A sentimental journey through France and Italy: By Mr. Yorick. ... [pt.2]

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Title
A sentimental journey through France and Italy: By Mr. Yorick. ... [pt.2]
Author
Sterne, Laurence, 1713-1768.
Publication
London :: printed for T. Becket and P. A. De Hondt,
1768.
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http://name.umdl.umich.edu/004792522.0001.002
Cite this Item
"A sentimental journey through France and Italy: By Mr. Yorick. ... [pt.2]." In the digital collection Eighteenth Century Collections Online. https://name.umdl.umich.edu/004792522.0001.002. University of Michigan Library Digital Collections. Accessed June 1, 2025.

Pages

Page 91

THE TEMPTATION.

PARIS.

WHEY I alighted at the hotel, the porter told me a young woman with a band-box had been that moment enquiring for me.—I do not know, said the porter, whether she is gone away or no. I took the key of my chamber of him, and went up stairs; and when I had got with|in ten steps of the top of the landing before my door, I met her coming easily down.

It was the fair fille de chambre I had walked along the Quai de Conti

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with: Madame de R**** had sent her upon some commissions to a mer|chande de modes within a step or two of the hotel de Modene; and as I had fail'd in waiting upon her, had bid her enquire if I had left Paris; and if so, whether I had not left a letter address'd to her.

As the fair fille de chambre was so near my door she turned back, and went into the room with me for a moment or two whilst I wrote a card.

It was a fine still evening in the latter end of the month of May—the crimson window curtains (which were of the same colour of those of

Page 93

the bed) were drawn close—the sun was setting and reflected through them so warm a tint into the fair fille de chambre's face—I thought she blush'd—the idea of it made me blush myself—we were quite alone; and that super-induced a second blush before the first could get off.

There is a sort of a pleasing half guilty blush, where the blood is more in fault than the man—'tis sent impetuous from the heart, and virtue flies after it—not to call it back, but to make the sensation of it more delicious to the nerves—'tis asso|ciated.—

Page 94

But I'll not describe it.—I felt something at first within me which was not in strict unison with the lesson of virtue I had given her the night before—I sought five mi|nutes for a card—I knew I had not one.—I took up a pen—I laid it down again—my hand trembled—the devil was in me.

I know as well as any one, he is an adversary, whom if we resist, he will fly from us—but I seldom resist him at all; from a terror, that though I may conquer, I may still get a hurt in the combat—so I give up the triumph, for security; and instead of thinking to make him fly, I ge|nerally fly myself.

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The fair fille de chambre came close up to the bureau where I was looking for a card—took up first the pen I cast down, then offered to hold me the ink: she offer'd it so sweetly, I was going to accept it—but I durst not—I have nothing, my dear, said I, to write upon.—Write it, said she, simply, upon any thing.—

I was just going to cry out, Then I will write it, fair girl! upon thy lips.—

If I do, said I, I shall perish—so I took her by the hand, and led her to the door, and begg'd she would not forget the lesson I had given her—She said, Indeed she would not—

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and as she utter'd it with some ear|nestness, she turned about, and gave me both her hands, closed together, into mine—it was impossible not to compress them in that situation—I wish'd to let them go; and all the time I held them, I kept arguing within myself against it—and still I held them on.—In two minutes I found I had all the battle to fight over again—and I felt my legs and every limb about me tremble at the idea.

The foot of the bed was within a yard and a half of the place where we were standingg—I had still hold of her hands—and how it happened I can give no account, but I neither

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ask'd her—nor drew her—nor did I think of the bed—but so it did hap|pen, we both sat down.

I'll just shew you, said the fair fille de chambre, the little purse I have been making to-day to hold your crown. So she put her hand into her right pocket, which was next me, and felt for it for sometime—then into into the left—

"She had lost it."
—I never bore expectation more quietly—it was in her right pocket at last—she pulled it out; it was of green taffeta, lined with a little bit of white quilted sattin, and just big enough to hold the crown—she put it into my hand—it was pretty; and I held it ten minutes with the back of my hand

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resting upon her lap—looking some|times at the purse, sometimes on one side of it.

A stitch or two had broke out in the gathers of my stock—the fair fille de chambre, without saying a word, took out her little hussive, threaded a small needle, and sew'd it up—I foresaw it would hazard the glory of the day; and as she passed her hand in silence across and across my neck in the manoeuvre, I felt the laurels shake which fancy had wreath'd about my head.

A strap had given way in her walk, and the buckle of her shoe was just falling off—See, said the fille de

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chambre, holding up her foot—I could not for my soul but fasten the buckle in return, and putting in the strap—and lifting up the other foot with it, when I had done, to see both were right—in doing it too suddenly—it unavoidably threw the fair fille de chambre off her center—and then—

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