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Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_05
Author: Adrian Ossi
Volume: 16
ID: 05101_05
Caption: Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Page Number: 13
Citation: Kelsey Museum Archives
Date: 2005-2006

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Caption: Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.
Citation: Kelsey Museum Archives
Page Number: 13
Date: 2005-2006
Filename: 05101_06
Author: Adrian Ossi
ID: 05101_06
Volume: 16

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Date: 2005-2006
Page Number: 14
Citation: Kelsey Museum Archives
Caption: Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Volume: 16
ID: 05101_07
Author: Adrian Ossi
Filename: 05101_07

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_08
Volume: 16
ID: 05101_08
Author: Adrian Ossi
Page Number: 15
Citation: Kelsey Museum Archives
Caption: Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Volume: 16
ID: 05101_09
Author: Adrian Ossi
Filename: 05101_09
Date: 2005-2006
Page Number: 16
Citation: Kelsey Museum Archives
Caption: Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_10
Author: Adrian Ossi
Volume: 16
ID: 05101_10
Caption: Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Page Number: 16
Citation: Kelsey Museum Archives
Date: 2005-2006

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Citation: Kelsey Museum Archives
Page Number: 17
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Caption: Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.
Date: 2005-2006
Filename: 05101_11
ID: 05101_11
Volume: 16
Author: Adrian Ossi

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Date: 2005-2006
Page Number: 18
Citation: Photographic Archives of the American Academy in Rome,; AAR.FW.A.Woodbridge.737.
Caption: Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Volume: 16
ID: 05101_12
Author: Adrian Ossi
Filename: 05101_12

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

ID: 05101_13
Volume: 16
Author: Adrian Ossi
Filename: 05101_13
Date: 2005-2006
Citation: Kelsey Museum Archives
Page Number: 19
Caption: Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Author: Adrian Ossi
ID: 05101_14
Volume: 16
Filename: 05101_14
Date: 2005-2006
Caption: Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Citation: Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.
Page Number: 20

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Caption: Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.
Citation: Kelsey Museum Archives
Page Number: 21
Date: 2005-2006
Filename: 05101_15
Author: Adrian Ossi
ID: 05101_15
Volume: 16

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Date: 2005-2006
Caption: Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Citation: Kelsey Museum Archives
Page Number: 22
Author: Adrian Ossi
ID: 05101_16
Volume: 16
Filename: 05101_16

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_17
ID: 05101_17
Volume: 16
Author: Adrian Ossi
Citation: Kelsey Museum Archives
Page Number: 22
Caption: Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Date: 2005-2006
Caption: Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Citation: Kelsey Museum Archives
Page Number: 22
Author: Adrian Ossi
ID: 05101_18
Volume: 16
Filename: 05101_18

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Date: 2005-2006
Citation: Kelsey Museum Archives
Page Number: 23
Caption: Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
ID: 05101_19
Volume: 16
Author: Adrian Ossi
Filename: 05101_19

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_20
Volume: 16
ID: 05101_20
Author: Adrian Ossi
Page Number: 24
Citation: Kelsey Museum Archives
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Caption: Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.
Date: 2005-2006

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Caption: Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Page Number: 25
Citation: Kelsey Museum Archives, 7.1113.
Date: 2005-2006
Filename: 05101_21
Author: Adrian Ossi
Volume: 16
ID: 05101_21

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_01
Author: Katie Hornstein
ID: 05102_01
Volume: 16
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Caption: Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.
Page Number: 29
Date: 2005-2006

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_02
ID: 05102_02
Volume: 16
Author: Katie Hornstein
Page Number: 36
Caption: Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Caption: Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 36
Date: 2005-2006
Filename: 05102_03
Author: Katie Hornstein
ID: 05102_03
Volume: 16

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

ID: 05102_04
Volume: 16
Author: Katie Hornstein
Filename: 05102_04
Date: 2005-2006
Page Number: 37
Caption: Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 5. Detail of fig. 4.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_05
ID: 05102_05
Volume: 16
Author: Katie Hornstein
Page Number: 37
Caption: Fig. 5. Detail of fig. 4.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Page Number: 39
Caption: Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Filename: 05102_06
Volume: 16
ID: 05102_06
Author: Katie Hornstein

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Author: Katie Hornstein
ID: 05102_07
Volume: 16
Filename: 05102_07
Date: 2005-2006
Caption: Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 39

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Caption: Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 41
Date: 2005-2006
Filename: 05102_08
Author: Katie Hornstein
Volume: 16
ID: 05102_08

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Page Number: 41
Caption: Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Filename: 05102_09
ID: 05102_09
Volume: 16
Author: Katie Hornstein

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_10
Author: Katie Hornstein
ID: 05102_10
Volume: 16
Caption: Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 42
Date: 2005-2006

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Date: 2005-2006
Caption: Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 43
Author: Katie Hornstein
ID: 05102_11
Volume: 16
Filename: 05102_11

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_12
Author: Katie Hornstein
Volume: 16
ID: 05102_12
Caption: Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 43
Date: 2005-2006

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Author: Katie Hornstein
Volume: 16
ID: 05102_13
Filename: 05102_13
Date: 2005-2006
Caption: Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Page Number: 45

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Date: 2005-2006
Page Number: 49
Caption: Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
ID: 05103_01
Volume: 16
Author: Katie Hartsough Brion
Filename: 05103_01

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Date: 2005-2006
Caption: Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Citation: © Photothèque des musées de la ville de Paris / Cliché inconnu.
Page Number: 61
Author: Katie Hartsough Brion
ID: 05103_02
Volume: 16
Filename: 05103_02

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album. ; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Filename: 05103_03
Volume: 16
ID: 05103_03
Author: Katie Hartsough Brion
Page Number: 63
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
Caption: Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Date: 2005-2006

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Filename: 05103_04
Author: Katie Hartsough Brion
ID: 05103_04
Volume: 16
Caption: Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
Page Number: 65
Date: 2005-2006

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Volume: 16
ID: 05103_05
Author: Katie Hartsough Brion
Filename: 05103_05
Date: 2005-2006
Page Number: 66
Caption: Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Date: 2005-2006
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Caption: Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.
Page Number: 68
Author: Katie Hartsough Brion
Volume: 16
ID: 05103_06
Filename: 05103_06

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Caption: Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.
Page Number: 70
Date: 2005-2006
Filename: 05103_07
Author: Katie Hartsough Brion
ID: 05103_07
Volume: 16

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837; A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Author: Lyra D. Monteiro
ID: 05104_01
Volume: 16
Filename: 05104_01
Date: 2005-2006
Caption: Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837
Article Title: A Silver Stater from Metapontum, Italy, in the Kelsey Museum
Page Number: 76

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084; A Campanian Red-figure Fish-plate in the Kelsey Museum

Date: 2005-2006
Page Number: 80
Article Title: A Campanian Red-figure Fish-plate in the Kelsey Museum
Caption: Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084
Volume: 16
ID: 05105_01
Author: Lori Khatchadourian
Filename: 05105_01

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837; A Bronze Coin from Eleusis in the Kelsey Museum

Caption: Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837
Article Title: A Bronze Coin from Eleusis in the Kelsey Museum
Page Number: 84
Date: 2005-2006
Filename: 05106_01
Author: Alexander Nagel
Volume: 16
ID: 05106_01

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701; Terracotta Figurine of a Boy with Jug in the Kelsey Museum

Filename: 05107_01
Author: Hima B. Mallampati
Volume: 16
ID: 05107_01
Caption: Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701
Article Title: Terracotta Figurine of a Boy with Jug in the Kelsey Museum
Page Number: 88
Date: 2005-2006

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135; A Glass Fish-head Inlay in the Kelsey Museum

Date: 2005-2006
Caption: Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135
Article Title: A Glass Fish-head Inlay in the Kelsey Museum
Page Number: 92
Author: Lindsay Ambridge
Volume: 16
ID: 05108_01
Filename: 05108_01

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000; A Roman Coarseware Casserole in the Kelsey Museum

ID: 05109_01
Volume: 16
Author: R. James Cook
Filename: 05109_01
Date: 2005-2006
Page Number: 96
Caption: North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000
Article Title: A Roman Coarseware Casserole in the Kelsey Museum

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3; Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

Filename: 05110_01
Volume: 16
ID: 05110_01
Author: Kirsten Olds
Page Number: 100
Caption: Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3
Article Title: Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems
Date: 2005-2006

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351; Recent Museum of Art Acquisition: Colorful Japanese Haori

Article Title: Recent Museum of Art Acquisition: Colorful Japanese Haori
Caption: Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351
Page Number: 104
Date: 2005-2006
Filename: 05111_01
Author: Natsu Oyobe
ID: 05111_01
Volume: 16

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143; Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

Filename: 05112_01
Author: Carole McNamara
ID: 05112_01
Volume: 16
Article Title: Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema
Caption: Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143
Page Number: 108
Date: 2005-2006

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸　陶　中國中原　盛唐　館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1; Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

Page Number: 112
Caption: Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸　陶　中國中原　盛唐　館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1
Article Title: Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture
Date: 2005-2006
Filename: 05113_01
Volume: 16
ID: 05113_01
Author: Maribeth Graybill

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Filename: 05115_01
ID: 05115_01
Volume: 16
Page Number: 116
Caption: Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1
Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Date: 2005-2006

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm. ; Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Filename: 05115_02
Volume: 16
ID: 05115_02
Page Number: 118
Caption: Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.; Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2
Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Date: 2005-2006

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Caption: Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4
Page Number: 119
ID: 05115_03
Volume: 16
Filename: 05115_03

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