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Lydgatiana.
V. Fourteen short religious poems.
- 1. Hoc Factum Est a Domino.
- 2. A Prayer to Christ's Name.
- 3. Haue Mercy on me!
- 4. Salve Regina!
- 5. All Hayle, Mary!
- 6. Prayers to Mary and the Saints.
- 7. Lenvoy to Mary.
- 8. Regina Celi Letare.
- 9. The Five Joys of the Virgin.
- 10. Maria Virgo Assumpta Est!
- 11. An Acrostic on Maria.
- 12. John Marion's ABC to the Virgin.
- 13. An ABC to the Virgin, from a Leyden MS.
- 14. O Flos Pulcherrime!
The present instalment of fifteenth-century poems, written under apparent Lydgatian influence, contains some pieces of interest. The first of these, Hoc Factum est a Domino, rehearses an amusing list of typical scholastic questions, the answers to which are even now matters of debate. The mediaeval poet, however, bids man 'hoo' in such matters, and meekly turn to his creed. Why is pesti∣lence? Where was God ere there was aught? Why hath not every man alike? How did Henry V win Agincourt? Why did Duke Philip of Burgundy flee from Calais, and the Scots from Roxburghe (1436)? To all this there is but one answer, Hoc Factum est a Domino.
Of the poems which follow, the prayer to Christ's Name be∣longs with part I of Lydgate's Testament, in its adoration of the Sacred Name. The macaronic Salve Regina has many com∣panions in the century, closest of which in comparison is perhaps the Monk's Te Deum. The Prayers to Mary and the Saints, how∣ever, in rhythm and style are even closer to Lydgate's litany.
The Lenvoy and the three following poems, of unequal merit, resemble his Valentine and his Ballade in Commendation. One of them, the Regina Celi, has the same line, stanza, and refrain as the monk's piece of the same name; while all these pieces imitate more or less clearly the school of the Quia Amore Langueo. The Acrostic on Maria recalls the triple acrostic on the same name in Lydgate's poem Ave Jesse Virgula.
Of all these poems the authors are anonymous; though The Five Joys is ascribed by John Shirley in his Ashmole MS. 59 to 'an holy ankaresse of Mansfeld'. The only signed poem is John Marion's ABC to the Virgin, which is here printed with a com∣panion-piece of the same type. Both no doubt are due to Chau∣cer's ABC, the opening lines of which are unblushingly employed