A collection of poems in six volumes. By several hands: [pt.4]
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- A collection of poems in six volumes. By several hands: [pt.4]
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- London :: printed by J. Hughs, for R. and J. Dodsley,
- 1763.
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"A collection of poems in six volumes. By several hands: [pt.4]." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004887768.0001.004. University of Michigan Library Digital Collections. Accessed April 25, 2025.
Pages
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The EPITAPH.
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HYMN to ADVERSITY.
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EDUCATION. A POEM: IN TWO CANTOS.
Written in Imitation of the Style and Manner of SPENSER's FAIRY QUEEN.
Inscribed to Lady LANGHAM, Widow of Sir JOHN LANGHAM, Bart.
Unum studium vere liberale est, quod liberum facit. Hoc sapientiae studium est, sublime, forte, magnanimum: cae∣tera pusilla & puerilia sunt.—Plus scire velle quàm sit satis intemperantiae genus est. Quid, quòd ista liberalium artium consectatio molestos, verbosos, intempestivos, sibi placentes facit, & ideo non dicentes necessaria, quia super∣vacua didicerunt. SEN. Ep. 88.
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CANTO I.
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PENSHURST. INSCRIBED TO WILLIAM PERRY, Esq AND The Honourable Mrs. ELIZABETH PERRY.
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TO THE Hon. WILMOT-VAUGHAN, Esq in WALES.
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AN EPISTLE ADDRESS'D TO Sir THOMAS HANMER, On his EDITION of SHAKESPEAR'S WORKS.
SIR,
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A SONG FROM SHAKESPEAR's CYMBELINE.
Sung by GUIDERUS and ARVIRAGUS over FIDELE, supposed to be dead.
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ELEGY To Miss D — W — D.
In the Manner of OVID.
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Answer to the foregoing Lines.
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EPISTLES in the Manner of OVID. MONIMIA to PHILOCLES.
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FLORA to POMPEY.
Pompey, when he was very young, fell in love with Flora, a Roman courtezan, who was so very beautiful that the Ro∣mans had her painted to adorn the temple of Castor and Pollux. Geminius (Pompey's friend) afterwards fell in love with her too; but she, prepossessed with a passion for Pompey, would not listen to Geminius. Pompey, in compassion to his friend, yielded him his mistress, which Flora took so much to heart, that she fell dangerously ill upon it; and in that sickness is supposed to write the following letter to Pompey.
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ARISBE to MARIUS Junior.
When Marius was expelled from Rome by Sylla's faction, and retired into Africa, his son (who accompany'd him) fell into the hands of Hiempsal king of Numidia, who kept him prisoner. One of the mistresses of that king fell in love with Marius ju∣nior, and was so generous to contrive and give him his liberty, though by that means she sacrificed her love for ever. 'Twas after he had rejoin'd his father, that she writ him the follow∣ing letter.
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ROXANA to USBECK.
From LES LETTRES PERSANNES.
Roxana, one of Usbeck's wives, was found (whilst he was in Europe) in bed with her lover, whom she had privately let into the seraglio. The guardian eunuch who discovered them, had the man murdered on the spot, and her close guarded till he received instructions from his master how to dispose of her. During that interval she swallowed poyson, and is supposed to write the following letter whilst she is dying.
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EPILOGUE design'd for SOPHONISBA, And to have been spoken by Mrs. OLDFIELD.
BEFORE you sign poor Sophonisba's doom, In her behalf petitioner I come; Not but our author knows, whate'er I say, That I could find objections to his play. This double marriage for her country's good, I told him never would be understood, And that ye all would say, 'twas flesh and blood. Had Carthage only been in madam's head, Her champion never had been in her — bed: For could the ideot think a husband's name Would make him quit his interest, friends and fame; That he would risque a kingdom for a wife, And act dependent in a place for life? Yet when stern Cato shall condemn the fair, Whilst publick good she thunder'd in your ear, If private interest had a little share. You know, she acted not against the laws Of those old-fashion'd times; that in her causePage 104
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An Imitation of the Eleventh Ode of the First Book of HORACE.
FORBEAR, my dear Stephen, with a fruitless desire Into truths which are better conceal'd to enquire; Perhaps many years are allow'd us by Fate, Or next winter perhaps is the last of their date: Let the credulous fools whom astrologers cheat, Exult or despond, as they vary deceit; Who anticipate care, their own pleasure destroy, And invite disappointment who build upon joy; All ills unforeseen we the easiest endure, What avails to foresee, unless foresight could cure? And from ills by their art how can wretches be freed, When that art must be false, or those ills be decreed? From reflection and hope little comfort we find, To possession alone let thy thoughts be confin'd; To-day's all the treasure poor mortals can boast, For to-morrow's not gained, and yesterday's lost; Even now whilst I write, time steals on our youth, And a moment's cut off from my friendship and truth: Then seize the swift blessing, enjoy the dear now, And take, not expect, what hereafter 'll bestow.Page 106
A LOVE LETTER.
WHAT shall I say to fix thy wav'ring mind, To chase thy doubts, and force thee to be kind? What weight of argument can turn the scale, If intercession from a lover fail? By what shall I conjure thee to obey This tender summons, nor prolong thy stay? If unabated in this constant breast That passion burns which once thy vows profess'd; If absence has not chill'd the languid flame, Its ardour and its purity the same; Indulge those transports, and no more controul The dictates of thy fond consenting soul; By no vain scruple be thy purpose sway'd, And only Love implicitly obey'd: Let inclination this debate decide, Nor be thy prudence, but thy heart thy guide: But real prudence never can oppose What Love suggests, and Gratitude avows: The warm dear raptures which thy bosom move, 'Tis virtue to indulge, 'tis wisdom to improve: For think how few the joys allow'd by Fate, How mix'd the cup, how short their longest date!Page 107
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* 1.69 VERSES to Dr. GEORGE ROGERS, on his taking the Degree of Doctor in Physic at Padua, in the Year 1664.
WHEN as of old the earth's bold children strove, With hills on hills, to scale the throne of Jove; Pallas and Mars stood by their sovereign's side, And their bright arms in his defence employ'd: While the wife Phoebus, Hermes, and the rest, Who joy in peace and love the Muses best, Descending from their so distemper'd seat, Our groves and meadows chose for their retreat. There first Apollo tried the various use Of herbs, and learn'd the virtue of their juice, And fram'd that art, to which who can pretend A juster title than our noble friend, Whom the like tempest drives from his abode, And like employment entertains abroad? This crowns him here; and, in the bays so earn'd, His country's honour is no less concern'd; Since it appears, not all the English rave, To ruin bent: some study how to save. And as Hippocrates did once extend His sacred art, whole cities to amend;Page 110
EDM. WALLER, Anglus. Patavii, typis Pauli Frambotti.
VIRGIL's Tomb. NAPLES 1741.
—Tenues ignavo Pollio chordas Pulso; Maroneique redens in margine templi Suae animum, & magni tumulis adcanto magistri. Stat.
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The LINK. A BALLAD.
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THE SQUIRE of DAMES.
A POEM. In SPENSER's STILE.
In the seventh Canto of the Legend of Chastity, in Spenser's Fairy Queen, the Squire of Dames tells Satyrane, that by order of his mistress Columbel (after having served the ladies for a year) he was sent out a second time, not to return till he could find three hundred women incapable of yielding to any temptation. The bad success he met with in the course of the three years, which is slightly touch'd upon by Spenser, is the foundation of the following poem.
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PROLOGUE.
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CANTO I.
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CANTO II.
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GLOSSARY.
- Amail, enamel
- Avale, bow.
- Brond-iron, a sword
- Blatant-beast, detraction or envy
- Buskets, bushes
- Borrel fere, clownish companion
- Crumenal, purse
- Coronal, crown or garland
- Fortilage, fort
- Flight, arrow
- Kestrel, an hawk
- Levin-brond, thunder-bolt
- Ledden, language
- Pannikel, crown of the head
- To royne, to bite, or gnaw
- Recure, to repair
- Sib, an uncle
- Springal, a youth
- Wimble, shifting to and fro
- Yede, went
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On the Death of a Lady's Owl.
THE Owl expires! death gave the dreadful word, And lovely Anna weeps her fav'rite bird. Ye feather'd choir in willing throngs repair, And sooth the sorrows of the melting fair; In sounds of woe the dear-departed greet, With cypress strew, ye doves, the green retreat; The fateful raven tolls the passing bell, The solemn dirge be sung by Philomel; Sir Chanticlear, a chief of hardy race, Shall guard from kites and daws the sacred place. With your just tears a bard shall mix his own, And thus, in artless verse, inscribe the stone.EPITAPH.
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The VANITY of HUMAN WISHES.
THE Tenth Satire of JUVENAL. IMITATED
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THE TEARS of OLD MAY-DAY.
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SONG for RANELAGH.
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The BENEDICITE Paraphrased.
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An ODE to FANCY.
FANCY, whose delusions vain Sport themselves with human brain; Rival thou of Nature's pow'r, Can'st, from thy exhaustless store, Bid a tide of sorrow flow, And whelm the soul in deepest woe: Or in the twinkling of an eye, Raise it to mirth and jollity. Dreams and shadows by thee stand, Taught to run at thy command, And along the wanton air, Flit like empty Gossimer. Thee, black Melancholy of yore To the swift-wing'd Hermes bore: From the mixture of thy line, Different natures in thee join, Which thou chusest to express By the variance of thy dress.Page 182
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The MONKIES, a TALE.
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An EPITAPH.
QUAE te sub tenerâ rapuerunt, Paeta, juventâ, O utinam me crudelia fata vocent; Ut linquam terras invisaque lumina solis, Utque tuus rursum corpore sim posito.Page 188
Thus TRANSLATED.
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VERSES sent to Dean SWIFT on his Birth-day, with PINE'S HORACE finely bound.
[HORACE speaking.]
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VERSES written in a GARDEN.
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AN ANSWER to a LOVE-LETTER.
IS it to me, this sad lamenting strain: Are heaven's choicest gifts bestow'd in vain? A plenteous fortune, and a beauteous bride, Your love rewarded, gratify'd your pride: Yet leaving her—'tis me that you pursue Without one single charm, but being new. How vile is man! how I detest their ways Of artful falshood, and designing praise! Tasteless, an easy happiness you slight, Ruin your joy, and mischief your delight. Why should poor pug (the mimic of your kind) Wear a rough chain, and be to box confin'd? Some cup, perhaps, he breaks, or tears a fan,— While roves unpunish'd the destroyer, man. Not bound by vows, and unrestrain'd by shame, In sport you break the heart, and rend the fame. Nor that your art can be successful here, Th' already plunder'd need no robber fear:Page 194
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In Answer to a LADY who advised RETIREMENT.
YOU little know the heart that you advise; I view this various scene with equal eyes: In crowded courts I find myself alone, And pay my worship to a nobler throne. Long since the value of this world I know, Pity the madness, and despise the show. Well as I can my tedious part I bear, And wait for my dismission without fear. Seldom I mark mankind's detested ways, Not hearing censure, nor affecting praise; And, unconcern'd, my future state I trust To that sole Being, merciful and just.Page 196
An Address of the STATUES at STOWE, to Lord COBHAM, on his Return to his Gardens.
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An ODE ON THE DEATH of Mr. PELHAM.
An honest man's the noblest work of God! POPE.
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VERSES Written at MOUNTAUBAN in FRANCE, 1750.
TARN, how delightful wind thy willow'd waves, But ah! they fructify a land of slaves! In vain thy bare-foot, sun-burnt peasants hide With luscious grapes yon' hill's romantic side; No cups nectareous shall their toils repay, The priest's, the soldier's, and the fermier's prey: Vain glows this sun in cloudless glory drest, That strikes fresh vigour thro' the pining breast; Give me, beneath a colder, changeful sky, My soul's best, only pleasure, LIBERTY! What millions perish'd near thy mournful flood b 1.89 When the red papal tyrant cry'd out—"Blood! Less fierce the Saracen, and quiver'd Moor, That dash'd thy infants 'gainst the stones of yore. Be warn'd ye nations round; and trembling see Dire superstition quench humanity!Page 204
The Revenge of AMERICA.
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The Dying INDIAN.
THE dart of Izdabel prevails! 'twas dipt In double poison—I shall soon arrive At the blest island, where no tigers spring On heedless hunters; where anana's bloom Thrice in each moon; where rivers smoothly glide, Nor thundering torrents whirl the light canoePage 206
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ODE occasion'd by Reading Mr. WEST'S Translation of PINDAR.
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THE PLEASURES of MELANCHOLY. Written in the Year 1745.
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A SONNET; written at W—DE in the Absence of—.
W—DE, thy beechen slopes with waving grain Border'd, thine azure views of wood and lawn, Whilom could charm, or when the joyous Dawn Gan Night's dun robe with slushing purple stain,Page 222
On BATHING. A SONNET.
WHEN late the trees were stript by Winter pale, Fair HEALTH, a Dryad-maid in vesture green, Rejoyc'd to rove 'mid the bleak sylvan scene, On airy uplands caught the fragrant gale, And ere fresh morn the low-couch'd lark did hail Watching the sound of earliest horn was seen. But since gay Summer, thron'd in chariot sheen, Is come to scorch each primrose sprinkled dale,Page 223
To Lady H—Y.
On Sir ROBERT WALPOLE'S Birth-day, AUGUST the 26th.
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The Lawyer's Farewell to his Muse. Written in the Year 1744.
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SOLITUDE. An ODE.
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An ODE To the Right Honourable STEPHEN POYNTZ, Esq &c. &c.
Sensere quid mens rite, quid indoles Nutrita faustis sub penetralibus Posset— Doctrina sed vim promovet insitam, Rectique cultus pectora roborant. HOR. Od. 4. Lib. 4.
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ODE on the Death of MATZEL, a favourite Bull-finch, address'd to Mr. ST—PE, to whom the Author had given the Reversion of it when he left Dresden.
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MARTIALIS EPIGRAMMA. Lib. vi. Ep. 24. Imitated.
COME, Chloe, and give me sweet kisses, For sweeter sure never girl gave: But why in the midst of my blisses Do you ask me how many I'd have? I'm not to be stinted in pleasure, Then pr'ythee my charmer be kind, For whilst I love thee above measure, To numbers I'll ne'er be confin'd. Count the bees that on Hybla are playing, Count the flow'rs that enamel its fields, Count the flocks that on Tempe are straying, Or the grain that rich Sicily yields; Go number the stars in the heaven, Count how many sands on the shore, When so many kisses you've given I still shall be craving for more. To a heart full of love let me hold thee, To a heart which, dear Chloe, is thine; With my arms I'll for ever enfold thee, And twist round thy limbs like a vine.Page 246
The Progress of DISCONTENT. A POEM. Written at Oxford in the Year 1746.
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The FIRE-SIDE.
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TO-MORROW.
Pereunt et Imputantur.
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On Lord COBHAM'S Gardens.
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To a Child of Five Years old.
FAIREST flow'r, all flow'rs excelling, Which in Eden's garden grew; Flow'rs of Eve's' imbower'd dwelling a 1.103, Are, my Fair-one, types of you. Mark, my Polly, how the roses Emulate thy damask cheek; How the bud its sweets discloses, Buds thy opening bloom bespeak. Lilies are, by plain direction, Emblems of a double kind; Emblems of thy fair complexion, Emblems of thy fairer mind. But, dear girl, both flow'rs and beauty Blossom, fade, and die away; Then pursue good sense and duty, Evergreens, that ne'er decay.Page 258
Father FRANCIS'S Prayer. Written in Lord WESTMORLAND'S Hermitage.
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To the Right Hon. HENRY PELHAM, Esq
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An ODE Performed in the Senate-House at Cambridge July 1, 1749, At the Installation of his Grace THOMAS HOLLES Duke of NEWCASTLE CHANCELLOR of the University.
—canit errantem Permessi ad flumina Gallum Aonas in montes ut duxerit una sororum; Utque viro Phoebi chorus assurrexerit omnis. VIRGIL
Set to Musick by Mr. BOYCE, Composer to his Majesty.
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ODE to an AEOLUS's * 1.119 Harp. Sent to Miss SHEPHEARD.
YES, magic lyre! now all compleat Thy slender frame responsive rings, While kindred notes with undulation sweet Accordant wake from all thy vocal strings. Go then to her, whose soft request Bade my blest hands thy form prepare; Ah go, and sweetly sooth her tender breast With many a warble wild, and artless air. For know, full oft, while o'er the mead Bright June extends her fragrant reign. The Fair shall place thee near her slumb'ring head To court the gales that cool the sultry plain; Then shall the Sylphs, and Sylphids bright, Mild Genii all, to whose high care Her virgin charms are giv'n, in circling flight Skim sportive round thee in the fields of air. Some, flutt'ring 'mid thy trembling strings, Shall catch the rich melodious spoil, And lightly brush thee with their purple wings To aid the zephyrs in their tuneful toil;Page 268
ODE to HEALTH.
Non est vivere, sed valere, vita. MARTIAL.
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A VERNAL ODE. Sent to his Grace the Lord Archbishop of CANTERBURY, March 12, 1754.
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An AUTUMNAL ODE.
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A SONG.
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The GENIUS. An ODE, written in 1717, on occasion of the Duke of MARLBOROUGH'S Apoplexy.
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TRANSLATIONS from HORACE
Book I. Ode XVIII. Invitation to his Mistress.
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Ode VI. Book II. Imitated.
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Book II. Ode XII. Translated.
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To a LADY making a Pin-Basket,
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Captain CUPID.
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ODE on Ambition.
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ODE to FANCY.
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An Address to his Elbow-chair, new cloath'd.
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SONG.
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ODE to a FRIEND wounded in a Duel.
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ODE to NIGHT.
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Written upon leaving a FRIEND'S House in WALES.
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Brecknock, Oct. 16, 1749.
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DENNIS to Mr. THOMSON, Who had procured him a Benefit Night.
REflecting on thy worth, methinks I find Thy various Seasons in their author's mind. Spring opes her blossoms, various as thy Muse, And, like thy soft compassion, sheds her dews. Summer's hot drought in thy expression glows, And o'er each page a tawny ripeness throws. Autumn's rich fruits th' instructed reader gains, Who tastes the meaning purpose of thy strains. Winter—but that no semblance takes from thee: That hoary season yields a type of me. Shatter'd by time's bleak storms I withering lay, Leafless, and whitening in a cold decay! Yet shall my propless ivy, pale and bent, Bless the short sunshine which thy pity lent.Page 305
SONG. 1753.
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I. S. H.
The BULFINCH in Town.
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SONG. Written in Winter 1745.
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Written to a near Neighbour in a tempestuous Night, 1748.
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Written at a Ferme Ornee near Birmingham; August 7th, 1749.
'TIS Nature here bids pleasing scenes arise, And wisely gives them Cynthio, to revise: To veil each blemish; brighten every grace; Yet still preserve the lovely Parent's face. How well the bard obeys, each valley tells; These lucid streams, gay meads, and lonely cells;Page 311
The GOLDFINCHES. An Elegy.
—Ingenuas didicisse fideliter artes Emollit mores, nec sinit esse feros.
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The BLACKBIRDS. An Elegy.
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The RAKE.
—Video meliora proboque, Deteriora sequor. HOR.
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FLOWERS.
—Ego apis matinae More modoque, Grata carpentis thyma. HOR.
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SONG.
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The CABINET. Or, Verses on Roman Medals. To Mr. W.
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PANACEA: Or, The Grand RESTORATIVE.
WELCOME to Baiae's streams, ye sons of spleen, Who rove from spa to spa — to shift the scene. While round the steaming fount you idly throng, Come, learn a wholsome secret from my song. Ye fair, whose roses feel th' approaching frost, And drops supply the place of spirits lost: Ye 'squires, who rack'd with gouts, at heav'n repine, Condemn'd to water for excess in wine: Ye portly cits, so corpulent and full, Who eat and drink 'till appetite grows dull:Page 327
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The HEROINES, or Modern Memoirs,
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The PARTING. Written some Years after Marriage.
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ODE to MEMORY. 1748.
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The Princess ELIZABETH: A Ballad, alluding to a Story recorded of her, when she was a Prisoner at Woodstock, 1554.
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ODE to a Young Lady, Somewhat too sollicitous about her Manner of Expression.
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VERSES written towards the close of the Year 1748, to WILLIAM LYTTELTON, Esq
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SONGS.
I.
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II. DAPHNE'S Visit.
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III. The ROSE-BUD.
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IV. Written in a Collection of Bacchanalian Songs.
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V. Imitated from the FRENCH.
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RURAL INSCRIPTIONS.
On a ROOT-HOUSE.
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OBERON▪
II. In a shady Valley, near a running Water.
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III. On a small Building in the Gothick Taste.
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A Pastoral BALLAD, in Four Parts. Written 1743.
Arbusta humilesque myricae. VIRG.
I. ABSENCE.
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II. HOPE.
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III. SOLICITUDE.
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IV. DISAPPOINTMENT.
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Notes
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a 1.1
Nurture, Education.
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b 1.2
Phaedîa is a Greek word, signifying Education.
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c 1.3
Areeds, counsels.
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d 1.4
Parent tree, the sacred olive.] This tree grew in the Altis, or sacred grove of Olympick Jupiter at Olympia, having, as the Eleans pretended, been originally planted there by Hercules. It was esteemed sacred, and from that were taken the Olympick crowns. See Pausanias. Eliac. and the Dissertation on the Olympick Games.
-
e 1.5
Guerdons, rewards.
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f 1.6
Palmer, pilgrim. The person here signified is Mr. Locke, characteriz'd by his works.
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g 1.7
Sted, place, station,
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h 1.8
Alse, also, further.
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i 1.9
Mote, might.
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k 1.10
Aye, ever.
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l 1.11
Ne, nor.
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m 1.12
Ensues, follows,
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n 1.13
Thews, manners.
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o 1.14
Fain, earnest, eager.
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p 1.15
Brakes, briars.
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a 1.16
Lond, land.
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b 1.17
Empight, placed.
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c 1.18
Erst, formerly.
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d 1.19
Hight, called, named.
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e 1.20
Dight, drest.
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f 1.21
Emprize, enterprize, attempt.
-
g 1.22
All, used frequently by the old English poets for all-though.
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h 1.23
Whilom, formerly.
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i 1.24
Drad, dreadful.
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k 1.25
Faitour, doer, from faire to do, and fait deed, com∣monly used by Spenser in a bad sense.
-
l 1.26
Seely, simple.
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l 1.27
Teen, pain, grief.
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m 1.28
Astounded, astonish'd.
-
n 1.29
Muchel, much.
-
o 1.30
Lear, learning
-
p 1.31
Albe, although.
-
q 1.32
Mated, amaz'd, scared.
-
r 1.33
Parnasse, Parnassus.
-
s 1.34
Singults, sighs.
-
t 1.35
While-ere, formerly.
-
u 1.36
Sov'ran, for sovereign.
-
x 1.37
The Lacedemonians in order to make their children hardy and endure pain with constancy and courage, were accustomed to cause them to be scourged very severely. And I myself (says Plutarch, in his life of Lycurgus) have seen several of them en∣dure whipping to death, at the foot of the altar of Diana sur∣named Orthia.
-
y 1.38
Lay, mead.
-
z 1.39
Embay'd, bathed, dipt.
-
a 1.40
Stour, trouble, misfortune, &c.
-
b 1.41
Wend arrear, move backwards.
-
c 1.42
Fone, foes.
-
d 1.43
Bet, beat; bray'd, resounded,
-
d 1.44
Bet, beat; bray'd, resounded,
-
e 1.45
Trenchant, cutting.
-
f 1.46
Gride, cut, hack.
-
g 1.47
Pight, placed.
-
h 1.48
Nould be algates, would not by any means.
-
i 1.49
Fay, fairy.
-
k 1.50
Welkin, sky.
-
l 1.51
Hests, behests, precepts, commands.
-
m 1.52
Or ere, before.
-
n 1.53
Over-kest, for over-cast.
-
o 1.54
Sith, since.
-
p 1.55
Lustihead, strong health, vigour.
-
q 1.56
Mould, shape, form.
-
r 1.57
Great lives explain.] I cannot forbear taking occasion from these words to make my acknowledgements to the writers of Biographia Britannica, for the pleasure and profit I have lately received from perusing the two first volumes of that useful and entertaining work, of which the monumental structure above-mentioned, decorated with the statues of great and good men, is no improper emblem. This work, which contains the lives of the most eminent persons, who have flourished in Great Britain and Ireland, from the earliest ages, down to the present time, appears to me, as far as it has hitherto gone, to be executed with great spirit, accuracy, and judgment; and deserves, in my opinion, to be encouraged by all, who have at heart the honour of their country, and that of their particular families and friends; and who can any ways assist the ingenious and laborious authors, to render as perfect as possible, a design so apparently calculated to serve the publick, by setting in the truest and fullest light the characters of persons al∣ready generally, though perhaps too indistinctly known; and re∣trieving from obscurity and oblivion, examples of private and retired merit, which, though less glaring and ostentatious than the former, are not, however, of a less extensive or less bene∣ficial influence. To those, who may happen not to have seen this repository of British glory, I cannot give a better idea of it, than in the following lines of Virgil:
Hic manus ob patriam pugnando vulnera passi; Quique sacerdotes casti, dum vita manebat; Quique pii vates & Phoebo digna locuti; Inventas aut qui vitam excoluere per artes; Quique sui memores alios fecere merendo. Virg. Aen. L. 6.
-
a 1.58
Sir Philip Sidney.
-
b 1.59
Algernon Sidney.
-
c 1.60
An oak in Penshurst park, planted the day Sir Philip Sid∣ney was born, of which Ben Johnson speaks in the following manner:
That taller tree, which of a nut was set, At his great birth, where all the Muses met.
-
d 1.61
The Oedipus of Sophocles.
-
e 1.62
Julius II. the immediate predecessor of Leo X.
-
f 1.63
Their characters are thus distinguished by Dryden.
-
g 1.64
About the time of Shakespear, the poet Hardy was in great repute in France. He wrote, according to Fontenelle, six hundred plays. The French poets after him applied them∣selves in general to the correct improvement of the stage, which was almost totally disregarded by those of our own country, John∣son excepted.
-
h 1.65
The favourite author of the elder Corneille.
-
i 1.66
Tempus erit Turno, magno cum optaverit emptum Intactum pallanta, &c.
-
k 1.67
See the tragedy of Julius Caesar.
-
l 1.68
Coriolanus. See Mr. Spence's dialogue on the Odyssey.
-
* 1.69
This little poem was, among several others on the same occa∣sion, printed by Dr. Rogers, with his inaugural exercise at Pa∣dua; and afterwards in the same manner re-published by him at London, together with his Harveian oration before the college of physicians, in the year 1682; while Mr. Waller was yet living.
-
* 1.70
Adonis.
-
a 1.71
Ver. 1 — 12.
-
b 1.72
Ver. 13 — 22.
-
c 1.73
Ver. 23 — 27.
-
d 1.74
Ver. 28 — 55.
-
e 1.75
Ver. 56—107.
-
f 1.76
Ver. 108 — 113.
-
g 1.77
Ver. 114 — 132.
-
h 1.78
There is a tradition, that the study of friar Bacon, built on an arch over the bridge, will fall, when a man greater than Bacon shall pass under it.
-
i 1.79
Ver. 133 — 146.
-
k 1.80
Ver. 147 — 167.
-
l 1.81
Ver. 168 — 187.
-
m 1.82
Ver. 188 — 288.
-
n 1.83
Ver. 289—345.
-
o 1.84
Ver. 346—366.
-
a 1.85
Alluding to the country custom of gathering May-dew.
-
b 1.86
The plate garlands of London.
-
c 1.87
See Plato.
-
a 1.88
The 6th of March, 1754, was remarkable for the publication the works of a late Lord, and the death of Mr. Pelham.
-
b 1.89
Alluding to the persecutions of the protestants, and the wars of the Saracens, carried on in the Southern provinces of France.
-
a 1.90
See 2. Olym. Od.
-
b 1.91
Alluding to the French and Italian lyric poets.
-
c 1.92
See 1. Pyth. Od.
-
d 1.93
Hor. Od. 3. L. 4.
-
c 1.94
Belinda. See Rape of the Lock.
-
f 1.95
In the island Salamis.
-
g 1.96
See Plutarch in the life of Lysander.
-
h 1.97
Simonides.
-
i 1.98
Laura, twenty years, and ten after her death.
-
k 1.99
Monody on the death of Mrs. Lyttelton.
-
l 1.100
See Idyll.
-
m 1.101
Alluding to the death of a friend.
-
n 1.102
One of the accusers of Socrates.
-
a 1.103
Alluding to Milton's description of Eve's bower.
-
* 1.104
Recitative.
-
* 1.105
Air I.
-
* 1.106
Recitative.
-
* 1.107
Air II.
-
* 1.108
Recitative.
-
* 1.109
Air III.
-
* 1.110
Recitative.
-
* 1.111
Chorus I.
-
* 1.112
Recitative.
-
* 1.113
Air IV.
-
* 1.114
Recitative.
-
* 1.115
Air V.
-
* 1.116
Recitative.
-
* 1.117
Air VI.
-
* 1.118
Full Chorus.
-
* 1.119
This instrument appears to have been invented by KIR∣CHER: who has given a very accurate description of it in his MUSURGIA. After having been neglected above an hundred years, it was again accidentally discovered by Mr. OSWALD. See Vol. III. p. 4. of this Miscellany.
-
* 1.120
Author of Clarissa.
-
* 1.121
The Right Honourable Henry Pelham, Esq died on the 6th of March 1754.
-
* 1.122
Written towards the close of Mr. Somervile's life.
-
* 1.123
Newton is the name of a seat belonging to Sir John Price.
-
* 1.124
Chrysomitris, it seems, is the name for a goldfinch.
-
* 1.125
Claverton near Bath, 1750.