Complete poems of Edgar Allan Poe / [by Edgar Allan Poe] ; collected, edited, and arranged with memoir, textual notes and bibliography by J.H. Whitty [electronic text]
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- Title
- Complete poems of Edgar Allan Poe / [by Edgar Allan Poe] ; collected, edited, and arranged with memoir, textual notes and bibliography by J.H. Whitty [electronic text]
- Author
- Poe, Edgar Allan, 1809-1849
- Editor
- Whitty, J. H. (James Howard), 1859-1937
- Publication
- Boston, Mass.: Houghton, Mifflin and Company
- 1911
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The University of Michigan Library provides access to these materials for educational and research purposes. These materials are in the public domain in the United States. If you have questions about the collection please contact Digital Content & Collections at [email protected], or if you have concerns about the inclusion of an item in this collection, please contact Library Information Technology at [email protected].
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http://name.umdl.umich.edu/BAD9210.0001.001
- Cite this Item
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"Complete poems of Edgar Allan Poe / [by Edgar Allan Poe] ; collected, edited, and arranged with memoir, textual notes and bibliography by J.H. Whitty [electronic text]." In the digital collection American Verse Project. https://name.umdl.umich.edu/BAD9210.0001.001. University of Michigan Library Digital Collections. Accessed April 26, 2025.
Pages
Page [88]
PRIVATE reasons — some of which have reference to the sin of plagiarism, and others to the date of Tennyson's first poems — have induced me, after some hesitation, to re-publish these, the crude compositions of my earliest boyhood. They are printed verbatim —without alteration from the original edition — the date of which is too remote to be judiciously acknowledged.
E. A. P.
Note by Poe, prefixed to "Poems Written in Youth" in the Edition of 1845.
Page [89]
POEMS WRITTEN IN YOUTH
TAMERLANE
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Page [98]
SONNET — TO SCIENCE
SCIENCE! true daughter of Old Time thou art!Who alterest all things with thy peering eyes.Why preyest thou thus upon the poet's heart,Vulture, whose wings are dull realities?How should he love thee? or how deem thee wise,Who wouldst not leave him in his wanderingTo seek for treasure in the jewelled skies,Albeit he soared with an undaunted wing?Hast thou not dragged Diana from her car?And driven the Hamadryad from the woodTo seek a shelter in some happier star?Hast thou not torn the Naiad from her flood,The Elfin from the green grass, and from meThe summer dream beneath the tamarind tree?Page [99]
AL AARAAF
1 1.1PART I
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"Spirit! that dwellest where,In the deep sky,The terrible and fair,In beauty vie!Beyond the line of blue —The boundary of the starWhich turneth at the viewOf thy barrier and thy bar —Of the barrier overgoneBy the comets who were castFrom their pride, and from their throneTo be drudges till the last —To be carriers of fire(The red fire of their heart)With speed that may not tireAnd with pain that shall not part —
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Who livest — that we know — In Eternity — we feel — But the shadow of whose brow What spirit shall reveal? Tho' the beings whom thy Nesace, Thy messenger hath known Have dream'd for thy Infinity 1 1.11A model of their own — Thy will is done, Oh, God! The star hath ridden high Thro' many a tempest, but she rode Beneath thy burning eye; And here, in thought, to thee — In thought that can alone
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Ascend thy empire and so be A partner of thy throne — 1 1.12 By winged Fantasy, My embassy is given, Till secrecy shall knowledge be In the environs of Heaven."She ceas'd — and buried then her burning cheek Abash'd, amid the lilies there, to seek A shelter from the fervour of His eye; For the stars trembled at the Deity. She stir'd not — breath'd not — for a voice was there How solemnly pervading the calm air! A sound of silence on the startled ear Which dreamy poets name "the music of the sphere." Ours is a world of words: Quiet we call "Silence" — which is the merest word of all. All Nature speaks, and ev'n ideal things Flap shadowy sounds from visionary wings — But ah! not so when, thus, in realms on high The eternal voice of God is passing by, And the red winds are withering in the sky!
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PART II
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"Neath blue-bell or streamer —Or tufted wild sprayThat keeps, from the dreamer,2 1.22The moonbeam away —Bright beings! that ponder,With half closing eyes,
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On the stars which your wonder Hath drawn from the skies, 'Till they glance thro' the shade, and Come down to your brow Like — eyes of the maiden Who calls on you now — Arise! from your dreaming In violet bowers, To duty beseeming These star-litten hours — And shake from your tresses Encumber'd with dew The breath of those kisses That cumber them too — (O! how, without you, Love! Could angels be blest?) Those kisses of true love That lull'd ye to rest! Up! — shake from your wing Each hindering thing: The dew of the night — It would weigh down your flight; And true love caresses — O! leave them apart! They are light on the tresses, But lead on the heart.Ligeia! Ligeia! My beautiful one! Whose harshest idea Will to melody run, O! is it thy will On the breezes to toss?
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Or, capriciously still, 1 1.23Like the lone Albatross, Incumbent on night (As she on the air) To keep watch with delight On the harmony there? Ligeia! wherever Thy image may be, No magic shall sever Thy music from thee. Thou hast bound many eyes In a dreamy sleep — But the strains still arise Which thy vigilance keep — The sound of the rain Which leaps down to the flower, And dances again In the rhythm of the shower — 2 1.24 The murmur that springs From the growing of grass Are the music of things — But are modell'd, alas! — Away, then my dearest, O! hie thee away To springs that lie clearest Beneath the moon-ray — To lone lake that smiles, In its dream of deep rest,
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Spirits in wing, and angels to the view, A thousand seraphs burst th' Empyrean thro',At the many star-isles That enjewel its breast — Where wild flowers, creeping, Have mingled their shade, On its margin is sleeping Full many a maid — Some have left the cool glade, and 1 1.25Have slept with the bee — Arouse then my maiden, On moorland and lea — Go! breathe on their slumber, All softly in ear, The musical number They slumber'd to hear — For what can awaken An angel so soon Whose sleep hath been taken Beneath the cold moon, As the spell which no slumber Of witchery may test, The rhythmical number Which lull'd him to rest?"
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Page [116]
ROMANCE
Page [117]
SONG
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DREAMS
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SPIRITS OF THE DEAD
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Page [122]
EVENING STAR
'T WAS noontide of summer,And mid-time of night;And stars, in their orbits,Shone pale, thro' the lightOf the brighter, cold moon,'Mid planets her slaves,Herself in the Heavens,Her beam on the waves.I gazed awhileOn her cold smile;Too cold — too cold for me —There pass'd, as a shroud,A fleecy cloud,And I turn'd away to thee,Proud Evening Star,In thy glory afar,And dearer thy beam shall be;For joy to my heartIs the proud partThou bearest in Heaven at night,And more I admireThy distant fire,Than that colder, lowly light.Page [123]
TO —
1 1.31Page [124]
"IN YOUTH HAVE I KNOWN ONE WITH
WHOM THE EARTH"1 1.32
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Page [126]
A DREAM
Page [127]
"THE HAPPIEST DAY, THE HAPPIEST HOUR"
Page [128]
THE LAKE
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TO —
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TO THE RIVER —
Page [131]
TO —
I HEED not that my earthly lotHath — little of Earth in it —That years of love have been forgotIn the hatred of a minute: —I mourn not that the desolateAre happier, sweet, than I,But that you sorrow for my fateWho am a passer by.Page [132]
FAIRY-LAND
DIM vales — and shadowy floods —And cloudy-looking woods,Whose forms we can't discoverFor the tears that drip all over.Huge moons there wax and wane —Again — again — again —Every moment of the night —Forever changing places —And they put out the star-lightWith the breath from their pale faces.About twelve by the moon-dialOne more filmy than the rest(A kind which, upon trial,They have found to be the best)Comes down — still down — and downWith its centre on the crownOf a mountain's eminence,While its wide circumferenceIn easy drapery fallsOver hamlets, over halls,Wherever they may be —O'er the strange woods — o'er the sea —Over spirits on the wing —Over every drowsy thing —And buries them up quiteIn a labyrinth of light —And then, how deep! — O, deep!Is the passion of their sleep.Page 133
Page [134]
TO HELEN
Page [135]
FROM AN ALBUM (ALONE)
FROM childhood's hour I have not been As others were — I have not seen As others saw — I could not bring My passions from a common spring — From the same source I have not taken My sorrow — I could not awaken My heart to joy at the same tone — And all I lov'd — I lov'd alone — Then — in my childhood — in the dawn Of a most stormy life — was drawn From ev'ry depth of good and ill The mystery which binds me still — From the torrent, or the fountain — From the red cliff of the mountain — From the sun that 'round me roll'd In its autumn tint of gold — From the lightning in the sky As it pass'd me flying by — From the thunder, and the storm — And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view —Notes
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1 1.1
A star was discovered by Tycho Brahe which appeared suddenly in the heavens — attained, in a few days, a brilliancy surpassing that of Jupiter — then as suddenly disappeared, and has never been seen since.
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1 1.2
On Santa Maura — olim Deucadia.
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2 1.3
Sappho.
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3 1.4
This flower is much noticed by Lewenhoeck and Tournefort. The bee, feeding upon its blossom, becomes intoxicated.
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1 1.5
Clytia — The Chrysanthemum Peruvianum, or, to employ a better-known term, the turnsol — which turns continually towards the sun, covers itself, like Peru, the country from which it comes, with dewy clouds which cool and refresh its flowers during the most violent heat of the day. — B. de St. Pierre.
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2 1.6
There is cultivated in the king's garden at Paris, a species of serpentine aloes without prickles, whose large and beautiful flower exhales a strong odour of the vanilla, during the time of its expansion, which is very short. It does not blow till towards the month of July — you then perceive it gradually open its petals — expand them — fade and die. — St. Pierre.
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1 1.7
There is found, in the Rhone, a beautiful lily of the Valisnerian kind. Its stem will stretch to the length of three or four feet — thus preserving its head above water in the swellings of the river.
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2 1.8
The Hyacinth.
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3 1.9
It is a fiction of the Indians, that Cupid was first seen floating in one of these down the river Ganges — and that he still loves the cradle of his childhood.
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4 1.10
And golden vials full of odors which are the prayers of the saints. — Rev. St. John.
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1 1.11
The Humanitarians held that God was to be understood as having really a human form. — Vide Clarke's Sermons,
The drift of Milton's argument, leads him to employ language which would appear, at first sight, to verge upon their doctrine; but it will be seen immediately, that he guards himself against the charge of having adopted one of the most ignorant errors of the dark ages of the church. — Dr. Surnner's Notes on Milton's Christian Doctrine.
This opinion, in spite of many testimonies to the contrary, could never have been very general. Andeus, a Syrian of Mesopotamia, was condemned for the opinion, as heretical. He lived in the beginning of the fourth century. His disciples were called Anthropomorphites. — Vide Du Pin.
Among Milton's minor poems are these lines: — Dicite sacrorum præsides nemorum Deæ, &c.Quis ille primus cujus ex imagineNatura solers finxit humanum genus?Eternus, incorruptus, æquævus polo,Unusque et universus exemplar Dei. — And afterwards,Non cui profundum Cæcitas lumen deditDircæus augur vidit hunc alto sinu, &c.
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1 1.12
Seltsamen Tochter JovisSeinem SchosskindeDer Phantasie. —Göethe.
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2 1.13
Sightless — too small to be seen. — Legge.
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1 1.14
I have often noticed a peculiar movement of the fire-flies; — they will collect in a body and fly off, from a common centre, into innumerable radii.
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2 1.15
Therasæa, or Therasea, the island mentioned by Seneca, which, in a moment, arose from the sea to the eyes of astonished mariners.
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1 1.16
Some star which, from the ruin'd roof Of shak'd Olympus, by mischance, did fall.
— Milton. -
1 1.17
Voltaire, in speaking of Persepolis says, "Je connois bien l'admiration qu'inspirent ces ruines — mais un palais erigé au pied d'une chaine des rochers sterils — peut il être un chef d'œuvre des arts!"
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2 1.18
"O, the wave " — Ula Deguisi is the Turkish appellation; but, on its own shores, it is called Bahar Loth, or Almotanah. There were undoubtedly more than two cities engulphed in the "dead sea." In the valley of Siddim were five — Adrah, Zeboin, Zoar, Sodom and Gomorrah. Stephen of Byzantium mentions eight, and Strabo thirteen, (engulphed) — but the last is out of all reason.
It is said (Tacitus, Strabo, Josephus, Daniel of St. Saba, Nau, Maundrell, Troilo, D'Arvieux) that after an excessive drought, the vestiges of columns, walls, &c. are seen above the surface. At any season, such remains may be discovered by looking down into the transparent lake, and at such distances as would argue the exisitence of many settlements in the space now usurped by the 'Asphaltites.'
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3 1.19
Eyraco — Chaldea.
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4 1.20
I have often thought I could distinctly hear the sound of the darkness as it stole over the horizon.
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1 1.21
Fairies use flowers for their charactery. — Merry Wives of Windsor.
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2 1.22
In Scripture is this passage — "The sun shall not harm thee by day, nor the moon by night." It is perhaps not generally known that the moon, in Egypt, has the effect of producing blindness to those who sleep with the face exposed to its rays, to which circumstance the passage evidently alludes.
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1 1.23
The Albatross is said to sleep on the wing.
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2 1.24
I met with this idea in an old English tale, which I am now unable to obtain and quote from memory: — "The verie essence and, as it were, springeheade and origine of all musiche is the verie pleasaunte sounde which the trees of the forest do make when they growe.''
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1 1.25
The wild bee will not sleep in the shade if there be moonlight.
The rhyme in this verse, as in one about sixty lines before, has an appearance of affectation. It is, however, imitated from Sir W. Scott, or rather from Claud Halcro — in whose mouth I admired its affect: O! were there an island,Tho' ever so wildWhere woman might smile, andNo man be beguil'd, &c.
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1 1.26
With the Arabians there is a medium between Heaven and Hell, where men suffer no punishment, but yet do not attain that tranquil and even happiness which they suppose to be characteristic of heavenly enjoyment.
Un no rompido sueno —Un dia puro — allegre — libreQuiera —Libre de amor — de zelo —De odio — de esperanza — de rezelo.— Luis Ponce de Leon.
Sorrow is not excluded from "Al Aaraaf," but it is that sorrow which the living love to cherish for the dead, and which, in some minds, resembles the delirium of opium. The passionate excitement of Love and the buoyancy of spirit attendant upon intoxication are its less holy pleasures — the price of which, to those souls who make choice of "Al Aaraaf" as their residence after life, is final death and annihilation.
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1 1.27
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1 1.28
It was entire in 1687 — the most elevated spot in Athens.
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2 1.29
Shadowing more beauty in their airy brows Than have the white breasts of the Queen of Love.
— Marlowe. -
3 1.30
Pennon — for pinion. — Milton.
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1 1.31
Poe's title in the Flag of Our Union was "A Dream within a Dream."
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1 1.32
The late E. C. Stedman gave this the title of "Stanzas" in the Stedman-Woodberry edition of Poe's poems, which all succeeding editions have followed.
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2 1.33
Byron, "The Island."