Browse Results

Results

Results for bulletinic
Check for portfolio Record Number Citation Article Title Caption Author Date Volume Page Number Issue Title Article Link Filename ID
Full Record: x-05101-und-05/05101_05

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

13

05101_05

05101_05

Full Record: x-05101-und-06/05101_06

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

13

05101_06

05101_06

Full Record: x-05101-und-07/05101_07

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

14

05101_07

05101_07

Full Record: x-05101-und-08/05101_08

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

15

05101_08

05101_08

Full Record: x-05101-und-09/05101_09

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Adrian Ossi

2005-2006

16

16

05101_09

05101_09

Full Record: x-05101-und-10/05101_10

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

16

05101_10

05101_10

Full Record: x-05101-und-11/05101_11

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Adrian Ossi

2005-2006

16

17

05101_11

05101_11

Full Record: x-05101-und-12/05101_12

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Adrian Ossi

2005-2006

16

18

05101_12

05101_12

Full Record: x-05101-und-13/05101_13

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Adrian Ossi

2005-2006

16

19

05101_13

05101_13

Full Record: x-05101-und-14/05101_14

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Adrian Ossi

2005-2006

16

20

05101_14

05101_14

Full Record: x-05101-und-15/05101_15

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Adrian Ossi

2005-2006

16

21

05101_15

05101_15

Full Record: x-05101-und-16/05101_16

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Adrian Ossi

2005-2006

16

22

05101_16

05101_16

Full Record: x-05101-und-17/05101_17

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Adrian Ossi

2005-2006

16

22

05101_17

05101_17

Full Record: x-05101-und-18/05101_18

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Adrian Ossi

2005-2006

16

22

05101_18

05101_18

Full Record: x-05101-und-19/05101_19

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Adrian Ossi

2005-2006

16

23

05101_19

05101_19

Full Record: x-05101-und-20/05101_20

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Adrian Ossi

2005-2006

16

24

05101_20

05101_20

Full Record: x-05101-und-21/05101_21

Kelsey Museum Archives, 7.1113.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Adrian Ossi

2005-2006

16

25

05101_21

05101_21

Full Record: x-05102-und-01/05102_01

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Katie Hornstein

2005-2006

16

29

05102_01

05102_01

Full Record: x-05102-und-02/05102_02

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Katie Hornstein

2005-2006

16

36

05102_02

05102_02

Full Record: x-05102-und-03/05102_03

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Katie Hornstein

2005-2006

16

36

05102_03

05102_03

Full Record: x-05102-und-04/05102_04

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Katie Hornstein

2005-2006

16

37

05102_04

05102_04

Full Record: x-05102-und-05/05102_05

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 5. Detail of fig. 4.

Katie Hornstein

2005-2006

16

37

05102_05

05102_05

Full Record: x-05102-und-06/05102_06

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Katie Hornstein

2005-2006

16

39

05102_06

05102_06

Full Record: x-05102-und-07/05102_07

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Katie Hornstein

2005-2006

16

39

05102_07

05102_07

Full Record: x-05102-und-08/05102_08

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Katie Hornstein

2005-2006

16

41

05102_08

05102_08

Full Record: x-05102-und-09/05102_09

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Katie Hornstein

2005-2006

16

41

05102_09

05102_09

Full Record: x-05102-und-10/05102_10

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Katie Hornstein

2005-2006

16

42

05102_10

05102_10

Full Record: x-05102-und-11/05102_11

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Katie Hornstein

2005-2006

16

43

05102_11

05102_11

Full Record: x-05102-und-12/05102_12

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Katie Hornstein

2005-2006

16

43

05102_12

05102_12

Full Record: x-05102-und-13/05102_13

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Katie Hornstein

2005-2006

16

45

05102_13

05102_13

Full Record: x-05103-und-01/05103_01

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Katie Hartsough Brion

2005-2006

16

49

05103_01

05103_01

Full Record: x-05103-und-02/05103_02

© Photothèque des musées de la ville de Paris / Cliché inconnu.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

Katie Hartsough Brion

2005-2006

16

61

05103_02

05103_02

Full Record: x-05103-und-03/05103_03

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

Katie Hartsough Brion

2005-2006

16

63

05103_03

05103_03

Full Record: x-05103-und-04/05103_04

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

Katie Hartsough Brion

2005-2006

16

65

05103_04

05103_04

Full Record: x-05103-und-05/05103_05

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

Katie Hartsough Brion

2005-2006

16

66

05103_05

05103_05

Full Record: x-05103-und-06/05103_06

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

Katie Hartsough Brion

2005-2006

16

68

05103_06

05103_06

Full Record: x-05103-und-07/05103_07

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Katie Hartsough Brion

2005-2006

16

70

05103_07

05103_07

Full Record: x-05104-und-01/05104_01

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

Lyra D. Monteiro

2005-2006

16

76

05104_01

05104_01

Full Record: x-05105-und-01/05105_01

A Campanian Red-figure Fish-plate in the Kelsey Museum

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

Lori Khatchadourian

2005-2006

16

80

05105_01

05105_01

Full Record: x-05106-und-01/05106_01

A Bronze Coin from Eleusis in the Kelsey Museum

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

Alexander Nagel

2005-2006

16

84

05106_01

05106_01

Full Record: x-05107-und-01/05107_01

Terracotta Figurine of a Boy with Jug in the Kelsey Museum

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701

Hima B. Mallampati

2005-2006

16

88

05107_01

05107_01

Full Record: x-05108-und-01/05108_01

A Glass Fish-head Inlay in the Kelsey Museum

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135

Lindsay Ambridge

2005-2006

16

92

05108_01

05108_01

Full Record: x-05109-und-01/05109_01

A Roman Coarseware Casserole in the Kelsey Museum

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000

R. James Cook

2005-2006

16

96

05109_01

05109_01

Full Record: x-05110-und-01/05110_01

Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3

Kirsten Olds

2005-2006

16

100

05110_01

05110_01

Full Record: x-05111-und-01/05111_01

Recent Museum of Art Acquisition: Colorful Japanese Haori

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351

Natsu Oyobe

2005-2006

16

104

05111_01

05111_01

Full Record: x-05112-und-01/05112_01

Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143

Carole McNamara

2005-2006

16

108

05112_01

05112_01

Full Record: x-05113-und-01/05113_01

Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸 陶 中國中原 盛唐 館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1

Maribeth Graybill

2005-2006

16

112

05113_01

05113_01

Full Record: x-05115-und-01/05115_01

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1

2005-2006

16

116

05115_01

05115_01

Full Record: x-05115-und-02/05115_02

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.

Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2

2005-2006

16

118

05115_02

05115_02

Full Record: x-05115-und-03/05115_03

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4

2005-2006

16

119

05115_03

05115_03