The desert island: a dramatic poem, in three acts. As it is acted at the Theatre-Royal in Drury-Lane.
About this Item
Title
The desert island: a dramatic poem, in three acts. As it is acted at the Theatre-Royal in Drury-Lane.
Author
Murphy, Arthur, 1727-1805.
Publication
London :: printed for Paul Vaillant,
1760.
Rights/Permissions
To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.lib.umich.edu/tcp/ecco/ for more information.
Link to this Item
http://name.umdl.umich.edu/004842750.0001.000
Cite this Item
"The desert island: a dramatic poem, in three acts. As it is acted at the Theatre-Royal in Drury-Lane." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004842750.0001.000. University of Michigan Library Digital Collections. Accessed May 3, 2025.
Pages
descriptionPage 1
THE DESERT ISLAND.
ACT I.
The scene represents a vale in the Desert Island, surrounded by rocks, caverns, grottos, flowering shrubs, exotic trees, and plants growing wild. On one side is a cavern in a rock, over the entrance of which appears, in large characters, an unfinish∣ed inscription. CONSTANTIA is discovered at work at the inscription, in a romantic habit of skins, leaves, and flowers; in her hand she holds a broken sword, and stands in act to finish the imperfect inscription.
After a short pause, she begins.
REST, rest my arm — ye weary sinews, rest —Awhile forget your office —On this rockHere sit thee down, and think thy-self to stone.
Sits down.
—Would heav'n I could! —
[rises.]
Ye shrubs, ye nameless plants,
descriptionPage 2
That wildly-gadding 'midst the rifted rocksWreathe your fantastic shoots;—ye darksome treesThat weave yon verdant arch above my head,Shad'wing this solemn scene; — ye moss-grown caves,Romantic grottos,—all ye objects drear, —Tell me, in pity tell me, have ye seen,Thro' the long series of revolving time,In which you have inclos'd this lonely mansion,Say, have ye seen another wretch like me?—No, never!—You, in tend'rest sympathy,Have join'd my plaints— you, at the midnight hour,When with uprooted hair I've strew'd the earth,And call'd my husband gone;—have call'd in vainPerfidious Ferdinand!—you, at that hour,Have waken'd echo in each vocal cell,Till ev'ry grove, and ev'ry mountain hoar,Mourn'd to my griefs responsive—Well you knowThe story of my woes—Ev'n yonder marbleRelenting feels the touch; receives each traceThat forms the melancholy tale.—Tho' rude,And inexpert my hand; — tho' all uncouthThe instrument, — yet there behold my workWell nigh complete—let me about it streight.
She advances toward the rock.
Ye deep engraven letters, there remain;And if in future time resistless fateShould throw some Briton on this dismal shore;Then speak aloud; — to his astonish'd senseRelate my sad, my memorable case —Alarm his soul, call out —
descriptionPage 3
STOP TRAVELLER. HERE CONSTANTIA, WITH HER LITTLE INFANT, SYLVIA, WAS DESERTED BY HER HUSBAND, THE PERFIDIOUS FERDINAND; WHO PRETENDING TO LAND HER FOR REFRESHMENT FROM THE DANGERS OF A STORMY SEA, BARBAROUSLY LEFT HER ON THIS UNHOSPITABLE ISLAND, WHERE SHE ENDED HER DEPLORABLE LIFE. FRIEND! WHOE'ER THOU ART, PITY MY WRONGS, BUT AGAINST MY HUSBAND, (FOR LOVE LIKE MINE CANNOT FORGET WHERE ONCE WITH DELIGHT IT FIXED) I CHARGE YOU NEVER MEDITATE R—
Revenge! —the word Revenge is wanting still.Ye holy pow'rs! if with one pitying lookYou'll deign to view me, grant my earnest pray'r!Let me but finish this my sad inscription,Then let this busy, this afflicted heartBe still at once, and beat my breast no more,
She goes on with her work.
Enter SYLVIA.
SYLVIA.
My dearest mother — oh! quite out of breath.
descriptionPage 4
CONSTANTIA.
What is the matter, child?
SYLVIA.
Why, ma'am, my heart,Beats wild with joy —oh! such an incident!—
CONSTANTIA.
What incident, my sweet?
SYLVIA.
My little fawn,My dear, my loveliest fawn, — for many daysWhose loss I've mourn'd; for whose dear sake I've leftNo corner of the isle unsearch'd; —this momentO'er the dew-spangled lawn, with printless feet,Came bounding to me; playful frisk'd aboutWith inexpressive airs of glad surprize,With eager signs of transport—Big round tearsStood trembling in his eye, and seem'd to speakHis fond regret still mingling with his joy.
CONSTANTIA.
And is it that, my love, delights thee so? —
SYLVIA.
And can you wonder, ma'am? — yes, that de∣lights me,Transports me, charms me; — he's my darling care,My dear companion, my sweet little friend,That loves me, gambols round me, watches stillWith anxious tenderness my ev'ry motion,
descriptionPage 5
Pants on my bosom, leaps into my arms,And wanders o'er me with a thousand kisses.Before this time, he never once stray'd from me;—I thought I lost him; —but he's found again!And can you wonder I'm transported thus!
CONSTANTIA.
Oh! happy state of innocence! — how sweetThy joys, simplicity, e'er yet the mindWith artificial passions learns to glow;Ere taste has ta'en our senses to her school,Has given each well-bred appetite her laws,Taught us to feel imaginary bliss,Or elss expire in elegance of pain.
SYLVIA.
Nay, now, again, you're growing grave—'tis youGive laws to appetite; — forbid each senseTo minister delight; your eyes are dimm'dWith constant tears; — the roses on your cheekFade like yon violets, when excessive dewsHave bent their drooping melancholy heads;Soon they repair their graces; soon recalTheir aromatic lives, and smiling yieldTo sighing Zephyr all their balmy sweets.To grief you're still a prey; still wan despairSits with'ring at your heart, and ev'ry featureHas your directions to be fix'd in woe.Nay, pr'ythee now clear up—you make me sad—— Will you, Mama, forget your cares? —
CONSTANTIA.
Forget! —Oh! sweet oblivion, thy all-healing balm
descriptionPage 6
To wretches you refuse! —can I forgetPerfidious Ferdinand? — His tyrant formIs ever present — The deluding looks,Endearing accents, and the soft regardsWith which he led me to yon moss-clad cave,There to repose awhile —oh! cruel man!And you, ye conscious wilds, I call you false!Accomplices in guilt! — The Zephyrs blandThat pant upon each leaf; — the melodyThat warbles thro' your groves; the falling foun∣tainsThat at each deep'ning cadence lull the mind,Were all suborn'd against me; all conspir'dTo wrap me in the silken folds of sleep.Sudden I wake — where, where is Ferdinand?I rave, I shriek, —no Ferdinand replies;—Frantic I rove thro' all your winding glades,—I seek the shore; — no Ferdinand appears —I climb yon craggy steeps; I see the shipUnfurling all her sails — I call aloud,I stamp, cry out; — deaf as the roaring seaHe catches ev'ry gale that blows from heav'n,And cleaves his liquid way. —
SYLVIA.
Why will you thusRecal your past afflictions? —
CONSTANTIA.
Ah! what then,Thou wretched Constance, what were then thy feelings
descriptionPage 7
I rend my tresses, — beat my breast in vain,In vain stretch out these ineffectual arms,Pierce with my frantic cries the wounded air,Dash my bare bosom on the flinty rock,Then rise again, and strain my aching sight,To see the ship still less'ning to my view,And take the last, last glimpse, as far, far offIn the horizon's verge she dwindles still,Grows a dim speck, and mixes with the cloudsJust vanishing, — just lost, —ah! seen no more.
SYLVIA.
I pr'ythee don't talk so—my heart dies in me—Why won't you strive a little to forgetThis melancholy theme? — the twilight greyOf morn but faintly streaks the east; the starsStill glimmer thro' the whit'ning air; the grovesAre mute; yon all-devouring deep lies hush'd;The tuneful birds, and the whole brute creationStill sink in soft oblivious slumber wrapp'd,Forgetful of their cares;—all, —all but youKnow some repose; — you pass the dreary nightIn tears and ceaseless grief; then rising wildAnticipate the dawn, and here resumeYour doleful task, or else ascend the heightOf yonder promontory; there forlornYou sit, and hear the brawling waves beneathLash the resounding shore; your brimful eyeStill fix'd on that sad quarter of the heav'nsWhere my hard father disappear'd.
descriptionPage 8
CONSTANTIA.
Yes, thereMy melancholy loves to dwell; there lovesTo sit, and pine over its hoard of grief;To roll these eyes o'er all the sullen main,In hopes some sail may this way shape its course,With tidings of the human race—Oh! heav'ns!Could I behold that dear, that wish'd for sight,Could I but see some vestiges of man,Some mark of social life, ev'n tho' the shipShould shun this isle, and court propitious galesBeneath some happier clime; yet still the viewWould chear my soul, and my heart bound with joyAt that faint prospect of my fellow creatures.But not for me, such transport;—not for me—Dear native land, I now no more must see thee,Condemn'd in ever-during solitude to mourn,From thy sweet joys, society, debarr'd!
SYLVIA.
But to your happiness what's wanting here?Full many a time I've heard you praise the arts,The polish'd manners, and gay scenes of blissWhich Europe yields — yet ever and anonI from your own discourse can gather tooThat happiness is all unknown to Europe;That envy there can dwell, and discontent;The smile, that wakens at another's woe;The heart, that sickens at another's praise;The tongue, that carries the malignant tale;
descriptionPage 9
The little spirit, that subverts a friend;Fraud, perfidy, ingratitude, and murder.Now sure with reason I prefer these scenesOf innocence, tranquillity, and joy!
CONSTANTIA.
Alas! my child, 'tis easy to foregoUnknown delights — pleasures we've never felt. —
SYLVIA.
Are we not here what you yourself have told meIn Europe sovereigns are? — here we have fix'dOur little sylvan reign. — The guileless raceOf animals, that roam the lawns and woods,Are tractable and willing subjects; — payPassive obedience to us — and yon seaBecomes our tributary; hither rollsIn each hoarse-murm'ring tide his various storesOf daintiest shell-fish — the unbidden earth,Of human toil all ignorant, pours forthWhatever to the eye, or taste, can proveRare, exquisite, and good — at once the springCalls forth its green delights, and summer's blushGlows on each purple branch. The seasons hereOn the same tree, with glad surprize,Behold each other's gifts arise;Spontaneous fruits around us grow;For ever here the Zephyrs blow:Shrubs ever flow'ring,Shades embow'ring;Heav'nly spots,Cooling grots,
descriptionPage 10
Verdant mountains,Falling fountains;Pure limpid rills,Adown the hills,That wind their wayAnd o'er the meadows play,Enamour'd of th' enchanted ground.
CONSTANTIA.
What is this waste of beauty, all these charmsOf cold, inanimate, unconscious nature,Without the social sense? those joys, my Sylvia,Thou can'st not miss; for thou hast never known 'em.
SYLVIA.
But still, those beauteous tracts of Europe,Which you so much regret, are full of men;And men, you know, are animals of prey:I'm sure that you yourself have told me soA thousand times. —
CONSTANTIA.
And if I have, my child,I told a dismal truth. — Oh! they are false,Inexorable, cruel, fell deceivers;Their unrelenting hearts no harbour knowFor honour, truth, humanity, or love.
SYLVIA.
Well then, in this lone isle, this dear retreatFrom them at least we're free. —
descriptionPage 11
CONSTANTIA.
Poor innocent!I can't but grieve for her —
Bursts into tears, aside.
SYLVIA.
Why fall afreshThose drops of sorrow? — pray you, now give o'er. —
CONSTANTIA.
My heart will break—I do not grieve, my child—I can't conceal my tears—they must have way—
SYLVIA.
Nay, if you love me, sure you will not thusMake my heart ake within me! —
CONSTANTIA.
No, my sweet —I will not weep — all will be well, my love —Oh! misery! — I can't, — I can't contain —The black ingratitude! —
Weeps.
SYLVIA.
Say, is there aughtThat I can do, Mama, to give you comfort? —If there is, tell me — shall I fetch my fawn?Dry up your tears, and he is your's this moment,—I'll run and bring him to you. —
CONSTANTIA.
Sylvia, no! —
SYLVIA.
Nay do, Mama—I beg you will—you shall.
Exit.
descriptionPage 12
CONSTANTIA
alone.
Alas! I fear my brain will turn — the sunFull sixteen times hath made his annual course,Since here I've dragg'd a miserable being,The victim of despair; which long e'er now,To phrenzy kindling, must have forc'd me dashMy brain in madness on yon flinty rocks,And end my pangs at once; if the keen instinctOf strong maternal love had not restrain'dMy wild disorder'd soul, and bade me liveTo watch her tender infancy; to rearHer blooming years; with fond delighted careTo tend each blossom of her growing mind,And see light gradual dawning on her soul.And yet to see her thus, — to see her here,Cut off from ev'ry social bliss; condemn'dLike some fair flow'r that in a desert grows,To breathe its sweets into the passing wind,And waste its bloom all unperceiv'd away!It is enough to break a mother's heart.Let me not think on't—let me shun that thought.
Sits down and sings.
I.
What tho' his guilt my heart hath torn,Yet lovely is his mien,His eyes mild-op'ning as the morn,Round him each grace is seen.But oh! ye nymphs, your loves ne'er let him win,For oh! deceit and falshood dwell within.
descriptionPage 13
II.
From his red lip his accents stole,Soft as kind vernal snows;Melting they came, and in the soulDesire and joy arose.But oh! ye nymphs, ne'er listen to his art,For oh! base falshood rankles in his heart.
III.
He left me in this lonely state!He fled, and left me here,Another Ariadne's fate,To mourn the live-long year.He fled — but oh! what pains the heart must prove,When we reveal the crimes of him we love!
Re-enter SYLVIA.
SYLVIA.
I cannot bring him now — in yonder streamThat thro' its pebbled channel glides alongSoft-murm'ring to the sea, he stands to coolHis beauteous form in the pure limpid rill.But still he shall be your's —
CONSTANTIA.
To thee, my child,To thee he causes joy — but joy to meThere's nothing now can bring — left by my husband!By the false barb'rous man! —
descriptionPage 14
SYLVIA.
And yet this manYou still regret mdash; you must excuse me now —I vow, I can't but think, 'midst all your grief,All your reproaches, your complaints against him,That still this man, this cruel fell deceiver,Has found,—I know not why—within your breastSome tender advocate, to plead his cause.
CONSTANTIA.
No, Sylvia, no; my love is turn'd to hate! —
SYLVIA.
Then dry your sorrows and this day beginA happier train of years — and lo! the sunEmerges from the sea — He lists his orbAbove the purpled main, and streams abroadHis golden fluid o'er the world — the birdsExulting wake their notes — all things rejoice,And hills, and groves, and rocks, and vallies smile.Let me entreat you then forget your cares,And share the general bliss.—
The sun is seen to rise at a distance, as it were out of the sea.
CONSTANTIA.
Once more all hail,Thou radiant power, who in your bright careerOr rising or descending, hast beheldMy never-ceasing woe! — again thou climb'st
descriptionPage 15
In orient glory, and recall'st the caresAnd toils of man and beast—but oh! in allYour flaming course, your beams will never lightUpon a wretch so lost, so curst as I am.
SYLVIA.
And yet, my mother—
CONSTANTIA.
Mine are pangs, my child,Strokes of adversity no time can cure,No lenient arts can soften or assuage.But I'll not grieve thee, Sylvia — I'll retireTo some sequester'd haunt—There, all forlorne,I'll sit, and wear myself away in thought.
Exit.
SYLVIA,
alone.
Alas! how obstinately bent on griefIs her whole mind! — the votarist of care!In vain I try to soften her afflictions,And with each art beguile her from her woe.I chide, intreat, caress, and all in vain.And what to me seems strange, perverse, and wond'rous,The more I strive, the more her sorrows swell;Her tears the faster fall, fall down her cheekIn streams so copious, and such bitter anguish,That I myself at length, I know not how,Catch the soft weakness, and o'erpow'r'd with grief,Flow all dissolving in unbidden tears.Assist her heav'n. — Her heart will break at last —
descriptionPage 16
I tremble at the thought — I'll follow straightAnd still implore, beseech, try evr'y wayTo reconcile her to herself and me.But see, look yonder! what a sight is there!What can it mean, that huge enormous massThat moves upon the bosom of the deep!— A floating mountain! — no — a mountain neverCould change its place — for such a monstrous bulkHow light it urges on its way — how quick,How rapid in its course! — What can it be—— I'll tow'rd the shore, and from the pointed rockThat juts into the waves, at leisure viewThis wond'rous sight, and what it is explore.
END of the first ACT.
descriptionPage 17
ACT II.
SCENE, Another view of the island, with an opening to the sea between several hills and rocks.
Enter SYLVIA.
SYLVIA.
STILL I behold it—still it glides alongThro' the tumultuous sea — and lo! before itThe waves divide! and now they close again,Leaving a tract of angry foam behind.It must be, sure, some monster of the deep;For see! — upon its huge broad back it bearsExpanded wings, that, spreading to the wind,Lie broad incumbent o'er the surge beneath —— Ah! save me, save me! — what new forms appear!What shapes of unknown being rise before me!From yon huge monster"s side they issue forth,And bolt upon the shore! — behold, they stop,And now with eager disconcerted pacePrecipitate rush forward on the Isle, —Now 'mongst the rocks they wind their silent way,
descriptionPage 18
FERDINAND and HENRICO appear.
Protect me, heav'n! defend me! shield me!—ah!Hide me, ye woods, within your deep recess;Ne'er may these monsters penetrate your haunts;Ne'er trace my footsteps thro' your darksome ways.Behind the covert of this woodbine bow'rOh! let me rest conceal'd! —
She retires.
FERDINAND and HENRICO come forward.
HENRICO.
No trace appears,No vestige here is seen of human kind.'Tis drear, 'tis waste, and unfrequented all.And hark! — what noise? — from yonder toil∣ing deepHow dreadful sounds the pealing roar! — my friend,My valued Ferdinand, 'twere best retire.This cannot be the place. —
FERDINAND.
Oh! my Henrico,This is the fatal shore — the well-known scene,Yon bay, yon rocks, yon mountains, from whose browsTh' imbow'ring forest over-hangs the deep,Each well-remember'd object strikes my view,Answers the image in my mind preserv'd,
descriptionPage 19
Engraven there by love's recording-hand,And never, but with life, to fade from thence.
HENRICO.
And yet thy love-enfeebled soul may formImaginary tokens of resemblance.This soil unbeaten seems by mortal step.
FERDINAND.
No, my Henrico, no — this is the spot —My heart in ev'ry pulse confirms it to me.This is the place, the very place, where fateBegan to weave the tissue of my woes.Oh! I was curst, abhorr'd of heav'n, or elseI ne'er had trusted the contentious waves,But kept my store of happiness at home.
HENRICO
Repine not for an action that aroseFrom filial piety, — a father's mandateRequir'd obedience from you. —
FERDINAND.
To his summonsI paid a glad attention — yet, good heav'n!Why in that early aera of my blissShould then his orders come, to dash my joys? —Oh! I was blest with all that rarest beauty,With all that ev'ry Venus of the mind,The tender heart, and the enliven'd witCould pour delightful on the raptur'd senseOf the young bridegroom, whose admiring eyesStill hung enamour'd on her ev'ry charm,
descriptionPage 20
And thence drank long inspiring draughts of love,Unsated still, — still kindling at the view.
HENRICO.
Thy fate indeed was hard —
FERDINAND.
Heav'n knows it was —Each soft desire, each joy refin'd was mine —The hours soft glided by, and as they pass'dScatter'd new blessings from their balmy wings;They saw our ever new delight; they sawA blooming offspring crown our mutual loves;The mother's features, and her ev'ry graceIn this our daughter exquisitely trac'd.But to be torn from that supreme of bliss, —My wife, — Constantia, — and my beauteous babe,Here to be left on this untravell'd isle,To pine in bitterness of want! — their bedThe cold bare earth, while the inclement windsFrom yonder main came howling round their heads,Until at length the friendly hand of deathIn pity threw his shrowd upon their woes.
HENRICO.
Too sure, I fear, they're lost. —
FERDINAND.
Perhaps, my friend,Perhaps when gasping in the pangs of death,—
descriptionPage 21
—When ev'ry beauty faded from her cheek,—And her eye languish'd motionless and dim,Perhaps ev'n then, in that sad dismal hour,My name still hover'd on her quiv'ring lips,And nought but death could tear me from her heart.
HENRICO.
Her tend'rest thoughts no doubt were fix'd on thee.
FERDINAND.
Her tend'rest thoughts! oh! no — her utmost rage—Who knows, Henrico, but she deem'd me false;Deem'd me a vile deserter from her arms?She did, — she must — each strong appearance join'dTo mark me guilty —Oh! that thought strikes deepIt's scorpion stings into my very heart.Could she but think me so refin'd in guilt,So exquisite a villain, as to causeA moment's anguish in that tender breast,Where all the loves, where all the virtues dwelt,—'Twere misery, — 'twere torture in th' ex∣treme—And yet she thought me such—by heav'n she did—Accus'd me of the worst, the blackest treason,Of treason to my love — stung with th' ideaShe roam'd this isle, and to these desert wilds
descriptionPage 22
Pour'd forth her lamentable tale; — who knowsBut on some craggy cliff whole nights she satRaving in madness to the moon's pale gleam;Until at length all kindling into phrenzy,Clasping her infant closer to her breast,With desperation wild from off the rockHeadlong she plung'd into the roaring waves,While her last accents murmur'd faithless Fer∣dinand.
HENRICO.
Distract not thus your soul with fancied woes.She could not think thee faithless; thee, whose mind,Whose ev'ry virtue were so well approv'd.
FERDINAND.
Still will I hope she did not. — Oh! she knewI made that voyage in duty to a father.A while we steer'd a happy course, untilBeneath the burning line, from whence the sunIn streight direction pours his ardent blazeOn ev'ry fever'd sense, a storm arose,Sudden and wild; as if a war of natureWere thund'ring o'er our heads — full twenty daysIt drove us headlong on the dashing surgeFar from our destin'd way, until at lengthIn evil hour we landed on this isle.
descriptionPage 23
SYLVIA returns, and peeps from behind a hedge.
SYLVIA.
Methought I heard a sound, as if they bothHeld mutual converse — yonder lo! they stand —They do not follow me — what can they be! —
FERDINAND.
There is the spot, just where yon aged treeImbrowns the plain beneath, on which the villains,The unrelenting band of pirates, seiz'd me —There I receiv'd my wound, and there I foughtTill my sword shiver'd in my hand — worn out,Oppress'd by numbers, pow'rless, and disarm'd,They bore me headlong to the beach; in vainPiercing the air with horrid cries; in vainBack towr'd the cave, where poor Constantia slept,With her lov'd infant daughter in her arms,Straining my ardent eyes — my eyes alone!For oh! their cruelty had bound my arms,And tears and looks were all I then could use.
SYLVIA.
The voice but indistinctly strikes my ear,Would they would turn this way. —
FERDINAND.
Fetter'd, ty'd down,They dragg'd me to the vessel—bore me hence—
descriptionPage 24
In vain our ship pursued—In vain gave chase—Form'd with detested skill the guilty barkIn which they plung'd me, gliding oe'r the mainOutstripp'd their tardy course — they steer'd awayFar to their regions of accursed bondage,Far from Constantia, far from ev'ry joyA doating husband, and delighted fatherFeels in mix'd rapture with his wife and child.Oh! I could pour my plaints — but I'll not woundThy ear, my friend, with further lamentation.
HENRICO.
Would Heav'n I could remove the cause —
FERDINAND.
Alas!That cannot be — Thou can'st not bid returnThe irrevocable flight of time; recallThe moments of our young delight; annulAnd render void, what once the hand of fateHath from it's stores of woe, pour'd down upon me.
SYLVIA
(half concealed.)
Why will they stand with looks averted thus?I long to see their countenance and mein.
FERDINAND.
But yet, thou best of friends, yet grant me this;Assist my search; — oh! let me roam aroundThis fatal shore — the isle's circumference
descriptionPage 25
Circles a scanty space — we cannot loseEach other here — do thou pursue that pathThat leads due east — this way I'll bend my course.
HENRICO.
By heav'n there is no task of hardihoodOf toil, or danger but I'll try for thee;For thee, my friend; — to thee I owe my life,And that more precious boon, my liberty:Thou hast releas'd me from the galling chain,From slav'ry's bitter pressure — 'twas thy skil,That form'd the plan of freedom, seiz'd the vessel,And made your friends the partners of your flight.— For thee I'll roam around — but oh! I fearOur search will prove in vain —
FERDINAND.
Too sure it will —And yet it is the doom of love like mineTo dwell for ever on the sad ideaOf the dear object lost; to visit oftA lonely pilgrim ev'ry well known scene,Each haunted glade, where the lov'd object stray'd;To call each circumstance of pass'd delightBack to the soul; in fond excursions seekThe dear lamented shade — Then, oh! my friend,Then let me taste that sad, that pensive comfort,
descriptionPage 26
Range thro' these wilds; ascend each craggy steep,Try in each grotto, in each gloomy caveIf haply there remain some vestige of Constantia,
Exit.
HENRICO.
On yonder beach we'll meet again — fare∣well! —
SYLVIA.
Conceal thee Sylvia;—ah!—it comes this way!—Then let me seek the covert of the woods,Where nods the brownest horror; there lie safeFrom the unusual sight of these strange beings.
Exit.
HENRICO,
solus.
How cruel is my friend's condition! —doom'dFor ever to regret, yet never findThe object of his soul — his early loveHe lavish'd all on her — with her it goesTo the dank grave, and leaves him hapless hereTo die a lingering death. — Yet still I'll tryBv ev'ry office friendship can performTo heal the wound that preys upon his life.
Exit.
descriptionPage 27
The back scene closes, and presents a thick wood; then enter SYLVIA.
SYLVIA.
What have my eyes beheld? — my flutt'ring heartBeats quick in stange emotions — from yon groveOf tufted trees, I saw this nameless beingWalk o'er, the russet heath — it's face appear'dConfess'd to view — It cannot be a man —No lines of cruelty deform'd his visage.—Were it a man, his untam'd savage soulWould strongly speak in each distorted fea∣ture —This was all pleasing, amiable and mild:A gentle sorrow, bright'ning into smiles,Such as bespoke a calm, yet feeling spirit,Sat on its' peaceful brow, and oe'r it threwA gentle gleam of sweetness and of pain.— It cannot be a woman neither — no —The dress accords not with that mode, which oftMy mother hath describ'd — Whate'er it beAttraction dwells about it; winning smiles;Assuasive airs of tenderness and joy.I'll seek my mother — she perhaps may knowThese forms, to me unusual — By this rowOf darksome pines, my steps all unperceiv'd
descriptionPage 28
May gain the place where with assiduous handShe works, and teaches the rude rocks to tellHer mournful elegy — what mean my feet?—Why stand they thus forgetful of their office?—Why heaves th' involuntary sigh! — and whyThus in quick pulses beats my heart? — my eyesA misty dimness covers—In my earsStrange murmurs sound — my very breath is lost—What can it be?—I know thee fear!—'tis thouThat causest this! — and yet it can't be fear—Fear cannot thrill with pleasure thro' the veins;Knows not this dubious joy—these grateful tremblings—I cannot guess what these emotions mean,Nor what this busy thing my heart would want!Let me seek shelter in my mother's arms.
Exit.
Scene changes to the first view of the island where CONSTANTIA'S inscription is seen.
Enter FERDINAND
FERDINAND
No—never more shall these fond eyes behold her.Lost, lost, my poor Constantia lost! — In vainI search these gloomy woods — In vain call outHer honour'd name to ev'ry hill and dale.
descriptionPage 29
My eyes are false, or on the craggy baseOf yonder rock some instrument appears,The mark of human kind —
Takes it up.
A broken sword!Oh! all ye heav'nly pow'rs! — the very same—This once was mine — unfaithful to it's trustIt fail'd me at my utmost need — I seeThe well known characters; the very wordsThat form'd it's motto —'tis, it is the same —Oh! were Constantia found! — what do I see?All o'er with hair the flinty rock bestrew'd! —These were her decent tresses—these in anguishShe tore relentless from her beauteous head,Up by the roots she tore, and scatter'd wildTo all the passing winds—she still may live!—Constantia? — my belov'd, — my life, return!—Constantia! — ha! —what mystic charactersAre hewn into the rock? — my name appears—
He reads.
STOP TRAVELLER. HERE CONSTANTIA, WITH HER LITTLE INFANT, SYLVIA, WAS DESERTED BY HER HUSBAND, THE PERFIDIOUS FERDINAND; WHO PRETENDING TO LAND HER FOR REFRESHMENT
descriptionPage 30
FROM THE DANGERS OF A STORMY SEA, BARBAROUSLY LEFT HER ON THIS UNHOSPITABLE ISLAND, WHERE SHE ENDED HER DEPLORABLE LIFE.
Support me, heav'n! — ah! no—withold your aid,Ye unrelenting pow'rs, and let me thus,Each vital spark subsiding, thus expire.
Leans against the rock.
Enter HENRICO.
HENRICO.
What hoa! — my Ferdinand! — this way the soundStruck on my list'ning ear — what means my friendThus growing to the rock, transform'd to stone,A breathing statue, 'midst these shapeless piles?—
FERDINAND.
Henrico there! — read there! —
HENRICO.
Letters engrav'd! —
He reads to himself as far as SHE ENDED HER DEPLORABLE LIFE.
Alas! my friend—
They gaze speechless at each other for some time, then Ferdinand falls.
The storm of grief o'erpow'rs his feeble spirits.
descriptionPage 31
Now rouze thy strength, my Ferdinand, and bearThis load of sorrow like a man. —
FERDINAND.
I do—Thou see'st I do—I do not weep, my friend —These eyes are dry — their very source is dry —— I am her cruel husband to the last. —
HENRICO.
Oh! thou wert ever kind and tender to her.
FERDINAND.
Tender and kind! — look there! —there stands the black,The horrid roll of guilt denounc'd against me.Lo! the dread characters!—let me peruseThe whole sad record; of this bitter woeStill deeper drink, and gorge me with affliction.
He reads.
FRIEND! WHOE'ER THOU ART, PITY MY WRONGS, BUT AGAINST MY HUSBAND, (FOR LOVE LIKE MINE CANNOT FORGET WHERE ONCE WITH DELIGHT IT FIXED) I CHARGE YOU NEVER MEDITATE R—
Revenge, she meant to say—the word's begun—But death untimely stopt her hand—oh! misery!She thought me false, and yet could love still—
descriptionPage 32
The wound now pierces deeper — had she loath'd me,Abhorr'd me, curs'd me, 'twere not half the tortureThis angel-goodness causes — and to lose her!To lose a mind like her's, that thus could pourSuch unexampled tenderness and love,Amidst the keenest anguish — on the earthMeasure thy length, thou wretch accurst! — there lie,For ever lie, and to these woods and wildsHowl out thy griefs in madness and despair.
HENRICO.
I feel, I feel thy sorrows—oh! my friend,—Cruel event! — your tears, alas! are just —Then let them flow, and let me mingle mine—Your gushing sorrows may assuage your grief,This storm of rage attemp'ring into peace.
FERDINAND.
Who talks of peace? —let phrenzy seize my brain —Come, moon-struck madness, with thy glaring eye,And clanking chain; come, shoot thy kindling firesInto my inmost soul; — blast ev'ry thinking pow'r;Raze each idea out; — tear up at onceThe seat of memory—no—leave me that —Still leave me memory, to picture forth
descriptionPage 33
Constantia's lovely form, that I may sitWith unclad sides, upon some blasted heathAnd gloat upon her image; — see her still,See her whole days with fancy's gushing eye,And gaze on that alone —
HENRICO.
Arise, my friend,And quit this fatal shore —
FERDINAND.
And quit this shore!But whither turn? — ah! whither shall I go? —Where shelter me from misery? — this isleShall be my journey's bound. —
HENRICO.
What can'st thou mean?
FERDINAND.
Never again to draw the vital airBut where my love expir'd—to feed my soulWith these sad objects, this sepulchral tale,Ev'n to the height of yet unheard-of anguish:To print my pious kisses on the rocks;To bathe the ground, which her dear footsteps press'd,With the incessant tears of burning anguish;To make these wilds all vocal with her name,Till this cold lifeless tongue shall move no more.
HENRICO.
By heav'n, you must not think—
descriptionPage 34
FERDINAND.
Farewell! — farewell! —Consult thy happiness! — for ever hereBy fate I'm doom'd to stay — alas! Con∣stantia! —To perish with thy infant here! — no friendTo close thy ghastly orbs! — thy pale remainsOn the bare earth expos'd, without the tributeOf a fond husband's tears o'er thy dead corse;—Without the last sad obsequies — yet here,I still will raise an empty sepulchre.There shall no cold unconscious marble formIn mockery of imitated woeBend oe'r the fancy'd urn: myself will beThe sad, the pensive, monumental figure,Distilling real anguish o'er the tomb;Till wasting by degrees I moulder down,And sink to silent durst. —
HENRICO.
What man could do,Already youv'e perform'd —
FERDINAND.
Prithee, no more —I will about it streight — this place affordsMaterials for the work — Thither I'll bringWhate'er can deck the scene—Constantia, yes;I will appease thy discontented shade,Then follow thee to yonder realms of bliss.
Exit.
descriptionPage 35
HENRICO
solus.
His vehemence of grief bears down his reason.He must not linger here—his stay were fatal—Force will be necessary—to our boat.I'll hasten back and call some trusty friendsTo drag him from this melancholy shore.
END of the Second ACT.
descriptionPage 36
ACT III.
The same scene continues.
Enter SYLVIA.
THRO' the befriending gloom os arch∣ing bow'rs,Thro' walks, where never sun-beam pierc'd, at lengthI've gain'd this deep-encircled vale—ah! me!I feel strange tremors still—she is not here—Mama! — where can she be? — her mournful taskWaits for her ling'ring hand — my dearest mother —She answers not — what noise is that? — me∣thoughtI heard some steps advancing —'tis my fawnThat rustles thro' the forest glade — he stopsAnd looks, then runs, and stops again to takeA fearful gaze — he too perhaps has seenThese unknown beings—yonder lo! he standsIn mute expressive wonder— heav'n protect me!—Thro' this close path, that gradual winding
descriptionPage 37
Leads on to plains, to woods, and verdant lawnsEmbosom'd in the rock, I'll journey up—The day now glows intense, but by the rills,That thro' embow'ring groves come purling down,I oft can lay me, and enjoy each breezeThat plays amid those craggy scenes—a noiseFrom yonder interwoven branches — ha! —Ye guardian angels, save me! —see, see there—That thing again! —
Enter HENRICO.
HENRICO
What beauteous form in these forlorne abodesAttracts my wond'ring eyes? —
SYLVIA.
Ye heav'nly pow'rs!
Retiring from him.
HENRICO.
It swims before my fight—whate'er thou art,Virgin, or goddess—oh! a goddess sure! —Thou goddess of these mansions! —for thy looksBeam heav'nly radiance, with propitious earsAccept my supplication —
SYLVIA.
Ha! — it speaks —It speaks — what dost thou mean! —
HENRICO.
Oh! say what place,What clime is this?—and what art thou that thusAdorn'st this lonely mansion?—
descriptionPage 38
SYLVIA.
Will you firstPromise to come no nearer?
HENRICO.
With devotionAs true as ever pilgrim offer'd upIn holy fervor to his, saint, — I promise.
SYLVIA.
How gentle it's demeanor! — tell me nowWhat thing thou art?
HENRICO.
One born to misery; —A man, whom fate —
SYLVIA.
A man! —art thou a man?
HENRICO.
I am. —
SYLVIA.
Oh! heav'ns! — a man! — protect me — save me —
Runs away,
HENRICO.
Nay, fly me not — a sudden impulse hereBids me pursue — forgive, thou unknown fair,That with soft violence I thus presumeTo force thee measure back thy steps again.
He brings her back.
SYLVIA.
Force me not thus, inhuman, barb'rous man—What have I said—Oh! worthy gen'rous man,
descriptionPage 39
Thus on my knees I beg, — have mercy on me —— I never did you harm — indeed I did not. —
HENRICO.
Arise,
[raises her]
thou lovely tenant of these woods,And let me thus, — thus as befits the manWhose mind runs o'er with rapture and surprize,Whose heart throbs wild with mingled doubt and joy,Thus let me worship this celestal form,This heav'nly brightness, to my wond'ring eyesThat sheds such influence, as when an angelBreaks thro' a flood of glory to the sight,Of some expiring saint, and cheers his soulWith visions of disclosing heav'n.
SYLVIA.
He kneels! —He kneels to me! — how mild his very look —How soft each word! — are you indeed a man? —
HENRICO.
I am, sweet saint—and one whose heart is proneTo melt at each idea beauty printsOn his delighted sense; and sure such beauty,Touch'd by the hand of harmony, adorn'dWith inexpresive graces, well may claimMy lowliest adoration and my love.
SYLVIA.
This language all is new; — but still it hasI know not what of charming in't, that gains
descriptionPage 40
Upon die list'ning ear, — If this be falshood; —Then falshood can assume a pleasing look.
HENRICO
Why those averted eyes?
SYLVIA.
What would you have?
HENRICO.
Oh! if thou art as gracious, as thou'rt fair,Say have you seen Constantia? when and where,And how did she expire? —
SYLVIA.
Constantia lives—Why didst thou say expire? —my mother lives,Lives in these blest abodes —
HENRICO.
Ah! gentle Sylvia, —So I will call thee, — daughter of Constantia,Oh! fly and find her out — mean time I'll seekTh'afflicted Ferdinand. —
SYLVIA.
What dost thou say? —Can he, can Ferdinand be here? — that false,Perfidious, barb'rous man, — can he be here?
HENRICO.
He is, my fair; nor barbarous nor false.Fortune that made him wretched, could no more.
descriptionPage 41
Anon you'll know the whole; to waste a mo∣mentIn conf'rence now, and longer to suspendThe meeting of this pair, who now in agonyBemoan their lot, were barbarous indeed.
SYLVIA.
But may I trust him? won't he do her harm?
HENRICO.
He won't, my beauteous fair.—
SYLVIA.
Is he like you?—
HENRICO.
His goodness far transcends me—
SYLVIA.
Then I thinkI'll venture to comply—let's go together.—
HENRICO.
Oh! I could tend thy steps for ever; hearSoft accents warbling from thy vermeil lip,Watch thy mild-glancing eye; behold how grace,Whate'er you do, which ever way you bend,Guides each harmonious movement; but this hourIs friendship's due; then let us instant flyThro' diff'rent paths—thou to seek out Con∣stantia,And I to find her husband—haply so
descriptionPage 42
Their meeting will be speedier—farewell!I'll bring him to this very spot—adieu!For a short interval adieu, my love!
SYLVIA.
Farewell!—another word—pray what's your name?
HENRICO.
Fair excellence, Henrico I am call'd.
SYLVIA.
Pray do not tarry long, Henrico—
HENRICO.
WhyThat pleasing charge, my sweet?
SYLVIA.
I cannot tell;But as you're leaving me, each step you move,My spirits sink, a melancholy gloomDarkens the scene around, and I methinksHelpless in solitude am left againTo wander all alone a dreary way.
HENRICO.
Oh! I will come again, thou angel sweetness!Yes, I will come, and at that lovely shrinePour out my adoration and my vows.Yes, I will come, to part from thee no more;A moment now farewell!—
Exit.
descriptionPage 43
SYLVIA alone.
Farewell!—be sure you keep your word—He's gone,And yet is with me still—absent I hearAnd see him in his absence—still his looksBeam with mild dignity, and still his voiceSounds in my ear delightful—what it means,This new-born sense, this wonderful emotion,Unfelt till now, and mix'd of pain and joy,I cannot guess—how my heart flutters in me!I'll not perplex myself with vain conjecture;Whate'er the cause, th'effect, I feel, is pleasing.
Constantia is heard singing within the scenes.
Oh! heav'ns! what noise!—it is my mother's VoiceAgain she pours her melancholy forth,As sweetly plaintive as when sad Philomel,Beneath some poplar shade, bemoans her young,And sitting pensive on the lonely bough,Her eye with sorrow dimm'd, she tunes her dirge,Warbling the night away, while all aroundThe vocal woodland, and each hill and daleRing with her griefs harmonious—hark!—that wayIt sounds—all gracious powr's direct me to her.
Exit.
A short song is heard within the scenes, then enter CONSTANTIA.
CONSTANTIA.
From walk to walk, from glade to glade, o'er allThe sea-girt isle, o'er ev'ry mountain's top,
descriptionPage 44
I roam from place to place; but oh; no placeAffords relief to me—the sun now leadsThe sultry hours, and from his burning rayEach living thing retires; yet I endureHis fiercest rage. The fever in my mindHeeds not external circumstance, and timeWitholds his medicinal aid—the trees,And rocks themselves his pow'rful influence own;—All but my grief—that, each succeeding daySees in my heart fresh bleeding as at first.Delay not thus, ye cruel fates, but comeAnd wrap me in eternal rest.—Till thenLet me pursue my melancholy task.
Works at the inscription.
Enter FERDINAND.
FERDINAND.
Away with their ill-tim'd, officious care.I'll none of it—'tis cruelty, not friendship—'Tis misery protracted, 'tis with art,Inhuman art, to lengthen out the lifeOf him who groans in torment—no—they never shallCompel me back to a base world again!——I've liv'd enough—my course is ended here—For here Constantia lies—ye heav'nly pow'rs!What means upon yon consecrated groundThat visionary form, with lifted armAnd gleaming steel, that seems in act to carveThe ragged stone?—
descriptionPage 45
CONSTANTIA.
What is't I hear!—a voice!A groan!—from whence—ha!
Seeing Ferdinand,
FERDINAND.
Tis, it is her ghost,Her discontented sade that hovers stillAbout this place.
CONSTANTIA.
Avaunt, thou air-drawn shapeOf that perfidious—ah!
She faints away.
FERDINAND.
Leave me not thus—Oh! ever gracious, ever gentle, say—'Tis gone—in sullen silence gone!
Enter HENRICO.
HENRICO.
Quick let me find him, to' his raptur'd ear
Laying hold of Ferdinand.
Give the delightful tidings—ha!
FERDINAND.
And thusI sink at once and follow my belov'd,
Falls into Henrico's arms.
HENRICO.
He faints—He faints—the chilling dews of death
descriptionPage 46
Distil thro' ev'ry pore—my Ferdinand,Awake, arise, and hear the joyful soundsOf happiness restor'd—His eyes unfoldTo seek fair day light, and now close againAs if they sicken'd at the view—
FERDINAND,
Forbear, And let me die!—
HENRICO.
Constantia lives—she livesOnce more to fold thee in her warm embrace.
FERDINAND.
I saw her fleeting ghost—sullen and paleIt vanish'd from my sight—
CONSTANTIA.
Haunt me not thusThou cruel tyrant form!—
Coming to herself.
HENRICO.
Whence is that voice?Oh heav'ns—Constantia there!—she too entranc'dLies stretch'd upon the ground—
FERDINAND.
Where is Constantia?Oh! let me fly to her embrace—'tis she—
descriptionPage 47
It is my wife!—it is Constantia!—still,—Oh! ecstasy of bliss?—she still survives—
CONSTANTIA.
'Tis mere illusion all;—the false creation Of some deceitful dream—
FERDINAND.
'Tis real all—Again I fold her thus—the known embraceHath thrill'd it's wonted transport to my heart.My life, my soul, thy Ferdinand is come,
CONSTANTIA.
And com'st thou then, inhuman as thou art,Com'st thou again to wreak thy falshood on me?
FERDINAND.
By heaven I ne'er was false—dash not my joysWith thy unkind suspicion of my love,While thus transported far above the lotOf human bliss, I press my lips to thine,Inhaling balmy sweets, and all my soulRuns o'er with joy, with wonder, and delight.
CONSTANTIA.
Did'st thou not meanly leave me here a prey?
FERDINAND.
And can Constantia deem me then so base?Can she believe me such a vile betrayer?—Can'st thou?—
CONSTANTIA.
On this unhospitable shoreLeft as I was—
descriptionPage 48
FERDINAND
Oh! misery!—thou we'rtWhile I was dragg'd by an insidious bandOf pyrates, savage blood-hounds! into bondageBut witness heav'n!—witness ye midnight hoursThat heard my ceaseless groans, how her dear imageGrew to my very heart!
CONSTANTIA.
And hast thou thenBeen doom'd to slavery?
FERDINAND.
I have.
CONSTANTIA.
And groan'dThis long, long time beneath oppression's hand?
FERDINAND
E'er since these eyes have gaz'd delighted on thee,The bitter draught of misery was mine.
CONSTANTIA.
And wert thou true indeed?
FERDINAND.
By heav'n I was.
CONSTANTIA.
And have I then accus'd thee?—have I pour'dA thousand strong complaints against thee?—called
descriptionPage 49
High judging heav'n to witness to my wrongs,Told all these wilds, these rocks, these wood∣crown'd hillsOf injur'd truth and violated love?Falsely I talk'd, unjustly I complain'dOf injur'd truth and violated love.My Ferdinand was true—again 'tis giv'nWith his lov'd form to glad these eyes, to rushWith eager transport to his fond embrace,To cling around his neck, and growing to himPour the warm tears of rapture and of love.
They embrace.
Enter SYLVIA.
SYLVIA.
I heard my mother's voice—what do I see?In a man's arms!—embracing and embrac'd!
FERDINAND.
Is that my Sylvia?—oh! it must be so—My child, my child survives!—survives to takeA raptur'd father's blessing, and o'erpayHis suff'rings past by his excess of joy,This interview of mingled tears and kisses.
Embraces her,
SYLVIA.
How gentle his deportment too!—I feelA soft attraction bind my soul to his.—Mama, are these the men, whom you describ'dInexorable, cruel, sell deceivers?—
descriptionPage 50
CONSTANTIA.
I was deceiv'd myself, my child; for truth,Honour, and love, and constancy are theirs,I now have proof of unexampled goodness.
SYLVIA.
Indeed I strongly thought you wrong'd 'em much,When first Henrico met my wond'ring eyes.
FERDINAND.
Henrico is my friend, my best, Constantia,And thou hereafter shalt know all his virtues.
SYLVIA.
And shall I know him too?—
HENRICO.
Thou shalt;—and IWill live thy slave, if thou wilt deign to love me,
SYLVIA.
Love you!—I know not what you mean by love;But if with pleasure to behold thee; ifTo hang upon thy words; to mourn thy absence;With joy to meet again, and feel my heartForm new desires, and wish it knows not whatIf that be love—I do already love you.—I love you better than my fawn.
HENRICO.
How sweetThe voice of innocence—oh! thou shalt be,—
descriptionPage 51
—My friend will smile consent,—yes, thou fair nymph,Shalt be my bride—
SYLVIA.
Your bride!—what's that?
HENRICO.
My wife.—
SYLVIA.
No, sir, not that.—I crave your pardon there——I beg to be excus'd—I do not chuseTo be left helpless on a desert island.
CONSTANTIA.
Thy father did not leave me, Sylvia;—no;—He could not prove deliberately false.His heart was unsusceptible of fraud.——Anon you'll know it all.—
HENRICO.
Mean time, my fair,Banish thy fears; and let me with this kissOn the white softness of this lovely hand,For ever dedicate my heart.
SYLVIA.
Oh! heav'ns!What must I do, Mama?—
CONSTANTIA.
Requite his loveWith fair return of thine,—
descriptionPage 52
SYLVIA.
Must I do so!The task appears not undelightful—yes;To thee I can resign myself—but tell me;Wilt thou ne'er leave me? wilt thou ever hereFix thy abode?
HENRICO.
No;—we'll convey thee hence,To the soft insluence of a milder clime:There, like a flow'r transplanted, thou shalt flourish,And ne'er regret this warmer, southern sky,But thrive and ripen, to the wond'ring world,Unfolding all thy sweets to higher bloom
SYLVIA.
What place is that?—and whither will ye bear me?
FERDINAND.
To thy dear native soil—to England, love.—
SYLVIA.
To England!
HENRICO.
Yes! the land of beauteous dames;'Mongst whom thy matchless excellence shall shineWith undiminish'd radiance, and exertIt's gentle pow'r, by innocence endear'd,By virtue heighten'd, and by modest truth
descriptionPage 53
Attemper'd to such sweetness, that each fairWith unrepining heart, and glad consentShall own thy rival claim; and ev'ry youthTouch'd by the graces of thy native beauty,Shall join to make thy form the public care.
SYLVIA.
I cannot quit this island;—cannot leaveThese woods, these lawns, these hills and deep∣ning vales,These streams oft-visited, each well known hauntWhere hand in hand with innocence I've stray'd,And tasted joys serene as in the air,That pants upon yon trembling leaves.—
FERDINAND.
Such joysFor thee shall blossom in thy native land,And new delights arise. There cultur'd fieldsWave with the golden harvest; commerce poursEach delicacy forth; there stately domesAttract the wond'ring eye; there cities swarmWith busy throngs intense, and smiles aroundA scene of active, cheerful, social life.Thither I'll lead thee, sweet—
SYLVIA.
And yet my heartMisgives me much:—does not contention there,And civil discord render life a sceneOf care, and toil, and struggle? — does not warFrom foreign nations oft invade the land,With all his train of misery and death?
descriptionPage 54
FERDINAND.
Thy lovely fears are groundless — ours the landWhere inward peace diffuses smiles around,And scatters wide her blessings — there a king,—(My friend comes later thence, and tells me all)There reigns a happy venerable kingDispensing justice and maintaining lawsThat bind alike his people and himself.From that scource liberty and ev'ry claimA free-born people boast, flow equal onAnd harmonize the state; while in the eveAnd calm decline of life our monarch seesA royal grandson still to higher lustreEach day expanding; emulous to traceHis grandsire's steps, to copy out his actions;And bid the ray of freedom onward stretchTo ages yet unborn.
SYLVIA.
And do the peopleKnow their own happiness?
FERDINAND
They do, my sweet:Pleas'd they behold their native rights secur'd;Their commerce guarded, and the useful arts,That raise, that soften, and embellish life,All to perfection rising. With a sense
descriptionPage 55
Of their own blessing touch'd, with one consentThey pour their treasures, and exhaust their bloodIn their king's righteous cause; and Albion thusRaises her envied head; thus ev'ry threatOf foreign force, each menace of invasionFrom a vain, vanquish'd, disappointed foe,Like broken billows on her craggy cliffs,Shall murmur at her feet in vain.—
SYLVIA.
MethinksI long to see this place—
FERDINAND.
My Sylvia, yes,Thou shalt return—propitious gales invite—Come then, Constantia—oh! what mix'd emo∣tionsHeave in this bosom at the sight of thee?—
CONSTANTIA.
I too run o'er with ecstacy of joy,And tears must speak my happiness—I longTo utter all my fond, fond thoughts;—to tellThe story of my woes, and hear of thine;While at each word our hearts shall melt within us,And thrill with gries, with tenderness, and love.
FERDINAND.
The tale shall serve us in our future hoursOf tender intercourse, to sweeten pain,
descriptionPage 56
To calm adversity, and teach our soulsTo bend in love, in gratitude, and praiseTo the All-good on high, who thus befriendsThe cause of innocence; who thus rewardsOur suffering constancy; whose hand, tho' slow,Thus leads to rapture thro' a train of woe.
FINIS.
email
Do you have questions about this content? Need to report a problem?
Please contact us.