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Check for portfolio Record Article Link Date Caption ID Citation Volume Filename Number Page Number Issue Title Author Article Title
Full Record: x-03115-und-09/03115_09

2003-2004

Indian (Rajasthan, Kotah School). Adoration of Shri Nathji, ca. 1830. Ink, opaque watercolor, and gold on paper, 25 x 21 cm. Museum purchase made possible by Shahid and Takako Jamil, and the Margaret Watson Parker Art Collection Fund, 2003/2.9

03115_09

15

03115_09

139

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-10/03115_10

2003-2004

Car Hood, Ontario, 1982. Gelatin silver print, 33.4 x 25.8 cm.

Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2003/2.6

03115_10

15

03115_10

140

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-11/03115_11

2003-2004

Goldin, Nan, American, born 1953. Simon on the Subway, NYC, 1998. Cibachrome print, 33 x 48.9 cm. Museum purchase made possible by the Jean Paul Slusser Memorial Fund, 2004/1.157

03115_11

15

03115_11

142

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-12/03115_12

2003-2004

Nagatani, Patrick, American, born 1945. Japanese Children’s Day Camp Banners, Paguate Village, Jackpile Mine, Uranium Tailings, Laguna Pueblo Reservation, New Mexico, 1990. Ilfochrome print, 41 x 51 cm. Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2004/1.106

03115_12

15

03115_12

143

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-13/03115_13

2003-2004

Bellows, George Wesley, American, 1882-1925. Portrait of Eugene Speicher, 1923-1924. Lithograph, 32 x 24.5 cm.

Gift of Gilbert M. Frimet, 2004/1.121

03115_13

15

03115_13

144

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-03115-und-14/03115_14

2003-2004

Indian (Rajasthan or Gujarat). Jain column, 12th-13th century. Marble, 78.3 cm . Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 2004/1.151

03115_14

15

03115_14

148

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Full Record: x-05101-und-01/05101_01

2005-2006

Fig. 1. Schematic plan of Pisidian. Antioch. Drawing by the author, after Cowell et al. unpublished and Taşlıalan et al. 2003, fig. 2.

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16

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5

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-02/05101_02

2005-2006

Fig. 2. Frederick J. Woodbridge, Measured plan of the eastern part of the Tiberia Platea, 1924, pencil on paper.

05101_02

Kelsey Museum Archives

16

05101_02

11

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-03/05101_03

2005-2006

Fig. 3. Frederick J. Woodbridge, Examples of portraits sketched in the corner of a measured plan, 1924, pencil on paper.

05101_03

Kelsey Museum Archives.

16

05101_03

12

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-04/05101_04

2005-2006

Fig. 4. Horace F. Colby or Frederick J. Woodbridge, Sketch of a marble head of Augustus with restored nose, 1924, pencil on paper.

05101_04

Kelsey Museum Archives

16

05101_04

12

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-05/05101_05

2005-2006

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

05101_05

Kelsey Museum Archives

16

05101_05

13

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-06/05101_06

2005-2006

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

05101_06

Kelsey Museum Archives

16

05101_06

13

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-07/05101_07

2005-2006

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

05101_07

Kelsey Museum Archives

16

05101_07

14

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-08/05101_08

2005-2006

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

05101_08

Kelsey Museum Archives

16

05101_08

15

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-09/05101_09

2005-2006

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

05101_09

Kelsey Museum Archives

16

05101_09

16

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-10/05101_10

2005-2006

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

05101_10

Kelsey Museum Archives

16

05101_10

16

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-11/05101_11

2005-2006

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

05101_11

Kelsey Museum Archives

16

05101_11

17

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-12/05101_12

2005-2006

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

05101_12

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

16

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18

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-13/05101_13

2005-2006

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

05101_13

Kelsey Museum Archives

16

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19

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-14/05101_14

2005-2006

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

05101_14

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

16

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20

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-15/05101_15

2005-2006

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

05101_15

Kelsey Museum Archives

16

05101_15

21

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-16/05101_16

2005-2006

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

05101_16

Kelsey Museum Archives

16

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22

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-17/05101_17

2005-2006

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

05101_17

Kelsey Museum Archives

16

05101_17

22

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-18/05101_18

2005-2006

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

05101_18

Kelsey Museum Archives

16

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22

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-19/05101_19

2005-2006

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

05101_19

Kelsey Museum Archives

16

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23

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-20/05101_20

2005-2006

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

05101_20

Kelsey Museum Archives

16

05101_20

24

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05101-und-21/05101_21

2005-2006

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

05101_21

Kelsey Museum Archives, 7.1113.

16

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25

Adrian Ossi

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Full Record: x-05102-und-01/05102_01

2005-2006

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

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16

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29

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-02/05102_02

2005-2006

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

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16

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36

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-03/05102_03

2005-2006

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

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16

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36

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-04/05102_04

2005-2006

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

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16

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37

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-05/05102_05

2005-2006

Fig. 5. Detail of fig. 4.

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16

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37

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-06/05102_06

2005-2006

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

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16

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39

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-07/05102_07

2005-2006

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

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16

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39

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-08/05102_08

2005-2006

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

05102_08

16

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41

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-09/05102_09

2005-2006

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

05102_09

16

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41

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-10/05102_10

2005-2006

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

05102_10

16

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42

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-11/05102_11

2005-2006

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

05102_11

16

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43

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-12/05102_12

2005-2006

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

05102_12

16

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43

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05102-und-13/05102_13

2005-2006

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

05102_13

16

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45

Katie Hornstein

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Full Record: x-05103-und-01/05103_01

2005-2006

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

05103_01

16

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Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-02/05103_02

2005-2006

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

05103_02

© Photothèque des musées de la ville de Paris / Cliché inconnu.

16

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61

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-03/05103_03

2005-2006

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

05103_03

© Photothèque des musées de la ville de Paris / Cliché Joffre.

16

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63

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-04/05103_04

2005-2006

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

05103_04

© Photothèque des musées de la ville de Paris / Cliché Joffre.

16

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65

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-05/05103_05

2005-2006

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

05103_05

© Photothèque des musées de la ville de Paris / Cliché Joffre.

16

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66

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-06/05103_06

2005-2006

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

05103_06

© Photothèque des musées de la ville de Paris / Cliché Joffre.

16

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68

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05103-und-07/05103_07

2005-2006

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

05103_07

16

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70

Katie Hartsough Brion

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Full Record: x-05104-und-01/05104_01

2005-2006

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

05104_01

16

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76

Lyra D. Monteiro

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Full Record: x-05105-und-01/05105_01

2005-2006

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

05105_01

16

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80

Lori Khatchadourian

A Campanian Red-figure Fish-plate in the Kelsey Museum

Full Record: x-05106-und-01/05106_01

2005-2006

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

05106_01

16

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84

Alexander Nagel

A Bronze Coin from Eleusis in the Kelsey Museum