A collection of poems in six volumes. By several hands: With notes. [pt.3]
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- A collection of poems in six volumes. By several hands: With notes. [pt.3]
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- 1782.
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"A collection of poems in six volumes. By several hands: With notes. [pt.3]." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004876767.0001.003. University of Michigan Library Digital Collections. Accessed April 24, 2025.
Pages
THOU who shalt stop, where Thames' translucent wave Shines a broad mirrour through the shadowy cave, Where lingering drops from mineral roofs distill, And pointed crystals break the sparkling rill,
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HYMN on SOLITUDE.
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An ODE. ON AEOLUS's HARPa 1.5.
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On the Report of a WOODEN BRIDGE to be built at Westminstera 1.7.
BY Rufus' hall, where Thames polluted flows, Provok'd, the Genius of the river rose, And thus exclaim'd: — "Have I, ye British swains, "Have I, for ages, lav'd your fertile plains? "Given herds, and flocks, and villages increase, "And fed a richer than the Golden Fleece? "Have I, ye merchants, with each swelling tide, "Pour'd Afric's treasure in, and India's pride? "Lent you the fruit of every nation's toil? "Made every climate your's, and every soil? "Yet pilfer'd from the poor, by gaming base, "Yet must a Wooden Bridge my waves disgrace? "Tell not to foreign streams the shameful tale, "And be it publish'd in no Gallic vale." He said; — and plunging to his crystal dome, White o'er his head the circling waters foam.Page 8
The CHOICE of HERCULES. A POEM.
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An ODE. TO THE PEOPLE of GREAT BRITAIN. In Imitation of the Sixth ODE of the Third Book of HORACE. Written in 1746.
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PSYCHE: Or, The GREAT METAMORPHOSIS, A POEM, written in Imitation of SPENSER.
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JOVI ELEUTHERIO. Or, An OFERRING to LIBERTY* 1.9.
Quisnam igitur liber? Sapiens, sibique imperiosus; Quem neque pauperies, neque mors, neque vincula terrent: Responsare cupidinibus, contemnere honores Fortis; et in seipso totus teres atque rotundus. HOR. Serm. Lib. II. Sat. 7.
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AN EPISTLE FROM A SWISS Officer to his Friend at ROME.
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LIFE burthensome, because we know not how to use it. An EPISTLE.
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The Duty of Employing one's Self. An EPISTLE.
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On SCRIBBLING against GENIUS. An EPISTLE.
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The MIMIC.
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An EPISTLE from FLORENCE. To THOMAS ASHTON, Esq Tutor to the Earl of Plymouth. Written in the Year 1740.
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The BEAUTIES. An EPISTLE to Mr. ECKARDT the PAINTER
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EPILOGUE to TAMERLANE. On the Suppression of the REBELLION. Spoken by Mrs. Pritchard, in the Character of the COMIC MUSE, Nov. 4, 1746.
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The ENTHUSIAST: OR THE LOVER of NATURE. A POEM.
Rure vero barbaroque laetatur. MARTIAL.
— Ut mihi devio Rupes, & vacuum nemus Mirari libet! HORACE.
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ODE to FANCY.
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STANZAS written on taking the Air after a long Illness.
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The Two BEAVERS. A FABLE.
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CONTENTMENT.
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The EDUCATION of ACHILLES.
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An EPISTLE from S. J. Esq in the Country, to the Right Hon. the Lord LOVELACE in Town. Written in the Year 1735.
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To a LADY in Town, soon after her leaving the Country.
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To the Right Hon. the Lady MARGARET CAVENDISH HARLEYa 1.84, presented with a Collection of POEMS.
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CHLOE to STREPHON. A SONG.
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To the Right honourable the EARL of CHES∣TERFIELD, on his being installed Knight of the GARTERa 1.85
THESE trophies, STANHOPE, of the lovely dame, Once the bright object of a monarch's flame, Who with such just propriety can wear, As thou, the darling of the gay and fair? See every friend to wit, politeness, love, With one consent thy sovereign's choice approve! And liv'd PLANTAGENET her voice to join, Herself, and GARTER, both were surely thine.Page 148
To a LADY, sent with a Present of Shells and Stones designed for a GROTTO.
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To a LADY, in answer to a LETTER wrote in a very fine Hand.
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The ART of DANCING. A POEM. Inscribed to the Right Hon. the Lady FANNY FIELDINGa 1.86. Written in the Year 1730.
Incessu patuit Dea. VIRG.
CANTO I.
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CANTO II.
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THE MODERN FINE GENTLEMAN. Written in the Year 1746.
Quale portentum neque militaris Daunia in latis alit esculetis, Nec Jubae tellus generat, leonum Arida nutrix.
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THE MODERN FINE LADY. Written in the Year 1750.
—Miseri quibus Intentata nites. HOR.
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AN ESSAY ON VIRTUE. To the Honourable PHILIP YORKE, Esq now Earl of Hardwicke.
Atque ipsa utilitas justi prope mater aequi. HOR.
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The FEMALE DRUM: Or, The Origin of CARDS. A Tale. Address'd to the Honourable Miss CARPENTERa 1.97.
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To Mr. FOXa 1.98, written at FLORENCE. In Imitation of HORACE, Ode IV. Book 2.
Septimi, Gades aditure mecum.
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To the Same. From Hampton-Court, 1731.
Bono locores humanae sunt, quod nemo, nisi vitio suo, miser est. SENECA in EPIST.
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The POET's PRAYER.
IF e'er in thy fight I found favour, Apollo, Defend me from all the disasters which follow: From the knaves, and the fools, and the fops of the time, From the drudges in prose, and the triflers in rhyme: From the patch-work and toils of the royal sack-bibber, Those dead birth-day odes, and the farces of CIBBER: From servile attendance on men in high places, Their worships, and honours, and lordships, and graces: From long dedications to patrons unworthy, Who hear and receive, but will do nothing for thee: From being caress'd to be left in the lurch, The tool of a party, in state or in church:Page 205
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An EPISTLE to a LADY.
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GENIUS, VIRTUE, and REPUTATION. A FABLE. From Mons. DE LA MOTTE, Book V. Fable 6.
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MARRIAGE A-LA-MODE: OR, THE TWO SPARROWS. A FABLE. From Mons. DE LA MOTTE, Book IV. Fable 21.
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An INSCRIPTION.
Quercus loquitur.
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ODE to WISDOM.
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To a GENTLEMANa 1.102, On his intending to cut down a GROVE to enlarge his Prospect.
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THE ESTIMATE of LIFE, IN THREE PARTS. A POEM:
PART I. MELPOMENE; or, The Melancholy.
—Reason thus with Life; If I do lose thee, I do lose a thing, That none but fools would weep. SHAKSP. Meas. for Meas.
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PART II. CALLIOPE; or, The Chearful.
Inter cuncta leges, et percunctabere doctos, Qua ratione queas traducere leniter aevum. HOR. Lib. I. Ep. 18.
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PART III. TERPSICHORE; or, The Moderate.
—〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉. HOM. Od. Θ.
Haec satis est orare Jovem, qui donat et aufert; Det vitam, det opes; aequum mî animum ipse parabo. HOR. Lib. I. Ep. 18.
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The PLEASURE of POETRY. An ODE.
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The POWER of POETRY.
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To a Young Lady, with FONTENELLE'S Plurality of Worlds.
IN this small work, all nature's wonders see, The soften'd features of philosophy. In truth by easy steps you here advance, Truth as diverting, as the best romance. Long had these arts to sages been confin'd, None saw their beauty, 'till by poring blind; By studying spent, like men that cram too full, From Wisdom's feast they rose not chear'd, but dull: The gay and airy smil'd to see 'em grave, And fled such wisdom like Trophonius' cave. Justly they thought they might those arts despise, Which made men sullen, ere they could be wise.Page 242
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SONG. To SYLVIA.
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To the Author of the Farmer's Letters, which were written in IRELAND in the Year of the Rebellion, by HENRY BROOKE, Esqa 1.107 1745.
OH thou, whose artless, free-born genius charms, Whose rustic zeal each patriot bosom warms; Pursue the glorious talk, the pleasing toil, Forsake the fields, and till a nobler soil; Extend the Farmer's care to human kind, Manure the heart, and cultivate the mind; There plant religion, reason, freedom, truth, And sow the seeds of virtue in our youth:Page 245
VERSES written in a Book, called, Fables for the Female Sex, by EDWARD MOORE.
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VERSES written in SYLVIA'S PRIOR.
Upon a LADY's EMBROIDERY,
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DEATH and the DOCTOR. Occasioned by a Physician's lampooning a Friend of the AUTHOR.
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INSCRIPTIONS on a Monument to the Memory of a Lady's favourite Bullfinch.
On the Front of the Stone.
Memoriae Blandientis Volucris Hunc Lapidem posuit D — G— et hoc Nobilissimae Luciae Officii sui Testimonium qauale quale est dicavit.Page 249
On the Right Side.
On the Left Side.
THOUGH here my body lies interr'd, I still can be a tell-tale bird: If DAVID b 1.109 should pollute these shades, And wanton with my lady's maids; Or DICK c 1.110 sneak out to field or park, To play with MOPSY in the dark; Or WILLd 1.111, that noble, generous youth, Should err from wisdom, taste, and truth; And bless'd with all that's fair and good, Should quit a feast for grosser food: I'll rise again a restless sprite, Will haunt my lonely cage by night; There swell my throat and plume my wing, And every tale to LUCY sing.Page 250
The TRIAL of SELIM the PERSIANa 1.112, For divers High Crimes and Misdemeanours.
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The TROPHY: BEING SIX CANTATAS To the Honour of his ROYAL HIGHNESS WILLIAM, Duke of CUMBERLAND; Expressing the just Sense of a grateful Nation, in the several Characters of
- The VOLUNTEER,
- The POET,
- The PAINTER,
- The MUSICIAN,
- The SHEPHERD,
- The RELIGIOUS.
CANTATA I. The VOLUNTEER.
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CANTATA II. The POET.
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CANTATA III. The PAINTER.
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CANTATA IV. The MUSICIAN.
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CANTATA V. The SHEPHERD.
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CANTATA VI. The RELIGIOUS.
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The Marriage of the MYRTLE and the YEW. A FABLE. To DELIA, about to marry beneath herself. 1744.
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On a BAY-LEAF, pluck'd from VIRGIL'S Tomb near Naples. 1736.
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To CHLOE. Written on my Birth-day, 1734.
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A SONG.
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FASHION: A SATIRE.
Honestius putamus, quod frequentius; recti apud nos locum tenet error, ubi publicus factus. SENECA.
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NATURE and FORTUNE. To the Earl of CHESTERFIELD.
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The EXCEPTION.
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To the Earl of CHESTERFIELD.
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HONOUR. A POEM. By the Rev. Dr. BROWNa 1.134. Inscribed to the Right Hon. the Lord Visc. LONSDALE.
Hic Manus ob Patriam pugnando vulnera passi; Quique Sacerdotes casti dum vita manebat; Quique pii Vates, & Phoebo digna locuti, Inventas aut qui Vitam excoluere per Artes, Quique sui memores alios fecere merendo; Omnibus his nivea cinguntur Tempora vitta. VIRG. Aen. 6.
— Who shall go about To cozen Fortune, and be honourable Without the Stamp of Merit? SHAKSPEARE.
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ODE to a WATER-NYMPH.
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Page [unnumbered]
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MUSAEUS: A MONODY TO THE MEMORY of Mr. POPE. In Imitation of MILTON'S Lycidas.
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AN ESSAY ON SATIRE, Occasioned by the Death of Mr. POPE* 2.1.
INSCRIBED TO Dr. WARBURTON.
By JOHN BROWN, D. D.
O while along the stream of Time thy Name Expanded flies, and gathers all its fame; Say, shall my little barque attendant sail, Pursue the triumph, and partake the gale?
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CONTENTS.
PART I. OF the end and efficacy of Satire. The love of glory and fear of shame universal, ver. 29. This passion, implanted in man as a spur to virtue, is generally perverted, v. 41. And thus becomes the occasion of the greatest follies, vices, and mise∣ries, v. 61. It is the work of Satire to rectify this passion, to reduce it to its proper channel, and to convert it into an in∣centive to wisdom and virtue, v. 89. Hence it appears that Satire may influence those who defy all laws human and di∣vine, v. 99. An objection answered, v. 131.
PART II. Rules for the conduct of Satire. Justice and truth its chief and essential property, v. 169. Prudence in the application of wit and ridicule, whose province is, not to explore unknown, but to enforce known truths, v. 191. Proper subjects of Satire are the manners of present times, v. 239. Decency of expression recommended, v. 255. The different methods in which folly and vice ought to be chastised, v. 269. The variety of style and manner which these two subjects require, v. 277. The praise of virtue may be admitted with propriety, v. 315. Caution with regard to panegyric, v. 319. The dignity of true Satire, v. 331.
PART III. The history of Satire. Roman Satirists, Lucilius, Ho∣race, Persius, Juvenal, v. 347, &c. Causes of the decay of literature, particularly of Satire, v. 379. Revival of Satire, v. 391. Erasmus one of its principal restorers, v. 395. Donne, v. 401. The abuse of Satire in England, during the licentious reign of Charles II. v. 405. Dryden, v. 419. The true ends of Satire pursued by Boileau in France, v. 429; and by Mr. Pope in England, v. 435.
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AN ESSAY on SATIRE,[figure]PART I.
FATE gave the word; the cruel arrow sped; And POPE lies number'd with the mighty dead! Resign'd he fell; superior to the dart, That quench'd its rage in YOURS and BRITAIN'S heart:
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You mourn: But BRITAIN, lull'd in rest profound, [ 5] (Unconscious Britain!) slumbers o'er her wound. Exulting Dulness ey'd the setting light, And flapp'd her wing, impatient for the night: Rous'd at the signal, Guilt collects her train, And counts the triumphs of her growing reign: [ 10] With inextinguishable rage they burn, And snake-hung Envy hisses o'er his urn: Th' envenom'd monsters spit their deadly foam, To blast the laurel that surrounds his tomb.But You, O WARBURTON! whose eye refin'd [ 15] Can see the greatness of an honest mind; Can see each virtue and each grace unite, And taste the raptures of a pure delight; You visit oft' his awful page with care, And view that bright assemblage treasur'd there; [ 20] You trace the chain that links his deep design, And pour new lustre on the glowing line. Yet deign to hear the efforts of a Muse, Whose eye, not wing, his ardent flight pursues; Intent from this great archetype to draw [ 25] SATIRE'S bright form, and fix her equal law; Pleas'd if from hence th' unlearn'd may comprehend, And rev'rence HIS and SATIRE'S generous end.In every breast there burns an active flame, The love of glory, or the dread of shame: [ 30] The passion ONE, though various it appear, As brighten'd into hope, or dimm'd by fear.
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The lisping infant, and the hoary sire, And youth and manhood feel the heart-born fire; The charms of praise the coy, the modest woo, [ 35] And only fly, that glory may pursue: She, power resistless, rules the wise and great; Bends ev'n reluctant hermits at her feet: Haunts the proud city, and the lowly shade, And sways alike the scepter and the spade. [ 40]Thus heav'n in pity wakes the friendly flame, To urge mankind on deeds that merit fame: But man, vain man, in folly only wise, Rejects the manna sent him from the skies: With rapture hears corrupted passion's call, [ 45] Still proudly prone to mingle with the stall. As each deceitful shadow tempts his view, He for the imag'd substance quits the true: Eager to catch the visionary prize, In quest of glory plunges deep in vice; [ 50] 'Till madly zealous, impotently vain, He forfeits every praise he pants to gain.Thus still imperious Nature plies her part; And still her dictates work in every heart. [ 55] Each pow'r that sov'reign Nature bids enjoy, Man may corrupt, but man can ne'er destroy. Like mighty rivers, with resistless force The passions rage, obstructed in their course; Swell to new heights, forbidden paths explore, And drown those virtues which they fed before. [ 60]
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And sure, the deadliest foe to virtue's flame, Our worst of evils, is perverted shame. Beneath this load what abject numbers groan, Th' entangled slaves to folly not their own! Meanly by fashionable fear opprest, [ 65] We seek our virtues in each other's breast; Blind to ourselves, adopt each foreign vice, Another's weakness, interest, or caprice. Each fool to low ambition, poorly great, That pines in splendid wretchedness of state, [ 70] Tir'd in the treach'rous chace, would nobly yield, And but for shame, like SYLLA, quit the field: The daemon Shame paints strong the ridicule, And whispers close, "the world will call you fool."Behold, yon wretch, by impious fashion driv'n, [ 75] Believes and trembles while he scoffs at heav'n. By weakness strong, and bold through fear alone, He dreads the sneer by shallow coxcombs thrown; Dauntless pursues the path Spinoza a 4.1 trod; To man a coward, and a brave to Godb 4.2.
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Faith, justice, heav'n itself now quit their hold, When to false fame the captiv'd heart is sold: Hence blind to truth, relentless Cato dy'd: Nought could subdue his virtue, but his pride. Hence chaste Lucretia's innocence betray'd [ 85] Fell by that honour which was meant its aid. Thus Virtue sinks beneath unnumber'd woes, When passions born her friends, revolt, her foes.Hence SATIRE'S pow'r: 'tis her corrective part To calm the wild disorders of the heart. [ 90] She points the arduous height where glory lies, And teaches mad ambition to be wise: In the dark bosom wakes the fair desire, Draws good from ill, a brighter flame from fire; Strips black Oppression of her gay disguise, [ 95] And bids the hag in native horror rise; Strikes tow'ring pride and lawless rapine dead, And plants the wreath on Virtue's awful head.Nor boasts the Muse a vain imagin'd pow'r, Though oft she mourns those ills she cannot cure. [ 100] The worthy court her, and the worthless fear; Who shun her piercing eye, that eye revere. Her awful voice the vain and vile obey, And every foe to wisdom feels her sway.
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Smarts, pedants, as she smiles, no more are vain; [ 105] Desponding fops resign the clouded cane: Hush'd at her voice, pert folly's self is still, And dulness wonders while she drops her quill. c 4.3Like the arm'd BEE, with art most subtly true From pois'nous vice she draws a healing dew: [ 110] Weak are the ties that civil arts can find, To quell the ferment of the tainted mind: Cunning evades, securely wrapt in wiles; And Force strong-sinew'd rends th' unequal toils: The stream of vice impetuous drives along, [ 115] Too deep for policy, for pow'r too strong. Ev'n fair Religion, native of the skies, Scorn'd by the crowd, seeks refuge with the wise; The crowd with laughter spurns her awful train, And Mercy courts, and Justice frowns in vain. [ 120] But SATIRE'S shaft can pierce the harden'd breast; She plays a ruling passion on the rest: Undaunted mounts the battery of his pride, And awes the Brave, that earth and heav'n defy'd. When fell Corruption, by her vassals crown'd, [ 125] Derides fall'n Justice prostrate on the ground; Swift to redress an injur'd people's groan, Bold SATIRE shakes the tyrant on her throne;
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Pow'rful as death, defies the fordid train, And slaves and sycophants surround in vain. [ 130]But with the friends of Vice, the foes of SATIRE, All truth is spleen; all just reproof, ill-nature.Well may they dread the Muse's fatal skill; Well may they tremble when she draws her quill: Her magic quill, that like ITHURIEL'S spear [ 135] Reveals the cloven hoof, or lengthen'd ear: Bids Vice and Folly take their natural shapes, Turns duchesses to strumpets, beaux to apes; Drags the vile whisperer from his dark abode, 'Till all the daemon starts up from the toad. [ 140]O sordid maxim, form'd to screen the vile, That true good-nature still must wear a smile! In frowns array'd her beauties stronger rise, When love of virtue wakes her scorn of vice: Where justice calls, 'tis cruelty to save; [ 145] And 'tis the law's good-nature hangs the knave. Who combats Virtue's foe is Virtue's friend; Then judge of SATIRE'S merit by her end: To guilt alone her vengeance stands confin'd, The object of her love is all mankind. [ 150] Scarce more the friend of man, the wise must own, Ev'n ALLEN'S d 4.4 bounteous hand, than SATIRE'S frown:
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This to chastise, as that to bless, was giv'n; Alike the faithful ministers of heav'n.Oft' on unfeeling hearts the shaft is spent: [ 155] Though strong th' example, weak the punishment. They least are pain'd, who merit SATIRE most; Folly the Laureat's e 4.5, Vice was Chartres' f 4.6 boast; Then where's the wrong, to gibbet high the name Of fools and knaves already dead to shame? [ 160] Oft' SATIRE acts the faithful surgeon's part; Generous and kind, though painful is her art: With caution bold, she only strikes to heal, Tho' folly raves to break the friendly steel. Then sure no fault impartial SATIRE knows, [ 165] Kind, ev'n in vengeance kind, to Virtue's foes. Whose is the crime, the scandal too be theirs; The knave and fool are their own libellers.PART II.
DARE nobly then: but conscious of your trust, As ever warm and bold, be ever just: [ 170] Nor court applause in these degenerate days: The villain's censure is extorted praise.But chief, be steady in a noble end, And shew mankind that truth has yet a friend.
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'Tis mean for empty praise of wit to write, [ 175] As foplings grin to show their teeth are white: To brand a doubtful folly with a smile. Or madly blaze unknown defects, is vile: 'Tis doubly vile, when but to prove your art, You fix an arrow in a blameless heart. [ 180] O lost to honour's voice, O doom'd to shame, Thou fiend accurs'd, thou murderer of fame! Fell ravisher, from innocence to tear That name, than liberty, than life more dear! Where shall thy baseness meet its just return, [ 185] Or what repay thy guilt, but endless scorn! And know, immortal truth shall mock thy toil: Immortal truth shall bid the shaft recoil; With rage retorted, wing the deadly dart; And empty all its poison in thy heart. [ 190]With caution, next, the dang'rous power apply; An eagle's talon asks an eagle's eye: Let SATIRE then her proper object know, And ere she strike, be sure she strikes a foe. Nor fondly deem the real fool confest, [ 195] Because blind Ridicule conceives a jest: Before whose altar Virtue oft' hath bled, And oft' a destin'd victim shall be led: Lo, g 4.7 Shaftsb'ry rears her high on Reason's throne, And loads the slave with honours not her own: [ 200]
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Big-swoln with folly, as her smiles provoke, Profaneness spawns, pert dunces nurse the joke! Come, let us join awhile this tittering crew, And own the idiot guide for once is true; Deride our weak forefathers' musty rule, [ 205] Who therefore smil'd, because they saw a fool;
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Sublimer logic now adorns our isle, We therefore see a fool, because we smile. Truth in her gloomy cave why fondly seek? Lo, gay she sits in Laughter's dimpled cheek; [ 210] Contemns each surly academic foe, And courts the spruce free-thinker and the beau,
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Daedalian arguments but few can trace, But all can read the language of grimace. Hence mighty Ridicule's all-conqu'ring hand [ 215] Shall work Herculean wonders through the land: Bound in the magic of her cobweb chain, YOU, mighty WARBURTON, shall rage in vain, In vain the trackless maze of Truth YOU scan, And lend th' informing clue to erring man: [ 220]
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No more shall Reason boast her power divine, Her base eternal shook by Folly's mine! Truth's sacred fort th' exploded laugh shall win; And coxcombs vanquish BERKELEY h 4.8 by a grin.But you, more sage, reject th' inverted rule, [ 225] That Truth is e'er explor'd by ridicule: On truth, on falsehood let her colours fall, She throws a dazzling glare alike on all; As the gay prism but mocks the flatter'd eye, And gives to every object every dye. [ 230] Beware the mad advent'rer: bold and blind She hoists her sail, and drives with every wind; Deaf as the storm to sinking Virtue's groan, Nor heeds a friend's destruction, or her own. Let clear-ey'd Reason at the helm preside, [ 235] Bear to the wind, or stem the furious tide; Then mirth may urge, when reason can explore, This point the way, that waft us glad to shore.Though distant times may rise in SATIRE'S page, Yet chief 'tis her's to draw the present age: [ 240] With Wisdom's lustre, Folly's shade contrast, And judge the reigning manners by the past: Bid Britain's heroes (awful shades!) arise, And ancient honour beam on modern vice: Point back to minds ingenuous, actions fair, [ 245] 'Till the sons blush at what their fathers were:
Page 342
Ere yet 'twas beggary the great to trust; Ere yet 'twas quite a folly to be just; When low-born sharpers only dar'd a lie, Or falsify'd the card, or cogg'd the dye: [ 250] Ere lewdness the stain'd garb of honour wore, Or chastity was carted for the whore; Vice flutter'd, in the plumes of freedom drest; Or public spirit was the public jest.Be ever in a just expression bold, [ 255] Yet ne'er degrade fair SATIRE to a scold: Let no unworthy mien her form debase, But let her smile, and let her frown with grace: In mirth be temp'rate, temp'rate in her spleen; Nor while she preaches modesty, obscene, [ 260] Deep let her wound, not rankle to a sore, Nor call his Lordship —, her Grace a —: The Muse's charms resistless then assail, When wrapt in irony's transparent veil: Her beauties half-conceal'd the more surprize, [ 265] And keener lustre sparkles in her eyes. Then be your line with sharp encomiums grac'd: Style Clodius honourable, Bufa chaste.Dart not on Folly an indignant eye: Who e'er discharg'd artillery on a fly? [ 270] Deride not Vice: absurd the thought and vain, To bind the tyger in so weak a chain. Nay more: when flagrant crimes your laughter move, The knave exults: to smile is to approve.
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The Muse's labour then success shall crown, [ 275] When Folly feels her smile, and Vice her frown.Know next what measures to each theme belong, And suit your thoughts and numbers to your song: On wing proportion'd to your quarry rise, And stoop to earth, or soar among the skies, [ 280] Thus when a modish folly you rehearse, Free the expression, simple be the verse. In artless numbers paint th' ambitious peer That mounts the box, and shines a charioteer: In strains familiar sing the midnight toil [ 285] Of camps and senates disciplin'd by Hoyle. Patriots and chiefs whose deep design invades, And carries off the captive king of — spades! Let SATIRE here in milder vigour shine, And gayly graceful sport along the line; [ 290] Bid courtly Fashion quit her thin pretence, And smile each affectation into sense.Not so when Virtue by her guards betray'd, Spurn'd from her throne, implores the Muse's aid; When crimes, which erst in kindred darkness lay, [ 295] Rise frontless, and insult the eye of day; Indignant Hymen veils his hallow'd fires, And white-rob'd Chastity with tears retires; When rank Adultery on the genial bed Hot from Cocytus rears her baleful head: [ 300] When private faith and public trust are sold, And traitors barter liberty for gold;
Page 344
When fell Corruption dark and deep, like Fate, Saps the foundation of a sinking state: When giant-vice and irreligon rise, [ 305] On mountain'd falsehoods to invade the skies: Then warmer numbers glow through SATIRE'S page, And all her smiles are darken'd into rage: On eagle-wing she gains Parnassus' height, Not lofty EPIC soars a nobler flight: [ 310] Then keener indignation fires her eye; Then flash her lightnings, and her thunders fly; Wide and more wide her flaming bolts are hurl'd, 'Till all her wrath involves the guilty world.Yet SATIRE oft' assumes a gentler mien, [ 315] And beams on Virtue's friends a look serene: She wounds reluctant, pours her balm with joy, Glad to commend where merit strikes her eye. But tread with cautious step this dangerous ground, Beset with faithless precipices round: [ 320] Truth be your guide; disdain Ambition's call; And if you fall with truth, you greatly fall. 'Tis Virtue's native lustre that must shine: The poet can but set it in his line: And who unmov'd with laughter can behold [ 325] A sordid pebble meanly grac'd with gold? Let real merit then adorn your lays, For shame attends on prostituted praise: And all your wit, your most distinguish'd art But makes us grieve, you want an honest heart, [ 330]
Page 345
Nor think the Muse by SATIRE'S law confin'd: She yields description of the noblest kind. Inferior art the landscape may design, And paint the purple evening in the line: Her daring thought essays a higher plan; [ 335] Her hand delineates passion, pictures man. And great the toil, the latent soul to trace, To paint the heart, and catch internal grace; By turns bid vice or virtue strike our eyes, Now bid a Wolsey or a Cromwell rise; [ 340] Now with a touch more sacred and refin'd, Call forth a CHESTERFIELD'S or LONSDALE'S mind. Here sweet or strong may every colour flow: Here let the pencil warm, the canvas glow: Of light and shade provoke the noble strife, [ 345] And wake each striking feature into life.PART III.
THROUGH ages thus hath SATIRE keenly shin'd, The friend to truth, to virtue, and mankind: Yet the bright flame from virtue ne'er had sprung, And man was guilty ere the poet sung. [ 350] This Muse in silence joy'd each better age, Till glowing crimes had wak'd her into rage. Truth saw her honest spleen with new delight, And bade her wing her shafts, and urge their flight.
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First on the sons of Greece she prov'd her art, [ 355] And Sparta felt the fierce Iambic darti 4.9. To LATIUM next avenging SATIRE flew: The flaming faulchion rough LUCILIUS k 4.10 drew; With dauntless warmth in Virtue's cause engag'd, And conscious villains trembled as he rag'd. [ 360]Then sportive HORACE l 4.11 caught the generous fire, For SATIRE'S bow resign'd the sounding lyre: Each arrow polish'd in his hand was seen, And as it grew more polish'd, grew more keen. His art, conceal'd in study'd negligence, [ 365] Politely sly, cajol'd the foes of sense: He seem'd to sport and trifle with the dart, But while he sported, drove it to the heart.In graver strains majestic PERSIUS wrote, Big with a ripe exuberance of thought: [ 370] Greatly sedate, contemn'd a tyrant's reign, And lash'd corruption with a calm disdain.More ardent eloquence, and boundless rage Inflame bold JUVENAL'S exalted page.
Page 347
His mighty numbers aw'd corrupted Rome, [ 375] And swept audacious greatness to its doom; The headlong torrent thundering from on high, Rent the proud rock that lately brav'd the sky.But lo! the fatal victor of mankind, Swoln Luxury!—Pale Ruin stalks behind! [ 380] As countless insects from the north-east pour, To blast the spring, and ravage every flow'r: So barbarous millions spread contagious death: The sick'ning laurel wither'd at their breath. Deep superstition's night the skies o'erhung, [ 385] Beneath whose baleful dews the poppy sprung. No longer Genius woo'd the Nine to love, But Dulness nodded in the Muses' grove: Wit, spirit, freedom, were the sole offence, Nor aught was held so dangerous as sense. [ 390]At length, again fair Science shot her ray, Dawn'd in the skies, and spoke returning day. Now, SATIRE, triumph o'er thy flying foe, Now load thy quiver, string thy slacken'd bow!'Tis done—See, great ERASMUS breaks the spell, [ 395] And wounds triumphant Folly in her cell! (In vain the solemn cowl surrounds her face, Vain all her bigot cant, her sour grimace) With shame compell'd her leaden throne to quit, And own the force of reason urg'd by wit. [ 400]'Twas then plain DONNE in honest vengeance rose, His wit refulgent, though his rhyme was prose:
Page 348
He 'midst an age of puns and pedants wrote With genuine sense, and Roman strength of thought.Yet scarce had SATIRE well relum'd her flame, [ 405] (With grief the Muse records her country's shame) Ere Britain saw the foul revolt commence, And treach'rous Wit began her war with Sense. Then 'rose a shameless, mercenary train, Whom latest time shall view with just disdain: [ 410] A race fantastic, in whose gaudy line Untutor'd thought, and tinsel beauty shine; Wit's shatter'd mirror lies in fragments bright, Reflects not nature, but confounds the sight. Dry morals the court-poet blush'd to sing: [ 415] 'Twas all his praise to say "the oddest thing." Proud for a jest obscene, a patron's nod, To martyr Virtue, or blaspheme his God.Ill-fated DRYDEN! who unmov'd can see Th' extremes of wit and meanness join'd in thee! [ 420] Flames that could mount, and gain their kindred skies, Low creeping in the putrid sink of vice: A Muse whom Wisdom woo'd, but wou'd in vain, The pimp of pow'r, the prostitute to gain: Wreaths, that should deck fair Virtue's form alone, [ 425] To strumpets, traitors, tyrants, vilely thrown: Unrival'd parts, the scorn of honest fame; And genius rise, a monument of shame!More happy France: immortal BOILEAU there Supported genius with a sage's care: [ 430]
Page 349
Him with her love propitious SATIRE blest: And breath'd her airs divine into his breast; Fancy and sense to form his line conspire, And faultless judgment guides the purest fire.But see, at length, the British Genius smile, [ 435] And show'r her bounties o'er her favour'd isle: Behold for POPE she twines the laurel crown, And centers every poet's power in one: Each Roman's force adorns his various page; Gay smiles, collected strength, and manly rage. [ 440] Despairing Guilt and Dulness loath the sight, As spectres vanish at approaching light: In this clear mirror with delight we view Each image justly fine, and boldly true: Here Vice, dragg'd forth by Truth's supreme decree, [ 445] Beholds and hates her own deformity; While self-seen Virtue in the faithful line With modest joy surveys her form divine. But oh, what thoughts, what numbers shall I find, But faintly to express the poet's mind! [ 450] Who yonder star's effulgence can display, Unless he dip his pencil in the ray? Who paint a god, unless the god inspire? What catch the lightning, but the speed of fire? So, mighty POPE, to make thy genius known, [ 455] All pow'r is weak, all numbers — but thy own. Each Muse for thee with kind contention strove, For thee the Graces left th' IDALIAN grove:
Page 350
With watchful fondness o'er thy cradle hung, Attun'd thy voice, and form'd thy infant tongue. [ 460] Next, to her bard majestic Wisdom came; The bard enraptur'd caught the heav'nly flame: With taste superior scorn'd the venal tribe; Whom fear can sway, or guilty greatness bribe; At fancy's call who rear the wanton sail, [ 465] Sport with the stream, and trifle in the gale: Sublimer views thy daring spirit bound; Thy mighty voyage was creation's round; Intent new worlds of wisdom to explore, And bless mankind with Virtue's sacred store; [ 470] A nobler joy than wit can give, impart; And pour a moral transport o'er the heart. Fantastic wit shoots momentary fires, And like a meteor, while we gaze, expires: Wit kindled by the sulph'rous breath of Vice, [ 475] Like the blue lightning, while it shines, destroys: But genius, fir'd by Truth's eternal ray, Burns clear and constant, like the source of day: Like this, its beam prolific and refin'd Feeds, warms, inspirits, and exalts the mind; [ 480] Mildly dispels each wint'ry passion's gloom, And opens all the virtues into bloom. This praise, immortal POPE, to thee be given: Thy genius was indeed a gift from heav'n. Hail, bard unequall'd, in whose deathless line [ 485] Reason and wit with strength collected shine:
Page 351
Where matchless wit but wins the second praise, Lost, nobly lost, in Truth's superior blaze. Did FRIENDSHIP e'er mislead thy wand'ring Muse? That friendship sure may plead the great excuse, [ 490] That sacred friendship which inspir'd thy song, Fair in defect, and amiably wrong. Error like this ev'n truth can scarce reprove; 'Tis almost virtue when it flows from love.Ye deathless names, ye sons of endless praise, [ 495] By virtue crown'd with never-fading bays! Say, shall an artless Muse, if you inspire, Light her pale lamp at your immortal fire? Or if, O WARBURTON, inspir'd by YOU, The daring Muse a nobler path pursue, [ 500] By You inspir'd, on trembling pinion soar, The sacred founts of social bliss explore, In her bold numbers chain the tyrant's rage, And bid her country's glory fire her page: If such her fate, do thou, fair Truth, descend, [ 505] And watchful guard her in an honest end; Kindly severe, instruct her equal line To court no friend, nor own a foe but thine. But if her giddy eye should vainly quit Thy sacred paths, to run the maze of wit; [ 510] If her apostate heart should e'er incline To offer incense at Corruption's shrine;
Page 352
Urge, urge thy pow'r, the black attempt confound, And dash the smoking censer to the ground. Thus aw'd to fear, instructed bards may see, [ 515] That guilt is doom'd to sink in infamy.
A Character of Mr. POPE's WRITINGS. BEING An Episode from the Poem called SICKNESS, Book II.
Page 353
Page 354
Page 355
Page 356
Page 357
Page 358
Page 359
The Cave of POPE. A Prophecy.
Page 360
Page 361
Notes
-
a 1.1
The improving and finishing this Grotto, was the favourite amuse∣ment of Mr. Pope's declining years; and the beauty of his poetic genius in the disposition and ornaments of this romantic recess, appears to as much advantage as in his best-contrived Poems.—See his description of it in a letter to Edward Blount, Esq vol. viii. of his works.
-
b 1.2
Alluding to Numa's projecting his system of politicks in this Grott; assisted, as he gave out, by the Goddess Aegeria.
-
a 1.3
Afterwards Dutchess of Somerset.
-
b 1.4
The celebrated Mrs. Elizabeth Rowe.
-
a 1.5
Aeolus's Harp is a musical instrument, which plays with the wind, invented by Mr. Oswald; its properties are fully described in the Castle of Indolence.
-
b 1.6
Jeremiah.
-
a 1.7
In the year 1737, the Commissioners for building Westminster Bridge came to a resolution, that it should be constructed of timber, and not of stone.
-
a 1.8
Dr. Gloster Ridley was collaterally descended from Dr. Nicholas Ridley, bishop of London, who was burnt in the reign of Queen Mary He was born at sea in the year 1702, on board the Gloucester East India∣man, to which circumstance he was indebted for his christian name. He received his education at Winchester school, and from thence was elect∣ed to a fellowship at New College, Oxford, where he proceeded B. C. L. April 29, 1729. He soon afterwards entered into holy orders, and was appointed chaplain to the East India Company at Poplar; to this trifling preferment were added a small college-living in Norfolk, and the dona∣tive of Romford in Essex; all which together, amounted to a very in∣considerable income. In 1768 he was presented to a golden prebend in the cathedral church of Salisbury, by Archbishop Secker, who like wise conferred on him the degree of doctor of divinity. After a useful, labo∣rious, and exemplary life, he died the 3d of November 1774, and was buried at Poplar; where an inscription is placed over his tomb, written by his friend Dr. Lowth, the present bishop of London.
-
* 1.9
Written on occasion of the rebellion, 1745.
-
a 1.10
By the Oxford provisions. A. D. 1258; at which time the commons are supposed first to have obtained the privilege of repre∣sentatives in parliament.
-
b 1.11
In the imprisonment, dispute, and sufferings of our first re∣formers, Cranmer, Ridley, and Latimer, at Oxford, A. D. 1554—6.
-
c 1.12
Author of "The Rights of the Christian Church," and "Christi∣anity as old as the Creation," &c.
-
d 1.13
In this manner they represent Liberty on their medals.
-
e 1.14
Dryden in All for Love.
-
f 1.15
-
g 1.16
-
h 1.17
-
a 1.18
Joseph Spence was Fellow of New College, Oxford, where he took the degree of M. A. Nov. 2, 1727; and in that year published his Essay on Pope's Odyssey. On 11 July, 1728, he was elected poetry professor at Oxford, an office which he held ten years. He travelled with the pre∣sent duke of Newcastle (then earl of Lincoln) into Italy; and during the tour collected materials for his great work, Polymetis. He quitted his fellowship at New College in 1742, on being presented by that so∣ciety to the rectory of Great Horwood in Buckinghamshire. In June, the same year, he succeeded Dr. Holmes as his Majesty's professor of mo∣dern history at Oxford. On 24 May, 1754, he was installed preben∣dary of the seventh stall at Durham, and died 20th August, 1768. The manner of his death could only be conjectured, but is generally sup∣posed to have been occasioned by a fit, while he was standing near the brink of the water; as he was found flat upon his face, where the water was too shallow to cover his head or any part of his body.
-
a 1.19
Edward Rolle, of New College, Oxford. He took the degree of M. A. Jan. 14, 1730, and of B. D. 23 January 1758.
-
a 1.20
Christopher Pitt was the son of a physician at Blandford, and was born in the year 1699. In 1714 he was received as a scholar into Win∣chester College, where he remained until the year 1719, when he was removed to New College, Oxford. At this place he continued three years, and was then presented to the rectory of Pimpern in Dorsetshire. On receiving this preferment he resigned his fellowship, but continued at Oxford two years longer, when he became master of arts.
He then retired to his living,
says Dr. Johnson,a place very pleasing by its situation, and therefore likely to excite the imagination of a poet; where he passed the rest of his life, reverenced for his virtue, and beloved for the softness of his temper and the easiness of his manners. Before strangers he had something of the scholar's timi∣dity or distrust; but when he became familiar, he was in a very high degree chearful and entertaining. His general benevolence procured general respect; and he passed a life placid and honourable; neither too great for the kindness of the low, nor too low for the no∣tice of the great,
He died April 13, 1748, and was buried at Blandford. -
b 1.21
Sir Francis Page, Judge of the King's Bench, who died in the year 1741. See Savage's works, vol. ii. where a very severe character is drawn of him.
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c 1.22
Robert Symons of Exeter college, the most astonishing mimic of his time.
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a 1.23
Et sola in sicca secum spatiatur arena.
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b 1.24
Xerxes.
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c 1.25
St. Apollos.
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d 1.26
At St. Peter's an old statue of Jupiter is turned into one of St Peter.
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e 1.27
Addit & Herculeos Arcus Hastamque Minervae, Quicquid habent telorum armamentaria Coeli.
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f 1.28
The Pope's Nuncio.
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g 1.29
Henry III.
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h 1.30
Edward I. and III.
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i 1.31
Henry V.
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k 1.32
Richard III.
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l 1.33
Medusa's head in the armory at the Tower,
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m 1.34
Westminster-hall,
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n 1.35
Henry VIII.
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o 1.36
Cardinal Wolsey.
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p 1.37
Edward VI.
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q 1.38
Mary.
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r 1.39
Queen of Bohemia.
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s 1.40
Fringe Henry, and Charles I.
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t 1.41
Archbishop Laud.
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u 1.42
Charles II.
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w 1.43
William III.
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x 1.44
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y 1.45
-
z 1.46
Illo Virgilium me tempore dulcis alebatParthenope, studiis florentem ignobilis ot••.VIRG.
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a 1.47
Miss Harvey, afterwards Mrs. Phipps; she died about the year 1753.
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b 1.48
Lady Caroline Fitzroy, since countess of Harrington.
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c 1.49
Lord Petersham, afterwards earl of Harrington.
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d 1.50
The Duchess of Cleveland like Pallas, among the beauties at Windsor.
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e 1.51
The Duchess of Grafton, among the beauties of Hampton Court.
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f 1.52
Lady Emily Lenox, Duchess of Leinster.
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g 1.53
Lady Mary Capel, afterwards married to admiral Forbes.
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h 1.54
Countess of Berkley, since married to earl Nugent.
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i 1.55
Countess of Aylesbury, since married to Henry Seymour Con∣way, esq.
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k 1.56
Mrs. Lyttleton. See vol. ii. p. 86.
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l 1.57
Guido's Aurora, in the Respigliori palace at Rome.
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m 1.58
Countess of Strafford.
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n 1.59
Miss Carpenter, since countess of Egremont, now married to Count Bruhl.
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o 1.60
Miss Manners.
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p 1.61
Miss Fanny Maccartney, since Mrs. Greville.
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q 1.62
Pomona.
-
r 1.63
Miss Atkins, now Mrs. Pitt.
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s 1.64
Miss Chudleigh, now countess of Bristol.
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t 1.65
L. Juliana Farmor, since lady Juliana Penn.
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u 1.66
L. Sophia Farmor, countess of Granville. She died in 1745.
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w 1.67
Miss Mary Evelyn.
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x 1.68
Mrs. Boone.
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y 1.69
Mrs. Elizabeth Evelyn, since Mrs. Bathurst.
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a 1.70
The two great empires of the world I know,This of Peru, and that of Mexico.Indian Emperor.
-
b 1.71
The dawn is over-cast, the morning lours,And heavily in clouds brings on the day,The great, th' important day, big with the fateOf Cato and of Rome.CATO.
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c 1.72
-
d 1.73
Tamerlane is always acted on the 4th and 5th of November, the Anniversaries of King William's birth and landing.
-
e 1.74
-
f 1.75
Conditor Iliados cantabitur atque MaronisAltisoni dubiam faciectia carmina palmam.JUV.
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a 1.76
The earl of Lincoln's, now duke of Newcastle's terrace at Wey∣bridge in Surrey.
-
b 1.77
Aeneid VIII.
-
c 1.78
See Lucretius, lib. V.
-
d 1.79
Lucretius.
-
a 1.80
Stephen Duck was the son of parents, whose low situation in life af∣forded them no means of giving him other than a very slight education. He was born about the year 1705, near Clarendon Park in Wiltshire, and in his early years was employed in the most laborious branches of husbandry; from which, when he was obliged to derive his subsistence, he could obtain no more than four shillings and six pence a week. He married when very young; but, though depressed by poverty, his inclina∣tion towards letters was too strong to be extinguished by the obstacles which fortune threw in his way. By increasing his labour, he furnished himself with a few books, and devoted all his leisure hours to the culti∣vation of his mind. His intense application was crowned with success. He acquired a taste for polite literature, and in a short time began to write verses. These, by being talked of in his neighbourhood, came at length to the knowledge of the earl of Macclesfield, who introduced him to the queen, under whose protection he was immediately taken. His munifi∣cent patroness settled upon him an allowance of £. 30 a year, with a small house at Richmond, which was afterwards exchanged for the cus∣tody of Merlin's cave, in Richmond gardens. He was, in 1733, made one of the yeomen of the guards; but by the advice of his friends, aban∣doned that line of life, and devoted himself to the church. In July, 1746, he entered into priest's orders; Nov. 1750, was appointed chaplain of Ligonier's regiment of dragoons; and in Aug. 1751, became preacher at Kew chapel: about December the same year, he was presented to the living of Byfleet in Surry, which, as it gave him independence, seemed to promise him happiness during the remainder of his life. This, how∣ever, was not its effect: he sunk into a melancholy state of mind; and on the 30th March, 1756, after having been to view the barn where he had formerly worked, he stopped at a bridge near Reading, on his return home, and put an end to his life by throwing himself from it.
-
a 1.81
Robert Bedingfield of Hertford College, Oxford, where he took the degree of M. A. July the 9th 1743. He afterwards entered into holly orders, and died about the year 1768.
-
a 1.82
See Boyle's Experiments.
-
* 1.83
Vide Hom. II. B. iii. ver. 150.
-
a 1.84
Only daughter and heir of Edward Earl of Oxford and Mortimer, by Lady Henrietta Cavendish, only daughter and heir of John Holles Duke of Newcastle. This lady is now Dutchess Dowager of Portland.
-
a 1.85
He was installed at Windsor, on the 18th of June 1730, at the same time with the Duke of Cumberland and the Earl of Burlington,
-
a 1.86
Daughter of Bafil, fourth Earl of Denbigh. She married Daniel Earl of Winchelsea, and died September 27, 1734.
-
* 1.87
-
† 1.88
-
‡ 1.89
Fuillet wrote the Art of Dancing by characters in French, since translated by Weaver.
-
* 1.90
French dances.
-
a 1.91
Tho' deep, yet clear, tho' gentle, yet not dull;Strong without rage, without o'er-flowing full.DENNAM.
-
a 1.92
Some of the brightest eyes were at this time in tears for one Maclean, condemned for a robbery on the highway.
-
b 1.93
The cordial drop heav'n in our cup has thrown,To make the nauseous draught of life go down.ROCH.
-
c 1.94
A person well known for supplying people of quality with hired equipages.
-
a 1.95
It is apprehended, that genuine Christianity requires not the belief of any such propositions.
-
b 1.96
These lines mean only, that censoriousness is a vice more odious than unchastity; this always proceeding from malevolence, that some∣times from too much good-nature and compliance. S. J.
-
a 1.97
See p. 98.
-
a 1.98
Afterwards earl of Ilchester. He died Sept. 29, 1776.
-
b 1.99
John lord Hervey was the second son of the first earl of Bristol, and, on the death of his elder brother, heir to the title. He was born Oct. 15, 1696, and on the 7th Nov. 1714, became gentleman of the bed-chamber to the Prince of Wales, afterwards King George the Second. In the year 1725, he was chosen member for Saint Edmund's Bury, which place he continued to represent until he was called up to the House of Lords. On the 6th May, 1730, he was appointed vice-chamberlain of his Ma∣jesty's household; and, during the remainder of Sir Robert Walpole's ad∣ministration, shewed himself a firm and steady friend and adherent to him and his measures. On the 12th June 1733 he was called up to the House of Lords; and on 1 May 1740 had the custody of the privy seal delivered to him. He continued in office until the dismission of his friend the minister, to whose fortune he had attached himself, and with whom he resigned his post. He died in the life-time of his father, Aug. 5, 1743. Mr. Pope's character of him, under the name of Sporus, is exceedingly severe, and too well known to need repeating in this place.
-
c 1.100
In the county of Suffolk, the seat of the Bristol family.
-
a 1.101
John James Heidegger, a native of Switzerland, the introducer of masquerades, and many years manager of the Italian opera. This Ar∣biter Elegantiarum died the 4th of September 1749, at the advanced age of 90 years.
-
a 1.102
The Reverend Dr. Walwyn, prebendary of Canterbury.
-
a 1.103
John Gilbert Cooper, jun. of Thurgarton in Nottinghamshire, was the son of a gentleman of family and fortune. After passing through Westminster school, he became fellow commoner of Trinity college, Cambridge, and resided there two or three years. Soon afterwards he married, and settled at his family seat, where he died in April 1769, af∣ter a long and excruciating illness arising from the stone.
-
* 1.104
See the PHAE••O of PLATO.
-
* 1.105
Milton.
-
a 1.106
The ornament of the English stage. He died 20 January, 1779.
-
a 1.107
Author of Gustavus Vasa, The Earl of Essex, and other Perform∣ances.
-
a 1.108
Countess of Rochford, daughter of Edward Younge, esq of Durn∣ford, in the county of Wilts.
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b 1.109
The author.
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c 1.110
Lord Rochford's brother.
-
d 1.111
Lord Rochford.
-
a 1.112
George Lyttelton, esq afterwards Lord Lyttelton. The Persian Letters of this nobleman are written under the character of Selim, which occasioned Mr. Moore to give him the same name in this poem.
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b 1.113
Edward Moore, author of three dramatic pieces, several poems, and the chief manager of a periodical paper called The World.—He was origi∣nally brought up to trade, and continued some years to carry on the bu∣siness of a linen-draper. He afterwards devoted himself wholly to lite∣rature, and died 28 February, 1757.
-
c 1.114
Afterwards Earl of Chatham.
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d 1.115
Mr. Lyttelton was appointed a Lord of the Treasury, 25 Dec. 1744.
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e 1.116
Entitled,
Observations on the conversion and apostleship of St. Paul. In a letter to Gilbert West, esq.
8vo. 1747. -
f 1.117
Entitled,
Three Letters to the Whigs; occasioned by the Letter to the Tories.
8vo. 1748. -
g 1.118
An opposition paper at that time published, in which Mr. Lyttelton was frequently abused.
-
h 1.119
Caleb D' Anvers, the name assumed by the writers of the Crafts∣man.
-
i 1.120
Author of the Letters to the Whigs.
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k 1.121
-
a 1.122
Dr. Benjamin Hoadley, eldest son of the bishop of Winchester. He was born Feb. 10, 1705-6, and educated at Hackney, from whence he went to Benet College, Cambridge. When King George II. visited that university, in the year 1728, his name was in the list of gentlemen to be created Doctors of Physic; but by an accident, he had not his degree until a month after. In the year 1747, he produced the celebrated Comedy of The Suspicious Husband. He was very early appointed physi∣cian to his Majesty's household, and was the author of several pieces in his own profession. He died at his house in Chelsea, in the life-time of his father, August 10, 1757.
-
* 1.123
The Rose.
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a 1.124
Pascua.
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b 1.125
Rura.
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c 1.126
Duces.
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a 1.127
Claude Loraine.
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b 1.128
Sir Edward Hulse the physician.
-
c 1.129
Lucretius, lib. vi. 848.
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d 1.130
Mary Queen of Scots mobs, much worn by the ladies.
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e 1.131
T••te de Mouton, literally translated.
-
f 1.132
The following facts are taken from the accounts of different countries.
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a 1.133
Son of Thomas Fletcher, second master of Winchester school. He was fellow of New College, Oxford, where he took the degree of M. A. 8 July, 1732. He afterwards became minister of Rumford in Essex, where he kept a private school, until he was promoted by his brother in Ireland to the treasurership of Dromore, to which in a short time was added the deary of Kildare. He died in the year 1765.
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a 1.134
Dr. John Brown was descended from a family which had been settled at Colstown, near Haddington, in Scotland. His father was a native of Duns, and at the time of his son's birth curate to the rector of Rothbury in Northumberland:—at this place Dr. Brown was born, 5th of Novem∣ber 1715. He received his education at Wigton in Cumberland, from whence he was removed to the university of Cambridge, where he was matriculated on the 18th of December 1732, and entered of St. John's college, under the tuition of Dr. Tunstall. After taking the degree of Batchelor of Arts, he returned to Wigton, and was ordained by Dr. Fleming, Bishop of Carlisle. His first preferment was to a minor ca∣nonry and lecturership of the cathedral church of Carlisle. He remained in obscurity in that city several years; but in the rebellion 1745, gave a proof both of his spirit and attachment to the royal cause, by acting as a volunteer at the siege of Carlisle castle. In 1739 he took the degree of M. A. and soon after was presented to the living of Morland in the county of Westmorland. He resigned his preferments at Carlisle in dis∣gust, and removed to the metropolis; where, by means of his writings, he became known to Dr. Warburton, who introduced him to Lord Hardwicke; from that nobleman he obtained the living of Great Horkes∣ley in Essex, which he held several years, and then resigned it, on being promoted to the vicarage of Newcastle: this was his last and greatest preferment. In the latter part of his life he had an invitation from the empress of Russia, to superinted a grand design which she had formed, of extending the advantages of civilization over that great em∣pire. He accepted the offer, and actually prepared for his journey; but finding his health in too precarious a state, he was obliged to relinquish his intention. This and other disappointments were followed by a de∣jection of spirits, to which he had been often subject, and which greatly affected his reason. In an interval of lunacy he was prompted to do vio∣lence to himself; and on the 23d of September 1766 cut his throat, in the fifty-first year of his age.
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* 1.135
Verse 1, &c. The various and ridiculous pretensions of mankind to Honour and Fame enumerated. IMITATIONS.
Verse 1, &c. Oui, l'honneur, Valincour, est chéri dans le monde—L'Ambitieux le met souvent à tout bruler,L'Avare à voir chez lui le Pactole rouler,Un faux brave à vanter sa proüesse frivole.
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* 1.136
Ver. 21. Though they are thus inconstant and contradictory, yet true Honour is a thing fix'd and determinate. IMITATIONS.
Un vrai fourbe à jamais ne garder sa parole,Ce Poëte à noircir d' insipides Papiers,Ce Marquis à savoir frauder ses créanciers.—Interrogeons marchands, financiers, gens de guerre,Courtisans, magistrats, chez eux, si je les croi,L' intérêt ne peut rien, l' honneur seul fait la loi.BOILEAU, Sat. 11.
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* 1.137
Verse 29. If we would form an impartial judgment of what is truly honourable, we must abstract all considerations which regard ourselves.
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* 1.138
Verse 32. Not only so, but we must remove ourselves to a proper distance from the object we examine, lest some part should predominate in ou•• 〈◊〉〈◊〉, and occasion a false judgment of the whole.
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* 1.139
Verse 48. Therefore the surest method is, to prove by past examples what commands our love and esteem.
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* 1.140
Verse 50, &c. Expence and grandeur cannot give true Honour: Their most splendid monuments vanish; and even should they last for ever, could not bestow real glory, if only the records of Pride, Tyranny, and Vice.
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b 1.141
In Yorkshire; the seat of the Aislabies, one of whom was deeply concerned in the dark transactions of the year 1720.
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* 1.142
Verse 72, &c. Much less if purchas'd by Oppression and Guilt.
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* 1.143
Verse 86, &c. True Honour is not to be reaped from unjust Conquest: It is not Victory, but a just Cause that can engage our esteem.
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* 1.144
IMITATIONS.
Verse 98. Du premier des Caesars on vante les exploits;Mais dans quel tribunal, jugé suivant les loix,Eut il pû disculper son injuste manie?BOILEAU, Sat. 11.
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c 1.145
GUSTAVUS VASA.
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* 1.146
Verse 116. Neither is true glory to be obtain'd by wit or science: They are chimerical: Sometimes attended with folly, and weakness; often ••••ained with vice, and so render their possessors mischievous and infomous.
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* 1.147
IMITATIONS.
Verse 126. Je ne puis eftimer ces dangereux auteurs,Qui de l'honneur en vers infames deserteurs,Trahissant la vertu sur un papier coupable,Aux yeux de leur lecteurs rendent le vice aimable.—En vain l'esprit est plein d'un noble vigueur;Le vers s•• sent toujours des bassesses du coeur.BOILEAU, l' Art Poet. Ch. 4.
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* 1.148
Verse 138. The foundation of true Honour is Virtue only.
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* 1.149
Verse 153. It is Virtue only that gives the poet lasting glory: this proved by instances.
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* 1.150
Verse 164. The philosopher can only hope for true glory from the same source; because Truth is his object, and nothing can be Truth that tends to destroy Virtue and Happiness.
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* 1.151
Verse 174. Hence appears the madness, infamy, and falsehood of those destructive schemes set on foot by the sect called Free-thinkers.
REMARKS.
Gordon's thin shallows.] The Work here characterized is intitled, "The Independent Whig, or a Defence of our ecclesiastical Establish∣ment:" Yet it may be truly affirmed, that there is not one institution of the Church of England, but what is there misrepresented, and ridi∣culed with the lowest and most despicable scurrility.
Tindal'a muddy page.] Alluding to the confusion of Ideas, which that dull writer labours under.
Morgan.] His character is thus drawn by an excellent writer—
Who by the peculiar felicity of a good choice, having learned his Morality of our Tindal, and his Philosophy of your [the Jews] Spinoza, calls himself, by the courtesy of England, a Moral Philosopher.
WAR••. Div. Leg. of Moses dem. Vol. II. Ded. p. 20.Toland.] A noted advocate for that species of Atheism commonly called Pantheism.
Hobbes.] It is confessed he was a man of Genius and Learning: Yet, through a ridiculous affectation of being regarded as the founder of new Systems, he has advanced many things even below confutation.
Mandeville.] The Author of that monstrous heap of contradiction and absurdity, "The Fable of the Bees, or private Vices public Benefits." The reader who is acquainted with the writings of those Gentlemen, will probably observe a kind of climax in this place; ascending from those who have attempted to destroy the several fences of virtue, to the wild boars of the wood that root it up.
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2 1.152
Verse 180. Falsehood short-lived: Truth eternal.
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d 1.153
SOCRATES.
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* 1.154
Verse 184, &c. Examples of the two most illustrious philosophers that ever adorned the world; the one excellent in moral, the other in natural knowledge.
-
* 1.155
Verse 198, &c. Kings, statesmen, and patriots, must build their fame on Virtue.
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* 1.156
Verse 204. Flattery cannot raise folly or vice into true glory.
See martyr-bishops, &c.] The catalogue of these heroes, through the several ages of Christianity, is too large to be inserted in a work of this nature: Those of our own Country were RIDLEY, LATIMER, and the good (though less fortunate) CRANMER.
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e 1.157
Earl of Clarendon.
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* 1.158
Verse 222. Thus it appears that every one has the power of obtaining true honour, by promoting the happiness of mankind in his proper sta∣tion.
-
* 1.159
Verse 226. And thus the love of fame, though often perverted to bad ends, is naturally conducive to virtue and happiness.
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* 1.160
Verse 230, &c. True honour characteriz'd and exemplify'd.
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a 1.161
A seat near * *, finely situated with a great command of water, but disposed in a very false taste, which gave occasion to this Ode.
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a 1.162
Tityrus, &c.] i. e. CHAUCER, a name frequently given him by Spenser. Vide Shep. Cal. Ecl. 2.6.12. and elsewhere.
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b 1.163
Colin Clout.] i. e. SPENSER, which name he gives himself through∣out his works.
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c 1.164
The two first stanzas of this speech, as they relate to Pastoral, are written in the measure which Spenser uses in the first eclogue of the Shepherd's Calendar; the rest, where he speaks of Fable, are in stanza of the Faery Queen.
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d 1.165
Hight Thyrsis.] i. e. MILTON. Lycidas, and the Epitaphium Da∣monis, are the only Pastorals we have of Milton's; in the latter of which, where he laments Car. Deodatus under the name of Damon, he calls himself Thyrsis.
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* 2.1
He died 30 May, 1744.
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a 4.1
Benedict de Spinoza, the son of a Portuguese Jew settled at Am∣sterdam. He was born in 1633, and commenced philosopher very early in life. His great atheistical principle was, That there is nothing properly and absolutely existing, but matter and the modifications of matter; among which are even comprehended thoughts, abstract and general ideas, comparisons, relations, combinations of relations, &c. He died in 1677.
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b 4.2
Vois tu ce libertin en public intrepide,Qui preche contre un Dieu que dans son Ame il croit?It iroit embrasser la verité qu'il voit;Mais de ses faux amis il craint la raillerie,Et ne brave ainsi Dieu que par poltronnerie.BOILEAV, Ep. 3.
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c 4.3
Alluding to these lines of Mr. Pope; In the nice bee what art so subtly true, From pois'nous herbs extracts a healing dew.
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d 4.4
Ralph Allen, Esquire, of Prior Park, near Bath. He died 29th of June, 1764, aged 72.
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e 4.5
Colley Cibber.
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f 4.6
The infamous Colonel Chartres.
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g 4.7
It were to be wished that Lord Shaftsbury had expressed himself with greater precision on this subject: however, thus much may be affirmed with truth.
1st, By the general tenor of his essays on Enthusiasim, and the freedom of wit and humour, it appears that his principal design was to recommend the way of ridicule, (as he calls it) for the investigation of truth, and detection of falsehood, not only in moral but religious sub∣jects.
2dly, It appears no less evident, that, in the course of his reasonings on this question, he confounds two things which are in their nature and consequences entirely different. These are ridicule and good-humour: the latter acknowledged by all to be the best mediator in every debate; the former no less regarded by most, as an embroiler and incendiary. Though he sets out with a formal profession of proving the efficacy of wit, hu∣mour, and ridicule, in the investigation of truth, yet, by shifting and mixing his terms, he generally slides insensibly into mere encomiums on good-breeding, chearfulness, urbanity, and free enquiry. This in∣deed keeps something like an argument on foot, and amuses the super∣ficial reader; but to a more observant eye discovers a very contemptible defect, either of sincerity or penetration.
The question concerning ridicule may be thus not improperly stated, Whether doubtful propositions of any kind can be determined by the appli∣cation of ridicule? Much might be said on this question; but a few words will make the matter clear to an unprejudiced mind.
The disapprobation or contempt which certain objects raise in the mind of man, is a particular mode of passion. The objects of this passion are apparent falsehood, incongruity, or impropriety of some particular kinds. Thus, the object of fear is apparent danger: the object of anger is apparent injury. But who hath ever dreamt of exalting the passions of fear and anger into a standard or test of real danger and injury? The design must have been rejected as absurd, be∣cause it is the work of reason only, to correct and fix the passions on their proper objects. The case is parallel: apparent or seeming false∣hoods, &c. are the objects of contempt; but it is the work of rea∣son only, to determine whether the supposed falsehood be real or ficti∣tious. But it is said, "The sense of ridicule can never be mistaken." —Why, no more can the sense of danger, or the sense of injury. —"What, do men never fear or resent without reason?"— Yes, very commonly: but they as often despise and laugh without rea∣son. Thus before any thing can be determined in either case, reason, and reason only, must examine circumstances, separate ideas, decide upon, restrain, and correct the passion.
Hence it follows, that the way of ridicule, of late so much cele∣brated, is in fact no more than a species of eloquence; and that too the lowest of all others: so Tully justly calls it, tenuissimus ingenii fruc∣tus. It applies to a passion, and therefore can go no farther in the in∣vestigation of truth, than any of those arts which tend to raise love, pity, terror, rage, or hatred in the heart of man. Consequently, his Lordship might have transplanted the whole system of rhetoric into his new scheme, with the same propriety as he hath introduced the way of ridicule itself. A hopeful project this, for the propagation of truth!
As this seems to be the real nature of ridicule, it hath been generally discouraged by philosophers and divines, together with every other mode of eloquence, when applied to controverted opinions. This discouragement, from what is said above, appears to have been rational and just: there∣fore the charge laid against divines with regard to this affair by a zealous admirer of Lord Shaftsbury (see a note on the Pleasures of Imagination, Book III.) seems entirely groundless. The distinction which the same author hath attempted with respect to the influence of ridicule, between speculative and moral truths, seems no better founded. It is certain that opinions are no less liable to ridicule than actions. And it is no less cer∣tain, that the way of ridicule cannot determine the propriety or impro∣priety of the one, more than the truth or falsehood of the other; because the same passion of contempt is equally engaged in both cases, and there∣fore, as above, reason only can examine the circumstances of the action or opinion, and thus fix the passion on its proper objects.
Upon the whole, this new design of discovering truth by the vague and unsteady light of ridicule, puts one in mind of the honest Irishman, who apply'd his candle to the sun-dial in order to see how the night went.
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h 4.8
Bishop Berkley.
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i 4.9
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k 4.10
Ense velut stricto quoties Lucilius ardensInfremuit, rubet auditor cui frigida mens estCriminibus, tacita sudant praecordia culpa.JUV. S. 1.
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l 4.11
Omne vaser vitium ridenti Flatcus amicoTangit, & admissus circum praecordia ludit,Callidus excuilo populum suspendere naso.PERS. S. 1.
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a 4.12
William Thompson was the second son of the Rev. Mr. Francis Thompson, thirty-two years vicar of Brough, in Westmorland. He re∣ceived his education at Queen's College, Oxford, where he afterwards became a fellow; and took the degree of M. A. 26th February 1738. He was rector of South Weston and Hampton Pyle, in the county of Oxford; and in 1751 was an unsuccessful candidate for the Poetry pro∣fessorship in the university of Oxford.
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b 4.13
Translation of the First Book of Statius's Thebais,
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c 4.14
Windsor Forest: Mr. POPE born there.
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d 4.15
Pastorals.
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e 4.16
Essay on Criticism.
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f 4.17
Rape of the Lock.
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g 4.18
Alessandro Tassoni, author of a poem entitled LA SECCHIA RA∣PITA, or The Rape of the Bucket, written in the year 1611, but not published until 1622.
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h 4.19
OVID'S SAPPHO to PHAON: And ELOISA to ABELARD.
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i 4.20
Temple of FAME.
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k 4.21
Translation of HOMER.
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l 4.22
Ethic Epistles.
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m 4.23
Dunciad.
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a 4.24
The modest and ingenious collector of these volumes. He was born in 1703, acquired a handsome fortune as a bookseller, and died at the house of his friend Mr. Spence, at Durham, 25 September 1764. He was the author of several dramatic and other pieces, which are col∣lected in two volumes, under the title of TRIFLES.