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Check for portfolio Record Volume Filename Author Article Link Page Number Caption Issue Title Citation Number Article Title Date ID
Full Record: x-03115-und-09/03115_09

15

03115_09

139

Indian (Rajasthan, Kotah School). Adoration of Shri Nathji, ca. 1830. Ink, opaque watercolor, and gold on paper, 25 x 21 cm. Museum purchase made possible by Shahid and Takako Jamil, and the Margaret Watson Parker Art Collection Fund, 2003/2.9

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_09

Full Record: x-03115-und-10/03115_10

15

03115_10

140

Car Hood, Ontario, 1982. Gelatin silver print, 33.4 x 25.8 cm.

Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2003/2.6

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_10

Full Record: x-03115-und-11/03115_11

15

03115_11

142

Goldin, Nan, American, born 1953. Simon on the Subway, NYC, 1998. Cibachrome print, 33 x 48.9 cm. Museum purchase made possible by the Jean Paul Slusser Memorial Fund, 2004/1.157

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_11

Full Record: x-03115-und-12/03115_12

15

03115_12

143

Nagatani, Patrick, American, born 1945. Japanese Children’s Day Camp Banners, Paguate Village, Jackpile Mine, Uranium Tailings, Laguna Pueblo Reservation, New Mexico, 1990. Ilfochrome print, 41 x 51 cm. Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2004/1.106

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_12

Full Record: x-03115-und-13/03115_13

15

03115_13

144

Bellows, George Wesley, American, 1882-1925. Portrait of Eugene Speicher, 1923-1924. Lithograph, 32 x 24.5 cm.

Gift of Gilbert M. Frimet, 2004/1.121

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_13

Full Record: x-03115-und-14/03115_14

15

03115_14

148

Indian (Rajasthan or Gujarat). Jain column, 12th-13th century. Marble, 78.3 cm . Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 2004/1.151

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

2003-2004

03115_14

Full Record: x-05101-und-01/05101_01

16

05101_01

Adrian Ossi

5

Fig. 1. Schematic plan of Pisidian. Antioch. Drawing by the author, after Cowell et al. unpublished and Taşlıalan et al. 2003, fig. 2.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_01

Full Record: x-05101-und-02/05101_02

16

05101_02

Adrian Ossi

11

Fig. 2. Frederick J. Woodbridge, Measured plan of the eastern part of the Tiberia Platea, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_02

Full Record: x-05101-und-03/05101_03

16

05101_03

Adrian Ossi

12

Fig. 3. Frederick J. Woodbridge, Examples of portraits sketched in the corner of a measured plan, 1924, pencil on paper.

Kelsey Museum Archives.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_03

Full Record: x-05101-und-04/05101_04

16

05101_04

Adrian Ossi

12

Fig. 4. Horace F. Colby or Frederick J. Woodbridge, Sketch of a marble head of Augustus with restored nose, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_04

Full Record: x-05101-und-05/05101_05

16

05101_05

Adrian Ossi

13

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_05

Full Record: x-05101-und-06/05101_06

16

05101_06

Adrian Ossi

13

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_06

Full Record: x-05101-und-07/05101_07

16

05101_07

Adrian Ossi

14

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_07

Full Record: x-05101-und-08/05101_08

16

05101_08

Adrian Ossi

15

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_08

Full Record: x-05101-und-09/05101_09

16

05101_09

Adrian Ossi

16

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_09

Full Record: x-05101-und-10/05101_10

16

05101_10

Adrian Ossi

16

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_10

Full Record: x-05101-und-11/05101_11

16

05101_11

Adrian Ossi

17

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_11

Full Record: x-05101-und-12/05101_12

16

05101_12

Adrian Ossi

18

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_12

Full Record: x-05101-und-13/05101_13

16

05101_13

Adrian Ossi

19

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_13

Full Record: x-05101-und-14/05101_14

16

05101_14

Adrian Ossi

20

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_14

Full Record: x-05101-und-15/05101_15

16

05101_15

Adrian Ossi

21

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_15

Full Record: x-05101-und-16/05101_16

16

05101_16

Adrian Ossi

22

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_16

Full Record: x-05101-und-17/05101_17

16

05101_17

Adrian Ossi

22

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_17

Full Record: x-05101-und-18/05101_18

16

05101_18

Adrian Ossi

22

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_18

Full Record: x-05101-und-19/05101_19

16

05101_19

Adrian Ossi

23

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_19

Full Record: x-05101-und-20/05101_20

16

05101_20

Adrian Ossi

24

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_20

Full Record: x-05101-und-21/05101_21

16

05101_21

Adrian Ossi

25

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Kelsey Museum Archives, 7.1113.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

2005-2006

05101_21

Full Record: x-05102-und-01/05102_01

16

05102_01

Katie Hornstein

29

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_01

Full Record: x-05102-und-02/05102_02

16

05102_02

Katie Hornstein

36

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_02

Full Record: x-05102-und-03/05102_03

16

05102_03

Katie Hornstein

36

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_03

Full Record: x-05102-und-04/05102_04

16

05102_04

Katie Hornstein

37

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_04

Full Record: x-05102-und-05/05102_05

16

05102_05

Katie Hornstein

37

Fig. 5. Detail of fig. 4.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_05

Full Record: x-05102-und-06/05102_06

16

05102_06

Katie Hornstein

39

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_06

Full Record: x-05102-und-07/05102_07

16

05102_07

Katie Hornstein

39

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_07

Full Record: x-05102-und-08/05102_08

16

05102_08

Katie Hornstein

41

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_08

Full Record: x-05102-und-09/05102_09

16

05102_09

Katie Hornstein

41

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_09

Full Record: x-05102-und-10/05102_10

16

05102_10

Katie Hornstein

42

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_10

Full Record: x-05102-und-11/05102_11

16

05102_11

Katie Hornstein

43

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_11

Full Record: x-05102-und-12/05102_12

16

05102_12

Katie Hornstein

43

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_12

Full Record: x-05102-und-13/05102_13

16

05102_13

Katie Hornstein

45

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

2005-2006

05102_13

Full Record: x-05103-und-01/05103_01

16

05103_01

Katie Hartsough Brion

49

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_01

Full Record: x-05103-und-02/05103_02

16

05103_02

Katie Hartsough Brion

61

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

© Photothèque des musées de la ville de Paris / Cliché inconnu.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_02

Full Record: x-05103-und-03/05103_03

16

05103_03

Katie Hartsough Brion

63

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_03

Full Record: x-05103-und-04/05103_04

16

05103_04

Katie Hartsough Brion

65

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_04

Full Record: x-05103-und-05/05103_05

16

05103_05

Katie Hartsough Brion

66

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_05

Full Record: x-05103-und-06/05103_06

16

05103_06

Katie Hartsough Brion

68

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_06

Full Record: x-05103-und-07/05103_07

16

05103_07

Katie Hartsough Brion

70

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

2005-2006

05103_07

Full Record: x-05104-und-01/05104_01

16

05104_01

Lyra D. Monteiro

76

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

2005-2006

05104_01

Full Record: x-05105-und-01/05105_01

16

05105_01

Lori Khatchadourian

80

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

A Campanian Red-figure Fish-plate in the Kelsey Museum

2005-2006

05105_01

Full Record: x-05106-und-01/05106_01

16

05106_01

Alexander Nagel

84

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Bronze Coin from Eleusis in the Kelsey Museum

2005-2006

05106_01