Horæ lyricæ: Poems, chiefly of the lyric kind. In two books. ... By I. Watts.
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- Title
- Horæ lyricæ: Poems, chiefly of the lyric kind. In two books. ... By I. Watts.
- Author
- Watts, Isaac, 1674-1748.
- Publication
- London :: printed by S. and D. Bridge, for John Lawrence,
- 1706.
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To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.lib.umich.edu/tcp/ecco/ for more information.
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- Cite this Item
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"Horæ lyricæ: Poems, chiefly of the lyric kind. In two books. ... By I. Watts." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004851068.0001.000. University of Michigan Library Digital Collections. Accessed June 4, 2025.
Pages
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TO Mr. John Lock Retired from The World of Business.
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TO Mr. JOHN SHUTE ON Mr. LOCK's Dangerous Sick∣ness sometime after he had re∣tired to study the Scriptures.
June 1704.
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FRIENDSHIP.
TO Mr. William Nokes.
1702.
Page 122
Page 123
TO Nathanael Gould Esq
Lawful Ambition.
1704.
Page 124
Page 125
TO Dr. Thomas Gibson.
The Life of Souls.
1704.
Page 126
Page 127
Page 128
TO My Brothers E. and T. W.
False Greatness.
1698.
Page 129
Page 130
TO Mr. A. S. and Mr. T. H.
STRICT RELIGION Exceeding Rare.
1705.
Page 131
Page 132
Page 133
ON The Sudden Death OF Mrs. Mary Peacock.
1695.
An Elegiack Song.
Page 134
Page 135
Page 136
TO THE Reverend Mr. B. Rowe.
'Tis Dangerous to follow the Multitude.
Page 137
Page 138
TO My Sisters S. and M. W.
An Epistle.
Dear Sisters,
READ the Love of my Heart in the first Line of my Letter, and believe it. I'me much concern'd to bear of my Mother's continued Weakness; we take our Share of those painful Disorders of Nature which afflict her whom we Honour and Love: I know also that your Hurries of Business must be more than dou∣bled thereby; but we are daily leaving Care and Sin behind us: The past Temptations shall vex us no more,Page 139
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Sisters,
Accept the sudden Rapture kindly. The Muse is not awake every Day, if she has a Moments Release from the Lethargy, see, 'tis devoted to serve and please you—&c.June 15. 1704.
Page 141
TO Mr. C. and S. Fleetwood.
The World Vain AND The Soul Immortal.
1701.
Page 142
Page 143
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TO Mr. William Blackbourn.
Life flies too fast to be Wasted.
1703.
Quae tegit canas modo Bruma valles Sole vicinos jaculante montes Deteget rursum— Casimir. Lib. 2. Od. 2.
Page 145
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TO Mr. Robert Atwood.
THE Kingdom of the Wise Man.
PART I.
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PART II. OR The Bold Stoick.
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Free Philosophy.
To the much Honoured Mr. Thomas Rowe. THE Director of my Youthful Studies.
Page 154
Page 155
To the Reverend Mr. John Howe.
THE Vanity of Human Cares.
1704.
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Page 157
Page 158
TO Mr. Nicholas Clark.
January 1701/2.
Complaining of Vapors, OR, Disorders of the Head.
Page 159
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UPON The Dismal Narrative OF THE Afflictions of a Friend.
1702.
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THE REVERSE; ON THE View of some of my Friends re∣maining Comforts.
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To the Right Honourable JOHN Lord CUTTS.
[At the Siege of Namure.]
The Hardy Soldier.
Page 168
Page 169
Against Tears. The beginning of Ode 23. Book 4. of Casimire
Imitated. Si, quae flent mala, lugubresAuferrent Oculi, &c.
TO Mrs. B. Bendish.
MADAM,
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Page 171
A Word of Warning, OR Few Happy Marriages.
August 1701.
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TO Mr. Henry Bendish.
August 24. 1705.
Dear SIR,
THE following Song was yours when first com∣pos'd: The Muse then described the general Fate of Mankind, that is, to be Ill-match'd: And now she rejoyces that you have escaped the common Mischief, and that your Soul has found its own Mate. Let this Ode then Congratulate you Both: Grow mu∣tually in more compleat Likeness and Love; Perse∣vere and be Happy: Accept from the Press what the Pen more privately inscribed to you.Page 176
The Indian Philosopher, OR Matches made Above, But Broke in coming down.
September 3. 1701.
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TO David Polhill Esq
An Epistle.
Decemb 1702.
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TO David Polhill Esq
AN Answer to an Infamous SATYR, CALL'D, Advice to a Painter, Written chiefly against King WILLIAM III. Of Glorious Memory.
1697.
PART I.
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PART II.
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TO THE Discontented and Unquiet.
Vertue alone makes the Mind Easie.
Nil est, Munati, nil iterum canamMortale nil est immedicabilisImmune taedî, &c.
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TO John Hartopp Esq
July 1700.
Youth and Pleasure tar∣ry not.
Vive jucundae metuens juventae, &c.
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Page 197
TO Thomas Gunston Esq
1700.
Happy Solitude.
Quid me latentem, &c.
Page 198
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TO John Hartopp Esq
THE Disdain of Sensual Joys.
1704.
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Page 203
EPISTOLA. Fratri suo dilecto R. W. J. W. S. P. D.
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TO Dr. JOHN SPEED of Southampton.
An EPISTLE, Occasion'd by his Ingenious Sa∣tyr on the Dissenters, mingled with his Encomium of Mr. Lloyd's Paraphrase on Solomon's Song, printed in 8vo. 1682.
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Ad Reverendum Virum Dom. Johannem Pinhorne, Fidum pueritiae meae Praeceptorem. Pindarici Carminis Specimen.
1694.
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VOTUM. SEU Vita in terris beata. AD Virum Dignissimum Johannem Hartoppium Ba∣ronettum. 1702.
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A Funeral POEM ON Thomas Gunston Esq
Presented to The Right Honourable The Lady ABNEY Lady Mayoress of London. July 1701.
MADAM,
HAD I been a common Mourner at the Funeral of the Dear Gentleman deceased, I should have labour'd after more of Art in the following Composition to supply the defect of Nature and to feign
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a Sorrow; but the uncommon Condescension of his Friendship to Me, the Inward Esteem I pay his Me∣mory, and the vast and tender Sence I have of our Loss make all the Methods of Art needless, whilst na∣tural Grief supplies more than all.
I had resolv'd indeed to lament in Sighs and Silence, and frequently check'd the forward Muse when she brought me Grief in Numbers, and urg'd me to a tune∣ful Mourning; but the Importunity was not to be re∣sisted: Long Lines of Sorrow flow'd in upon my Fancy 'ere I was aware, whilst I took many a Solitary Walk in the Garden adjoyning to his Seat at Newington: Nor could I free my self from the Melancholy Idea's that crowded themselves upon me, and your Ladyship will find throughout the Poem that the fair and unfi∣nish'd Building which he had just raised for himself gave almost all the turns of Mourning to my Thoughts, for I pursue no other Topicks of Elegy then what my Passion and my Senses led me to.
The Poem roves as my Eyes and Thoughts did, from one part of the Fabrick to the other: It rises from the Foundation, salutes the Walls, the Doors, and the Windows, drops a Tear upon the Roof, and climbs the Turret that dear Retreat, where I promis'd my self many sweet Hours of his Conversation; there my Song wanders amongst the delightful Subjects Divine and Moral which used to Entertain our happy leisure, and thence flings her self down to the Fields and the Shady Walks where I so often injoy'd his pleasing Discourse, and my Sorrows diffuse themselves there without a limit:
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I had quite forgotten what I was writing, till I correct my self and rise to the Turret again to lament that De∣solate Seat, and how vainly shines the Golden Ball that Crowns it: Thus I have written without rule and with a negligence becoming Woe unfeigned.
Had I design'd a compleat Elegy on your Dearest Brother and intended it for publick View, I should have followed the usual Forms of Poetry, spent whole Pages in the Character and Praises of the Deceased, and thence took occasion to call Mankind to Complain aloud of the Universal and Unspeakable Loss: But I wrote meerly for my self as a Friend of the Dead and to ease my full Soul by breathing out my own Com∣plaint: I knew his Character and Vertues so well that there was no need to mention 'em while I talk'd only with my self, for the Image of them was ever present with me, which kept my Sorrow lively and my Tears flowing with my Numbers.
Perhaps your Ladyship will expect some Divine Thoughts and Sacred Meditations mingled with a Sub∣ject so solemn as this is: Had I form'd a Design of offering it to your Hands I had compos'd a more Chri∣stian Poem: But 'twas Grief purely natural for a Death so surprizing that drew all the Lines of it, and there∣fore my highest Reflections are but of a Moral Strain; Such as it is, your Ladyship requires a Copy of it, but let it not touch your Soul too tenderly, nor renew your own Mournings. Receive it, Madam, as a Sacrifice of Love and Tears offer'd at the Tomb of a Departed Friend, and let it abide with you as a Witness of that
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Affectionate Respect and Honour that I bore him, all which as your Ladyships most rightful Due both by Me∣rit and Succession, is now humbly offered by
MADAM,
Your Ladyships most Hearty and Obedient Servant, I. Watts.
Page 223
TO THE Dear Memory of my Honoured Friend Thomas Gunston Esq Who Died November 11. 1700. When he had just Finish't his Seat at NEWINGTON.
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AN ELEGY ON THE Reverend Mr. Tho. Gouge.
TO Mr. Arthur Shallett Mer∣chant.
Worthy SIR,
THE Subject of the following Elegy was high in your Esteem and enjoy'd a large share of your Affections. Scarce doth his Memory need the Assistance of the Muse to make it perpetual,
Page 248
But when She can at once pay her Honours to the Venerable Dead, and by this Address acknowledge the Favours She has received from the Living, 'tis a dou∣ble Pleasure to
SIR,
Your obliged humble Servant,
Page 249
TO THE MEMORY OF THE Reverend Mr. Tho. Gouge, Who Died January 8. 1699/1700.
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AN EPITAPH ON King WILLIAM III. Of Glorious Memory, Who Died March 8th. 1701.
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Notes
-
* 1.1
The Gospel.
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* 1.2
Job 4. 6.
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† 1.3
Luc. 22. 44.
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* 1.4
Zec. 13. 7.
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* 1.5
2 Col. 15.
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† 1.6
22 Luc. 44.
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* 1.7
Neque sempec arcum Tendit Apollo. Horat. lib. 2. Od. 10.
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* 1.8
Horat. Lib. 1. Sat. 6.
-
* 1.9
M. Casimirus Sarbiewski Poeta insign is Polonus.
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* 1.10
M. Casimirus Sarbiewski Poeta insign is Polonus.
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† 1.11
Od. 5. Lib. 2.
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* 1.12
The House.
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† 1.13
The Foundations.
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‖ 1.14
The Walls.
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* 1.15
The Hall.
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† 1.16
The Rooms.
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* 1.17
The Paintings.
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† 1.18
The Doors.
-
* 1.19
The Windows.
-
* 1.20
The Roof.
-
† 1.21
The Turret.
-
* 1.22
Our Conversation there.
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* 1.23
The adjacent Country.
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† 1.24
The Brook.
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* 1.25
The Trees.
-
* 1.26
The Gardens.
-
† 1.27
The Air.
-
* 1.28
The Groves.
-
* 1.29
The Turret.
-
* 1.30
The Golden Ball.
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* 1.31
Psalm Cxxxvii.
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† 1.32
Lam: 1. 2, 3.