A collection of poems in six volumes. By several hands: [pt.2]
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- A collection of poems in six volumes. By several hands: [pt.2]
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- London :: printed by J. Hughs, for R. and J. Dodsley,
- 1763.
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"A collection of poems in six volumes. By several hands: [pt.2]." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004887768.0001.002. University of Michigan Library Digital Collections. Accessed May 1, 2025.
Pages
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HOPE. ECLOGUE II. To Mr. DODDINGTON.
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JEALOUSY. ECLOGUE III. To Mr. EDWARD WALPOLE.
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POSSESSION. ECLOGUE IV. To the Lord COBHAM.
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SOLILOQUY Of a BEAUTY in the COUNTRY. Written at ETON School.
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BLENHEIM. Written at the University of OXFORD in the Year 1727.
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TO THE Reverend Dr. AYSCOUGH at OXFORD. Written from PARIS in the Year 1728.
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To Mr. POYNTZ, Ambassador at the Congress of SOISSONS, in the Year 1728. Written at PARIS.
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VERSES to be written under a Picture of Mr. POYNTZ.
SUCH is thy form, O Poyntz! but who shall find A hand, or colours, to express thy mind? A mind unmov'd by ev'ry vulgar fear, In a false world that dares to be sincere; Wise without art; without ambition great; Tho' firm, yet pliant; active, tho' sedate; With all the richest stores of Learning fraught, Yet better still by native Prudence taught;Page 35
An Epistle to Mr. POPE. From ROME, 1730.
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To my LORD — In the Year 1730. From WORCESTERSHIRE.
Strenua nos exercet Inertia: Navibus atque Quadrigis petimus bene Vivere: quod petis hic est; Est Ulubris, Animus si te non deficit aequus.
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ADVICE to a LADY.
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SONG. Written in the Year 1732.
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SONG. Written in the Year 1733.
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DAMON and DELIA. In Imitation of HORACE and LYDIA. Written in the Year 1732.
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ODE, in Imitation of PASTOR FIDO.
(O Primavera Gioventu del Anno.) Written Abroad in 1729.
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Part of an ELEGY of TIBULLUS, translated.
(Divitias alius fulvo sibi congerat Auro.) 1729-30.
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SONG. Written in the Year 1732.
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Written at Mr. POPE'S House at Twickenham, which he had lent to Mrs. G—lle. In AUGUST 1735.
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EPIGRAM.
NONE without Hope e'er lov'd the brightest Fair, But Love can hope where Reason would despair.To Mr. WEST at Wickham. Written in the Year 1740.
FAIR Nature's sweet simplicity With elegance refin'd, Well in thy Seat, my friend, I see, But better in my Mind. To both from courts and all their state Eager I fly, to prove Joys far above a courtier's fate, Tranquility and love.Page 58
To Miss LUCY F—
To the Same, with HAMMOND'S Elegies.
ALL that of Love can be express'd In these soft numbers see; But, LUCY, would you know the rest, It must be read in me.Page 59
To the Same.
To the Same.
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A Prayer to VENUS in her Temple at STOWE. To the Same.
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To the Same. On her pleading want of TIME.
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To the Same.
YOUR shape, your lips, your eyes are still the same, Still the bright object of my constant flame; But where is now the tender glance, that stole With gentle sweetness my enchanted soul? Kind fears, impatient wishes, soft desires, Each melting charm that love alone inspires, These, these are lost; and I behold no more The maid, my heart delighted to adore. Yet still unchang'd, still doating to excess, I ought but dare not try to love you less; Weakly I grieve, unpity'd I complain; But not unpunish'd shall your change remain; For you, cold maid, whom no complaints can move, Were far more blest, when you like me cou'd love.To the Same.
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To the same with a NEW WATCH.
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An Irregular ODE written at Wickham, in 1746. To the Same.
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To the MEMORY of the same LADY, A MONODY. A. D. 1747.
Ipse cavâ solans aegrum testudine amorem, Te dulcis conjux, te solo in littore secum, Te veniente die, te decedente canebat.
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VERSES Making PART of an EPITAPH on the same LADY.
MADE to engage all hearts, and charm all eyes: Tho' meek, magnanimous; tho' witty, wise; Polite, as all her life in courts had been; Yet good, as she the world had never seen; The noble fire of an exalted mind, With gentle female tenderness combin'd. Her Speech was the melodious voice of Love, Her Song the warbling of the vernal Grove; Her Eloquence was sweeter than her Song, Soft as her Heart, and as her-Reason strong; Her Form each beauty of her mind express'd. Her Mind was Virtue by the Graces dress'd.Page 80
ON THE ABUSE of TRAVELLING. A CANTO, In Imitation of SPENSER. By GILBERT WEST, Esq
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THE INSTITUTION OF THE ORDER OF THE GARTER.
A Dramatic POEM.
—Lectos ex omnibus Oris Evehis; & meritum, non quae cunabula quaeris, Et qualis, non unde satus: sub teste benigno Vivitur; egregios invitant praemia mores. CLAUD.
HONI SOIT QUI MAL Y PENSE.
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Dramatis Personae.
- EDWARD the Third, King of England, &c.
- PHILIPPA, Queen of England, &c.
- EDWARD, Prince of Wales.
- JOHN, * 1.60 King of France, &c.
- SPIRITS.
- Genius of England.
- Bards.
- Druids.
- Heralds, Attendants, &c.
SCENE, Windsor Park, with a Prospect of the Castle.
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THE INSTITUTION OF THE Order of the GARTER.
SCENE, WINDSOR PARK.
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SONG.
First BARD.Ye southern gales, that ever fly In frolic April's vernal train, Who, as ye skim along the sky, Dip your light pinions in the main, Then shake them fraught with genial show'rs, O'er blooming Flora's primrose bow'rs:2.Now cease awhile your wanton sport, Now drive each threat'ning cloud away; Then to the flow'ry vale resort, And hither all its sweets convey; And ever as ye dance along, With soft murmurs aid our song.SONG II.
Second BARD.But lo! fair Windsor's tow'rs appear, And hills with spreading oaks imbrown'd! Hark! hark! the voice of joy I hear, Sung by a thousand echoes round; And now I view a glitt'ring train, In triumph march o'er yonder plain.
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Grand CHORUS of SPIRITS and BARDS. Hail mighty nation! ever fam'd in war! Lo! heav'n descends thy festivals to share; To view those heroes, whose immortal praise Celestial bards shall sing in living lays.
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ODE.
STROPHE I. BARDS.
Celestial maid! Bright spark of that aetherial flame, Whose vivid spirit thro' all nature spread, Sustains and actuates this boundless frame! O by whatever stile to mortals known, Virtue, benevolence, or public zeal, Divine assessor of the regal throne, Divine protectress of the common weal, O in our hearts thy energy infuse! Be thou our Muse, Celestial maid, And, as of old, impart thy heav'nly aid To those, who warm'd by thy benignant fire, To public merit and their country's good Devoted ever their recording lyre, Wont along DEVA'S sacred flood,
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Or, beneath Mona's oak retir'd, To warble forth their patriot lays, And nourish with immortal praise The bright heroic flames by thee inspir'd.ANTISTROPHE I.
I feel, I feel Thy soul-invigorating heat; My bounding veins distend with fervent zeal, And to Britannia's fame responsive beat.— Hail Albion, native country! but how chang'd Thy once grim aspect, how adorn'd and gay Thy howling forests! where together rang'd The naked hunter and his savage prey: Where amid black inhospitable woods The sedge-grown floods All cheerless stray'd. Not in their lonely wand'ring course survey'd, Or tow'r, or castle, heav'n-ascending fane, Or lowly village, residence of peace And joyous industry, or furrow'd plain, Or lowing herd, or silver fleece That whitens now each verdant vale; While laden with their precious store Far trading barks to every shore, Swift heralds of Britannia's glory, sail.
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EPODE I.
These are thy shining works: this smiling face Of beauteous nature thus in regal state, Deck'd by each handmaid art, each polish'd grace, That on fair liberty and order wait. This pomp, these riches, this repose, To thee imperial Britain owes. To thee, great substitute of heav'n, To whom the charge of earthly realms was giv'n; Their social systems by wise nature's plan To form and rule by her eternal laws; To teach the selfish soul of wayward man To seek the publick good, and aid the common cause. So didst thou move the mighty heart Of Alfred, founder of the British state: So to Matilda's scepter'd son, To him whose virtue and renown First made the name of Edward great, Thy ample spirit so didst thou impart: Protecting thus in every age, From greedy pow'r and factious rage, The law of freedom, which to Britain's shore From Saxon Elva's many-headed flood, The valiant sons of Odin with them bore, Their national, ador'd, inseparable good.
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STROPHE II.
* 4.1 On yonder plain, Along whose willow-fringed side The silver-footed Naiads, sportive train, Down the smooth Thames amid the cygnets glide, I saw, when at thy reconciling word, Injustice, anarchy, intestine jar, Despotick insolence, the wasting sword, And all the brazen throats of civil war, Were hush'd in peace; from his imperious throne Hurl'd furious down, Abash'd, dismay'd, Like a chas'd lion to the savage shade Of his own forests, fell oppression fled, With vengeance brooding in his sullen breast. Then justice fearless rear'd her decent head, Heal'd every grief, each wrong redress'd; While round her valiant squadrons stood, And bade her aweful tongue demand, From vanquish'd John's reluctant hand, The deed of freedom purchas'd with their blood.
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ANTISTROPHE II.
O vain surmise! To deem the grandeur of a crown Consists in lawless pow'r! to deem them wife Who change security and fair renown, For detestation, shame, distrust, and fear! Who, shut for ever from the blissful bow'rs, With horror and remorse at distance hear The musick that inchants th' immortal pow'rs, The heav'nly musick of well-purchas'd praise, Seraphick lays, The sweet reward On heroes, patriots, righteous kings conferr'd. For such alone the heav'n-taught poets sing. Tune ye for Edward, then, the mortal strain, His name shall well become your golden string, Begirt with this aetherial train, Seems he not rank'd among the gods? Then let him reap the glorious meed Due to each great heroic deed, And taste the pleasures of the blest abodes.EPODE II.
Hail, happy prince! on whom kind Fate bestows Sublimer joys, and glory brighter far Than Cressy's palm, and every wreath that grows In all the blood-stain'd field of prosp'rous war;
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Joys that might charm an heav'nly breast, To make dependent millions blest, A dying nation to restore And save fall'n liberty with kingly pow'r; To quench the torch of discord and debate, Relume the languid spark of publick zeal, Repair the breaches of a shatter'd state, And gloriously compleat the plan of England's weal; Compleat the noble Gothick pile, That on the rock of justice rear'd shall stand In symmetry, and strength, and fame, A rival of that boasted frame Which virtue rais'd on Tiber's strand. This, Edward, guardian, father of our isle, This god-like task, to few assign'd, Exalts thee above human-kind, And from the realms of everlasting day Calls down celestial bards thy praise to sing; Calls this bright troop of spirits to survey Thee, the great miracle of earth, a PATRIOT-King.
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An Epistle to the Right Honourable the Lord Viscount CORNBURY.
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An EPISTLE.
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An EPISTLE to a LADY.
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An EPISTLE to Mr. POPE.
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EPISTLE to POLLIO, from the Hills of HOWTH in IRELAND.
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An ODE to WILLIAM PULTNEY, Esq
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An Ode to the Right Honourable the Lord LONSDALE.
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An ODE.
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An ODE.
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An ODE.
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An ODE to MANKIND. Address'd to the Prince.
INTRODUCTION to the PRINCE.
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To MANKIND: An ODE.
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VERSES to CAMILLA.
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To CLARISSA.
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An INSCRIPTION on the TOMB, Raised to the memory of the author's father, and of others his ancestors.
UNmark'd by trophies of the great and vain, Here sleeps in silent tombs a gentle train. No folly wasted their paternal store, No guilt, no sordid av'rice made it more; With honest fame, and sober plenty crown'd, They liv'd and spread their cheering influence round. May he whose hand this pious tribute pays, Receive a like return of filial praise!EPIGRAMS.
EPIGRAM I.
I Lov'd thee beautiful and kind, And plighted an eternal vow; So alter'd are thy face and mind, 'Twere perjury to love thee now.Page 235
EPIGRAM II.
SInce first you knew my am'rous smart, Each day augments your proud disdain; 'Twas then enough to break my heart, And now, thank heav'n! to break my chain. Cease, thou scorner, cease to shun me! Now let love and hatred cease! Half that rigour had undone me, All that rigour gives me peace.EPIGRAM III.
MY heart still hovering round about you, I thought I could not live without you; Now we have liv'd three months asunder, How I liv'd with you is the wonder.EPIGRAM IV.
Upon the Bust of English worthies, at Stow. AMONG these chiefs of British race, Who live in breathing stone, Why has not COBHAM'S bust a place? The structure was his own.EPIGRAM V.
THO' cheerful, discreet, and with freedom well bred, She never repented an idle word said: Securely she smiles on the forward and bold, They feel what they owe her, and feel it untold.Page 236
EPIGRAM VI.
LYE on! while my revenge shall be, To speak the very truth of thee.EPIGRAM VII.
I Swore I lov'd, and you believ'd, Yet, trust me, we were both deceiv'd; Tho' all I swore, was true. I lov'd one gen'rous, good, and kind, A form created in my mind; And thought that form was you.EPIGRAM VIII. On Mrs. PENELOPE.
THE gentle Pen with look demure, Awhile was thought a virgin pure: But Pen, as ancient poets say, Undid by night the work of day.EPIGRAM IX.
On one who first abused, and then made love to a LADY. FOUL—with graceless verse, The noble—dar'd asperse. But when he saw her well bespatter'd, Her reputation stain'd and tatter'd;Page 237
EPIGRAM X.
WHILE Lucy, chaste as mountain snows, Gives every idle fop a hearing; In Mary's breast a passion glows, Which stronger is from not appearing. Say, who has chose the better part! Mary to whom no joy is missing; Or she, who dupe to her own heart, Pays the full price of Mary's kissing.EPIGRAM XI.
SHE who in secret yields her heart, Again may claim it from her lover; But she who plays the trifler's part, Can ne'er her squander'd fame recover. Then grant the boon for which I pray! 'Tis better lend than throw away.EPIGRAM XII.
WE thought you without titles great, And wealthy with a small estate; While by your humble self alone, You seem unrated and unknown.Page 238
EPIGRAM XIII.
EPIGRAM XIV.
TOM thought a wild profusion great: And therefore spent his whole estate: Will thinks the wealthy are ador'd, And gleans what misers blush to hoard. Their passion, merit, fate the same, They thirst and starve alike for fame.Page 139
EPIGRAM XV. To CLARISSA.
WHY like a tyrant wilt thou reign, When thou may'st rule the willing mind? Can the poor pride of giving pain Repay the joys that wait the kind? I curse my fond enduring heart, Which scorn'd presumes not to be free, Condemn'd to feel a double smart, To hate myself, and burn for thee.EPIGRAM XVI.
EVER busy'd, ne'er employ'd, Ever loving, ne'er enjoy'd, Ever doom'd to seek and miss, And pay unbless'd the price of bliss.EPIGRAM XVI.
VAINLY hath heaven denounc'd the woman's woes, Thou know'st no tender cares, no bitter woes, Unfelt your offspring comes, unfelt it goes.Page 140
The DANGER of Writing VERSE. An EPISTLE. First printed in the Year 1741.
Quae poterant unquam satis expurgare cicutae, Ni melius dormire putem, quam scribere versus? HOR. Ep. 2. Lib. 2.
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To the Honourable * * *
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To Mr. GARRICK.
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NATURE to Dr. HOADLY. On his Comedy of the SUSPICIOUS HUSBAND.
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The YOUTH and the PHILOSOPHER. A FABLE.
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An ODE to a GENTLEMAN, On his pitching a Tent in his GARDEN.
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On a MESSAGE-CARD in Verse. Sent by a LADY.
HERMES, the gamester of the sky, To share for once mankind's delights, Slip'd down to earth, exceeding sly, And bade his coachman drive to White's. In form a beau; so light he trips, You'd swear his wings were at his heels; From glass to glass alert he skips, And bows and prattles while he deals.Page 264
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The Je ne scai Quoi. A SONG.
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An ODE On a distant Prospect of ETON COLLEGE.
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ODE.
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ODE on the Death of a Favourite CAT, Drowned in a Tub of Gold Fishes.
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A MONODY On the DEATH of Queen CAROLINE.
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A PIPE of TOBACCO In Imitation of Six Several AUTHORS.
IMITATION I. A NEW-YEAR'S ODE.
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IMITATION II.
LITTLE tube of mighty pow'r, Charmer of an idle hour, Object of my warm desire, Lip of wax, and eye of fire: And thy snowy taper waist, With my finger gently brac'd; And thy pretty swelling crest, With my little stopper prest, And the sweetest bliss of blisses, Breathing from thy balmy kisses. Happy thrice, and thrice agen, Happiest he of happy men; Who when agen the night returns, When agen the taper burns; When agen the cricket's gay, (Little cricket, full of play) Can afford his tube to feed With the fragment INDIAN weed: Pleasure for a nose divine, Incense of the god of wine. Happy thrice, and thrice agen, Happiest he, of happy men.Page 283
IMITATION III.
O Thou, matur'd by glad Hesperian suns, TOBACCO, fountain pure of limpid truth, That looks the very soul; whence pouring thought Swarms all the mind; absorpt is yellow care, And at each puff imagination burns: Flash on thy bard, and with exalting fires Touch the mysterious lip that chaunts thy praise, In strains to mortal sons of earth unknown. Behold an engine, wrought from tawny mines Of ductile clay, with plastick virtue form'd, And glaz'd magnifick o'er, I grasp, I fill. From PAETOTHEKE with pungent pow'rs perfum'd Itself one tortoise, all, where shines imbib'd Each parent ray; then rudely ram'd illume, With the red touch of zeal-enkindling sheet, Mark'd with Gibsonian lore; forth issue clouds, Thought-thrilling, thirst-inciting clouds around, And many-mining fires: I all the while, Lolling at ease, inhale the breezy balm. But chief, when Bacchus wont with thee to join, In genial strife and orthodoxal ale, Stream life and joy into the Muse's bowl. Oh be thou still my great inspirer, thou My Muse; oh fan me with thy zephyrs boon, While I, in clouded tabernacle shrin'd, Burst forth all oracle and mystick song.Page 284
IMITATION IV.
CRITICKS avaunt; TOBACCO is my theme; Tremble like hornets at the blasting steam. And you, court-insects, flutter not too near Its light, nor buzz within the scorching sphere. POLLIO, with flame like thine, my verse inspire, So shall the Muse from smoke elicit fire. Coxcombs prefer the tickling sting of snuff; Yet all their claim to wisdom is — a puff: Lord FOPLIN smokes not—for his teeth afraid: Sir TAWDRY smokes not—for he wears brocade. Ladies, when pipes are brought, affect to swoon; They love no smoke, except the smoke of town; But courtiers hate the puffing tribe, — no matter, Strange if they love the breath that cannot flatter! Its foes but shew their ignorance; can he Who scorns the leaf of knowledge, love the tree? The tainted templar (more prodigious yet) Rails at TOBACCO, tho' it makes him—spit. CRITONIA vows it has an odious stink; She will not smoke (ye gods!)—but she will drink: And chaste PRUDELIA (blame her if you can) Says, pipes are us'd by that vile creature Man: Yet crowds remain, who still its worth proclaim, While some for pleasure smoke, and some for fame: Fame, of our actions universal spring, For which we drink, eat, sleep, smoke—ev'ry thing.Page 285
IMITATION V.
BLEST leaf! whose aromatick gales dispense To templars modesty, to parsons sense: So raptur'd priests, at fam'd DODONA'S shrine Drank inspiration from the steam divine. Poison that cures, a vapour that affords Content, more solid than the smile of lords: Rest to the weary, to the hungry food, The last kind refuge of the WISE and GOOD. Inspir'd by thee, dull cits adjust the scale Of Europe's peace, when other statesmen fail. By thee protected, and thy sister, beer, Poets rejoice, nor think the bailiff near. Nor less the critick owns thy genial aid, While supperless he plies the piddling trade. What tho' to love and soft delights a foe, By ladies hated, hated by the beau, Yet social freedom, long to courts unknown, Fair health, fair truth, and virtue are thy own. Come to thy poet, come with healing wings, And let me taste thee unexcis'd by kings.IMITATION VI.
BOY! bring an ounce of FREEMAN'S best, And bid the vicar be my guest: Let all be plac'd in manner due, A pot wherein to spit or spue,Page 286
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ODE to the Hon. C. Y.
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From CAELIA to CLOE.
I Rural life enjoy, the town's your taste, In this we differ, twins in all the rest. Yet when the dog-star brings diseases on, And each fond mother trembles for her son; Now when the Mall's forlorn, the beaux and belles All for retirement crowd to Tunbridge-Wells; Say, will not CLOE for awhile withdraw From dear Vaux-hall and charming Ranelagh? Sure at this homely hutt one may contrive Awhile not only to exist, but live; For not dull landscapes here my thoughts engross, Woods, lawns, and rills, and grottoes green with moss.Page 290
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ON A FIT of the GOUT.
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HORACE, Ode 14. Book I. imitated in 1746.
O Ship! shall new waves again bear thee to sea? Where, alas! art thou driving? keep steady to shore. Thy sides are left without an oar, And thy shaken mast groans, to rude tempests a prey. Thy tackle all torn, can no longer endure The assaults of the surge that now triumphs and reigns, None of thy sails entire remains, Nor a GOD to protect in another sad hour. Tho' thy outside bespeaks thee of noble descent, The forest's chief pride, yet thy race and thy name, What are they but an empty name? Wise mariners trust not to gilding and paint. Beware then lest Thou float, uncertain again, The sport of wild winds; late my sorrowful care, And now my fondest wish, beware Of the changeable shoals where the Rhine meets the Main.Page 294
The Female Right to LITERATURE, in a Letter to a young Lady from FLORENCE.
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On SHAKESPEAR'S Monument at Strat|ford upon Avon.
GREAT HOMER'S birth sev'n rival cities claim, Too mighty such monopoly of Fame; Yet not to birth alone did HOMER owe His wond'rous worth; what EGYPT could bestow, With all the schools of GREECE and ASIA join'd, Enlarg'd th' immense expansion of his mind. Nor yet unrival'd the MAEONIAN strain, The a 4.13 British Eagle, and the Mantuan Swan Tow'r equal heights. But happier STRATFORD, thou With incontested laurels deck thy brow: Thy Bard was thine unschool'd, and from thee brought More than all EGYPT, GREECE, or ASIA taught. Not HOMER'S self such matchless honours won; The Greek has Rivals, but thy SHAKESPEAR none.Page 301
A SONG.
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CHISWICK.
THE potent Lord, that this bright villa plann'd, Exhibits here a Paradise regain'd; Whate'er of Verdure have Hills, Lawns, or Woods, Whate'er of Splendor, Buildings, Flow'rs, or Floods, Whate'er of Fruits the Trees, of Birds the Air, In blissful union are collected here: All with such harmony dispos'd, as shews, That in the midst the Tree of Knowledge grows.The INDIFFERENT.
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The TRIUMPH of INDIFFERENCE.
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The SHEPHERD'S FAREWEL to his LOVE. Being the same ODE.
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RIDDLE.
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RIDDLE.
—Mortalis in unum Quodque caput, vultu mutabilis, albus an ater.
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RIDDLE.
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Audivere, Lyce, &c. HOR. Book 4. Ode 13. IMITATED.
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A SONNET. Imitated from the Spanish of LOPEZ DE VEGA. Mena|giana tom. iv. p. 176.
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SONNETS.
SONNET I.
Page 323
SONNET II.
Page 324
SONNET III.
Page 325
SONNET IV.
Page 326
SONNET V. On a FAMILY-PICTURE.
Page 327
SONNET VI.
Page 328
SONNET VII.
Page 329
SONNET VIII. On the CANTOS of SPENSER'S Fairy Queen, lost in the Passage from Ireland.
Page 330
SONNET IX.
Page 331
SONNET X. To the Author of Observations on the Conversion and Apostleship of St. PAUL.
Page 332
SONNET XI.
Page 333
SONNET XII.
Page 334
SONNET XIII. To the Right Hon. Mr. —, with the foregoing SONNETS.
Notes
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* 1.1
See Mr. GAY'S Dione.
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a 1.2
Dr. HOUGH.
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b 1.3
The victories of LOUIS XVI. painted in the galleries of Versailles.
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c 1.4
Chantilly.
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d 1.5
St. Cloud.
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a 1.6
The Mincio runs by Mantua, the birth-place of VIRGIL.
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b 1.7
The Clitumnus is a river of Umbria, the residence of PROPERTIUS.
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c 1.8
The Anio runs through Tibur or Tivoli, where HORACE had a villa.
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d 1.9
The Meles is a river of Ionia, from whence HOMER, supposed to be born on its banks, is called Melisigenes.
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e 1.10
The Ilissus is a river at Athens.
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a 1.11
Truth.
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b 1.12
rival, or one to compare with her.
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c 1.13
moreover, besides.
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d 1.14
assault.
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e 1.15
therefore.
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f 1.16
overtook.
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g 1.17
fashion.
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h 1.18
courage.
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i 1.19
fairy.
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k 1.20
beseemeth.
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l 1.21
discourse, or argument.
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m 1.22
might, valour.
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n 1.23
proper, fit.
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o 1.24
rather.
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p 1.25
reach'd.
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q 1.26
hardly.
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r 1.27
to go.
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s 1.28
man or woman.
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t 1.29
together.
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v 1.30
was called.
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w 1.31
adorned, set forth.
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x 1.32
would not.
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y 1.33
called.
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z 1.34
often.
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a 1.35
attempt.
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b 1.36
lovers.
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c 1.37
commands.
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d 1.38
please.
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e 1.39
will not.
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f 1.40
scoundrels.
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g 1.41
pride.
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h 1.42
by all means; omnino.
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i 1.43
discover, perceive.
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k 1.44
since.
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l 1.45
work hard.
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m 1.46
quite spent.
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n 1.47
goes.
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o 1.48
Una in Spenser represents Truth, see B. 1. Fairy Queen.
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p 1.49
Heathen, the usual enemy of knight|errants in Spenser.
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q 1.50
pain, anguish.
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r 1.51
placed.
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s 1.52
seat or place.
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t 1.53
emperors.
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v 1.54
called or named.
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w 1.55
since.
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x 1.56
belong.
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y 1.57
good-nature or civility.
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z 1.58
relate or declare. These under sort of antiquarians, who go about with strangers to shew them the antiquities, &c. of Rome, are called Ciceroni.
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a 1.59
At every turn, every now and then.
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* 1.60
The order of the GARTER was instituted on St. George's day the 23d of April 1350. King John came into England in 1357. I have taken the advantage of the licence usually allowed to poets, of departing a little from chronology; and have postponed for a few years the insti|tution of this order, for the sake of rendering that so|lemnity more august, by introducing king John of France, who, though a prisoner, was treated both by Edward and his son the prince of Wales with all the regard due to the quality and virtue of so great a prince. To alleviate his captivity, Edward entertained him and the other French prisoners with diversions of various kinds: among which a tournament he held at Windsor on the 23d of April, to solemnize the feast of St. George, the patron of the order of the GARTER, held the chief place; and was, as Rapin tells us, the most sumptuous and magnificent that had ever been seen in England. The duke of Brabant, with several other sovereign princes, and an infinite num|ber of knights of all nations there present, and splendid|ly entertained.
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a 3.1
See a cut of the chief Druid in Rowland's Mona An|tiqua restaurata, taken from a statue, p. 65.
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b 3.2
Edward having communicated his intention of instituting the order of the GARTER to the great council of his realm, and having receiv'd their approbation, dispatch'd his he|ralds to severals parts of Europe, to invite all that were eminent for military virtue, &c. to be present at its institu|tion. And his queen Philippa, on her part, assembled a train of 300 of the fairest ladies to grace the solemnity, and add to its magnificence.
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c 3.3
That the ladies of the knights of the Garter wore this ensign of the order upon their left arms, may be seen in Ashmole's History of the Garter.
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d 3.4
Edward being engaged in a war with France, for the obtaining that crown, in order to draw into England great multitudes of foreigners, with whom he might negotiate either for their personal service, or aids of troops to assist him in that undertaking, ordered, during the truce that then subsisted between the two crowns, publication to be made of a great tournament, to be held at Windsor; an expedient, says Rapin, which could not fail of success, be|cause it was entirely agreeable to the taste of that age. Ac|cordingly many persons of distinction came over, to all of whom he gave an honourable reception, caressing them in such a manner that they could never sufficiently admire his polite|ness, magnificence, and liberality. To render these entertain|ments the more solemn, and to free himself also from the ce|remonies, to which the difference of rank and condition would have subjected him, he caused a circular hall of boards to be run up at Windsor, 200 feet in diameter. There it was that he feasted all the knights at one table, which was called the Round Table, in memory of the great Arthur, who, as it is pretended, instituted an order of knighthood by that name. Next year he caused a more solid building to be erected, that he might continue yearly the same diver|sions. During that time he treated with these several lords about the aids, wherewith each could furnish him, in proportion to his forces. His rival king Philip could not see without jealousy, Spaniards, Italians, Germans, Fle|mings, and Frenchmen themselves flock to England to assist at these tournaments. He suspected some hidden design in these ntertainments, and to break Edward's measures, caused the like to be published in his dominions; which meeting with success, proved a countermine to Edward's main design, so that he did not long continue to keep up his round table. From thence, however, it is generally agreed, he took the first hint of instituting the order of the Garter. But as his purpose in erecting this order was very different from that which had induced him to revive Arthur's round table, as he had in this no private views, no ambitious scheme of engaging such as should be admitted into this fraternity to assist him in his wars, he thought proper, in order to obviate the like jealousies and suspicion as had alarmed king Philip, to signify by his motto the purity of his intentions, and to retort shame upon all those who should put any malignant construction upon his design in instituting this order. This therefore I take to be the true meaning and import of the famous motto, HONI SOIT QUI MAL Y PENSE. The not understanding the purport of which, gave rise, in all probability, to that vulgar story of the countess of Salisbu|ry's garter, rejected by all the best writers.
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* 3.5
Besides the great persons of our own nation, that have been admitted of this order, the English reader may be glad to be informed, that in the annals of the Garter are found the names of Charles V. emperor of Germany; of Francis I. and Henry IV. kings of France; and of Gustavus Adolphus king of Sweden.
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* 3.6
The prince of Wales advances to his father, and kneels; while the king, taking the Garter from the herald, buckles it round his left leg.
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† 3.7
The sense, and almost the words in the verses of this speech, mark'd thus "are taken from the admonition read to the knights, at the time of their receiving the GARTER and the RIBBON or COLLAR of the order. Vide Ashmole's History of the order of the GARTER.
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* 4.1
Runny Mead near Stains, where the Grand Charter was signed by king John.
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* 4.2
Joh, chap. xxxviii.
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† 4.3
Charles V. Emperor of Germany, who in his retire|ment amus'd himself with puppets. See Strada de bello Belgico.
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* 4.4
A Frenchman render'd famous by a most extrava|gant expence in eating.
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* 4.5
Alluding to a certain scandalous libel.
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a 4.6
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b 4.7
Bacon de augmentis.
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c 4.8
Ptolemy Philadelphus.
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d 4.9
Persius.
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e 4.10
Platonis Apologia.
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* 4.11
Mrs. Cibber.
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† 4.12
Mr. Quin, inimitable in that character, who was then leaving the stage.
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a 4.13
Milton.
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* 4.14
—a fis anus, et tamen Vis formosa videri Ludisque—
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* 4.15
—et b bibis impudens. Cantu d tremulo b pota Cupidinem c Lentum solicitas— — f virentis et e Doctae psallere Chiae Pulchris excubat in genis. Nec g Coae referunt jam tibi purpurae, Nec h clari lapides, tempera quae semel Notis condita fastis Inclusit volucris dies.
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q 4.16
The contemptuous satire at the conclusion of the ori|ginal, is preserved in the English, but a graver turn is given to it, instead of the more ludicrous one of Horace. Whether judiciously or no, may be better determined by any body, than by the author.
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* 4.17
Quo i Venus fugit, ah! quo k color decens, Quo l motus? quid habes illius Quae spirabat amores? m Quae me surpuerat mihi? n Faelix post Cynaram. —o sed Cynarae breves Annos fata dedere: Sevatura diu p parem Cornicis vetulae temporibus Lycen.