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Full Record: x-03115-und-09/03115_09

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

139

03115_09

03115_09

2003-2004

15

Indian (Rajasthan, Kotah School). Adoration of Shri Nathji, ca. 1830. Ink, opaque watercolor, and gold on paper, 25 x 21 cm. Museum purchase made possible by Shahid and Takako Jamil, and the Margaret Watson Parker Art Collection Fund, 2003/2.9

Full Record: x-03115-und-10/03115_10

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

140

03115_10

03115_10

2003-2004

15

Car Hood, Ontario, 1982. Gelatin silver print, 33.4 x 25.8 cm.

Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2003/2.6

Full Record: x-03115-und-11/03115_11

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

142

03115_11

03115_11

2003-2004

15

Goldin, Nan, American, born 1953. Simon on the Subway, NYC, 1998. Cibachrome print, 33 x 48.9 cm. Museum purchase made possible by the Jean Paul Slusser Memorial Fund, 2004/1.157

Full Record: x-03115-und-12/03115_12

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

143

03115_12

03115_12

2003-2004

15

Nagatani, Patrick, American, born 1945. Japanese Children’s Day Camp Banners, Paguate Village, Jackpile Mine, Uranium Tailings, Laguna Pueblo Reservation, New Mexico, 1990. Ilfochrome print, 41 x 51 cm. Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2004/1.106

Full Record: x-03115-und-13/03115_13

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

144

03115_13

03115_13

2003-2004

15

Bellows, George Wesley, American, 1882-1925. Portrait of Eugene Speicher, 1923-1924. Lithograph, 32 x 24.5 cm.

Gift of Gilbert M. Frimet, 2004/1.121

Full Record: x-03115-und-14/03115_14

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

148

03115_14

03115_14

2003-2004

15

Indian (Rajasthan or Gujarat). Jain column, 12th-13th century. Marble, 78.3 cm . Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 2004/1.151

Full Record: x-05101-und-01/05101_01

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

5

05101_01

Adrian Ossi

05101_01

2005-2006

16

Fig. 1. Schematic plan of Pisidian. Antioch. Drawing by the author, after Cowell et al. unpublished and Taşlıalan et al. 2003, fig. 2.

Full Record: x-05101-und-02/05101_02

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

11

Kelsey Museum Archives

05101_02

Adrian Ossi

05101_02

2005-2006

16

Fig. 2. Frederick J. Woodbridge, Measured plan of the eastern part of the Tiberia Platea, 1924, pencil on paper.

Full Record: x-05101-und-03/05101_03

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

12

Kelsey Museum Archives.

05101_03

Adrian Ossi

05101_03

2005-2006

16

Fig. 3. Frederick J. Woodbridge, Examples of portraits sketched in the corner of a measured plan, 1924, pencil on paper.

Full Record: x-05101-und-04/05101_04

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

12

Kelsey Museum Archives

05101_04

Adrian Ossi

05101_04

2005-2006

16

Fig. 4. Horace F. Colby or Frederick J. Woodbridge, Sketch of a marble head of Augustus with restored nose, 1924, pencil on paper.

Full Record: x-05101-und-05/05101_05

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

13

Kelsey Museum Archives

05101_05

Adrian Ossi

05101_05

2005-2006

16

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Full Record: x-05101-und-06/05101_06

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

13

Kelsey Museum Archives

05101_06

Adrian Ossi

05101_06

2005-2006

16

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Full Record: x-05101-und-07/05101_07

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

14

Kelsey Museum Archives

05101_07

Adrian Ossi

05101_07

2005-2006

16

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Full Record: x-05101-und-08/05101_08

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

15

Kelsey Museum Archives

05101_08

Adrian Ossi

05101_08

2005-2006

16

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Full Record: x-05101-und-09/05101_09

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

16

Kelsey Museum Archives

05101_09

Adrian Ossi

05101_09

2005-2006

16

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Full Record: x-05101-und-10/05101_10

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

16

Kelsey Museum Archives

05101_10

Adrian Ossi

05101_10

2005-2006

16

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Full Record: x-05101-und-11/05101_11

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

17

Kelsey Museum Archives

05101_11

Adrian Ossi

05101_11

2005-2006

16

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Full Record: x-05101-und-12/05101_12

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

18

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

05101_12

Adrian Ossi

05101_12

2005-2006

16

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Full Record: x-05101-und-13/05101_13

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

19

Kelsey Museum Archives

05101_13

Adrian Ossi

05101_13

2005-2006

16

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Full Record: x-05101-und-14/05101_14

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

20

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

05101_14

Adrian Ossi

05101_14

2005-2006

16

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Full Record: x-05101-und-15/05101_15

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

21

Kelsey Museum Archives

05101_15

Adrian Ossi

05101_15

2005-2006

16

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Full Record: x-05101-und-16/05101_16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

22

Kelsey Museum Archives

05101_16

Adrian Ossi

05101_16

2005-2006

16

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Full Record: x-05101-und-17/05101_17

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

22

Kelsey Museum Archives

05101_17

Adrian Ossi

05101_17

2005-2006

16

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Full Record: x-05101-und-18/05101_18

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

22

Kelsey Museum Archives

05101_18

Adrian Ossi

05101_18

2005-2006

16

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Full Record: x-05101-und-19/05101_19

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

23

Kelsey Museum Archives

05101_19

Adrian Ossi

05101_19

2005-2006

16

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Full Record: x-05101-und-20/05101_20

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

24

Kelsey Museum Archives

05101_20

Adrian Ossi

05101_20

2005-2006

16

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Full Record: x-05101-und-21/05101_21

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

25

Kelsey Museum Archives, 7.1113.

05101_21

Adrian Ossi

05101_21

2005-2006

16

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Full Record: x-05102-und-01/05102_01

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

29

05102_01

Katie Hornstein

05102_01

2005-2006

16

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Full Record: x-05102-und-02/05102_02

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

36

05102_02

Katie Hornstein

05102_02

2005-2006

16

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Full Record: x-05102-und-03/05102_03

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

36

05102_03

Katie Hornstein

05102_03

2005-2006

16

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Full Record: x-05102-und-04/05102_04

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

37

05102_04

Katie Hornstein

05102_04

2005-2006

16

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Full Record: x-05102-und-05/05102_05

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

37

05102_05

Katie Hornstein

05102_05

2005-2006

16

Fig. 5. Detail of fig. 4.

Full Record: x-05102-und-06/05102_06

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

39

05102_06

Katie Hornstein

05102_06

2005-2006

16

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Full Record: x-05102-und-07/05102_07

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

39

05102_07

Katie Hornstein

05102_07

2005-2006

16

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Full Record: x-05102-und-08/05102_08

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

41

05102_08

Katie Hornstein

05102_08

2005-2006

16

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Full Record: x-05102-und-09/05102_09

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

41

05102_09

Katie Hornstein

05102_09

2005-2006

16

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Full Record: x-05102-und-10/05102_10

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

42

05102_10

Katie Hornstein

05102_10

2005-2006

16

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Full Record: x-05102-und-11/05102_11

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

43

05102_11

Katie Hornstein

05102_11

2005-2006

16

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Full Record: x-05102-und-12/05102_12

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

43

05102_12

Katie Hornstein

05102_12

2005-2006

16

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Full Record: x-05102-und-13/05102_13

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

45

05102_13

Katie Hornstein

05102_13

2005-2006

16

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Full Record: x-05103-und-01/05103_01

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

49

05103_01

Katie Hartsough Brion

05103_01

2005-2006

16

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Full Record: x-05103-und-02/05103_02

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

61

© Photothèque des musées de la ville de Paris / Cliché inconnu.

05103_02

Katie Hartsough Brion

05103_02

2005-2006

16

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

Full Record: x-05103-und-03/05103_03

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

63

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_03

Katie Hartsough Brion

05103_03

2005-2006

16

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

Full Record: x-05103-und-04/05103_04

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

65

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_04

Katie Hartsough Brion

05103_04

2005-2006

16

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

Full Record: x-05103-und-05/05103_05

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

66

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_05

Katie Hartsough Brion

05103_05

2005-2006

16

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

Full Record: x-05103-und-06/05103_06

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

68

© Photothèque des musées de la ville de Paris / Cliché Joffre.

05103_06

Katie Hartsough Brion

05103_06

2005-2006

16

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

Full Record: x-05103-und-07/05103_07

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

70

05103_07

Katie Hartsough Brion

05103_07

2005-2006

16

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Full Record: x-05104-und-01/05104_01

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

76

05104_01

Lyra D. Monteiro

05104_01

2005-2006

16

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

Full Record: x-05105-und-01/05105_01

A Campanian Red-figure Fish-plate in the Kelsey Museum

80

05105_01

Lori Khatchadourian

05105_01

2005-2006

16

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

Full Record: x-05106-und-01/05106_01

A Bronze Coin from Eleusis in the Kelsey Museum

84

05106_01

Alexander Nagel

05106_01

2005-2006

16

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837