Verse / Adelaide Crapsey [electronic text]

About this Item

Title
Verse / Adelaide Crapsey [electronic text]
Author
Crapsey, Adelaide, 1878-1914
Publication
New York, N.Y.: Alfred A. Knopf
1922
Rights/Permissions

The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection please contact Digital Content & Collections at [email protected], or if you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].

DPLA Rights Statement: No Copyright - United States

Link to this Item
http://name.umdl.umich.edu/BAE8954.0001.001
Cite this Item
"Verse / Adelaide Crapsey [electronic text]." In the digital collection American Verse Project. https://name.umdl.umich.edu/BAE8954.0001.001. University of Michigan Library Digital Collections. Accessed May 22, 2025.

Pages

PART TWO

Page [60]

Page 61

TO WALTER SAVAGE LANDOR

Ah, Walter, where you live I rue These days come all too late for me; What matter if her eyes are blue Whose rival is Persephone?

Fiesole, 1909.

Page 62

THE PLEDGE

White doves of Cytherea, by your quest Across the blue Heaven's bluest highest air, And by your certain homing to Love's breast, Still to be true and ever true—I swear.

Page 63

HYPNOS, GOD OF SLEEP

The shadowy boy of night Crosses the dusking land; He sows his poppy-seeds With steady gentle hand.
The shadowy boy of night, Young husbandman of dreams, Garners his gracious blooms By far and moonlit streams.

Page 64

EXPENSES

Little my lacking fortunes show For this to eat and that to wear; Yet laughing, Soul, and gaily go! An obol pays the Stygian fare.

London, 1910.

Page 65

ON SEEING WEATHER-BEATEN TREES

Is it as plainly in our living shown, By slant and twist, which way the wind hath blown?

Page 66

ADVENTURE

Sun and wind and beat of sea, Great lands stretching endlessly…Where be bonds to bind the free? All the world was made for me!

Page 67

OH, LADY, LET THE SAD TEARS FALL

Oh, Lady, let the sad tears fall To speak thy pain, Gently as through the silver dusk The silver rain.
Oh, let thy bosom breathe its grief In such a soft sigh As hath the wind in gardens where Pale roses die.

Page 68

DIRGE

Never the nightingale, Oh, my dear, Never again the lark Thou wilt hear; Though dusk and the morning still Tap at thy window-sill, Though ever love call and call Thou wilt not hear at all, My dear, my dear.

Page 69

THE SUN-DIAL

Every day, Every day, Tell the hours By their shadows, By their shadows.

Page 70

OLD LOVE

More dim than waning moon Thy face, more faint Than is the falling wind Thy voice, yet do Thine eyes most strangely glow, Thou ghost… thou ghost.

Page 71

AH ME…ALAS…

(He)
Ah me, my love's heart, Like some frail flower, apart, High, on the cliff's edge growing, Touched by unhindered sun to sweeter showing, Swung by each faint wind's faintest blowing, But so, on the cliff's edge growing, From man's reach aloof, apart: Ah me, my love's heart!
(She)
Alack, alas, my lover, As one who would discover At world's end his path, Nor knows at all what faëry way he hath Who turneth dreaming into faith And followeth that near path His own heart dareth to discover: Alack, alas, my lover!

Page 72

PERFUME OF YOUTH

(Girl's Song)
In Babylon, in Nineveh, And long ago, and far away, The lilies and the lotus blew That are my sweet of youth to-day.
From those high gardens of the Gods That eyes of men may never see, The amaranth and asphodel Immortal odours shed on me.
In vial of my early years, As in a crystal vial held, What precious fragrance treasured up Of age and agelessness distill'd.
Thine but to give. Give straightway all. Yea, straight, mine hands the ointment rare In great libation joyous pour! Oh, look of youth…Oh, golden hair…

Page 73

RAPUNZEL

All day, all day I brush My golden strands of hair; All day I wait and wait… Ah, who is there?
Who calls? Who calls? The gold Ladder of my long hair I loose and wait…and wait… Ah, who is there?
She left at dawn…I am blind In the tangle of my long hair… Is it she? the witch? the witch? Ah, who is there?

Page 74

VENDOR'S SONG

My songs to sell, good sir! I pray you buy. Here's one will win a lady's tears, Here's one will make her gay, Here's one will charm your true love true Forever and a day; Good sir, I pray you buy!
Oh, no, he will not buy.
My songs to sell, sweet maid! I pray you buy. This one will teach you Lilith's lore, And this what Helen knew, And this will keep your gold hair gold, And this your blue eyes blue; Sweet maid, I pray you buy!
Oh, no, she will not buy.
If I'd as much money as I could tell, I never would cry my songs to sell, I never would cry my songs to sell.

Page 75

AVIS

"Belle Aliz marin leva."
Avis, the fair, at dawn Rose lightly from her bed, Herself arrayed. Avis, the fair, the maid, In vestiment of lawn; Across the fields she sped, Five flowerets there she found, In fragrant garland wound, Avis, the fair, at dawn, Five roses red.
Go thou from thence of thy pity! Thou lovest not me.

Page 76

DOOMSDAY

Peter stands by the gate, And Michael by the throne. "Peter, I would pass the gate And come before the throne." "Whose spirit prayed never at the gate, In life nor at the throne, In death he may not pass the gate To come before the throne": Peter said from the gate; Said Michael from the throne.

Page 77

GRAIN FIELD

Scarlet the poppies Blue the corn-flowers, Golden the wheat. Gold for The Eternal: Blue for Our Lady: Red for the five Wounds of her Son

Page 78

SONG

I make my shroud but no one knows, So shimmering fine it is and fair, With stitches set in even rows. I make my shroud but no one knows.
In door-way where the lilac blows, Humming a little wandering air, I make my shroud and no one knows, So shimmering fine it is and fair.

Page 79

PIERROT

For Aubrey Beardsley's picture "Pierrot is dying."
Pierrot is dying; Tiptoe in, Finger touched to lip, Harlequin, Columbine and Clown.
Hush! how still he lies In his bed, White slipped hand and white Sunken head. Oh, poor Pierrot.
There's his dressing-gown Across the chair, Slippers on the floor… Can he hear Us who tiptoe in?
Pillowed high he lies In his bed; Listen, Columbine. "He is dead." Oh, poor Pierrot.

Page 80

THE MONK IN THE GARDEN

He comes from Mass early in the morning
The sky's the very blue Madonna wears; The air's alive with gold! Mark you the way The birds sing and the dusted shimmer of dew On leaf and fruit?... Per Bacco, what a day!

Page 81

TO THE DEAD IN THE GRAVEYARD UNDERNEATH MY WINDOW

Written in a Moment of Exasperation
How can you lie so still? All day I watch And never a blade of all the green sod moves To show where restlessly you turn and toss, Or fling a desperate arm or draw up knees Stiffened and aching from their long disuse; I watch all night and not one ghost comes forth To take its freedom of the midnight hour. Oh, have you no rebellion in your bones? The very worms must scorn you where you lie, A pallid, mouldering, acquiescent folk, Meek habitants of unresented graves. Why are you there in your straight row on row Where I must ever see you from my bed That in your mere dumb presence iterate The text so weary in my ears: "Lie still And rest; be patient and lie still and rest." I'll not be patient! I will not lie still!

Page 82

There is a brown road runs between the pines, And further on the purple woodlands lie, And still beyond blue mountains lift and loom; And I would walk the road and I would be Deep in the wooded shade and I would reach The windy mountain tops that touch the clouds. My eyes may follow but my feet are held. Recumbent as you others must I too Submit? Be mimic of your movelessness With pillow and counterpane for stone and sod? And if the many sayings of the wise Teach of submission I will not submit But with a spirit all unreconciled Flash an unquenched defiance to the stars. Better it is to walk, to run, to dance, Better it is to laugh and leap and sing, To know the open skies of dawn and night, To move untrammeled down the flaming noon, And I will clamour it through weary days Keeping the edge of deprivation sharp, Nor with the pliant speaking of my lipsOf resignation, sister to defeat. I'll not be patient. I will not lie still.
And in ironic quietude who is The despot of our days and lord of dust Needs but, scarce heeding, wait to drop Grim casual comment on rebellion's end; "Yes, yes…Wilful and petulant but now

Page 83

As dead and quiet as the others are." And this each body and ghost of you hath heard That in your graves do therefore lie so still.
Saranac Lake, N. Y. 1914.

Page 84

THE MOURNER

I have no heart for noon-tide and the sun, But I will take me where more tender night Shakes, fold on fold, her dewy darkness down, And shelters me that I may weep in peace, And feel no pitying eyes, and hear no voice Attempt my grief in comfort's alien tongue.
Where cypresses, more black than night is black, Border straight paths, or where, on hillside slopes, The dim grey glimmer of the olive trees Lies like a breath, a ghost, upon the dark, There will I wander when the nightingale Ceases, and even the veiled stars withdraw Their tremulous light, there find myself at rest, A silence and a shadow in the gloom.
But all the dead of all the world shall know The pacing of my sable-sandal'd feet, And know my tear-drenched veil along the grass, And think them less forsaken in their graves, Saying: There's one remembers, one still mourns; For the forgotten dead are dead indeed.

Page 85

NIGHT

I have minded me Of the noon-day brightness, And the crickets' drowsy Singing in the sunshine…
I have minded me Of the slim marsh-grasses That the winds at twilight, Dying, scarcely ripple…
And I cannot sleep.
I have minded me Of a lily-pond, Where the waters sway All the moonlit leaves And the curled long stems…
And I cannot sleep.

Page 86

ROSE-MARY OF THE ANGELS

Little Sister Rose-Marie, Will thy feet as willing-light Run through Paradise, I wonder, As they run the blue skies under, Willing feet, so airy-light?
Little Sister Rose-Marie, Will thy voice as bird-note clear Lift and ripple over Heaven As its mortal sound is given, Swift bird-voice, so young and clear?
How God will be glad of thee, Little Sister Rose-Marie!

Page 87

ANGÉLIQUE

Have you seen Angélique,What way she went? A white robe she wore, A flickering light near spent Her pale hand bore.
Have you seen Angélique? Will she know the place Dead feet must find, The grave-cloth on her face To make her blind?
Have you seen Angélique… At night I hear her moan, And I shiver in my bed; She wanders all alone, She cannot find the dead.

Page 88

CHIMES

I
The rose new-opening saith, And the dew of the morning saith, (Fallen leaves and vanished dew) Remember death. Ding dong bell Ding dong bell
II
May-moon thin and youngIn the sky, Ere you wax and wane I shall die: So my faltering breath, So my tired heart saith, That foretell me death. Ding-dong Ding-dong Ding-dong ding-dong bell

Page 89

III
"Thy gold hair likes me well And thy blue eyes," he saith, Who chooses where he will And none may hinder—Death.
At head and feet for candles Roses burning red, The valley lilies tolling For the early dead: Ding-dong ding-dong Ding-dong ding-dong Ding-dong ding-dong bell Ding dong bell

Page 90

MAD SONG

Grey gaolers are my griefs That will not let me free; The bitterness of tears Is warder unto me.
I may not leap or run; I may nor laugh nor sing. "Thy cell is small," they say, "Be still thou captived thing."
But in the dusk of the night, Too sudden-swift to see, Closing and ivory gates Are refuge unto me.
My griefs, my tears must watch, And cold the watch they keep; They whisper, whisper there— I hear them in my sleep.
They know that I must come, And patient watch they keep,

Page 91

Whispering, shivering there, Till I come back from sleep.
But in the dark of a night, Too dark for them to see, The refuge of black gates Will open unto me.
Whisper up there in the dark… Shiver by bleak winds stung… My dead lips laugh to hear How long you wait…how long!
Grey gaolers are my griefs That will not let me free; The bitterness of tears Is warder unto me.

Page 92

MY BIRDS THAT FLY NO LONGER

Have ye forgot, sweet birds, How near the heavens lie? Drooping, sick-pinion'd, oh Have ye forgot the sky?
The air that once I knew Whispered celestial things; I weep who hear no more Upward and rushing wings.

Page 93

THE WITCH

When I was a girl by Nilus stream I watched the desert stars arise; My lover, he who dreamed the Sphinx, Learned all his dreaming from my eyes.
I bore in Greece a burning name, And I have been in Italy Madonna to a painter-lad, And mistress to a Medici.
And have you heard (and I have heard) Of puzzled men with decorous mien, Who judged—The wench knows far too much— And hanged her on the Salem green?

Page 94

CRY OF THE NYMPH TO EROS

Hear thou my lamentatïon, Eros, Aphrodite's son! My heart is broken and my days are done.
Where the woods are dark and the stream runs clear in the dark, Eros! I prayed to thy mother and planted the seeds of her flowers, And smiled at the planting and wept at the planting. Oh, violets Ye are dead and your whiteness, your sweetness, availed not. Thy mother Is cruel. Her flowers lie dead at the steps of her altar, Eros! Eros!
With a shining like silver they cut through the blue of the sky Eros!
The dove's wings, the white doves I brought to thy mother in worship;

Page 96

And I said, she will laugh for joy of my doves. Oh, stillness Of dead wings. She laughed not nor looked. My doves are dead, Are dead at the steps of her altar. Thy mother is cruel Eros! Eros!
Hear thou my lamentatïon, Eros, Aphrodite's son! My heart is broken and my days are done.

Page 95

CRADLE-SONG

Madonna, Madonna, Sat by the grey road-side, Saint Joseph her beside, And Our Lord at her breast; Oh they were fain to rest, Mary and Joseph and Jesus, All by the grey road-side.
She said, Madonna Mary, "I am hungry, Joseph, and weary, All in the desert wide." Then bent a tall palm-tree Its branches low to her knee; "Behold," the palm-tree said, "My fruit that shall be your bread." So were they satisfied, Mary and Joseph and Jesus, All by the grey road-side.
From Herod they were fled Over the desert wide, Mary and Joseph and Jesus, In Egypt to abide:

Page 97

Mary and Joseph and Jesus, In Egypt to abide.
The blessèd Queen of Heaven Her own dear Son hath given For my son's sake; his sleep Is safe and sweet and deep.
Lully…Lulley… So may you sleep alway, My baby, my dear son: Amen, Amen, Amen.
My baby, my dear son.

Page 98

TO MAN WHO GOES SEEKING IMMORTALITY, BIDDING HIM LOOK NEARER HOME

Too far afield thy search. Nay, turn. Nay, turn. At thine own elbow potent Memory stands, Thy double, and eternity is cupped In the pale hollow of those ghostly hands.

Page 99

THE LONELY DEATH

In the cold I will rise, I will bathe In waters of ice; myself Will shiver, and shrive myself, Alone in the dawn, and anoint Forehead and feet and hands; I will shutter the windows from light, I will place in their sockets the four Tall candles and set them a-flame In the grey of the dawn; and myself Will lay myself straight in my bed, And draw the sheet under my chin.

Page 100

LO, ALL THE WAY

Lo, all the way, Look you, I said, the clouds will break, the sky Grow clear, the road Be easier for my travelling, the fields, So sodden and dead, Will shimmer with new green and starry bloom, And there will be, There will be then, with all serene and fair, Some little while For some light laughter in the sun; and lo, The journey's end,— Grey road, grey fields, wind and a bitter rain.

Page 101

AUTUMN

Fugitive, wistful, Pausing at edge of her going, Autumn the maiden turns, Leans to the earth with ineffable Gesture. Ah, more than Spring's skies her skies shine Tender, and frailer Bloom than plum-bloom or almond Lies on her hillsides, her fields Misted, faint-flushing. Ah, lovelier Is her refusal than Yielding, who pauses with grave Backward smiling, with light Unforgettable touch of Fingers withdrawn…Pauses, lo Vanishes…fugitive, wistful…

Page 102

THE ELGIN MARBLES

The clustered Gods, the marching lads, The mighty-limbed, deep-bosomed Three, The shimmering grey-gold London fog… I wish that Phidias could see!

Page 103

THE CRUCIFIXION

And the centurion who stood by said:Truly this was a son of God.
Not long ago but everywhere I go There is a hill and a black windy sky. Portent of hill, sky, day's eclipse I know:Hill, sky, the shuddering darkness, these am I.
The dying at His right hand, at His left I am—the thief redeemed and the lost thief; I am the careless folk; I those bereft, The Well-Belov'd, the women bowed in grief.
The gathering Presence that in terror cried, In earth's shock, in the Temple's veil rent through, I; and a watcher, ignorant, curious-eyed, I the centurion who heard and knew.

Page 104

THE FIDDLING LAD

"There'll be no roof to shelter you; You'll have no where to lay your head. And who will get your food for you? Star-dust pays for no man's bread. So, Jacky, come give me your fiddle If ever you mean to thrive."
"I'll have the skies to shelter me, The green grass it shall be my bed, And happen I'll find somewhere for me A sup of drink, a bit of bread.; And I'll not give my fiddle To any man alive."
And it's out he went across the wold, His fiddle tucked beneath his chin, And (golden bow on silver strings.) Smiling he fiddled the twilight in;
And fiddled in the frosty moon, And all the stars of the Milky Way,

Page 105

And fiddled low through the dark of dawn, And laughed and fiddled in the day.
But oh, he had no bit nor sup, And oh, the winds blew stark and cold, And when he dropped on his grass-green bed It's long he slept on the open wold.
They digged his grave and, "There," they said, "He's got more land than ever he had, And well it will keep him held and housed, The feckless bit of a fiddling lad."
And it's out he's stepped across the wold His fiddle tucked beneath his chin— A wavering shape in the wavering light, Smiling he fiddles the twilight in,
And fiddles in the frosty moon, And all the stars of the Milky Way, And fiddles low through the dark of dawn, And laughs and fiddles in the day.
He needeth not or bit or sup, The winds of night he need not fear, And (bow of gold on silver strings) It's all the peoples turn to hear.
"Oh never," It's all the people cry, "Came such sweet sounds from mortal hand"

Page 106

And, "Listen," they say, "it's some ghostly boy That goes a-fiddling through the land.
Hark you! It's night comes slipping in,— The moon and the stars that tread the sky; And there's the breath of the world that stops; And now with a shout the sun comes by!"
Who heareth him he heedeth not But smiles content, the fiddling lad; "He murmurs, "Oh many's the happy day, My fiddle and I together have had; And could I give my fiddle To any man alive?"

Page 107

THE IMMORTAL RESIDUE

Wouldst thou find my ashes? Look In the pages of my book; And, as these thy hand doth turn, Know here is my funeral urn.
Do you have questions about this content? Need to report a problem? Please contact us.