The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.
William E. Bolcom, born in Seattle, Washington on May 26, 1938, has been recognized as one of America's most significant composers and pianists. He began piano study at the age of five and later studied composition with John Verall, giving piano recitals throughout the Northwest before entering the University of Washington as a private student of composition, continuing his studies with Verall, and piano, with Berthe Poncy Jacobson. He received his B.A. from the University of Washington in 1958. Further studies followed with Darius Milhaud at Mills College, where he received his Master of Arts degree in 1961, and the Paris Conservatory of Music. Bolcom received his doctorate from Stanford University in 1964. In the early sixties his serious compositions reflected the influence of Stockhausen, Berio, and Boulez, while at the same time he was writing theater music, most notably the 1961 off-Broadway hit The Red Eye of Love and his 1962 Dynamite Tonite, written with Arnold Weinstein, which later received the Marc Blitzstein Award from the Academy of Arts and Letters. The late sixties saw a shift in his focus to ragtime and American music. He composed and performed rags throughout the country, meeting mezzo-soprano Joan Morris, who shared his interest in the American vernacular, in 1972.
Joan Morris, born in Portland, Oregon in 1943, began voice study at the age of 19. She attended Gonzaga University in Spokane prior to studies at the American Academy of Dramatic Arts in New York on an ABC scholarship. There she studied with Clifford Jackson and Federica Schmitz-Svevo. As a performer, she toured for two years with the Whit/Lo Singers, starred Off-Broadway in The Drunkard, and performed with harpist Jay Miller. Following her meeting with Bolcom in 1972, the two began giving concerts of American song throughout the United States, Canada, and Europe. Bolcom and Morris were married in 1975.
As champions of the American popular vocal literature, Bolcom and Morris have performed songs from the late 19th century through the 1920s and 1930s, as well as cabaret songs written by Bolcom and poet-lyricist Arnold Weinstein. They have performed in Istanbul, Cairo, Moscow, and London, as well as notable venues throughout the United States, and have appeared on several television programs. Since his collaboration with Morris, Bolcom has continued to compose a vast repertoire of symphonies, concertos, operas, chamber music, songs, choral music and piano compositions, including the score to John Tuturro's film Illuminata and the music for Arthur Miller's play, Broken Glass. Compositions from every stage of Bolcom's career have earned him numerous honors, including awards from BMI, two Guggenheim fellowships, several Rockefeller Foundation and National Endowment for the Arts awards and grants (including a National Medal for the Arts), and two Koussevitzky Foundation Awards. In 1988 he received a Pulitzer Prize for Music for his Twelve Etudes for Piano. Morris has performed in many of Bolcom's stage productions, including The Beggar's Opera and Casino Paradise, and as a soloist in Bolcom's premiers of Songs of Innocence and of Experience and his Fourth Symphony, which was recorded in 1988 and which received two Grammy nominations. Songs of Innocence and of Experience received four Grammy awards in 2005 for Best Classical Album; Best Choral Performance; Best Classical Contemporary Composition; and Producer Of The Year, Classical. He was also named Composer of the Year by Musical America in 2007.
Together, Bolcom and Morris have recorded more than two dozen albums. The first, After the Ball, resulted in a Grammy nomination for Morris for best vocal soloist performance on a classical album. Other discs include collections of cabaret songs, and the songs of Cole Porter, the Gershwins, Berlin, Rodgers and Hart, and Kern, as well as the songs of Vincent Youmans.
Bolcom taught composition at the University of Michigan School of Music (later the School of Music, Theatre & Dance) from 1973 and has been a full professor since 1983 until his retirement in 2009. He received the Henry Russel award, the highest academic prize given by the University, in 1977 and was named the Henry Russel Lecturer for 1997. In the fall of 1994, the University named him the Ross Lee Finney Distinguished University Professor of Music. He has also received the Michigan Council for the Arts Award from the State of Michigan, and Honorary Doctor of Music Degrees from several institutions that include the San Francisco Conservatory and Albion College. Morris has taught courses in voice and musical theater with the University from 1981 until her retirement in circa 2009. She produced a student play entitled Mina & Colossus in 1998 and wrote, produced, directed, and acted in two musicals presented at the University's Clements Library, The Police Gazette in 2003 and Barnum's Nightingale in 2005. Morris has also held residencies at several universities, including Rice University and Northwestern University.
