dance1ic | 1-50 | Search Results | Pioneers of Chinese Dance | University of Michigan Library Digital Collections

Beijing Municipality Leaders Visit School

Title (English): Beijing Municipality Leaders Visit School
Title (Chinese): 北京市委领导观摩学校
Title (Romanization): Beijing shiwei lingdao guanmo xuexiao
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.
Date: 2004

Li Chenglin and students

Title (English): Li Chenglin and students
Title (Chinese): 李成林和学生
Title (Romanization): Li Chenglin he xuesheng
Description: Li Chenglin was head of the Art Association of South Korea.

Cui Yuzhu and students

Title (English): Cui Yuzhu and students
Title (Chinese): 崔玉珠和学生
Title (Romanization): Cui Yuzhu he xuesheng
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

"Long Drum Dance"

Title (English): "Long Drum Dance"
Title (Chinese): 《长鼓舞》
Title (Romanization): "Changgu wu"
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing. This photograph shows Cui Yuzhu with students at her Beijing-based Choi Seunghee Dance School after they filled "Long Drum Dance" at the China Central Television Station.

Students and Indian representative

Title (English): Students and Indian representative
Title (Chinese): 学生和印度代表
Title (Romanization): xuesheng he Yindu daibiao
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Jin Ji and students

Title (English): Jin Ji and students
Title (Chinese): 金姬和学生
Title (Romanization): Jin Ji he xuesheng
Description: Jin Ji was a teacher at Cui Yuzhu's Beijing-based Choi Seunghee Dance School.

Zhang Xuji with students

Title (English): Zhang Xuji with students
Title (Chinese): 张緖姬和学生
Title (Romanization): Zhang Xuji he xuesheng
Description: Zhang Xuji is a South Korean film actress.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.
Date: 2004

Li Chenglin and students

Title (English): Li Chenglin and students
Title (Chinese): 李成林和学生
Title (Romanization): Li Chenglin he xuesheng
Description: Li Chenglin was head of the Art Association of South Korea.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Jin Yongsan

Title (English): Jin Yongsan
Title (Chinese): 金泳三
Title (Romanization): Jin Yongsan
Description: Jin Yongsan was a teacher at Cui Yuzhu's Beijing-based Choi Seunghee Dance School.

Korean dance

Title (English): Korean dance
Title (Chinese): 朝鲜舞
Title (Romanization): Chaoxian wu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Jin Ji

Title (English): Jin Ji
Title (Chinese): 金姬
Title (Romanization): Jin Ji
Description: Jin Ji was a teacher at Cui Yuzhu's Beijing-based Choi Seunghee Dance School.

Cui Yuzhu

Title (English): Cui Yuzhu
Title (Chinese): 崔玉珠
Title (Romanization): Cui Yuzhu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.
Date: 1983

Cui Yuzhu and Li Dezhu

Title (English): Cui Yuzhu and Li Dezhu
Title (Chinese): 崔玉珠和李德洙
Title (Romanization): Cui Yuzhu he Li Dezhu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Cui Yuzhu, Zhao Nanqi, Li Dezhu and students

Title (English): Cui Yuzhu, Zhao Nanqi, Li Dezhu and students
Title (Chinese): 崔玉珠、赵南起、李德洙和学生
Title (Romanization): Cui Yuzhu, Zhao Nanqi, Li Dezhu he xuesheng
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.

Cui Yuzhu

Title (English): Cui Yuzhu
Title (Chinese): 崔玉珠
Title (Romanization): Cui Yuzhu
Description: Cui Yuzhu (崔玉珠 b. 1935) is a dancer and choreographer of Korean ethnicity. She studied at the Beijing Dance School from 1960 to 1962. She served as Vice Director of the Yanbian Song and Dance Ensemble from 1980 to 1985. During the 1990s, she set up the Choi Seunghee Dance School in Beijing.
Date: 1983

Zhang Jun

Title (English): Zhang Jun
Title (Chinese): 张均
Title (Romanization): Zhang Jun
Description: Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance.
Date: 1957

"Fantasy of the Red Chamber"

Title (English): "Fantasy of the Red Chamber"
Title (Chinese): 《红楼幻想曲》
Title (Romanization): "Honglou huanxiang qu"
Description: "Fantasy of the Red Chamber" was a contemporary ballet choreographed by Xiao Suhua at the Beijing Dance Academy in 1992. It was considered the first China's first "symphonic ballet."
Date: 1992

"Fantasy of the Red Chamber"

Title (English): "Fantasy of the Red Chamber"
Title (Chinese): 《红楼幻想曲》
Title (Romanization): "Honglou huanxiang qu"
Description: "Fantasy of the Red Chamber" was a contemporary ballet choreographed by Xiao Suhua at the Beijing Dance Academy in 1992. It was considered the first China's first "symphonic ballet."
Date: 1992

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

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