of rakes th' abandon'd prize, Women no more their empire can maintain, Nor hope, vile slaves of lust, by love to reign. Superior charms but make their case the worse, And what should be their blessing, proves their curse. Oh nymph! that might, reclin'd on Cupid's breast, Like Psyche, sooth the God of love to rest; Or, if ambition mov'd thee, Jove enthral, Brandish his thunder, and direct its fall; Survey thyself, contemplate ev'ry grace Of that sweet form, of that angelic face, Then CLARA say, were those delicious charms Meant for lewd brothels, and rude ruffians arms? No CLARA, no! that person, and that mind, Were form'd by nature, and by heaven design'dPage 268
The CHEAT's APOLOGY.
'Tis my vocation, Hal! SHAKESPEAR.
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SONG.
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Another.
To Mr. GRENVILLE on his intended Resignation.
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To Mr. GARRICK, on his erecting a Temple and Statue to SHAKESPEAR.
—Viridi in campo signum de marmore ponant Propter aquam, tardis ingens ubi flexibus errat Thamesis; et multâ praetexit arundine ripas; In medio mihi SHAKESPEAR erit, templumque tenebit. VIRGIL.
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Quod spiro, et placeo, si placeo tuum est— HOR.
On the Birth-Day of SHAKESPEAR. A CENTO. Taken from his Works.
Naturâ ipsâ valere, et mentis viribus excitari, et quasi quodam divino spiritu afflari. CICERO.
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An ODE to SCULPTURE.
LED by the Muse, my step pervades The sacred haunts, the peaceful shades, Where Art and Sculpture reign: I see, I see, at their command, The living stones in order stand, And marble breathe through ev'ry vein! Time breaks his hostile scythe; he sighs To find his pow'r malignant fled; "And what avails my dart, he cried, "Since these can animate the dead? "Since wak'd to mimic life, again in stone "The patriot seems to speak, the heroe frown?"Page 277
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True RESIGNATION.
Aequam memento rebus in arduis Servare mentem. HORAT.
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An EPISTLE from the King of PRUSSIA, to Monsieur VOLTAIRE. 1757.
CROYEZ que si j' etois, Voltaire, Particulier aujourdhui, Me contentant du necessaire, Je verrois envoler la Fortune legere, Et m' en mocquerois comme lui. Je connois l' ennui des grandeurs, Le fardeau des devoirs, le jargon des flateurs, Et tout l' amas des petitesses, Et leurs genres et leurs especes, Dont il faut s' occuper dans le sein des honneurs. Je meprise la vaine gloire, Quoique Poëte et Souverain, Quand du ciseau fatal retranchant mon destin Atropos m' aura vu plongé dans la nuit noire, Que m' importe l' honneur incertain De vivre apres ma mort au temple de Memoire: Un instant de bonheur vaut mille ans dans l' histoire. Nos destins sont ils donc si beaux? Le doux Plaisir et la Mollesse, La vive et naïve Allegresse Ont toujours fui des grands, la pompe, et les faisceaux, Nes pour la liberté leurs troupes enchantresses Preferent l' aimable paresse Aux austeres devoirs guides de nos travaux.Page 282
Translated into English.
VOLTAIRE, believe me, were I now In private life's calm station plac'd, Let Heav'n for nature's wants allow, With cold indiff'rence would I view Changing Fortune's winged haste, And laugh at her caprice like you. Th' insipid farce of tedious state, Imperial duty's real weight,Page 283
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At seeing * 1.41 Archbishop WILLIAMS'S Monument in CARNARVONSHIRE.
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Extempore Verses upon a Trial of Skill between the two great Masters of Defence, Messieurs FIGG and SUTTON.
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A Letter from Cambridge to a young Gentleman at Eton School.
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The INDOLENT.
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The SONG of SIMEON paraphrased.
'TIS enough — the hour is come. Now within the silent tomb Let this mortal frame decay, Mingled with its kindred clay; Since thy mercies oft of old By thy chosen seers foretold,Page 296
On the Invention of LETTERS.
TELL me what Genius did the art invent, The lively image of the voice to paint; Who first the secret how to colour sound, And to give shape to reason, wisely found; With bodies how to cloath ideas, taught; And how to draw the picture of a thought:Page 297
The ANSWER.
THE noble art to Cadmus owes its rise, Of painting words, and speaking to the eyes; He first in wond'rous magic fetters bound The airy voice, and stop'd the flying sound: The various figures by his pencil wrought, Gave colour, form, and body to the thought.On WIT.
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On a SPIDER.
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The PLAY-THING chang'd.
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The FABLE of JOTHAM: To the BOROUGH-HUNTERS.
Jotham's fable of the trees is the oldest that is extant, and as beautiful as any which have been made since that time. ADDISON.
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An Elegy written in an empty Assembly-Room.
—Semperque relinqui Sola sibi— VIRG.
This poem being a parody on the most remarkable passages in the well-known epistle of Eloisa to Abelard, it was thought unnecessary to transcribe any lines from that poem, which is in the hands of all, and in the memory of most readers.
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The FAKEER: A TALE.
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To Mr. WHITEHEAD, On his being made POET LAUREAT.
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Verses on the Prospect of planting ARTS and LEARNING in AMERICA.
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To Mr. MASON.
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ODE. To INDEPENDENCY.
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ODE. On MELANCHOLY. To a FRIEND.
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ODE.
〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉— PINDAR, Olymp. II.
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ODE.
The following Ode is founded on a tradition current in Wales, that EDWARD the First, when he compleated the conquest of that country, ordered all the Bards, that fell into his hands, to be put to death.
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Notes
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* 1.1
Homer.
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* 1.2
Octavius Caesar.
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* 1.3
Mr. Locke died in 1704, when Mr. Hoadly was begin|ning to distinguish himself in the cause of civil and religious liberty: Lord Godolphin in 1712, when the doctrines of the Jacobite faction were chiefly favour'd by those in power: Lord Somers in 1716, amid the practices of the nonjuring clergy against the protestant establishment; and lord Stanhope in 1721, during the controversy with the lower house of con|vocation.
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* 1.4
The Flaminian way.
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* 1.5
It is now a garden belonging to Marchese di Corré.
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* 1.6
He is said to be the first person buried in this monument.
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† 1.7
Quantus ille virum magnum Mavortis ad urbem Campus aget gemitus!
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‡ 1.8
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a 1.9
The trophies of Marius, now erected before the Capitol.
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b 1.10
The Insula Tiberina, where there are still some small remains of the famous temple of Aesculapius.
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c 1.11
The medal of Marcus Aurelius.
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a 1.12
Lord Somers.
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b 1.13
Duke of Marlborough.
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c 1.14
Dean Swift.
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d 1.15
Bishop of Worcester.
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a 1.16
This temple was probably in the city of Thebes, fo•• Cebes was a Theban.
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b 1.17
Devout offerings, for the most part in discharge of vows.
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c 1.18
The Caselian and Salmasian editions read 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉 wicked, instead of 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉 bitter. JOHNSON.
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d 1.19
Vid. v. 186.
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c 1.20
The first court, or the sensual life.
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f 1.21
The second court, or the studious life.
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g 1.22
The third court, or the virtuous life.
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h 1.23
Apostates.
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i 1.24
The distinction between Opinion and Knowledge.
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k 1.25
The instructions of the Genius.
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l 1.26
Natural knowledge, how far useful, and when unprofitable and hurtful.
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a 1.27
The seat of the honourable R. H—t.
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b 1.28
Wotton, the author's parish in the isle of Wight.
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c 1.29
Dido.
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d 1.30
Iliad.
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e 1.31
Socrates.
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f 1.32
At Crux-Easton.
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* 1.33
Or stive, stipant.
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* 1.34
— On her left breast A mole cinque-spotted: like the crimson drops I' th' bottom of a cowslip. Shakespear's Cymbeline, Act 3.
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* 1.35
Noted alehouses in Oxford.
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* 1.36
Noted alehouses in Oxford.
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a 1.37
Socrates, who was condemned to die by poison.
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b 1.38
Seneca, born at Corduba, who, according to Pliny, was orator, poet, and philosopher. He bled to death in the bath.
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c 1.39
Semiramis, cum ei circa cultum capitis sui occupatae nun|ciatum esset Babylonem defecisse; alterâ parte crinium adhuc solutâ protinus ad eam expugnandum cucurrit: nec prius de corum capillorum in ordinem quam tantam urbem in potesta+tem suam redegit: quocircà statua ejus Babylone posita est &c. Val. Max. de Ira
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d 1.40
A noble statue of Sir Isaac Newton, erected in Trinity College chapel, by Dr. Smith.
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* 1.41
John Williams was consecrated bishop of Lincoln, November 11. 1621. was translated to York December 4. 1641▪ and died March 25. 1649. and was buried at Landegay near Bangor.
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b 1.42
He was made lord keeper of the great seal July 20. 1621.
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* 1.43
The title of a book of modern devotion.
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* 1.44
Andrew Marvell, born at Kingston upon Hull in the Year 1620.
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† 1.45
Parker, bishop of Oxford.
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* 1.46
Richard the Second, (as we are told by Archbishop Scroop, Thomas of Walsingham, and all the older Writers,) was starved to death. The story of his assassination by Sir Piers of Exon, is of much later date.
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* 1.47
Eleanor of Castile, died a few years after the conquest of Wales. The heroic proof she gave of her affection for her Lord is well known. The monuments of his regret, and sorrow for the loss of her, are still to be seen in several parts of England.
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† 1.48
Accession of the line of Tudor.
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* 1.49
Taliessin, Chief of the Bards, flourish'd in the VIth Cen|tury. His works are still preserved, and his memory held in high veneration among his Countrymen.