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Check for portfolio Record Filename Author Caption Date Citation ID Article Link Number Page Number Issue Title Volume Article Title
Full Record: x-03115-und-09/03115_09

03115_09

Indian (Rajasthan, Kotah School). Adoration of Shri Nathji, ca. 1830. Ink, opaque watercolor, and gold on paper, 25 x 21 cm. Museum purchase made possible by Shahid and Takako Jamil, and the Margaret Watson Parker Art Collection Fund, 2003/2.9

2003-2004

03115_09

139

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-10/03115_10

03115_10

Car Hood, Ontario, 1982. Gelatin silver print, 33.4 x 25.8 cm.

Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2003/2.6

2003-2004

03115_10

140

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-11/03115_11

03115_11

Goldin, Nan, American, born 1953. Simon on the Subway, NYC, 1998. Cibachrome print, 33 x 48.9 cm. Museum purchase made possible by the Jean Paul Slusser Memorial Fund, 2004/1.157

2003-2004

03115_11

142

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-12/03115_12

03115_12

Nagatani, Patrick, American, born 1945. Japanese Children’s Day Camp Banners, Paguate Village, Jackpile Mine, Uranium Tailings, Laguna Pueblo Reservation, New Mexico, 1990. Ilfochrome print, 41 x 51 cm. Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2004/1.106

2003-2004

03115_12

143

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-13/03115_13

03115_13

Bellows, George Wesley, American, 1882-1925. Portrait of Eugene Speicher, 1923-1924. Lithograph, 32 x 24.5 cm.

Gift of Gilbert M. Frimet, 2004/1.121

2003-2004

03115_13

144

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-14/03115_14

03115_14

Indian (Rajasthan or Gujarat). Jain column, 12th-13th century. Marble, 78.3 cm . Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 2004/1.151

2003-2004

03115_14

148

15

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-05101-und-01/05101_01

05101_01

Adrian Ossi

Fig. 1. Schematic plan of Pisidian. Antioch. Drawing by the author, after Cowell et al. unpublished and Taşlıalan et al. 2003, fig. 2.

2005-2006

05101_01

5

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-02/05101_02

05101_02

Adrian Ossi

Fig. 2. Frederick J. Woodbridge, Measured plan of the eastern part of the Tiberia Platea, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_02

11

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-03/05101_03

05101_03

Adrian Ossi

Fig. 3. Frederick J. Woodbridge, Examples of portraits sketched in the corner of a measured plan, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives.

05101_03

12

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-04/05101_04

05101_04

Adrian Ossi

Fig. 4. Horace F. Colby or Frederick J. Woodbridge, Sketch of a marble head of Augustus with restored nose, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_04

12

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-05/05101_05

05101_05

Adrian Ossi

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_05

13

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-06/05101_06

05101_06

Adrian Ossi

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_06

13

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-07/05101_07

05101_07

Adrian Ossi

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_07

14

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-08/05101_08

05101_08

Adrian Ossi

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_08

15

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-09/05101_09

05101_09

Adrian Ossi

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

2005-2006

Kelsey Museum Archives

05101_09

16

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-10/05101_10

05101_10

Adrian Ossi

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_10

16

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-11/05101_11

05101_11

Adrian Ossi

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

2005-2006

Kelsey Museum Archives

05101_11

17

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-12/05101_12

05101_12

Adrian Ossi

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

2005-2006

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

05101_12

18

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-13/05101_13

05101_13

Adrian Ossi

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

2005-2006

Kelsey Museum Archives

05101_13

19

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-14/05101_14

05101_14

Adrian Ossi

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

2005-2006

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

05101_14

20

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-15/05101_15

05101_15

Adrian Ossi

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_15

21

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-16/05101_16

05101_16

Adrian Ossi

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

2005-2006

Kelsey Museum Archives

05101_16

22

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-17/05101_17

05101_17

Adrian Ossi

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

2005-2006

Kelsey Museum Archives

05101_17

22

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-18/05101_18

05101_18

Adrian Ossi

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_18

22

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-19/05101_19

05101_19

Adrian Ossi

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_19

23

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-20/05101_20

05101_20

Adrian Ossi

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

2005-2006

Kelsey Museum Archives

05101_20

24

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-21/05101_21

05101_21

Adrian Ossi

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

2005-2006

Kelsey Museum Archives, 7.1113.

05101_21

25

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05102-und-01/05102_01

05102_01

Katie Hornstein

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

2005-2006

05102_01

29

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-02/05102_02

05102_02

Katie Hornstein

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

2005-2006

05102_02

36

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-03/05102_03

05102_03

Katie Hornstein

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

2005-2006

05102_03

36

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-04/05102_04

05102_04

Katie Hornstein

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

2005-2006

05102_04

37

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-05/05102_05

05102_05

Katie Hornstein

Fig. 5. Detail of fig. 4.

2005-2006

05102_05

37

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-06/05102_06

05102_06

Katie Hornstein

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

2005-2006

05102_06

39

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-07/05102_07

05102_07

Katie Hornstein

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

2005-2006

05102_07

39

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-08/05102_08

05102_08

Katie Hornstein

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

2005-2006

05102_08

41

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-09/05102_09

05102_09

Katie Hornstein

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

2005-2006

05102_09

41

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-10/05102_10

05102_10

Katie Hornstein

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

2005-2006

05102_10

42

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-11/05102_11

05102_11

Katie Hornstein

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

2005-2006

05102_11

43

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-12/05102_12

05102_12

Katie Hornstein

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

2005-2006

05102_12

43

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-13/05102_13

05102_13

Katie Hornstein

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

2005-2006

05102_13

45

16

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05103-und-01/05103_01

05103_01

Katie Hartsough Brion

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

2005-2006

05103_01

49

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-02/05103_02

05103_02

Katie Hartsough Brion

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

2005-2006

© Photothèque des musées de la ville de Paris / Cliché inconnu.

05103_02

61

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-03/05103_03

05103_03

Katie Hartsough Brion

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

2005-2006

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_03

63

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-04/05103_04

05103_04

Katie Hartsough Brion

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

2005-2006

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_04

65

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-05/05103_05

05103_05

Katie Hartsough Brion

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

2005-2006

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_05

66

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-06/05103_06

05103_06

Katie Hartsough Brion

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

2005-2006

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_06

68

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-07/05103_07

05103_07

Katie Hartsough Brion

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

2005-2006

05103_07

70

16

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05104-und-01/05104_01

05104_01

Lyra D. Monteiro

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

2005-2006

05104_01

76

16

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Full Record: x-05105-und-01/05105_01

05105_01

Lori Khatchadourian

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

2005-2006

05105_01

80

16

A Campanian Red-figure Fish-plate in the Kelsey Museum

Full Record: x-05106-und-01/05106_01

05106_01

Alexander Nagel

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

2005-2006

05106_01

84

16

A Bronze Coin from Eleusis in the Kelsey Museum