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Full Record: x-05101-und-05/05101_05

Kelsey Museum Archives

2005-2006

13

Adrian Ossi

05101_05

16

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_05

Full Record: x-05101-und-06/05101_06

Kelsey Museum Archives

2005-2006

13

Adrian Ossi

05101_06

16

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_06

Full Record: x-05101-und-07/05101_07

Kelsey Museum Archives

2005-2006

14

Adrian Ossi

05101_07

16

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_07

Full Record: x-05101-und-08/05101_08

Kelsey Museum Archives

2005-2006

15

Adrian Ossi

05101_08

16

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_08

Full Record: x-05101-und-09/05101_09

Kelsey Museum Archives

2005-2006

16

Adrian Ossi

05101_09

16

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_09

Full Record: x-05101-und-10/05101_10

Kelsey Museum Archives

2005-2006

16

Adrian Ossi

05101_10

16

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_10

Full Record: x-05101-und-11/05101_11

Kelsey Museum Archives

2005-2006

17

Adrian Ossi

05101_11

16

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_11

Full Record: x-05101-und-12/05101_12

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

2005-2006

18

Adrian Ossi

05101_12

16

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_12

Full Record: x-05101-und-13/05101_13

Kelsey Museum Archives

2005-2006

19

Adrian Ossi

05101_13

16

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_13

Full Record: x-05101-und-14/05101_14

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

2005-2006

20

Adrian Ossi

05101_14

16

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_14

Full Record: x-05101-und-15/05101_15

Kelsey Museum Archives

2005-2006

21

Adrian Ossi

05101_15

16

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_15

Full Record: x-05101-und-16/05101_16

Kelsey Museum Archives

2005-2006

22

Adrian Ossi

05101_16

16

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_16

Full Record: x-05101-und-17/05101_17

Kelsey Museum Archives

2005-2006

22

Adrian Ossi

05101_17

16

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_17

Full Record: x-05101-und-18/05101_18

Kelsey Museum Archives

2005-2006

22

Adrian Ossi

05101_18

16

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_18

Full Record: x-05101-und-19/05101_19

Kelsey Museum Archives

2005-2006

23

Adrian Ossi

05101_19

16

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_19

Full Record: x-05101-und-20/05101_20

Kelsey Museum Archives

2005-2006

24

Adrian Ossi

05101_20

16

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_20

Full Record: x-05101-und-21/05101_21

Kelsey Museum Archives, 7.1113.

2005-2006

25

Adrian Ossi

05101_21

16

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

05101_21

Full Record: x-05102-und-01/05102_01

2005-2006

29

Katie Hornstein

05102_01

16

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_01

Full Record: x-05102-und-02/05102_02

2005-2006

36

Katie Hornstein

05102_02

16

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_02

Full Record: x-05102-und-03/05102_03

2005-2006

36

Katie Hornstein

05102_03

16

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_03

Full Record: x-05102-und-04/05102_04

2005-2006

37

Katie Hornstein

05102_04

16

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_04

Full Record: x-05102-und-05/05102_05

2005-2006

37

Katie Hornstein

05102_05

16

Fig. 5. Detail of fig. 4.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_05

Full Record: x-05102-und-06/05102_06

2005-2006

39

Katie Hornstein

05102_06

16

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_06

Full Record: x-05102-und-07/05102_07

2005-2006

39

Katie Hornstein

05102_07

16

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_07

Full Record: x-05102-und-08/05102_08

2005-2006

41

Katie Hornstein

05102_08

16

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_08

Full Record: x-05102-und-09/05102_09

2005-2006

41

Katie Hornstein

05102_09

16

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_09

Full Record: x-05102-und-10/05102_10

2005-2006

42

Katie Hornstein

05102_10

16

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_10

Full Record: x-05102-und-11/05102_11

2005-2006

43

Katie Hornstein

05102_11

16

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_11

Full Record: x-05102-und-12/05102_12

2005-2006

43

Katie Hornstein

05102_12

16

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_12

Full Record: x-05102-und-13/05102_13

2005-2006

45

Katie Hornstein

05102_13

16

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

05102_13

Full Record: x-05103-und-01/05103_01

2005-2006

49

Katie Hartsough Brion

05103_01

16

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_01

Full Record: x-05103-und-02/05103_02

© Photothèque des musées de la ville de Paris / Cliché inconnu.

2005-2006

61

Katie Hartsough Brion

05103_02

16

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_02

Full Record: x-05103-und-03/05103_03

© Photothèque des musées de la ville de Paris / Cliché Joffre.

2005-2006

63

Katie Hartsough Brion

05103_03

16

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_03

Full Record: x-05103-und-04/05103_04

© Photothèque des musées de la ville de Paris / Cliché Joffre.

2005-2006

65

Katie Hartsough Brion

05103_04

16

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_04

Full Record: x-05103-und-05/05103_05

© Photothèque des musées de la ville de Paris / Cliché Joffre.

2005-2006

66

Katie Hartsough Brion

05103_05

16

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_05

Full Record: x-05103-und-06/05103_06

© Photothèque des musées de la ville de Paris / Cliché Joffre.

2005-2006

68

Katie Hartsough Brion

05103_06

16

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_06

Full Record: x-05103-und-07/05103_07

2005-2006

70

Katie Hartsough Brion

05103_07

16

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

05103_07

Full Record: x-05104-und-01/05104_01

2005-2006

76

Lyra D. Monteiro

05104_01

16

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

05104_01

Full Record: x-05105-und-01/05105_01

2005-2006

80

Lori Khatchadourian

05105_01

16

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

A Campanian Red-figure Fish-plate in the Kelsey Museum

05105_01

Full Record: x-05106-und-01/05106_01

2005-2006

84

Alexander Nagel

05106_01

16

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Bronze Coin from Eleusis in the Kelsey Museum

05106_01

Full Record: x-05107-und-01/05107_01

2005-2006

88

Hima B. Mallampati

05107_01

16

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701

Terracotta Figurine of a Boy with Jug in the Kelsey Museum

05107_01

Full Record: x-05108-und-01/05108_01

2005-2006

92

Lindsay Ambridge

05108_01

16

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135

A Glass Fish-head Inlay in the Kelsey Museum

05108_01

Full Record: x-05109-und-01/05109_01

2005-2006

96

R. James Cook

05109_01

16

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000

A Roman Coarseware Casserole in the Kelsey Museum

05109_01

Full Record: x-05110-und-01/05110_01

2005-2006

100

Kirsten Olds

05110_01

16

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3

Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

05110_01

Full Record: x-05111-und-01/05111_01

2005-2006

104

Natsu Oyobe

05111_01

16

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351

Recent Museum of Art Acquisition: Colorful Japanese Haori

05111_01

Full Record: x-05112-und-01/05112_01

2005-2006

108

Carole McNamara

05112_01

16

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143

Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

05112_01

Full Record: x-05113-und-01/05113_01

2005-2006

112

Maribeth Graybill

05113_01

16

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸 陶 中國中原 盛唐 館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1

Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

05113_01

Full Record: x-05115-und-01/05115_01

2005-2006

116

05115_01

16

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

05115_01

Full Record: x-05115-und-02/05115_02

2005-2006

118

05115_02

16

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.

Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

05115_02

Full Record: x-05115-und-03/05115_03

2005-2006

119

05115_03

16

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

05115_03