Poems of Sidney Lanier / Sidney Lanier [electronic text]

POEMS OF SIDNEY LANIER

HYMNS OF THE MARSHES.

I.

SUNRISE.

IN my sleep I was fain of their fellowship, fain Of the live-oak, the marsh, and the main. The little green leaves would not let me alone in my sleep; Up-breathed from the marshes, a message of range and of sweep, Interwoven with waftures of wild sea-liberties, drifting, Came through the lapped leaves sifting, sifting, Came to the gates of sleep. Then my thoughts, in the dark of the dungeon-keep Of the Castle of Captives hid in the City of Sleep,. Upstarted, by twos and by threes assembling; The gates of sleep fell a-trembling Like as the lips of a lady that forth falter yes, Shaken with happiness: The gates of sleep stood wide.

I have waked, I have come, my beloved! I might not abide: I have come ere the dawn, O beloved, my live-oaks, to hide In your gospelling glooms,—to be As a lover in heaven, the marsh my marsh and the sea my sea.

Tell me, sweet burly-bark'd, man-bodied Tree That mine arms in the dark are embracing, dost know From what fount are these tears at thy feet which flow?

They rise not from reason, but deeper inconsequent deeps. Reason's not one that weeps. What logic of greeting lies Betwixt dear over-beautiful trees and the rain of the eyes?

O cunning green leaves, little masters! like as ye gloss All the dull-tissued dark with your luminous darks that emboss The vague blackness of night into pattern and plan, So, (But would I could know, but would I could know,) With your question embroid'ring the dark of the question of man,— So, with your silences purfling this silence of man While his cry to the dead for some knowledge is under the ban, Under the ban,— So, ye have wrought me Designs on the night of our knowledge,—yea, ye have taught me, So, That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms, Ye consciences murmuring faiths under forms, Ye ministers meet for each passion that grieves, Friendly, sisterly, sweetheart leaves, Oh, rain me down from your darks that contain me Wisdoms ye winnow from winds that pain me,— Sift down tremors of sweet-within-sweet That advise me of more than they bring,—repeat Me the woods-smell that swiftly but now brought breath From the heaven-side bank of the river of death,— Teach me the terms of silence,—preach me The passion of patience,—sift me,—impeach me,—

And there, oh there As ye hang with your myriad palms upturned in the air, Pray me a myriad prayer.

My gossip, the owl,—is it thou That out of the leaves of the low-hanging bough, As I pass to the beach, art stirred? Dumb woods, have ye uttered a bird?

Reverend Marsh, low-couched along the sea, Old chemist, rapt in alchemy, Distilling silence,—lo, That which our father-age had died to know— The menstruum that dissolves all matter—thou Hast found it: for this silence, filling now The globéd clarity of receiving space, This solves us all: man, matter, doubt, disgrace, Death, love, sin, sanity, Must in yon silence' clear solution lie. Too clear! That crystal nothing who'll peruse? The blackest night could bring us brighter news. Yet precious qualities of silence haunt Round these vast margins, ministrant. Oh, if thy soul's at latter gasp for space, With trying to breathe no bigger than thy race Just to be fellow'd, when that thou hast found No man with room, or grace enough of bound To entertain that New thou tell'st, thou art,— 'Tis here, 'tis here thou canst unhand thy heart And breathe it free, and breathe it free, By rangy marsh, in lone sea-liberty.

The tide's at full; the marsh with flooded streams Glimmers, a limpid labyrinth of dreams.

Each winding creek in grave entrancement lies A rhapsody of morning-stars. The skies Shine scant with one forked galaxy,— The marsh brags ten: looped on his breast they lie.

Oh, what if a sound should be made! Oh, what if a bound should be laid To this bow-and-string tension of beauty and silence a-spring,— To the bend of beauty the bow, or the hold of silence the string! I fear me, I fear me yon dome of diaphanous gleam Will break as a bubble o'er-blown in a dream,— Yon dome of too-tenuous tissues of space and of night, Over-weighted with stars, over-freighted with light, Over-sated with beauty and silence, will seem But a bubble that broke in a dream, If a bound of degree to this grace be laid, Or a sound or a motion made.

But no: it is made: list! somewhere,—mystery, where? In the leaves? in the air? In my heart? is a motion made: 'Tis a motion of dawn, like a flicker of shade on shade. In the leaves 'tis palpable: low multitudinous stirring Upwinds through the woods; the little ones, softly conferring, Have settled my lord's to be looked for; so; they are still; But the air and my heart and the earth are a-thrill,— And look where the wild duck sails round the bend of the river,— And look where a passionate shiver Expectant is bending the blades Of the marsh-grass in serial shimmers and shades,— And invisible wings, fast fleeting, fast fleeting, Are beating

The dark overhead as my heart beats,—and steady and free Is the ebb-tide flowing from marsh to sea (Run home, little streams, With your lapfulls of stars and dreams),— And a sailor unseen is hoisting a-peak, For list, down the inshore curve of the creek How merrily flutters the sail,— And lo, in the East! Will the East unveil? The East is unveiled, the East hath confessed A flush: 'tis dead; 'tis alive: 'tis dead, ere the West Was aware of it: nay, 'tis abiding, 'tis unwithdrawn: Have a care, sweet Heaven! 'Tis Dawn.

Now a dream of a flame through that dream of a flush is uprolled: To the zenith ascending, a dome of undazzling gold Is builded, in shape as a bee-hive, from out of the sea: The hive is of gold undazzling, but oh, the Bee, The star-fed Bee, the build-fire Bee, Of dazzling gold is the great Sun-Bee That shall flash from the hive-hole over the sea.

Yet now the dew-drop, now the morning gray, Shall live their little lucid sober day Ere with the sun their souls exhale away. Now in each pettiest personal sphere of dew The summ'd morn shines complete as in the blue Big dew-drop of all heaven: with these lit shrines O'er-silvered to the farthest sea-confines, The sacramental marsh one pious plain Of worship lies. Peace to the ante-reign Of Mary Morning, blissful mother mild, Minded of nought but peace, and of a child.

Not slower than Majesty moves, for a mean and a measure Of motion,—not faster than dateless Olympian leisure Might pace with unblown ample garments from pleasure to pleasure,— The wave-serrate sea-rim sinks unjarring, unreeling, Forever revealing, revealing, revealing, Edgewise, bladewise, halfwise, wholewise,—'tis done! Good-morrow, lord Sun! With several voice, with ascription one, The woods and the marsh and the sea and my soul Unto thee, whence the glittering stream of all morrows doth roll, Cry good and past-good and most heavenly morrow, lord Sun.

O Artisan born in the purple,—Workman Heat,— Parter of passionate atoms that travail to meet And be mixed in the death-cold oneness,—innermost Guest At the marriage of elements,—fellow of publicans,—blest King in the blouse of flame, that loiterest o'er The idle skies yet laborest fast evermore,— Thou, in the fine forge-thunder, thou, in the beat Of the heart of a man, thou Motive,—Laborer Heat: Yea, Artist, thou, of whose art yon sea's all news, With his inshore greens and manifold mid-sea blues, Pearl-glint, shell-tint, ancientest perfectest hues Ever shaming the maidens,—lily and rose Confess thee, and each mild flame that glows In the clarified virginal bosoms of stones that shine, It is thine, it is thine:

Thou chemist of storms, whether driving the winds a-swirl Or a-flicker the subtiler essences polar that whirl In the magnet earth,—yea, thou with a storm for a heart, Rent with debate, many-spotted with question, part

From part oft sundered, yet ever a globéd light, Yet ever the artist, ever more large and bright Than the eye of a man may avail of:—manifold One, I must pass from thy face, I must pass from the face of the Sun: Old Want is awake and agog, every wrinkle a-frown; The worker must pass to his work in the terrible town: But I fear not, nay, and I fear not the thing to be done; I am strong with the strength of my lord the Sun: How dark, how dark soever the race that must needs be run, I am lit with the Sun.

Oh, never the mast-high run of the seas Of traffic shall hide thee, Never the hell-colored smoke of the factories Hide thee, Never the reek of the time's fen-politics Hide thee, And ever my heart through the night shall with knowledge abide thee, And ever by day shall my spirit, as one that hath tried thee, Labor, at leisure, in art,—till yonder beside thee My soul shall float, friend Sun, The day being done.

BALTIMORE, December, 1880.

II.

INDIVIDUALITY.

SAIL on, sail on, fair cousin Cloud: Oh loiter hither from the sea. Still-eyed and shadow-brow'd, Steal off from yon far-drifting crowd, And come and brood upon the marsh with me.

Yon laboring low horizon-smoke, Yon stringent sail, toil not for thee Nor me; did heaven's stroke The whole deep with drown'd commerce choke, No pitiless tease of risk or bottomry

Would to thy rainy office close Thy will, or lock mine eyes from tears, Part wept for traders'-woes, Part for that ventures mean as those In issue bind such sovereign hopes and fears.

— Lo, Cloud, thy downward countenance stares Blank on the blank-faced marsh, and thou Mindest of dark affairs; Thy substance seems a warp of cares; Like late wounds run the wrinkles on thy brow.

Well may'st thou pause, and gloom, and stare, A visible conscience: I arraign Thee, criminal Cloud, of rare Contempts on Mercy, Right, and Prayer,— Of murders, arsons, thefts,—of nameless stain.

(Yet though life's logic grow as gray As thou, my soul's not in eclipse.) Cold Cloud, but yesterday Thy lightning slew a child at play, And then a priest with prayers upon his lips

For his enemies, and then a bright Lady that did but ope the door Upon the storming night To let a beggar in,—strange spite,— And then thy sulky rain refused to pour

Till thy quick torch a barn had burned Where twelve months' store of victual lay, A widow's sons had earned; Which done, thy floods with winds returned,— The river raped their little herd away.

What myriad righteous errands high Thy flames might run on! In that hour Thou slewest the child, oh why Not rather slay Calamity, Breeder of Pain and Doubt, infernal Power?

Or why not plunge thy blades about Some maggot politician throng Swarming to parcel out The body of a land, and rout The maw-conventicle, and ungorge Wrong?

What the cloud doeth The Lord knoweth, The cloud knoweth not. What the artist doeth, The Lord knoweth; Knoweth the artist not?

Well-answered!—O dear artists, ye — Whether in forms of curve or hue Or tone your gospels be— Say wrong This work is not of me, But God: it is not true, it is not true.

Awful is Art because 'tis free. The artist trembles o'er his plan Where men his Self must see. Who made a song or picture, he Did it, and not another, God nor man.

My Lord is large, my Lord is strong: Giving, He gave: my me is mine. How poor, how strange, how wrong, To dream He wrote the little song I made to Him with love's unforced design!

Oh, not as clouds dim laws have plann'd To strike down Good and fight for Ill,— Oh, not as harps that stand In the wind and sound the wind's command: Each artist—gift of terror!—owns his will.

For thee, Cloud,—if thou spend thine all Upon the South's o'er-brimming sea That needs thee not; or crawl To the dry provinces, and fall Till every convert clod shall give to thee

Green worship; if thou grow or fade, Bring on delight or misery, Fly east or west, be made Snow, hail, rain, wind, grass, rose, light, shade; What matters it to thee? There is no thee.

Pass, kinsman Cloud, now fair and mild: Discharge the will that's not thine own. I work in freedom wild, But work, as plays a little child, Sure of the Father, Self, and Love, alone.

BALTIMORE, 1878–9.

III.

MARSH SONG—AT SUNSET.

OVER the monstrous shambling sea, Over the Caliban sea, Bright Ariel-cloud, thou lingerest: Oh wait, oh wait, in the warm red West,— Thy Prospero I'll be.

Over the humped and fishy sea, Over the Caliban sea O cloud in the West, like a thought in the heart Of pardon, loose thy wing, and start, And do a grace for me.

Over the huge and huddling sea, Over the Caliban sea, Bring hither my brother Antonio,—Man,— My injurer: night breaks the ban: Brother, I pardon thee.

BALTIMORE, 1879–80.

IV.

THE MARSHES OF GLYNN.

GLOOMS of the live-oaks, beautiful-braided and woven With intricate shades of the vines that myriad-cloven Clamber the forks of the multiform boughs,— Emerald twilights,— Virginal shy lights, Wrought of the leaves to allure to the whisper of vows, When lovers pace timidly down through the green colonnades Of the dim sweet woods, of the dear dark woods, Of the heavenly woods and glades, That run to the radiant marginal sand-beach within The wide sea-marshes of Glynn;—

Beautiful glooms, soft dusks in the noon-day fire,— Wildwood privacies, closets of lone desire, Chamber from chamber parted with wavering arras of leaves,— Cells for the passionate pleasure of prayer to the soul that grieves, Pure with a sense of the passing of saints through the wood, Cool for the dutiful weighing of ill with good;—

O braided dusks of the oak and woven shades of the vine, While the riotous noon-day sun of the June-day long did shine Ye held me fast in your heart and I held you fast in mine;

But now when the noon is no more, and riot is rest, And the sun is a-wait at the ponderous gate of the West, And the slant yellow beam down the wood-aisle doth seem Like a lane into heaven that leads from a dream,— Ay, now, when my soul all day hath drunken the soul of the oak, And my heart is at ease from men, and the wearisome sound of the stroke Of the scythe of time and the trowel of trade is low, And belief overmasters doubt, and I know that I know, And my spirit is grown to a lordly great compass within, That the length and the breadth and the sweep of the marshes of Glynn Will work me no fear like the fear they have wrought me of yore When length was fatigue, and when breadth was but bitterness sore, And when terror and shrinking and dreary unnamable pain Drew over me out of the merciless miles of the plain,—

Oh, now, unafraid, I am fain to face The vast sweet visage of space. To the edge of the wood I am drawn, I am drawn, Where the gray beach glimmering runs, as a belt of the dawn, For a mete and a mark To the forest-dark:— So: Affable live-oak, leaning low,— Thus—with your favor—soft, with a reverent hand, (Not lightly touching your person, Lord of the land!) Bending your beauty aside, with a step I stand On the firm-packed sand, Free By a world of marsh that borders a world of sea.

Sinuous southward and sinuous northward the shimmering band Of the sand-beach fastens the fringe of the marsh to the folds of the land. Inward and outward to northward and southward the beachlines linger and curl As a silver-wrought garment that clings to and follows the firm sweet limbs of a girl. Vanishing, swerving, evermore curving again into sight, Softly the sand-beach wavers away to a dim gray looping of light And what if behind me to westward the wall of the woods stands high? The world lies east: how ample, the marsh and the sea and the sky! A league and a league of marsh-grass, waist-high, broad in the blade, Green, and all of a height, and unflecked with a light or a shade, Stretch leisurely off, in a pleasant plain, To the terminal blue of the main.

Oh, what is abroad in the marsh and the terminal sea? Somehow my soul seems suddenly free. From the weighing of fate and the sad discussion of sin, By the length and the breadth and the sweep of the marshes of Glynn.

Ye marshes, how candid and simple and nothing-withholding and free Ye publish yourselves to the sky and offer yourselves to the sea!

Tolerant plains, that suffer the sea and the rains and the sun, Ye spread and span like the catholic man who hath mightily won God out of knowledge and good out of infinite pain And sight out of blindness and purity out of a stain.

As the marsh-hen secretly builds on the watery sod, Behold I will build me a nest on the greatness of God: I will fly in the greatness of God as the marsh-hen flies In the freedom that fills all the space 'twixt the marsh and the skies: By so many roots as the marsh-grass sends in the sod I will heartily lay me a-hold on the greatness of God: Oh, like to the greatness of God is the greatness within The range of the marshes, the liberal marshes of Glynn.

And the sea lends large, as the marsh: lo, out of his plenty the sea Pours fast: full soon the time of the flood-tide must be: Look how the grace of the sea doth go About and about through the intricate channels that flow Here and there, Everywhere, Till his waters have flooded the uttermost creeks and the low-lying lanes, And the marsh is meshed with a million veins, That like as with rosy and silvery essences flow In the rose-and-silver evening glow. Farewell, my lord Sun! The creeks overflow: a thousand rivulets run 'Twixt the roots of the sod; the blades of the marsh-grass stir; Passeth a hurrying sound of wings that westward whirr;

Passeth, and all is still; and the currents cease to run; And the sea and the marsh are one.

How still the plains of the waters be! The tide is in his ecstasy. The tide is at his highest height: And it is night.

And now from the Vast of the Lord will the waters of sleep Roll in on the souls of men, But who will reveal to our waking ken The forms that swim and the shapes that creep Under the waters of sleep? And I would I could know what swimmeth below when the tide comes in On the length and the breadth of the marvellous marshes of Glynn.

BALTIMORE, 1878.

CLOVER.

INSCRIBED TO THE MEMORY OF JOHN KEATS.

DEAR uplands, Chester's favorable fields, My large unjealous Loves, many yet one— A grave good-morrow to your Graces, all, Fair tilth and fruitful seasons! Lo, how still! The midmorn empties you of men, save me; Speak to your lover, meadows! None can hear. I lie as lies yon placid Brandywine, Holding the hills and heavens in my heart For contemplation. 'Tis a perfect hour. From founts of dawn the fluent autumn day Has rippled as a brook right pleasantly Half-way to noon; but now with widening turn Makes pause, in lucent meditation locked, And rounds into a silver pool of morn, Bottom'd with clover-fields. My heart just hears Eight lingering strokes of some far village-bell, That speak the hour so inward-voiced, meseems Time's conscience has but whispered him eight hints Of revolution. Reigns that mild surcease That stills the middle of each rural morn— When nimble noises that with sunrise ran About the farms have sunk again to rest; When Tom no more across the horse-lot calls To sleepy Dick, nor Dick husk-voiced upbraids The sway-back'd roan for stamping on his foot With sulphurous oath and kick in flank, what time The cart-chain clinks across the slanting shaft,

And, kitchenward, the rattling bucket plumps Souse down the well, where quivering ducks quack loud, And Susan Cook is singing. Up the sky The hesitating moon slow trembles on, Faint as a new-washed soul but lately up From out a buried body. Far about, A hundred slopes in hundred fantasies Most ravishingly run, so smooth of curve That I but seem to see the fluent plain Rise toward a rain of clover-blooms, as lakes Pout gentle mounds of plashment up to meet Big shower-drops. Now the little winds, as bees, Bowing the blooms come wandering where I lie Mixt soul and body with the clover-tufts, Light on my spirit, give from wing and thigh Rich pollens and divine sweet irritants To every nerve, and freshly make report Of inmost Nature's secret autumn-thought Unto some soul of sense within my frame That owns each cognizance of the outlying five, And sees, hears, tastes, smells, touches, all in one.

Tell me, dear Clover (since my soul is thine, Since I am fain give study all the day, To make thy ways my ways, thy service mine, To seek me out thy God, my God to be, And die from out myself to live in thee)— Now, Cousin Clover, tell me in mine ear: Go'st thou to market with thy pink and green? Of what avail, this color and this grace? Wert thou but squat of stem and brindle-brown, Still careless herds would feed. A poet, thou: What worth, what worth, the whole of all thine art? Three-Leaves, instruct me! I am sick of price.

Framed in the arching of two clover-stems Where-through I gaze from off my hill, afar, The spacious fields from me to Heaven take on Tremors of change and new significance To th' eye, as to the ear a simple tale Begins to hint a parable's sense beneath. The prospect widens, cuts all bounds of blue Where horizontal limits bend, and spreads Into a curious-hill'd and curious-valley'd Vast, Endless before, behind, around; which seems Th' incalculable Up-and-Down of Time Made plain before mine eyes. The clover-stems Still cover all the space; but now they bear, For clover-blooms, fair, stately heads of men With poets' faces heartsome, dear and pale— Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied. Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks—the most containing clasp, For all in all, this world e'er saw!) and there, Yet further on, bright throngs unnamable Of workers worshipful, nobilities In the Court of Gentle Service, silent men, Dwellers in woods, brooders on helpful art, And all the press of them, the fair, the large, That wrought with beauty. Lo, what bulk is here? Now comes the Course-of-things, shaped like an Ox, Slow browsing, o'er my hillside, ponderously— The huge-brawned, tame, and workful Course-of-things,

That hath his grass, if earth be round or flat, And hath his grass, if empires plunge in pain Or faiths flash out. This cool, unasking Ox Comes browsing o'er my hills and vales of Time, And thrusts me out his tongue, and curls it, sharp, And sicklewise, about my poets' heads, And twists them in, all—Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha, in one sheaf—and champs and chews, With slantly-churning jaws, and swallows down; Then slowly plants a mighty forefoot out, And makes advance to futureward, one inch. So: they have played their part. And to this end? This, God? This, troublous-breeding Earth? This, Sun Of hot, quick pains? To this no-end that ends, These Masters wrought, and wept, and sweated blood, And burned, and loved, and ached with public shame, And found no friends to breathe their loves to, save Woods and wet pillows? This was all? This Ox? "Nay," quoth a sum of voices in mine ear, "God's clover, we, and feed His Course-of-things; The pasture is God's pasture; systems strange Of food and fiberment He hath, whereby The general brawn is built for plans of His To quality precise. Kinsman, learn this: The artist's market is the heart of man; The artist's price, some little good of man. Tease not thy vision with vain search for ends. The End of Means is art that works by love. The End of Ends . . . in God's Beginning's lost."

WEST CHESTER, PA., Summer of 1876.

THE WAVING OF THE CORN.

PLOUGHMAN, whose gnarly hand yet kindly wheeled Thy plough to ring this solitary tree With clover, whose round plat, reserved a-field, In cool green radius twice my length may be— Scanting the corn thy furrows else might yield, To pleasure August, bees, fair thoughts, and me, That here come oft together—daily I, Stretched prone in summer's mortal ecstasy, Do stir with thanks to thee, as stirs this morn With waving of the corn.

Unseen, the farmer's boy from round the hill Whistles a snatch that seeks his soul unsought, And fills some time with tune, howbeit shrill; The cricket tells straight on his simple thought— Nay, 'tis the cricket's way of being still; The peddler bee drones in, and gossips naught; Far down the wood, a one-desiring dove Times me the beating of the heart of love: And these be all the sounds that mix, each morn, With waving of the corn.

From here to where the louder passions dwell, Green leagues of hilly separation roll: Trade ends where yon far clover ridges swell. Ye terrible Towns, ne'er claim the trembling soul That, craftless all to buy or hoard or sell, From out your deadly complex quarrel stole To company with large amiable trees, Suck honey summer with unjealous bees, And take Time's strokes as softly as this morn Takes waving of the corn.

WEST CHESTER, PA., 1876.

SONG OF THE CHATTAHOOCHEE.

OUT of the hills of Habersham, Down the valleys of Hall, I hurry amain to reach the plain, Run the rapid and leap the fall, Split at the rock and together again, Accept my bed, or narrow or wide, And flee from folly on every side With a lover's pain to attain the plain Far from the hills of Habersham, Far from the valleys of Hall.

All down the hills of Habersham, All through the valleys of Hall, The rushes cried Abide, abide, The willful waterweeds held me thrall, The laving laurel turned my tide, The ferns and the fondling grass said Stay, The dewberry dipped for to work delay, And the little reeds sighed Abide, abide, Here in the hills of Habersham, Here in the valleys of Hall.

High o'er the hills of Habersham, Veiling the valleys of Hall, The hickory told me manifold Fair tales of shade, the poplar tall Wrought me her shadowy self to hold, The chestnut, the oak, the walnut, the pine, Overleaning, with flickering meaning and sign,

Said, Pass not, so cold, these manifold Deep shades of the hills of Habersham, These glades in the valleys of Hall.

And oft in the hills of Habersham, And oft in the valleys of Hall, The white quartz shone, and the smooth brook-stone Did bar me of passage with friendly brawl, And many a luminous jewel lone — Crystals clear or a-cloud with mist, Ruby, garnet and amethyst— Made lures with the lights of streaming stone In the clefts of the hills of Habersham, In the beds of the valleys of Hall.

But oh, not the hills of Habersham, And oh, not the valleys of Hall Avail: I am fain for to water the plain. Downward the voices of Duty call— Downward, to toil and be mixed with the main, The dry fields burn, and the mills are to turn, And a myriad flowers mortally yearn, And the lordly main from beyond the plain Calls o'er the hills of Habersham, Calls through the valleys of Hall.

1877.

FROM THE FLATS.

WHAT heartache—ne'er a hill! Inexorable, vapid, vague and chill The drear sand-levels drain my spirit low. With one poor word they tell me all they know; Whereat their stupid tongues, to tease my pain, Do drawl it o'er again and o'er again. They hurt my heart with griefs I cannot name: Always the same, the same.

Nature hath no surprise, No ambuscade of beauty 'gainst mine eyes From brake or lurking dell or deep defile; No humors, frolic forms—this mile, that mile; No rich reserves or happy-valley hopes Beyond the bend of roads, the distant slopes. Her fancy fails, her wild is all run tame: Ever the same, the same.

Oh might I through these tears But glimpse some hill my Georgia high uprears, Where white the quartz and pink the pebble shine, The hickory heavenward strives, the muscadine Swings o'er the slope, the oak's far-falling shade Darkens the dogwood in the bottom glade, And down the hollow from a ferny nook Lull sings a little brook!

TAMPA, FLORIDA, 1877.

THE MOCKING BIRD.

SUPERB and sole, upon a pluméd spray That o'er the general leafage boldly grew, He summ'd the woods in song; or typic drew The watch of hungry hawks, the lone dismay Of languid doves when long their lovers stray, And all birds' passion-plays that sprinkle dew At morn in brake or bosky avenue. Whate'er birds did or dreamed, this bird could say. Then down he shot, bounced airily along The sward, twitched in a grasshopper, made song Midflight, perched, prinked, and to his art again. Sweet Science, this large riddle read me plain: How may the death of that dull insect be The life of yon trim Shakspere on the tree?

TAMPA ROBINS.

THE robin laughed in the orange-tree: "Ho, windy North, a fig for thee: While breasts are red and wings are bold And green trees wave us globes of gold, Time's scythe shall reap but bliss for me —Sunlight, song, and the orange-tree.

Burn, golden globes in leafy sky, My orange-planets: crimson I Will shine and shoot among the spheres (Blithe meteor that no mortal fears) And thrid the heavenly orange-tree With orbits bright of minstrelsy.

If that I hate wild winter's spite— The gibbet trees, the world in white, The sky but gray wind over a grave— Why should I ache, the season's slave? I'll sing from the top of the orange-tree Gramercy, winter's tyranny.

I'll south with the sun, and keep my clime; My wing is king of the summer-time; My breast to the sun his torch shall hold; And I'll call down through the green and gold Time, take thy scythe, reap bliss for me, Bestir thee under the orange-tree."

TAMPA, FLORIDA, 1877.

THE CRYSTAL.

AT midnight, death's and truth's unlocking time, When far within the spirit's hearing rolls The great soft rumble of the course of things— A bulk of silence in a mask of sound,— When darkness clears our vision that by day Is sun-blind, and the soul's a ravening owl For truth and flitteth here and there about Low-lying woody tracts of time and oft Is minded for to sit upon a bough, Dry-dead and sharp, of some long-stricken tree And muse in that gaunt place,—'twas then my heart, Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave, Bards, and old bringers-down of flaming news From steep-wall'd heavens, holy malcontents, Sweet seers, and stellar visionaries, all That brood about the skies of poesy, Full bright ye shine, insuperable stars; Yet, if a man look hard upon you, none With total lustre blazeth, no, not one But hath some heinous freckle of the flesh Upon his shining cheek, not one but winks His ray, opaqued with intermittent mist Of defect; yea, you masters all must ask Some sweet forgiveness, which we leap to give, We lovers of you, heavenly-glad to meet Your largesse so with love, and interplight Your geniuses with our mortalities.

Thus unto thee, O sweetest Shakspere sole, A hundred hurts a day I do forgive ('Tis little, but, enchantment! 'tis for thee): Small curious quibble; Juliet's prurient pun In the poor, pale face of Romeo's fancied death; Cold rant of Richard; Henry's fustian roar Which frights away that sleep he invocates; Wronged Valentine's unnatural haste to yield; Too-silly shifts of maids that mask as men In faint disguises that could ne'er disguise— Viola, Julia, Portia, Rosalind; Fatigues most drear, and needless overtax Of speech obscure that had as lief be plain; Last I forgive (with more delight, because 'Tis more to do) the labored-lewd discourse That e'en thy young invention's youngest heir Besmirched the world with.

Father Homer, thee, Thee also I forgive thy sandy wastes Of prose and catalogue, thy drear harangues That tease the patience of the centuries, Thy sleazy scrap of story,—but a rogue's Rape of a light-o'-love,—too soiled a patch To broider with the gods.

Thee, Socrates, Thou dear and very strong one, I forgive Thy year-worn cloak, thine iron stringencies That were but dandy upside-down, thy words Of truth that, mildlier spoke, had mainlier wrought.

So, Buddha, beautiful! I pardon thee That all the All thou hadst for needy man Was Nothing, and thy Best of being was But not to be.

Worn Dante, I forgive The implacable hates that in thy horrid hells Or burn or freeze thy fellows, never loosed By death, nor time, nor love.

And I forgive Thee, Milton, those thy comic-dreadful wars Where, armed with gross and inconclusive steel, Immortals smite immortals mortalwise And fill all heaven with folly.

Also thee, Brave Æschylus, thee I forgive, for that Thine eye, by bare bright justice basilisked, Turned not, nor ever learned to look where Love Stands shining.

So, unto thee, Lucretius mine (For oh, what heart hath loved thee like to this That's now complaining?), freely I forgive Thy logic poor, thine error rich, thine earth Whose graves eat souls and all.

Yea, all you hearts Of beauty, and sweet righteous lovers large: Aurelius fine, oft superfine; mild Saint A Kempis, overmild; Epictetus, Whiles low in thought, still with old slavery tinct; Rapt Behmen, rapt too far; high Swedenborg, O'ertoppling; Langley, that with but a touch Of art hadst sung Piers Plowman to the top Of English songs, whereof 'tis dearest, now, And most adorable; Cædmon, in the morn A-calling angels with the cow-herd's call That late brought up the cattle; Emerson,

Most wise, that yet, in finding Wisdom, lost Thy Self, sometimes; tense Keats, with angels' nerves Where men's were better; Tennyson, largest voice Since Milton, yet some register of wit Wanting;—all, all, I pardon, ere 'tis asked, Your more or less, your little mole that marks You brother and your kinship seals to man.

But Thee, but Thee, O sovereign Seer of time, But Thee, O poets' Poet, Wisdom's Tongue, But Thee, O man's best Man, O love's best Love, O perfect life in perfect labor writ, O all men's Comrade, Servant, King, or Priest,— What if or yet, what mole, what flaw, what lapse, What least defect or shadow of defect, What rumor, tattled by an enemy, Of inference loose, what lack of grace Even in torture's grasp, or sleep's, or death's,— Oh, what amiss may I forgive in Thee, Jesus, good Paragon, thou Crystal Christ?"

BALTIMORE, 1880.

THE REVENGE OF HAMISH.

IT was three slim does and a ten-tined buck in the bracken lay; And all of a sudden the sinister smell of a man, Awaft on a wind-shift, wavered and ran Down the hill-side and sifted along through the bracken and passed that way.

Then Nan got a-tremble at nostril; she was the daintiest doe; In the print of her velvet flank on the velvet fern She reared, and rounded her ears in turn. Then the buck leapt up, and his head as a king's to a crown did go

Full high in the breeze, and he stood as if Death had the form of a deer; And the two slim does long lazily stretching arose, For their day-dream slowlier came to a close, Till they woke and were still, breath-bound with waiting and wonder and fear.

When Alan the huntsman sprang over the hillock, the hounds shot by, The does and the ten-tined buck made a marvellous bound, The hounds swept after with never a sound, But Alan loud winded his horn in sign that the quarry was nigh.

For at dawn of that day proud Maclean of Lochbuy to the hunt had waxed wild, And he cursed at old Alan till Alan fared off with the hounds For to drive him the deer to the lower glen-grounds: "I will kill a red deer," quoth Maclean, "in the sight of the wife and the child."

So gayly he paced with the wife and the child to his chosen stand; But he hurried tall Hamish the henchman ahead: "Go turn,"— Cried Maclean—"if the deer seek to cross to the burn, Do thou turn them to me: nor fail, lest thy back be red as thy hand."

Now hard-fortuned Hamish, half blown of his breath with the height of the hill, Was white in the face when the ten-tined buck and the does Drew leaping to burn-ward; huskily rose His shouts, and his nether lip twitched, and his legs were o'er-weak for his will.

So the deer darted lightly by Hamish and bounded away to the burn. But Maclean never bating his watch tarried waiting below. Still Hamish hung heavy with fear for to go All the space of an hour; then he went, and his face was greenish and stern,

And his eye sat back in the socket, and shrunken the eyeballs shone, As withdrawn from a vision of deeds it were shame to see.

"Now, now, grim henchman, what is't with thee?" Brake Maclean, and his wrath rose red as a beacon the wind hath upblown.

"Three does and a ten-tined buck made out," spoke Hamish, full mild, "And I ran for to turn, but my breath it was blown, and they passed; I was weak, for ye called ere I broke me my fast." Cried Maclean: "Now a ten-tined buck in the sight of the wife and the child

I had killed if the gluttonous kern had not wrought me a snail's own wrong!" Then he sounded, and down came kinsmen and clansmen all: "Ten blows, for ten tine, on his back let fall, And reckon no stroke if the blood follow not at the bite of thong!"

So Hamish made bare, and took him his strokes; at the last he smiled. "Now I'll to the burn," quoth Maclean, "for it still may be, If a slimmer-paunched henchman will hurry with me, I shall kill me the ten-tined buck for a gift to the wife and the child!"

Then the clansmen departed, by this path and that; and over the hill Sped Maclean with an outward wrath for an inward shame;

And that place of the lashing full quiet became; And the wife and the child stood sad; and bloody-backed Hamish sat still.

But look! red Hamish has risen; quick about and about turns he. "There is none betwixt me and the crag-top!" he screams under breath. Then, livid as Lazarus lately from death, He snatches the child from the mother, and clambers the crag toward the sea.

Now the mother drops breath; she is dumb, and her heart goes dead for a space, Till the motherhood, mistress of death, shrieks, shrieks through the glen, And that place of the lashing is live with men, And Maclean, and the gillie that told him, dash up in a desperate race.

Not a breath's time for asking; an eye-glance reveals all the tale untold. They follow mad Hamish afar up the crag toward the sea, And the lady cries: "Clansmen, run for a fee!— Yon castle and lands to the two first hands that shall hook him and hold

Fast Hamish back from the brink!"—and ever she flies up the steep, And the clansmen pant, and they sweat, and they jostle and strain. But, mother, 'tis vain; but, father, 'tis vain; Stern Hamish stands bold on the brink, and dangles the child o'er the deep.

Now a faintness fails on the men that run, and they all stand still. And the wife prays Hamish as if he were God, on her knees, Crying: "Hamish! O Hamish! but please, but please For to spare him!" and Hamish still dangles the child, with a wavering will.

On a sudden he turns; with a sea-hawk scream, and a gibe, and a song, Cries: "So; I will spare ye the child if, in sight of ye all, Ten blows on Maclean's bare back shall fall, And ye reckon no stroke if the blood follow not at the bite of the thong!"

Then Maclean he set hardly his tooth to his lip that his tooth was red, Breathed short for a space, said: "Nay, but it never shall be! Let me hurl off the damnable hound in the sea!" But the wife: "Can Hamish go fish us the child from the sea, if dead?

Say yea!—Let them lash me, Hamish?"—"Nay!"—"Husband, the lashing will heal; But, oh, who will heal me the bonny sweet bairn in his grave? Could ye cure me my heart with the death of a knave? Quick! Love! I will bare thee—so—kneel!" Then Maclean 'gan slowly to kneel

With never a word, till presently downward he jerked to the earth. Then the henchman—he that smote Hamish—would tremble and lag;

"Strike, hard!" quoth Hamish, full stern, from the crag; Then he struck him, and "One!" sang Hamish, and danced with the child in his mirth.

And no man spake beside Hamish; he counted each stroke with a song. When the last stroke fell, then he moved him a pace down the height, And he held forth the child in the heartaching sight Of the mother, and looked all pitiful grave, as repenting a wrong.

And there as the motherly arms stretched out with the thanksgiving prayer— And there as the mother crept up with a fearful swift pace, Till her finger nigh felt of the bairnie's face— In a flash fierce Hamish turned round and lifted the child in the air,

And sprang with the child in his arms from the horrible height in the sea, Shrill screeching, "Revenge!" in the wind-rush; and pallid Maclean, Age-feeble with anger and impotent pain, Crawled up on the crag, and lay flat, and locked hold of dead roots of a tree—

And gazed hungrily o'er, and the blood from his back drip-dripped in the brine, And a sea-hawk flung down a skeleton fish as he flew, And the mother stared white on the waste of blue, And the wind drove a cloud to seaward, and the sun began to shine.

BALTIMORE, 1878.

TO BAYARD TAYLOR.

TO range, deep-wrapt, along a heavenly height, O'erseeing all that man but undersees; To loiter down lone alleys of delight, And hear the beating of the hearts of trees, And think the thoughts that lilies speak in white By greenwood pools and pleasant passages;

With healthy dreams a-dream in flesh and soul, To pace, in mighty meditations drawn, From out the forest to the open knoll Where much thyme is, whence blissful leagues of lawn Betwixt the fringing woods to southward roll By tender inclinations; mad with dawn,

Ablaze with fires that flame in silver dew When each small globe doth glass the morning-star, Long ere the sun, sweet-smitten through and through With dappled revelations read afar, Suffused with saintly ecstasies of blue As all the holy eastern heavens are,—

To fare thus fervid to what daily toil Employs thy spirit in that larger Land Where thou art gone; to strive, but not to moil In nothings that do mar the artist's hand, Not drudge unriched, as grain rots back to soil,— No profit out of death,—going, yet still at stand,—

Giving what life is here in hand to-day For that that's in to-morrow's bush, perchance,— Of this year's harvest none in the barn to lay, All sowed for next year's crop,—a dull advance In curves that come but by another way Back to the start,—a thriftless thrift of ants

Whose winter wastes their summer; O my Friend, Freely to range, to muse, to toil, is thine: Thine, now, to watch with Homer sails that bend Unstained by Helen's beauty o'er the brine Tow'rds some clean Troy no Hector need defend Nor flame devour; or, in some mild moon's shine,

Where amiabler winds the whistle heed, To sail with Shelley o'er a bluer sea, And mark Prometheus, from his fetters freed, Pass with Deucalion over Italy, While bursts the flame from out his eager reed Wild-stretching towards the West of destiny;

Or, prone with Plato, Shakspere and a throng Of bards beneath some plane-tree's cool eclipse To gaze on glowing meads where, lingering long, Psyche's large Butterfly her honey sips; Or, mingling free in choirs of German song, To learn of Goethe's life from Goethe's lips;

These, these are thine, and we, who still are dead, Do yearn—nay, not to kill thee back again Into this charnel life, this lowlihead,

Not to the dark of sense, the blinking brain, The hugged delusion drear, the hunger fed On husks of guess, the monarchy of pain,

The cross of love, the wrench of faith, the shame Of science that cannot prove proof is, the twist Of blame for praise and bitter praise for blame, The silly stake and tether round the wrist By fashion fixed, the virtue that doth claim The gains of vice, the lofty mark that's missed

By all the mortal space 'twixt heaven and hell, The soul's sad growth o'er stationary friends Who hear us from our height not well, not well, The slant of accident, the sudden bends Of purpose tempered strong, the gambler's spell, The son's disgrace, the plan that e'er depends

On others' plots, the tricks that passion plays (I loving you, you him, he none at all), The artist's pain—to walk his blood-stained ways, A special soul, yet judged as general— The endless grief of art, the sneer that slays, The war, the wound, the groan, the funeral pall—

Not into these, bright spirit, do we yearn To bring thee back, but oh, to be, to be Unbound of all these gyves, to stretch, to spurn The dark from off our dolorous lids, to see Our spark, Conjecture, blaze and sunwise burn, And suddenly to stand again by thee!

Ah, not for us, not yet, by thee to stand: For us, the fret, the dark, the thorn, the chill; For us, to call across unto thy Land, "Friend, get thee to the ministrels' holy hill, And kiss those brethren for us, mouth and hand, And make our duty to our master Will."

BALTIMORE, 1879.

A DEDICATION.

TO CHARLOTTE CUSHMAN.

AS Love will carve dear names upon a tree, Symbol of gravure on his heart to be,

So thought I thine with loving text to set In the growth and substance of my canzonet;

But, writing it, my tears begin to fall— This wild-rose stem for thy large name's too small!

Nay, still my trembling hands are fain, are fain Cut the good letters though they lap again;

Perchance such folk as mark the blur and stain Will say, It was the beating of the rain;

Or, haply these o'er-woundings of the stem May loose some little balm, to plead for them.

1876.

TO CHARLOTTE CUSHMAN.

LOOK where a three-point star shall weave his beam Into the slumb'rous tissue of some stream, Till his bright self o'er his bright copy seem Fulfillment dropping on a come-true dream; So in this night of art thy soul doth show Her excellent double in the steadfast flow Of wishing love that through men's hearts doth go: At once thou shin'st above and shin'st below. E 'en when thou strivest there within Art's sky (Each star must o'er a strenuous orbit fly), Full calm thine image in our love doth lie, A Motion glassed in a Tranquillity. So triple-rayed, thou mov'st, yet stay'st, serene— Art's artist, Love's dear woman, Fame's good queen!

BALTIMORE, 1875.

THE STIRRUP-CUP.

DEATH, thou 'rt a cordial old and rare: Look how compounded, with what care! Time got his wrinkles reaping thee Sweet herbs from all antiquity.

David to thy distillage went, Keats, and Gotama excellent, Omar Khayyam, and Chaucer bright, And Shakspere for a king-delight.

Then, Time, let not a drop be spilt: Hand me the cup whene'er thou wilt; 'Tis thy rich stirrup-cup to me; I'll drink it down right smilingly.

TAMPA, FLORIDA, 1877.

A SONG OF ETERNITY IN TIME.

ONCE, at night, in the manor wood My Love and I long silent stood, Amazed that any heavens could Decree to part us, bitterly repining. My Love, in aimless love and grief, Reached forth and drew aside a leaf That just above us played the thief And stole our starlight that for us was shining.

A star that had remarked her pain Shone straightway down that leafy lane, And wrought his image, mirror-plain, Within a tear that on her lash hung gleaming. "Thus Time," I cried, '" is but a tear Some one hath wept 'twixt hope and fear, Yet in his little lucent sphere Our star of stars, Eternity, is beaming."

MACON, GEORGIA, 1867. Revised in 1879.

OWL AGAINST ROBIN.

FROWNING, the owl in the oak complained him Sore, that the song of the robin restrained him Wrongly of slumber, rudely of rest. "From the north, from the east, from the south and the west, Woodland, wheat-field, corn-field, clover, Over and over and over and over, Five o'clock, ten o'clock, twelve, or seven, Nothing but robin-songs heard under heaven: How can we sleep?

Peep! you whistle, and cheep! cheep! cheep! Oh, peep, if you will, and buy, if 'tis cheap, And have done; for an owl must sleep. Are ye singing for fame, and who shall be first? Each day's the same, yet the last is worst, And the summer is cursed with the silly outburst Of idiot red-breasts peeping and cheeping By day, when all honest birds ought to be sleeping. Lord, what a din! And so out of all reason. Have ye not heard that each thing hath its season? Night is to work in, night is for play-time; Good heavens, not day-time!

A vulgar flaunt is the flaring day, The impudent, hot, unsparing day, That leaves not a stain nor a secret untold,— Day the reporter,—the gossip of old,— Deformity's tease,—man's common scold—

Poh! Shut the eyes, let the sense go numb When day down the eastern way has come. 'Tis clear as the moon (by the argument drawn From Design) that the world should retire at dawn. Day kills. The leaf and the laborer breathe Death in the sun, the cities seethe, The mortal black marshes bubble with heat And puff up pestilence; nothing is sweet Has to do with the sun: even virtue will taint (Philosophers say) and manhood grow faint In the lands where the villainous sun has sway Through the livelong drag of the dreadful day. What Eden but noon-light stares it tame, Shadowless, brazen, forsaken of shame? For the sun tells lies on the landscape,—now Reports me the what, unrelieved with the how,— As messengers lie, with the facts alone, Delivering the word and withholding the tone.

But oh, the sweetness, and oh, the light Of the high-fastidious night! Oh, to awake with the wise old stars— The cultured, the careful, the Chesterfield stars, That wink at the work-a-day fact of crime And shine so rich through the ruins of time That Baalbec is finer than London; oh, To sit on the bough that zigzags low By the woodland pool, And loudly laugh at man, the fool That vows to the vulgar sun; oh, rare, To wheel from the wood to the window where A day-worn sleeper is dreaming of care, And perch on the sill and straightly stare Through his visions; rare, to sail Aslant with the hill and a-curve with the vale,—

To flit down the shadow-shot-with-gleam, Betwixt hanging leaves and starlit stream, Hither, thither, to and fro, Silent, aimless, dayless, slow ( Aimless? Field-mice? True, they're slain, But the night-philosophy hoots at pain, Grips, eats quick, and drops the bones In the water beneath the bough, nor moans At the death life feeds on). Robin, pray Come away, come away To the cultus of night. Abandon the day. Have more to think and have less to say. And cannot you walk now? Bah! don't hop! Stop! Look at the owl, scarce seen, scarce heard, O irritant, iterant, maddening bird!"

BALTIMORE, 1880.

A SONG OF THE FUTURE.

SAIL fast, sail fast, Ark of my hopes, Ark of my dreams; Sweep lordly o'er the drownèd Past, Fly glittering through the sun's strange beams; Sail fast, sail fast. Breaths of new buds from off some drying lea With news about the Future scent the sea: My brain is beating like the heart of Haste: I'll loose me a bird upon this Present waste; Go, trembling song, And stay not long; oh, stay not long: Thou 'rt only a gray and sober dove, But thine eye is faith and thy wing is love.

BALTIMORE, 1878.

OPPOSITION.

OF fret, of dark, of thorn, of chill, Complain no more; for these, O heart, Direct the random of the will As rhymes direct the rage of art.

The lute's fixt fret, that runs athwart The strain and purpose of the string, For governance and nice consort Doth bar his wilful wavering.

The dark hath many dear avails; The dark distils divinest dews; The dark is rich with nightingales, With dreams, and with the heavenly Muse.

Bleeding with thorns of petty strife, I'll ease (as lovers do) my smart With sonnets to my lady Life Writ red in issues from the heart.

What grace may lie within the chili Of favor frozen fast in scorn! When Good's a-freeze, we call it Ill! This rosy Time is glacier-born.

Of fret, of dark, of thorn, of chill, Complain thou not, O heart; for these Bank-in the current of the will To uses, arts, and charities.

BALTIMORE, 1879–80.

ROSE-MORALS.

I.—RED.

WOULD that my songs might be What roses make by day and night— Distillments of my clod of misery Into delight.

Soul, could'st thou bare thy breast As yon red rose, and dare the day, All clean, and large, and calm with velvet rest? Say yea—say yea!

Ah, dear my Rose, good-bye; The wind is up; so; drift away. That songs from me as leaves from thee may fly, I strive, I pray.

II.—WHITE.

Soul, get thee to the heart Of yonder tuberose: hide thee there— There breathe the meditations of thine art Suffused with prayer.

Of spirit grave yet light, How fervent fragrances uprise Pure-born from these most rich and yet most white Virginities!

Mulched with unsavory death, Grow, Soul! unto such white estate, That virginal-prayerful art shall be thy breath, Thy work, thy fate.

BALTIMORE, 1875.

CORN.

TO-DAY the woods are trembling through and through With shimmering forms, that flash before my view, Then melt in green as dawn-stars melt in blue. The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart. The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning. Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving. Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines. I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky. I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen. I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone.

Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green.

I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn.

There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties. Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed.

Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge. Thou lustrous stalk, that ne'er mayst walk nor talk, Still shall thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme—

Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements. Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument.

As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones,

Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun. So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruiséd heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all.

O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not— Type of the home-fond heart, the happy lot!— Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides. Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill

Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die. Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil. Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain. He sailed in borrowed ships of usury— A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery. Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance. Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell. Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an oh and if and but alas Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood. At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store

Till his small borrowings will yield no more. Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind. In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail— In hope or fear alike for ever pale. And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave. Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest.

Old hill! old hill! thous gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer— King, that no subject man nor beast may own, Discrowned, undaughtered and alone— Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate. Lo, through hot waverings of the August morn,

Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn— Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.

SUNNYSIDE, GEORGIA, August, 1874.

THE SYMPHONY.

"O TRADE! O Trade! would thou wert dead! The Time needs heart—'tis tired of head: We're all for love," the violins said. "Of what avail the rigorous tale Of bill for coin and box for bale? Grant thee, O Trade! thine uttermost hope: Level red gold with blue sky-slope, And base it deep as devils grope: When all's done, what hast thou won Of the only sweet that's under the sun? Ay, canst thou buy a single sigh Of true love's least, least ecstasy?" Then, with a bridegroom's heart-beats trembling, All the mightier strings assembling Ranged them on the violins' side As when the bridegroom leads the bride, And, heart in voice, together cried: "Yea, what avail the endless tale Of gain by cunning and plus by sale? Look up the land, look down the land The poor, the poor, the poor, they stand Wedged by the pressing of Trade's hand Against an inward-opening door That pressure tightens evermore: They sigh a monstrous foul-air sigh For the outside leagues of liberty, Where Art, sweet lark, translates the sky Into a heavenly melody. 'Each day, all day' (these poor folks say), 'In the same old year-long, drear-long way,

We weave in the mills and heave in the kilns, We sieve mine-meshes under the hills, And thieve much gold from the Devil's bank tills, To relieve, O God, what manner of ills?— The beasts, they hunger, and eat, and die; And so do we, and the world 's a sty; Hush, fellow-swine: why nuzzle and cry? Swinehood hath no remedy Say many men, and hasten by, Clamping the nose and blinking the eye. But who said once, in the lordly tone, Man shall not live by bread alone But all that cometh from the Throne? Hath God said so? But Trade saith No: And the kilns and the curt-tongued mills say Go: There's plenty that can, if you can't: we know. Move out, if you think you're underpaid. The poor are prolific; we're not afraid; Trade is trade.'" Thereat this passionate protesting Meekly changed, and softened till It sank to sad requesting And suggesting sadder still: "And oh, if men might some time see How piteous-false the poor decree That trade no more than trade must be! Does business mean, Die, you—live, I?" Then 'Trade is trade' but sings a lie: 'Tis only war grown miserly. If business is battle, name it so: War-crimes less will shame it so, And widows less will blame it so. Alas, for the poor to have some part In yon sweet living lands of Art,

Makes problem not for head, but heart. Vainly might Plato's brain revolve it: Plainly the heart of a child could solve it."

And then, as when from words that seem but rude We pass to silent pain that sits abrood Back in our heart's great dark and solitude, So sank the strings to gentle throbbing Of long chords change-marked with sobbing— Motherly sobbing, not distinctlier heard Than half wing-openings of the sleeping bird, Some dream of danger to her young hath stirred. Then stirring and demurring ceased, and lo! Every least ripple of the strings' song-flow Died to a level with each level bow And made a great chord tranquil-surfaced so, As a brook beneath his curving bank doth go To linger in the sacred dark and green Where many boughs the still pool overlean And many leaves make shadow with their sheen. But presently A velvet flute-note fell down pleasantly Upon the bosom of that harmony, And sailed and sailed incessantly, As if a petal from a wild-rose blown Had fluttered down upon that pool of tone And boatwise dropped o' the convex side And floated down the glassy tide And clarified and glorified The solemn spaces where the shadows bide. From the warm concave of that fluted note Somewhat, half song, half odor, forth did float, As if a rose might somehow be a throat: "When Nature from her far-off glen Flutes her soft messages to men,

The flute can say them o'er again; Yea, Nature, singing sweet and lone, Breathes through life's strident polyphone The flute-voice in the world of tone. Sweet friends, Man's love ascends To finer and diviner ends Than man's mere thought e'er comprehends. For I, e'en I, As here I lie, A petal on a harmony, Demand of Science whence and why Man's tender pain, man's inward cry, When he doth gaze. on earth and sky? I am not overbold: I hold Full powers from Nature manifold. I speak for each no-tonguéd tree That, spring by spring, doth nobler be, And dumbly and most wistfully His mighty prayerful arms outspreads Above men's oft-unheeding heads, And his big blessing downward sheds. I speak for all-shaped blooms and leaves, Lichens on stones and moss on eaves, Grasses and grains in ranks and sheaves; Broad-fronded ferns and keen-leaved canes, And briery mazes bounding lanes, And marsh-plants, thirsty-cupped for rains, And milky stems and sugary veins; For every long-armed woman-vine That round a piteous tree doth twine; For passionate odors, and divine Pistils, and petals crystalline; All purities of shady springs,

All shynesses of film-winged things That fly from tree-trunks and bark-rings; All modesties of mountain-fawns That leap to covert from wild lawns, And tremble if the day but dawns; All sparklings of small beady eyes Of birds, and sidelong glances wise Wherewith the jay hints tragedies; All piquancies of prickly burs, And smoothnesses of downs and furs Of eiders and of minevers; All limpid honeys that do lie At stamen-bases, nor deny The humming-birds' fine roguery, Bee-thighs, nor any butterfly; All gracious curves of slender wings, Bark-mottlings, fibre-spiralings, Fern-wavings and leaf-flickerings; Each dial-marked leaf and flower-bell Wherewith in every lonesome dell Time to himself his hours doth tell; All tree-sounds, rustlings of pine-cones, Wind-sighings, doves' melodious moans, And night's unearthly under-tones; All placid lakes and waveless deeps, All cool reposing mountain-steeps, Vale-calms and tranquil lotos-sleeps;— Yea, all fair forms, and sounds, and lights, And warmths, and mysteries, and mights, Of Nature's utmost depths and heights, —These doth my timid tongue present, Their mouthpiece and leal instrument And servant, all love-eloquent. I heard, when 'All for love' the violins cried: So, Nature calls through all her system wide,

Give me thy love, O man, so long denied. Much time is run, and man hath changed his ways, Since Nature, in the antique fable-days, Was hid from man's true love by proxy fays, False fauns and rascal gods that stole her praise. The nymphs, cold creatures of man's colder brain, Chilled Nature's streams till man's warm heart was fain Never to lave its love in them again. Later, a sweet Voice Love thy neighbor said; Then first the bounds of neighborhood outspread Beyond all confines of old ethnic dread. Vainly the Jew might wag his covenant head: 'All men are neighbors,' so the sweet Voice said. So, when man's arms had circled all man's race, The liberal compass of his warm embrace Stretched bigger yet in the dark bounds of space; With hands a-grope he felt smooth Nature's grace, Drew her to breast and kissed her sweetheart face: Yea man found neighbors in great hills and trees And streams and clouds and suns and birds and bees, And throbbed with neighbor-loves in loving these. But oh, the poor! the poor! the poor! That stand by the inward-opening door Trade's hand doth tighten ever more, And sigh their monstrous foul-air sigh For the outside hills of liberty, Where Nature spreads her wild blue sky For Art to make into melody! Thou Trade! thou king of the modern days! Change thy ways, Change thy ways; Let the sweaty laborers file A little while, A little while, Where Art and Nature sing and smile.

Trade! is thy heart all dead, all dead? And hast thou nothing but a head? I'm all for heart," the flute-voice said, And into sudden silence fled, Like as a blush that while 'tis red Dies to a still, still white instead.

Thereto a thrilling calm succeeds, Till presently the silence breeds A little breeze among the reeds That seems to blow by sea-marsh weeds: Then from the gentle stir and fret Sings out the melting clarionet, Like as a lady sings while yet Her eyes with salty tears are wet. O Trade! O Trade!" the Lady said, I too will wish thee utterly dead If all thy heart is in thy head. For O my God! and O my God! What shameful ways have women trod At beckoning of Trade's golden rod! Alas when sighs are traders' lies, And heart's-ease eyes and violet eyes Are merchandise! O purchased lips that kiss with pain! O cheeks coin-spotted with smirch and stain! O trafficked hearts that break in twain! —And yet what wonder at my sisters' crime? So hath Trade withered up Love's sinewy prime, Men love not women as in olden time. Ah, not in these cold merchantable days Deem men their life an opal gray, where plays The one red Sweet of gracious ladies'-praise. Now, comes a suitor with sharp prying eye— Says, Here, you Lady, if you'll sell, I'll buy:

Come, heart for heart—a trade? What! weeping? why? Shame on such wooers' dapper mercery! I would my lover kneeling at my feet In humble manliness should cry, O sweet! I know not if thy heart my heart will greet: I ask not if thy love my love can meet: Whate'er thy worshipful soft tongue shall say, I'll kiss thine answer, be it yea or nay: I do but know I love thee, and I pray To be thy knight until my dying day. Woe him that cunning trades in hearts contrives! Base love good women to base loving drives. If men loved larger, larger were our lives; And wooed they nobler, won they nobler wives."

There thrust the bold straightforward horn To battle for that lady lorn, With heartsome voice of mellow scorn, Like any knight in knighthood's morn. "Now comfort thee," said he, "Fair Lady. For God shall fight thy grievous wrong, And man shall sing thee a true-love song, Voiced in act his whole life long, Yea, all thy sweet life long, Fair Lady. Where's he that craftily hath said, The day of chivalry is dead? I'll prove that lie upon his head, Or I will die instead, Fair Lady. Is Honor gone into his grave? Hath Faith become a caitiff knave, And Selfhood turned into a slave To work in Mammon's cave,

Fair Lady? Will Truth's long blade ne'er gleam again? Hath Giant Trade in dungeons slain All great contempts of mean-got gain And hates of inward stain, Fair Lady? For aye shall name and fame be sold, And place be hugged for the sake of gold, And smirch-robed Justice feebly scold At Crime all money-bold, Fair Lady? Shall self-wrapt husbands aye forget Kiss-pardons for the daily fret Wherewith sweet wifely eyes are wet— Blind to lips kiss-wise set— Fair Lady? Shall lovers higgle, heart for heart, Till wooing grows a trading mart Where much for little, and all for part, Make love a cheapening art, Fair Lady? Shall woman scorch for a single sin That her betrayer may revel in, And she be burnt, and he but grin When that the flames begin, Fair Lady? Shall ne'er prevail the woman's plea, We maids would far, far whiter be If that our eyes might sometimes see Men maids in purity, Fair Lady? Shall Trade aye salve his conscience-aches With jibes at Chivalry's old mistakes— The wars that o'erhot knighthood makes For Christ's and ladies' sakes,

Fair Lady? Now by each knight that e'er hath prayed To fight like a man and love like a maid, Since Pembroke's life, as Pembroke's blade, I' the scabbard, death, was laid, Fair Lady, I dare avouch my faith is bright That God doth right and God hath might. Nor time hath changed His hair to white, Nor His dear love to spite, Fair Lady. I doubt no doubts: I strive, and shrive my clay, And fight my fight in the patient modern way For true love and for thee—ah me! and pray To be thy knight until my dying day, Fair Lady." Made end that knightly horn, and spurred away Into the thick of the melodious fray.

And then the hautboy played and smiled, And sang like any large-eyed child, Cool-hearted and all undefiled. "Huge Trade! "he said, "Would thou wouldst lift me on thy head And run where'er my finger led! Once said a' Man—and wise was He— Never shalt thou the heavens see, Save as a little child thou be." Then o'er sea-lashings of commingling tunes The ancient wise bassoons, Like weird Gray-beard Old harpers sitting on the high sea-dunes, Chanted runes:

"Bright-waved gain, gray-waved loss, The sea of all doth lash and toss, One wave forward and one across: But now 'twas trough, now 'tis crest, And worst doth foam and flash to best, And curst to blest.

Life! Life! thou sea-fugue, writ from east to west, Love, Love alone can pore On thy dissolving score Of harsh half-phrasings, Blotted ere writ, And double erasings Of chords most fit. Yea, Love, sole music-master blest, May read thy weltering palimpsest. To follow Time's dying melodies through, And never to lose the old in the new, And ever to solve the discords true— Love alone can do. And ever Love hears the poor-folks' crying, And ever Love hears the women's sighing, And ever sweet knighthood's death-defying, And ever wise childhood's deep implying, But never a trader's glozing and lying.

And yet shall Love himself be heard, Though long deferred, though long deferred: O'er the modern waste a dove hath whirred: Music is Love in search of a word."

BALTIMORE, 1875.

MY SPRINGS.

IN the heart of the Hills of Life, I know Two springs that with unbroken flow Forever pour their lucent streams Into my soul's far Lake of Dreams.

Not larger than two eyes, they lie Beneath the many-changing sky And mirror all of life and time, —Serene and dainty pantomime.

Shot through with lights of stars and dawns, And shadowed sweet by ferns and fawns, —Thus heaven and earth together vie Their shining depths to sanctify.

Always when the large Form of Love Is hid by storms that rage above, I gaze in my two springs and see Love in his very verity.

Always when Faith with stifling stress Of grief hath died in bitterness, I gaze in my two springs and see A Faith that smiles immortally.

Always when Charity and Hope, In darkness bounden, feebly grope, I gaze in my two springs and see A Light that sets my captives free.

Always, when Art on perverse wing Flies where I cannot hear him sing, I gaze in my two springs and see A charm that brings him back to me.

When Labor faints, and Glory fails, And coy Reward in sighs exhales, I gaze in my two springs and see Attainment full and heavenly.

O Love, O Wife, thine eyes are they, —My springs from out whose shining gray Issue the sweet celestial streams That feed my life's bright Lake of Dreams.

Oval and large and passion-pure And gray and wise and honor-sure; Soft as a dying violet-breath Yet calmly unafraid of death;

Thronged, like two dove-cotes of gray doves, With wife's and mother's and poor-folk's loves, And home-loves and high glory-loves And science-loves and story-loves,

And loves for all that God and man In art and nature make or plan, And lady-loves for spidery lace And broideries and supple grace

And diamonds and the whole sweet round Of littles that large life compound, And loves for God and God's bare truth, And loves for Magdalen and Ruth,

Dear eyes, dear eyes and rare complete— Being heavenly-sweet and earthly-sweet, —I marvel that God made you mine, For when He frowns, 'tis then ye shine!

BALTIMORE, 1874.

IN ABSENCE.

I.

THE storm that snapped our fate's one ship in twain Hath blown my half o' the wreck from thine apart. O Love! O Love! across the gray-waved main To thee-ward strain my eyes, my arms, my heart. I ask my God if e'en in His sweet place, Where, by one waving of a wistful wing, My soul could straightway tremble face to face With thee, with thee, across the stellar ring— Yea, where thine absence I could ne'er bewail Longer than lasts that little blank of bliss When lips draw back, with recent pressure pale, To round and redden for another kiss— Would not my lonesome heart still sigh for thee What time the drear kiss-intervals must be?

II.

So do the mottled formulas of Sense Glide snakewise through our dreams of Aftertime; So errors breed in reeds and grasses dense That bank our singing rivulets of rhyme. By Sense rule Space and Time; but in God's Land Their intervals are not, save such as lie Betwixt successive tones in concords bland Whose loving distance makes the harmony.

Ah, there shall never come 'twixt me and thee Gross dissonances of the mile, the year; But in the multichords of ecstasy Our souls shall mingle, yet be featured dear, And absence, wrought to intervals divine, Shall part, yet link, thy nature's tone and mine.

III.

Look down the shining peaks of all my days Base-hidden in the valleys of deep night, So shall thou see the heights and depths of praise My love would render unto love's delight; For I would make each day an Alp sublime Of passionate snow, white-hot yet icy-clear, —One crystal of the true-loves of all time Spiring the world's prismatic atmosphere; And I would make each night an awful vale Deep as thy soul, obscure as modesty, With every star in heaven trembling pale O'er sweet profounds where only Love can see. Oh, runs not thus the lesson thou hast taught?— When life's all love, 'tis life: aught else, 'tis naught.

IV.

Let no man say, He at his lady's feet Lays worship that to Heaven alone belongs; Yea, swings the incense that for God is meet In flippant censers of light lover's songs. Who says it, knows not God, nor love, nor thee; For love is large as is yon heavenly dome: In love's great blue, each passion is full free To fly his favorite flight and build his home.

Did e'er a lark with skyward-pointing beak Stab by mischance a level-flying dove? Wife-love flies level, his dear mate to seek: God-love darts straight into the skies above. Crossing, the windage of each other's wings But speeds them both upon their journeyings.

BALTIMORE, 1874.

ACKNOWLEDGMENT.

I.

O AGE that half believ'st thou half believ'st, Half doubt'st the substance of thine own half doubt, And, half perceiving that thou half perceiv'st, Stand'st at thy temple door, heart in, head out! Lo! while thy heart's within, helping the choir, Without, thine eyes range up and down the time, Blinking at o'er-bright science, smit with desire To see and not to see. Hence, crime on crime. Yea, if the Christ (called thine) now paced yon street, Thy halfness hot with His rebuke would swell; Legions of scribes would rise and run and beat His fair intolerable Wholeness twice to hell. Nay (so, dear Heart, thou whisperest in my soul), 'T is a half time, yet Time will make it whole.

II.

Now at thy soft recalling voice I rise Where thought is lord o'er Time's complete estate, Like as a dove from out the gray sedge flies To tree-tops green where cooes his heavenly mate. From these clear coverts high and cool I see How every time with every time is knit, And each to all is mortised cunningly, And none is sole or whole, yet all are fit. Thus, if this Age but as a comma show

'Twixt weightier clauses of large-worded years, My calmer soul scorns not the mark: I know This crooked point Time's complex sentence clears. Yet more I learn while, Friend! I sit by thee; Who sees all time, sees all eternity.

III.

If I do ask, How God can dumbness keep While Sin creeps grinning through His house of Time, Stabbing His saintliest children in their sleep, And staining holy walls with clots of crime?— Or, How may He whose wish but names a fact Refuse what miser's-scanting of supply Would richly glut each void where man hath lacked Of grace or bread?—or, How may Power deny Wholeness to th' almost-folk that hurt our hope— These heart-break Hamlets who so barely fail In life or art that but a hair's more scope Had set them fair on heights they ne'er may scale?— Somehow by thee, dear Love, I win content: Thy Perfect stops th' Imperfect's argument.

IV.

By the more height of thy sweet stature grown, Twice-eyed with thy gray vision set in mine, I ken far lands to wifeless men unknown, I compass stars for one-sexed eyes too fine. No text on sea-horizons cloudily writ, No maxim vaguely starred in fields or skies, But this wise thou-in-me deciphers it: Oh, thou 'rt the Height of heights, the Eye of eyes.

Not hardest Fortune's most unbounded stress Can blind my soul nor hurl it from on high, Possessing thee, the self of loftiness, And very light that Light discovers by. Howe'er thou turn'st, wrong Earth! still Love's in sight: For we are taller than the breadth of night.

BALTIMORE, 1874–5.

LAUS MARIÆ.

ACROSS the brook of Time man leaping goes On stepping-stones of epochs, that uprise Fixed, memorable, midst broad shallow flows Of neutrals, kill-times, sleeps, indifferencies. So mixt each morn and night rise salient heaps: Som cross with but a zigzag, jaded pace From meal to meal: some with convulsive leaps Shake the green tussocks of malign disgrace: And some advance by system and deep art O'er vantages of wealth, place, learning, tact. But thou within thyself, dear manifold heart, Dost bind all epochs in one dainty Fact. Oh, sweet, my pretty sum of history, I leapt the breadth of Time in loving thee!

BALTIMORE, 1874–5.

SPECIAL PLEADING.

TIME, hurry my Love to me: Haste, haste! Lov'st not good company? Here's but a heart-break sandy waste 'Twixt Now and Then. Why, killing haste Were best, dear Time, for thee, for thee!

Oh, would that I might divine Thy name beyond the zodiac sign Wherefrom our times-to-come descend. He called thee Sometime. Change it, friend: Now-time sounds so much more fine!

Sweet Sometime, fly fast to me: Poor Now-time sits in the Lonesome-tree And broods as gray as any dove, And calls, When wilt thou come, O Love? And pleads across the waste to thee.

Good Moment, that giv'st him me, Wast ever in love? Maybe, maybe Thou'lt be this heavenly velvet time When Day and Night as rhyme and rhyme Set lip to lip dusk-modestly;

Or haply some noon afar, —O life's top bud, mixt rose and star, How ever can thine utmost sweet Be star-consummate, rose-complete, Till thy rich reds full opened are?

Well, be it dusk-time or noon-time, I ask but one small boon, Time: Come thou in night, come thou in day, I care not, I care not: have thine own way, But only, but only, come soon, Time.

BALTIMORE, 1875–

THE BEE.

WHAT time I paced, at pleasant morn, A deep and dewy wood, I heard a mellow hunting-horn Make dim report of Dian's lustihood Far down a heavenly hollow. Mine ear, though fain, had pain to follow: Tara! it twanged, tara-tara! it blew, Yet wavered oft, and flew Most ficklewise about, or here, or there, A music now from earth and now from air. But on a sudden, lo! I marked a blossom shiver to and fro With dainty inward storm; and there within A down-drawn trump of yellow jessamine A bee Thrust up its sad-gold body lustily, All in a honey madness hotly bound On blissful burglary. A cunning sound In that wing-music held me: down I lay In amber shades of many a golden spray, Where looping low with languid arms the Vine In wreaths of ravishment did overtwine Her kneeling Live-Oak, thousand-fold to plight Herself unto her own true stalwart knight.

As some dim blur of distant music nears The long-desiring sense, and slowly clears

To forms of time and apprehensive tune, So, as I lay, full soon Interpretation throve: the bee's fanfare, Through sequent films of discourse vague as air, Passed to plain words, while, fanning faint perfume, The bee o'erhung a rich, unrifled bloom: "O Earth, fair lordly Blossom, soft a-shine Upon the star-pranked universal vine, Hast nought for me? To thee Come I, a poet, hereward haply blown, From out another worldflower lately flown. Wilt ask, What profit e'er a poet brings? He beareth starry stuff about his wings To pollen thee and sting thee fertile: nay, If still thou narrow thy contracted way, —Worldflower, if thou refuse me— —World flower, if thou abuse me, And hoist thy stamen's spear-point high To wound my wing and mar mine eye— Nathless I'll drive me to thy deepest sweet, Yea, richlier shall that pain the pollen beat From me to thee, for oft these pollens be Fine dust from wars that poets wage for thee. But, O beloved Earthbloom soft a-shine Upon the universal Jessamine, Prithee, abuse me not, Prithee, refuse me not, Yield, yield the heartsome honey love to me Hid in thy nectary!" And as I sank into a dimmer dream The pleading bee's song-burthen sole did seem: "Hast ne'er a honey-drop of love for me In thy huge nectary?"

TAMPA, FLORIDA, 1877.

THE HARLEQUIN OF DREAMS.

SWIFT, through some trap mine eyes have never found, Dim-panelled in the painted scene of Sleep, Thou, giant Harlequin of Dreams, dost leap Upon my spirit's stage. Then Sight and Sound, Then Space and Time, then Language, Mete and Bound, And all familiar Forms that firmly keep Man's reason in the road, change faces, peep Betwixt the legs and mock the daily round. Yet thou canst more than mock: sometimes my tears At midnight break through bounden lids—a sign Thou hast a heart: and oft thy little leaven Of dream-taught wisdom works me bettered years. In one night witch, saint, trickster, fool divine, I think thou 'rt Jester at the Court of Heaven!

BALTIMORE, 1878.

STREET-CRIES.

OFT seems the Time a market-town Where many merchant-spirits meet Who up and down and up and down Cry out along the street

Their needs, as wares; one thus, one so: Till all the ways are full of sound: —But still come rain, and sun, and snow, And still the world goes round.

I.

REMONSTRANCE.

"OPINION, let me alone: I am not thine. Prim Creed, with categoric point, forbear To feature me my Lord by rule and line. Thou canst not measure Mistress Nature's hair, Not one sweet inch: nay, if thy sight is sharp, Would'st count the strings upon an angel's harp? Forbear, forbear.

"Oh let me love my Lord more fathom deep Than there is line to sound with: let me love My fellow not as men that mandates keep: Yea, all that's lovable, below, above, That let me love by heart, by heart, because (Free from the penal pressure of the laws) I find it fair.

"The tears I weep by day and bitter night, Opinion! for thy sole salt vintage fall. —As morn by morn I rise with fresh delight, Time through my casement cheerily doth call 'Nature is new,' 'tis birthday every day, Come feast with me, let no man say me nay, Whate'er befall.'

"So fare I forth to feast: I sit beside Some brother bright: but, ere good-morrow's passed, Burly Opinion wedging in hath cried 'Thou shalt not sit by us, to break thy fast, Save to our Rubric thou subscribe and swear— Religion hath blue eyes and yellow hair: She's Saxon, all.'

"Then, hard a-hungered for my brother's grace Till well-nigh fain to swear his folly's true, In sad dissent I turn my longing face To him that sits on the left: 'Brother,—with you?' —'Nay, not with me, save thou subscribe and swear Religion hath black eyes and raven hair: Nought else is true.'

"Debarred of banquets that my heart could make With every man on every day of life, I homeward turn, my fires of pain to slake In deep endearments of a worshipped wife. 'I love thee well, dear Love,' quoth she, 'and yet Would that thy creed with mine completely met, As one, not two.'

"Assassin! Thief! Opinion, 'tis thy work. By Church, by throne, by hearth, by every good That's in the Town of Time, I see thee lurk, And e'er some shadow stays where thou hast stood.

Thou hand'st sweet Socrates his hemlock sour; Thou say'st Barabbas in that hideous hour, And stabb'st the good

"Deliverer Christ; thou rack'st the souls of men; Thou tossest girls to lions and boys to flames; Thou hew'st Crusader down by Saracen; Thou buildest closets full of secret shames; Indifferent cruel, thou dost blow the blaze Round Ridley or Servetus; all thy days Smell scorched; I would

"—Thou base-born Accident of time and place— Bigot Pretender unto Judgment's throne— Bastard, that claimest with a cunning face Those rights the true, true Son of Man doth own By Love's authority—thou Rebel cold At head of civil wars and quarrels old— Thou Knife on a throne—

"I would thou left'st me free, to live with love, And faith, that through the love of love doth find My Lord's dear presence in the stars above, The clods below, the flesh without, the mind Within, the bread, the tear, the smile. Opinion, damned Intriguer, gray with guile, Let me alone."

BALTIMORE, 1878–9.

II.

THE SHIP OF EARTH.

"THOU Ship of Earth, with Death, and Birth, and Life, and Sex aboard, And fires of Desires burning hotly in the hold, I fear thee, O! I fear thee, for I hearthe tongue and sword At battle on the deck, and the wild mutineers are bold!

"The dewdrop morn may fall from off the petal of the sky, But all the deck is wet with blood and stains the crystal red. A pilot, GOD, a pilot! for the helm is left awry, And the best sailors in the ship lie there among the dead!"

PRATTVILLE, ALABAMA, 1868.

III.

HOW LOVE LOOKED FOR HELL.

"To heal his heart of long-time pain One day Prince Love for to travel was fain With Ministers Mind and Sense. 'Now what to thee most strange may be? ' Quoth Mind and Sense. 'All things above, One curious thing I first would see— Hell,' quoth Love.

"Then Mind rode in and Sense rode out: They searched the ways of man about. First frightfully groaneth Sense.

''Tis here, 'tis here,' and spurreth in fear To the top of the hill that hangeth above And plucketh the Prince: 'Come, come, 'tis here—' 'Where?' quoth Love—

"'Not far, not far,' said shivering Sense As they rode on. 'A short way hence, —But seventy paces hence: Look, King, dost see where suddenly This road doth dip from the height above? Cold blew a mouldy wind by me' ('Cold?' quoth Love)

"'As I rode down, and the River was black, And yon-side, lo! an endless wrack And rabble of souls,' sighed Sense, 'Their eyes upturned and begged and burned In brimstone lakes, and a Hand above Beat back the hands that upward yearned—' 'Nay!' quoth Love—

"'Yea, yea, sweet Prince; thyself shalt see, Wilt thou but down this slope with me; 'Tis palpable,' whispered Sense. —At the foot of the hill a living rill Shone, and the lilies shone white above; 'But now 'twas black, 'twas a river, this rill,' ('Black?' quoth Love)

"'Ay, black, but lo! the lilies grow, And yon-side where was woe, was woe, —Where the rabble of souls,' cried Sense, 'Did shrivel and turn and beg and burn, Thrust back in the brimstone from above— Is banked of violet, rose, and fern:' 'How?' quoth Love:

"'For lakes of pain, yon pleasant plain Of woods and grass and yellow grain Doth ravish the soul and sense: And never a sigh beneath the sky, And folk that smile and gaze above—' 'But saw'st thou here, with thine own eye, Hell?' quoth Love.

"'I saw true hell with mine own eye, True hell, or light hath told a lie, True, verily,' quoth stout Sense. Then Love rode round and searched the ground, The caves below, the hills above; 'But I cannot find where thou hast found Hell,' quoth Love.

"There, while they stood in a green wood And marvelled still on Ill and Good, Came suddenly Minister Mind. 'In the heart of sin doth hell begin: 'Tis not below, 'tis not above, It lieth within, it lieth within:' ('Where?' quoth Love)

"'I saw a man sit by a corse; Hell's in the murderer's breast: remorse! Thus clamored his mind to his mind: Not fleshly dole is the sinner's goal, Hell's not below, nor yet above, 'Tis fixed in the ever-damnèd soul—' 'Fixed?' quoth Love—

"'Fixed: follow me, would'st thou but see: He weepeth under yon willow tree, Fast chained to his corse,' quoth Mind.

Full soon they passed, for they rode fast, Where the piteous willow bent above. 'Now shall I see at last, at last, Hell,' quoth Love.

"There when they came Mind suffered shame: 'These be the same and not the same,' A-wondering whispered Mind. Lo, face by face two spirits pace Where the blissful willow waves above: One saith: 'Do me a friendly grace—' ('Grace!' quoth Love)

"'Read me two Dreams that linger long, Dim as returns of old-time song That flicker about the mind. I dreamed (how deep in mortal sleep!) I struck thee dead, then stood above, With tears that none but dreamers weep; ' 'Dreams,' quoth Love;

"'In dreams, again, I plucked a flower That clung with pain and stung with power, Yea, nettled me, body and mind.' ''Twas the nettle of sin, 'twas medicine; No need nor seed of it here Above; In dreams of hate true loves begin.' 'True,' quoth Love.

"'Now strange,' quoth Sense, and 'Strange' quoth Mind, 'We saw it, and yet 'tis hard to find, —But we saw it,' quoth Sense and Mind. Stretched on the ground, beautiful-crowned Of the piteous willow that wreathed above, But I cannot find where ye have found Hell,' quoth Love."

BALTIMORE, 1878–9.

IV.

TYRANNY.

"SPRING-GERMS, spring-germs, I charge you by your life, go back to death. This glebe is sick, this wind is foul of breath. Stay: feed the worms.

"Oh! every clod Is faint, and falters from the war of growth And crumbles in a dreary dust of sloth, Unploughed, untrod.

"What need, what need, To hide with flowers the curse upon the hills, Or sanctify the banks of sluggish rills Where vapors breed?

"And—if needs must— Advance, O Summer-heats! upon the land, And bake the bloody mould to shards and sand And dust.

"Before your birth, Burn up, O Roses! with your dainty flame. Good Violets, sweet Violets, hide shame Below the earth.

"Ye silent Mills, Reject the bitter kindness of the moss. O Farms! protest if any tree emboss The barren hills.

"Young Trade is dead, And swart Work sullen sits in the hillside fern And folds his arms that find no bread to earn, And bows his head.

"Spring-germs, spring-germs, Albeit the towns have left you place to play, I charge you, sport not. Winter owns to-day, Stay: feed the worms."

PRATTVILLE, ALABAMA, 1868.

V.

LIFE AND SONG.

"IF life were caught by a clarionet, And a wild heart, throbbing in the reed, Should thrill its joy and trill its fret, And utter its heart in every deed,

"Then would this breathing clarionet Type what the poet fain would be; For none o' the singers ever yet Has wholly lived his minstrelsy,

"Or clearly sung his true, true thought, Or utterly bodied forth his life, Or out of life and song has wrought The perfect one of man and wife;

"Or lived and sung, that Life and Song Might each express the other's all Careless if life or art were long Since both were one, to stand or fall:

"So that the wonder struck the crowd, Who shouted it about the land: His song was only living aloud, His work, a singing with his hand!"

1868.

VI.

TO RICHARD WAGNER.

"I SAW a sky of stars that rolled in grime. All glory twinkled through some sweat of fight, From each tall chimney of the roaring time That shot his fire far up the sooty night Mixt fuels—Labor's Right and Labor's Crime— Sent upward throb on throb of scarlet light Till huge hot blushes in the heavens blent With golden hues of Trade's high firmament.

"Fierce burned the furnaces; yet all seemed well, Hope dreamed rich music in the rattling mills. 'Ye foundries, ye shall cast my church a bell,' Loud cried the Future from the farthest hills: 'Ye groaning forces, crack me every shell Of customs, old constraints, and narrow ills; Thou, lithe Invention, wake and pry and guess; Till thy deft mind invents me Happiness.'

"And I beheld high scaffoldings of creeds Crumbling from round Religion's perfect Fane: And a vast noise of rights, wrongs, powers, needs, —Cries of new Faiths that called 'This Way is plain,' —Grindings of upper against lower greeds— —Fond sighs for old things, shouts for new,—did reign Below that stream of golden fire that broke, Mottled with red, above the seas of smoke.

"Hark! Gay fanfares from hails of old Romance Strike through the clouds of clamor: who be these That, paired in rich processional, advance From darkness o'er the murk mad factories Into yon flaming road, and sink, strange Ministrants! Sheer down to earth, with many minstrelsies And motions fine, and mix about the scene And fill the Time with forms of ancient mien?

"Bright ladies and brave knights of Fatherland; Sad mariners, no harbor e'er may hold, A swan soft floating tow'rds a magic strand; Dim ghosts, of earth, air, water, fire, steel, gold, Wind, grief, and love; a lewd and lurking band Of Powers—dark Conspiracy, Cunning cold, Gray Sorcery; magic cloaks and rings and rods; Valkyries, heroes, Rhinemaids, giants, gods!

"O Wagner, westward bring thy heavenly art, No trifler thou: Siegfried and Wotan be Names for big ballads of the modern heart. Thine ears hear deeper than thine eyes can see. Voice of the monstrous mill, the shouting mart, Not less of airy cloud and wave and tree, Thou, thou, if even to thyself unknown, Hast power to say the Time in terms of tone."

1877.

VII.

A SONG OF LOVE.

"HEY, rose, just born Twin to a thorn; Was't so with you, O Love and Scorn?

"Sweet eyes that smiled, Now wet and wild; O Eye and Tear—mother and child.

"Well: Love and Pain Be kinsfolk twain: Yet would, Oh would I could love again."

TO BEETHOVEN.

IN o'er-strict calyx lingering, Lay music's bud too long unblown, Till thou, Beethoven, breathed the spring: Then bloomed the perfect rose of tone.

O Psalmist of the weak, the strong, O Troubadour of love and strife, Co-Litanist of right and wrong, Sole Hymner of the whole of life,

I know not how, I care not why,— Thy music sets my world at ease, And melts my passion's mortal cry In satisfying symphonies.

It soothes my accusations sour 'Gainst thoughts that fray the restless soul: The stain of death; the pain of power; The lack of love 'twixt part and whole;

The yea-nay of Freewill and Fate, Whereof both cannot be, yet are; The praise a poet wins too late Who starves from earth into a star;

The lies that serve great parties well, While truths but give their Christ a cross; The loves that send warm souls to hell, While cold-blood neuters take no loss;

Th' indifferent smile that nature's grace On Jesus, Judas, pours alike; Th' indifferent frown on nature's face When luminous lightnings strangely strike

The sailor praying on his knees And spare his mate that's cursing God; How babes and widows starve and freeze, Yet Nature will not stir a clod;

Why Nature blinds us in each act Yet makes no law in mercy bend, No pitfall from our feet retract, No storm cry out Take shelter, friend;

Why snakes that crawl the earth should ply' Rattles, that whoso hears may shun, While serpent lightnings in the sky, But rattle when the deed is done;

How truth can e'er be good for them That have not eyes to bear its strength, And yet how stern our lights condemn Delays that lend the darkness length;

To know all things, save knowingness; To grasp, yet loosen, feeling's rein; To waste no manhood on success; To look with pleasure upon pain;

Though teased by small mixt social claims, To lose no large simplicity, And midst of clear-seen crimes and shames To move with manly purity;

To hold, with keen, yet loving eyes, Art's realm from Cleverness apart, To know the Clever good and wise, Yet haunt the lonesome heights of Art;

O Psalmist of the weak, the strong, O Troubadour of love and strife, Co-Litanist of right and wrong, Sole Hymner of the whole of life.

I know not how, I care not why, Thy music brings this broil at ease. And melts my passion's mortal cry In satisfying symphonies.

Yea, it forgives me all my sins. Fits life to love like rhyme to rhyme. And tunes the task each day begins By the fast trumpet-note of Time.

1876–7.

AN FRAU NANNETTE FALK-AUERBACH

Als du im Saal mit deiner himmlischen Kunst Beethoven zeigst, und seinem Willen nach Mit den zehn Fingern führst der Leute Gunst, Zehn Zungen sagen was der Meister sprach. Schauend dich an, ich seh', daß nicht allein Du sitzest: jetzt herab die Töne ziehn Beethovens Geist: er steht bei dir, ganz rein: Für dich mit Vaters Stolz sein' Augen glühn: Er sagt, "Ich hörte dich aus Himmelsluft, Die kommt ja näher, wo ein Künstler spielt: Mein Kind (ich sagte) mich zur Erde ruft: Ja, weil mein Arm kein Kind im Leben hielt, Gott hat mir dich nach meinem Tod gegeben, Nannette, Tochter! dich, mein zweites Leben!"

Baltimore, 1878.

TO NANNETTE FALK-AUERBACH.

OFT as I hear thee, wrapt in heavenly art, The massive message of Beethoven tell With thy ten fingers to the people's heart As if ten tongues told news of heaven and hell— Gazing on thee, I mark that not alone, Ah, not alone, thou sittest: there, by thee, Beethoven's self, dear living lord of tone, Doth stand and smile upon thy mastery. Full fain and fatherly his great eyes glow: He says, "From Heaven, my child, I heard thee call (For, where an artist plays, the sky is low): Yea, since my lonesome life did lack love's all, In death, God gives me thee: thus, quit of pain, Daughter, Nannette! in thee I live again."

BALTIMORE, 1878.

TO OUR MOCKING-BIRD.

DIED OF A CAT, MAY, 1878.

I.

TRILLETS of humor,—shrewdest whistle-wit,— Contralto cadences of grave desire Such as from off the passionate Indian pyre Drift down through sandal-odored flames that split About the slim young widow who doth sit And sing above,—midnights of tone entire,— Tissues of moonlight shot with songs of fire;— Bright drops of tune, from oceans infinite Of melody, sipped off the thin-edged wave And trickling down the beak,—discourses brave Of serious matter that no man may guess,— Good-fellow greetings, cries of light distress— All these but now within the house we heard: O Death, wast thou too deaf to hear the bird?

II.

Ah me, though never an ear for song, thou hast A tireless tooth for songsters: thus of late Thou camest, Death, thou Cat! and leap'st my gate, And, long ere Love could follow, thou hadst passed Within and snatched away, how fast, how fast, My bird—wit, songs, and all—thy richest freight Since that fell time when in some wink of fate Thy yellow claws unsheathed and stretched, and cast

Sharp hold on Keats, and dragged him slow away, And harried him with hope and horrid play— Ay, him, the world's best wood-bird, wise with song— Till thou hadst wrought thine own last mortal wrong. 'Twas wrong! 'twas wrong! I care not, wrong's the word! To munch our Keats and crunch our mocking-bird.

III.

Nay, Bird; my grief gainsays the Lord's best right. The Lord was fain, at some late festal time, That Keats should set all Heaven's woods in rhyme, And thou in bird-notes. Lo, this tearful night, Methinks I see thee, fresh from death's despite, Perched in a palm-grove, wild with pantomime, O'er blissful companies couched in shady thyme, —Methinks I hear thy silver whistlings bright Mix with the mighty discourse of the wise, Till broad Beethoven, deaf no more, and Keats, 'Midst of much talk, uplift their smiling eyes, And mark the music of thy wood-conceits, And halfway pause on some large, courteous word, And call thee "Brother," O thou heavenly Bird!

BALTIMORE, 1878.

THE DOVE.

IF haply thou, O Desdemona Morn, Shouldst call along the curving sphere, "Remain, Dear Night, sweet Moor; nay, leave me not in scorn!" With soft halloos of heavenly love and pain;—

Shouldst thou, O Spring! a-cower in coverts dark, 'Gainst proud supplanting Summer sing thy plea, And move the mighty woods through mailèd bark Till mortal heart-break throbbed in every tree;—

Or (grievous if that may be yea o'er-soon!) If thou, my Heart, long holden from thy Sweet, Shouldst knock Death's door with mellow shocks of tune, Sad inquiry to make— When may we meet?

Nay, if ye three, O Morn! O Spring! O Heart! Should chant grave unisons of grief and love; Ye could not mourn with more melodious art Than daily doth yon dim sequestered dove.

CHADD'S FORD, PENNSYLVANIA, 1877.

TO ——, WITH A ROSE.

I ASKED my heart to say Some word whose worth my love's devoir might pay Upon my Lady's natal day.

Then said my heart to me: Learn from the rhyme that now shall came to thee What fits thy Love most lovingly.

This gift that learning shows; For, as a rhyme unto its rhyme-twin goes, I send a rose unto a Rose.

PHILADELPHIA, 1876.

ON HUNTINGDON'S "MIRANDA."

THE storm hath blown thee a lover, sweet, And laid him kneeling at thy feet. But,—guerdon rich for favor rare! The wind hath all thy holy hair To kiss and to sing through and to flare Like torch-flames in the passionate air, About thee, O Miranda.

Eyes in a blaze, eyes in a daze, Bold with love, cold with amaze, Chaste-thrilling eyes, fast-filling eyes With daintiest tears of love's surprise, Ye draw my soul unto your blue As warm skies draw the exhaling dew, Divine eyes of Miranda.

And if I were yon stolid stone, Thy tender arm doth lean upon, Thy touch would turn me to a heart, And I would palpitate and start, —Content, when thou wert gone, to be A dumb rock by the lonesome sea Forever, O Miranda.

BALTIMORE, 1874.

ODE TO THE JOHNS HOPKINS UNIVERSITY.

READ ON THE FOURTH COMMEMORATION DAY, FEBRUARY, 1880.

HOW tall among her sisters, and how fair,— How grave beyond her youth, yet debonair As dawn, 'mid wrinkled Matres of old lands Our youngest Alma Mater modest stands! In four brief cycles round the punctual sun Has she, old Learning's latest daughter, won This grace, this stature, and this fruitful fame. Howbeit she was born Unnoised as any stealing summer morn. From far the sages saw, from far they came And ministered to her, Led by the soaring-genius'd Sylvester That, earlier, loosed the knot great Newton tied, And flung the door of Fame's locked temple wide. As favorable fairies thronged of old and blessed The cradled princess with their several best, So, gifts and dowers meet To lay at Wisdom's feet, These liberal masters largely brought— Dear diamonds of their long-compressèd thought, Rich stones from out the labyrinthine cave Of research, pearls from Time's profoundest wave

And many a jewel brave, of brilliant ray, Dug in the far obscure Cathay Of meditation deep— With flowers, of such as keep Their fragrant tissues and their heavenly hues Fresh-bathed forever in eternal dews— The violet with her low-drooped eye, For learnèd modesty,— The student snow-drop, that doth hang and pore Upon the earth, like Science, evermore, And underneath the clod doth grope and grope,— The astronomer heliotrope, That watches heaven with a constant eye,— The daring crocus, unafraid to try (When Nature calls) the February snows,— And patience' perfect rose. Thus sped with helps of love and toil and thought, Thus forwarded of faith, with hope thus fraught, In four brief cycles round the stringent sun This youngest sister hath her stature won.

Nay, why regard The passing of the years? Nor made, nor marr'd, By help or hindrance of slow Time was she: O'er this fair growth Time had no mastery: So quick she bloomed, she seemed to bloom at birth, As Eve from Adam, or as he from earth. Superb o'er slow increase of day on day, Complete as Pallas she began her way; Yet not from Jove's unwrinkled forehead sprung, But long-time dreamed, and out of trouble wrung, Fore-seen, wise-plann'd, pure child of thought and pain, Leapt our Minerva from a mortal brain.

And here, O finer Pallas, long remain,— Sit on these Maryland hills, and fix thy reign,

And frame a fairer Athens than of yore In these blest bounds of Baltimore,— Here, where the climates meet That each may make the other's lack complete,— Where Florida's soft Favonian airs beguile The nipping North,—where nature's powers smile,— Where Chesapeake holds frankly forth her hands Spread wide with invitation to all lands,— Where now the eager people yearn to find The organizing hand that fast may bind Loose straws of aimless aspiration fain In sheaves of serviceable grain,— Here, old and new in one, Through nobler cycles round a richer sun O'er-rule our modern ways, O blest Minerva of these larger days! Call here thy congress of the great, the wise, The hearing ears, the seeing eyes,— Enrich us out of every farthest clime,— Yea, make all ages native to our time, Till thou the freedom of the city grant To each most antique habitant Of Fame,— Bring Shakspere back, a man and not a name,— Let every player that shall mimic us In audience see old godlike Æschylus,— Bring Homer, Dante, Plato, Socrates,— Bring Virgil from the visionary seas Of old romance,—bring Milton, no more blind,— Bring large Lucretius, with unmaniac mind,— Bring all gold hearts and high resolvèd wills To be with us about these happy hills,— Bring old Renown To walk familiar citizen of the town,—

Bring Tolerance, that can kiss and disagree,— Bring Virtue, Honor, Truth, and Loyalty,— Bring Faith that sees with undissembling eyes,— Bring all large Loves and heavenly Charities,— Till man seem less a riddle unto man And fair Utopia less Utopian, And many peoples call from shore to shore, The world has bloomed again, at Baltimore!

BALTIMORE, 1880.

TO DR. THOMAS SHEARER.

PRESENTING A PORTRAIT-BUST OF THE AUTHOR.

SINCE you, rare friend! have tied my living tongue With thanks more large than man e'er said or sung, So let the dumbness of this image be My eloquence, and still interpret me.

BALTIMORE, 1880.

MARTHA WASHINGTON.

WRITTEN FOR THE "MARTHA WASHINGTON COURT JOURNAL."

DOWN cold snow-stretches of our bitter time, When windy shams and the rain-mocking sleet Of Trade have cased us in such icy rime That hearts are scarcely hot enough to beat, Thy fame, O Lady of the lofty eyes, Doth fall along the age, like as a lane Of Spring, in whose most generous boundaries Full many a frozen virtue warms again. To-day I saw the pale much-burdened form Of Charity come limping o'er the line, And straighten from the bending of the storm And flush with stirrings of new strength divine, Such influence and sweet gracious impulse came Out of the beams of thine immortal name!

BALTIMORE, February 22d, 1875.

PSALM OF THE WEST.

LAND of the willful gospel, thou worst and thou best; Tall Adam of lands, new-made of the dust of the West; Thou wroughtest alone in the Garden of God, unblest Till He fashioned lithe Freedom to lie for thine Eve on thy breast— Till out of thy heart's dear neighborhood, out of thy side, He fashioned an intimate Sweet one and brought thee a Bride. Cry hail! nor bewail that the wound of her coming was wide. Lo, Freedom reached forth where the world as an apple hung red; Let us taste the whole radiant round of it, gayly she said: If we die, at the worst we shall lie as the first of the dead. Knowledge of Good and of Ill, O Land! she hath given thee; Perilous godhoods of choosing have rent thee and riven thee; Will's high adoring to Ill's low exploring hath driven thee— Freedom, thy Wife, hath uplifted thy life and clean shriven thee! Her shalt thou clasp for a balm to the scars of thy breast, Her shalt thou kiss for a calm to thy wars of unrest, Her shalt extol in the psalm of the soul of the West. For Weakness, in freedom, grows stronger than Strength with a chain; And Error, in freedom, will come to lamenting his stain, Till freely repenting he whiten his spirit again;

And Friendship, in freedom, will blot out the bounding of race; And straight Law, in freedom, will curve to the rounding of grace; And Fashion, in freedom, will die of the lie in her face; And Desire flame white on the sense as a fire on a height, And Sex flame white in the soul as a star in the night, And Marriage plight sense unto soul as the two-colored light Of the fire and the star shines one with a duplicate might; And Science be known as the sense making love to the All, And Art be known as the soul making love to the All, And Love be known as the marriage of man with the All— Till Science to knowing the Highest shall lovingly turn, Till Art to loving the Highest shall consciously burn, Till Science to Art as a man to a woman shall yearn, —Then morn! When Faith from the wedding of Knowing and Loving shall purely be born, And the Child shall smile in the West, and the West to the East give morn, And the Time in that ultimate Prime shall forget old regretting and scorn, Yea, the stream of the light shall give off in a shimmer the dream of the night forlorn.

Once on a time a soul Too full of his dole In a querulous dream went crying from pole to pole— Went sobbing and crying For ever a sorrowful song of living and dying, How life was the dropping and death the drying Of a Tear that fell in a day when God was sighing. And ever Time tossed him bitterly to and fro As a shuttle inlaying a perilous warp of woe

In the woof of things from terminal snow to snow, Till, lo! Rest. And he sank on the grass of the earth as a lark on its nest, And he lay in the midst of the way from the east to the west. Then the East came out from the east and the West from the west, And, behold! in the gravid deeps of the lower dark, While, above, the wind was fanning the dawn as a spark, The East and the West took form as the wings of a lark. One wing was feathered with facts of the uttermost Past, And one with the dreams of a prophet; and both sailed fast And met where the sorrowful Soul on the earth was cast. Then a Voice said: Thine, if thou lovest enough to use; But another: To fly and to sing is pain: refuse! Then the Soul said: Come, O my wings! I cannot but choose. And the Soul was a-tremble like as a new-born thing, Till the spark of the dawn wrought a conscience in heart as in wing, Saying, Thou art the lark of the dawn; it is time to sing.

Then that artist began in a lark's low circling to pass; And first he sang at the height of the top of the grass A song of the herds that are born and die in the mass. And next he sang a celestial-passionate round At the height of the lips of a woman above the ground, How Love was a fair true Lady, and Death a wild hound, And she called, and he licked her hand and with girdle was bound. And then with a universe-love he was hot in the wings, And the sun stretched beams to the worlds as the shining strings Of the large hid harp that sounds when an all-lover sings;

And the sky's blue traction prevailed o'er the earth's in might, And the passion of flight grew mad with the glory of height And the uttering of song was like to the giving of light; And he learned that hearing and seeing wrought nothing alone, And that music on earth much light upon Heaven had thrown, And he melted-in silvery sunshine with silvery tone; And the spirals of music e'er higher and higher he wound Till the luminous cinctures of melody up from the ground Arose as the shaft of a tapering tower of sound— Arose for an unstricken full-finished Babel of sound. But God was not angry, nor ever confused his tongue, For not out of selfish nor impudent travail was wrung The song of all men and all things that the all-lover sung. Then he paused at the top of his tower of song on high, And the voice of the God of the artist from far in the sky Said, Son, look down: I will cause that a Time gone by Shall pass, and reveal his heart to thy loving eye.

Far spread, below, The sea that fast hath locked in his loose flow All secrets of Atlantis' drownèd woe Lay bound about with night on every hand, Save down the eastern brink a shining band Of day made out a little way from land. Then from that shore the wind upbore a cry: Thou Sea, thou Sea of Darkness! why, oh why Dost waste thy West in unthrift mystery? But ever the idiot sea-mouths foam and fill, And never a wave doth good for man or ill, And Blank is king, and Nothing hath his will;

And like as grim-beaked pelicans level file Across the sunset toward their nightly isle On solemn wings that wave but seldomwhile, So leanly sails the day behind the day To where the Past's lone Rock o'erglooms the spray, And down its mortal fissures sinks away.

Master, Master, break this ban: The wave lacks Thee. Oh, is it not to widen man Stretches the sea? Oh, must the sea-bird's idle van Alone be free?

Into the Sea of the Dark doth creep Björne's pallid sail, As the face of a walker in his sleep, Set rigid and most pale, About the night doth peer and peep In a dream of an ancient tale.

Lo, here is made a hasty cry: Land, land, upon the west!— God save such land! Go by, go by: Here may no mortal rest, Where this waste hell of slate doth lie And grind the glacier's breast.

The sail goeth limp: hey, flap and strain! Round eastward slanteth the mast; As the sleep-walker waked with pain, White-clothed in the midnight blast, Doth stare and quake, and stride again To houseward all aghast.

Yet as, A ghost! his household cry: He hath followed a ghost in flight. Let us see the ghost—his household fly With lamps to search the night— So Norsemen's sails run out and try The Sea of the Dark with light.

Stout Are Marson, southward whirled From out the tempest's hand, Doth skip the sloping of the world To Huitramannaland, Where Georgia's oaks with moss-beards curled Wave by the shining strand,

And sway in sighs from Florida's Spring Or Carolina's Palm— What time the mocking-bird doth bring The woods his artist's-balm, Singing the Song of Everything Consummate-sweet and calm—

Land of large merciful-hearted skies, Big bounties, rich increase, Green rests for Trade's blood-shotten eyes, For o'er-beat brains surcease, For Love the dear woods' sympathies, For Grief the wise woods' peace,

For Need rich givings of hid powers In hills and vales quick-won, For Greed large exemplary flowers That ne'er have toiled nor spun, For Heat fair-tempered winds and showers, For Cold the neighbor sun.

Land where the Spirits of June-Heat From out their forest-maze Stray forth at eve with loitering feet, And fervent hymns upraise In bland accord and passion sweet Along the Southern ways:—

"O Darkness, tawny Twin whose Twin hath ceased, Thou Odor from the day-flower's crushing born, Thou visible Sigh out of the mournful East, That cannot see her lord again till morn: O Leaves, with hollow palms uplifted high To catch the stars' most sacred rain of light: O pallid Lily-petals fain to die Soul-stung by subtle passion of the night: O short-breath'd Winds beneath the gracious moon Running mild errands for mild violets, Or carrying sighs from the red lips of June What wavering way the odor-current sets: O Stars wreathed vinewise round yon heavenly dells, Or thrust from out the sky in curving sprays, Or whorled, or looped with pendent flower-bells, Or bramble-tangled in a brilliant maze, Or lying like young lilies in a lake About the great white Lily of the moon, Or drifting white from where in heaven shake Star-portraitures of apple trees in June, Or lapp'd as leaves of a great rose of stars, Or shyly clambering up cloud-lattices, Or trampled pale in the red path of Mars, Or trim-set quaint in gardeners'-fantasies: O long June Night-sounds crooned among the leaves; O whispered confidence of Dark and Green; O murmurs in old moss about old eaves; O tinklings. floating. over water-sheen."

Then Leif, bold son of Eric the Red, To the South of the West doth flee— Past slaty Helluland is sped, Past Markland's woody lea, Till round about fair Vinland's head, Where Taunton helps the sea,

The Norseman calls, the anchor falls, The mariners hurry a-strand: They wassail with fore-drunken skals Where prophet wild grapes stand; They lift the Leifsbooth's hasty walls They stride about the land—

New England, thee! whose ne'er-spent wine As blood doth stretch each vein, And urge thee, sinewed like thy vine, Through peril and all pain To grasp Endeavor's towering Pine, And, once ahold, remain—

Land where the strenuous-handed Wind With sarcasm of a friend Doth smite the man would lag behind To frontward of his end; Yea, where the taunting fall and grind Of Nature's Ill doth send

Such mortal challenge of a clown Rude-thrust upon the soul, That men but smile where mountains frown Or scowling waters roll, And Nature's front of battle down Do hurl from pole to pole.

Now long the Sea of Darkness glimmers low With sails from Northland flickering to and fro— Thorwald, Karlsefne, and those twin heirs of woe, Hellboge and Finnge, in treasonable bed Slain by the ill-born child of Eric Red, Freydisa false. Till, as much time is fled, Once more the vacant airs with darkness fill, Once more the wave doth never good nor ill, And Blank is king, and Nothing works his will; And leanly sails the day behind the day To where the Past's lone Rock o'erglooms the spray, And down its mortal fissures sinks away, As when the grim-beaked pelicans level file Across the sunset to their seaward isle On solemn wings that wave but seldomwhile.

Master, Master, poets sing; The Time calls Thee; Yon Sea binds hard on everything Man longs to be: Oh, shall the sea-bird's aimless wing Alone move free?

Santa Maria, well thou tremblest down the wave, Thy Pinta far show, thy Niña nigh astern: Columbus stands in the night alone, and, passing grave, Yearns o'er the sea as tones o'er under-silence yearn. Heartens his heart as friend befriends his friend less brave, Makes burn the faiths that cool, and cools the doubts that burn:—

I.

"'Twixt this and dawn, three hours my soul will smite With prickly seconds, or less tolerably With dull-blade minutes flatwise slapping me.

Wait, Heart! Time moves.—Thou lithe young Western Night, Just-crownèd king, slow riding to thy right, Would God that I might straddle mutiny Calm as thou sitt'st yon never-managed sea, Balk'st with his balking, fliest with his flight, Giv'st supple to his rearings and his falls, Nor dropp'st one coronal star about thy brow Whilst ever dayward thou art steadfast drawn! Yea, would I rode these mad contentious brawls No damage taking from their If and How, Nor no result save galloping to my Dawn!

II.

"My Dawn? my Dawn? How if it never break? How if this West by other Wests is pieced, And these by vacant Wests on Wests increased— One Pain of Space, with hollow ache on ache Throbbing and ceasing not for Christ's own sake?— Big perilous theorem, hard for king and priest: Pursue the West but long enough, 'tis East! Oh, if this watery world no turning take! Oh, if for all my logic, all my dreams, Provings of that which is by that which seems, Fears, hopes, chills, heats, hastes, patiences, droughts, tears, Wife-grievings, slights on love, embezzled years, Hates, treaties, scorns, upliftings, loss and gain,— This earth, no sphere, be all one sickening plane!

III.

"Or, haply, how if this contrarious West, That me by turns hath starved, by turns hath fed, Embraced, disgraced, beat back, solicited, Have no fixed heart of Law within his breast,

Or with some different rhythm doth e'er contest Nature in the East? Why, 'tis but three weeks fled I saw my Judas needle shake his head And flout the Pole that, east, he Lord confessed! God! if this West should own some other Pole, And with his tangled ways perplex my soul Until the maze grow mortal, and I die Where distraught Nature clean hath gone astray, On earth some other wit than Time's at play, Some other God than mine above the sky!

IV.

"Now speaks mine other heart with cheerier seeming: Ho, Admiral! o'er-defalking to thy crew Against thyself, thyself far overfew To front yon multitudes of rebel scheming? Come, ye wild twenty years of heavenly dreaming! Come, ye wild weeks since first this canvas drew Out of vexed Palos ere the dawn was blue, O'er milky waves about the bows full-creaming! Come set me round with many faithful spears Of confident remembrance—how I crushed Cat-lived rebellions, pitfalled treasons, hushed Scared husbands' heart-break cries on distant wives, Made cowards blush at whining for their lives, Watered my parching souls, and dried their tears.

V.

"Ere we Gomera cleared, a coward cried, Turn, turn: here be three caravels ahead, From Portugal, to take us: we are dead! Hold Westward, pilot, calmly I replied.

So when the last land down the horizon died, Go back, go back! they prayed: our hearts are lead.— Friends, we are bound into the West, I said. Then passed the wreck of a mast upon our side. See (so they wept) God's Warning! Admiral, turn!"— Steersman, I said, hold straight into the West. Then down the night we saw the meteor burn. So do the very heavens in fire protest: Good Admiral, put about! O Spain, dear Spain!— Hold straight into the West, I said again.

VI.

"Next drive we o'er the slimy-weeded sea. Lo! herebeneath (another coward cries) The cursèd land of sunk Atlantis lies: This slime will suck us down—turn while thou'rt free!- But no! I said, Freedom bears West for me! Yet when the long-time stagnant winds arise, And day by day the keel to westward flies, My Good my people's Ill doth come to be: Ever the winds into the West do blow; Never a ship, once turned, might homeward go; Meanwhile we speed into the lonesome main. For Christ's sake, parley, Admiral! Turn, before We sail outside all bounds of help from pain!— Our help is in the West, I said once more.

VII.

"So when there came a mighty cry of Land! And we clomb up and saw, and shouted strong Salve Regina! all the ropes along, But knew at morn how that a counterfeit band Of level clouds had aped a silver strand;

So when we heard the orchard-bird's small song, And all the people cried, A hellish throng To tempt us onward by the Devil planned, Yea, all from hell—keen heron, fresh green weeds, Pelican, tunny-fish, fair tapering reeds, Lie-telling lands that ever shine and die In clouds of nothing round the empty sky. Tired Admiral, get thee from this hell, and rest!— Steersman, I said, hold straight into the West.

VIII.

"I marvel how mine eye, ranging the Night, From its big circling ever absently Returns, thou large low Star, to fix on thee. Maria! Star? No star: a Light, a Light! Wouldst leap ashore, Heart? Yonder burns—a Light. Pedro Gutierrez, wake! come up to me. I prithee stand and gaze about the sea: What seest? Admiral, like as land—a Light! Well! Sanchez of Segovia, come and try: What seest? Admiral, naught but sea and sky! Well! But I saw It. Wait! the Pinta's gun! Why, look, 'tis dawn, the land is clear: 'tis done! Two dawns do break at once from Time's full hand— God's, East—mine, West: good friends, behold my Land!"

Master, Master! faster fly Now the hurrying seasons by; Now the Sea of Darkness wide Rolls in light from side to side; Mark, slow drifting to the West Down the trough and up the crest, Yonder piteous heartsease petal Many-motioned rise and settle—

Petal cast a-sea from land By the awkward-fingered Hand That, mistaking Nature's course, Tears the love it fain would force— Petal calm of heartsease flower Smiling sweet on tempest sour, Smiling where by crest and trough Heartache Winds at heartsease scoff, Breathing mild perfumes of prayer 'Twixt the scolding sea and air.

Mayflower, piteous Heartsease Petal! Suavely down the sea-troughs settle, Gravely breathe perfumes of prayer 'Twixt the scolding sea and air, Bravely up the sea-hills rise— Sea-hills slant thee toward the skies. Master, hold disaster off From the crest and from the trough; Heartsease, on the heartache sea God, thy God, will pilot thee.

Mayflower, Ship of Faith's best Hope! Thou art sure if all men grope; Mayflower, Ship of Hope's best Faith! All is true the great God saith; Mayflower, Ship of Charity! Love is Lord of land and sea. Oh, with love and love's best care Thy large godly freightage bear— Godly Hearts that, Grails of gold, Still the blood of Faith do hold.

Now bold Massachusetts clear Cuts the rounding of the sphere.

Out the anchor, sail no more, Lay us by the Future's shore— Not the shore we sought, 'tis true, But the time is come to do. Leap, dear Standish, leap and wade; Bradford, Hopkins, Tilley, wade: Leap and wade ashore and kneel— God be praised that steered the keel! Home is good and soft is rest, Even in this jarred West: Freedom lives, and Right shall stand; Blood of Faith is in the land.

Then in what time the primal icy years Scraped slowly o'er the Puritans' hopes and fears, Like as great glaciers built of frozen tears, The Voice from far within the secret sky Said, Blood of Faith ye have? So; let us try. And presently The anxious-roasted ships that westward fare, Cargo'd with trouble and a-list with care, Their outraged decks hot back to England bear, Then come again with stowage of worse weight, Battle, and tyrannous Tax, and Wrong, and Hate, And all bad items of Death's perilous freight.

O'er Cambridge set the yeomen's mark: Climb, patriot, through the April dark. O lanthorn! kindle fast thy light, Thou budding star in the April night, For never a star more news hath told, Or later flame in heaven shall hold. Ay, lanthorn on the North Church tower, When that thy church hath had her hour,

Still from the top of Reverence high Shalt thou illume Fame's ampler sky; For, statured large o'er town and tree, Time's tallest Figure stands by thee, And, dim as now thy wick may shine The Future lights his lamp at thine,

Now haste thee while the way is clear, Paul Revere! Haste, Dawes! but haste thou not, O Sun! To Lexington.

Then Devens looked and saw the light: He got him forth into the night, And watched alone on the river-shore, And marked the British ferrytag o'er.

John Parker! rub thine eyes and yawn: But one o'clock and yet 'tis Dawn! Quick, rub thine eyes and draw thy hose: The Morning comes ere darkness goes. Have forth and call the yeomen out, For somewhere, somewhere close about Full soon a Thing must come to be Thine honest eyes shall stare to see— Full soon before thy patriot eyes Freedom from out of a Wound shall rise.

Then haste ye, Prescott and Revere! Bring all the men of Lincoln here; Let Chelmsford, Littleton, Carlisle, Let Acton, Bedford, hither file— Oh hither file, and plainly see Out of a wound leap Liberty.

Say, Woodman April! all in green, Say, Robin April! hast thou seen In all thy travel round the earth Ever a morn of calmer birth? But Morning's eye alone serene Can gaze across yon village-green To where the trooping British run Through Lexington.

Good men in fustian, stand ye still; The men in red come o'er the hill. Lay down your arms, damned Rebels! cry The men in red full haughtily. But never a grounding gun is heard; The men in fustian stand unstirred; Dead calm, save maybe a wise bluebird Puts in his little heavenly word. O men in red! if ye but knew The half as much as bluebirds do, Now in this little tender calm Each hand would out, and every palm With patriot palm strike brotherhood's stroke Or ere these lines of battle broke.

O men in red! if ye but knew The least of the all that bluebirds do, Now in this little godly calm Yon voice might sing the Future's Psalm— The Psalm of Love with the brotherly eyes Who pardons and is very wise— Yon voice that shouts, high-hoarse with ire, Fire! The red-coats fire, the homespuns fall: The homespuns' anxious voices call,

Brother, art hurt? and Where hit, John? And, Wipe this blood, and Men, come on, And, Neighbor, do but lift my head, And Who is wounded? Who is dead? Seven are killed. My God! my God! Seven lie dead on the village sod. Two Harringtons, Parker, Hadley, Brown, Monroe and Porter,—these are down. Nay, look! Stout Harrington not yet dead! He crooks his elbow, lifts his head. He lies at the step of his own house-door; He crawls and makes a path of gore. The wife from the window hath seen, and rushed; He hath reached the step, but the blood hath gushed; He hath crawled to the step of his own house-door, But his head hath dropped: he will crawl no more. Clasp, Wife, and kiss, and lift the head: Harrington lies at his doorstep dead.

But, O ye Six that round him lay And bloodied up that April day! As Harrington fell, ye likewise fell— At the door of the House wherein ye dwell; As Harrington came, ye likewise came And died at the door of your House of Fame.

Go by, old Field of Freedom's hopes and fears; Go by, old Field of Brothers' hate and tears: Behold! yon home of Brothers' Love appears Set in the burnished silver of July, On Schuylkill wrought as in old broidery Clasped hands upon a shining baldric lie, New Hampshire, Georgia, and the mighty ten That lie between, have heard the huge-nibbed pen Of Jefferson tell the rights of man to men.

They sit in the reverend Hall: Shall we declare? Floats round about the anxious-quivering air 'Twixt narrow Schuylkill and broad Delaware. Already, Land! thou hast declared: 'tis done. Ran ever clearer speech than that did run When the sweet Seven died at Lexington? Canst legibler write than Concord's large-stroked Act, Or when at Bunker Hill the clubbed guns cracked? Hast ink more true than blood, or pen than fact? Nay, as the poet mad with heavenly fires Flings men his song white-hot, then back retires, Cools heart, broods o'er the song again, inquires, Why did I this, why that? and slowly draws From Art's unconscious act Art's conscious laws; So, Freedom, writ, declares her writing's cause. All question vain, all chill foreboding vain. Adams, ablaze with faith, is hot and fain; And he, straight-fibred Soul of mighty grain, Deep-rooted Washington, afire, serene— Tall Bush that burns, yet keeps its substance green— Sends daily word, of import calm yet keen, Warm from the front of battle, till the fire Wraps opposition in and flames yet higher, And Doubt's thin tissues flash where Hope's aspire; And, Ay, declare, and ever strenuous Ay Falls from the Twelve, and Time and Nature cry Consent with kindred burnings of July; And delegate Dead from each past age and race, Viewless to man, in large procession pace Downward athwart each set and steadfast face, Responding Ay in many tongues; and lo! Manhood and Faith and Self and Love and Woe And Art and Brotherhood and Learning go Rearward the files of dead, and softly say Their saintly Ay, and softly pass away By airy exits of that ample day.

Now fall the chill reactionary snows Of man's defect, and every wind that blows Keeps back the Spring of Freedom's perfect Rose. Now naked feel with crimson fleck the ways, And Heaven is stained with flags that mutinies raise, And Arnold-spotted move the creeping days. Long do the eyes that look from Heaven see Time smoke, as in the spring the mulberry tree, With buds of battles opening fitfully, Till Yorktown's winking vapors slowly fade, And Time's full top casts down a pleasant shade Where Freedom lies unarmed and unafraid.

Master, ever faster fly Now the vivid seasons by; Now the glittering Western land Twins the day-lit Eastern Strand; Now white Freedom's sea-bird wing Roams the Sea of Everything; Now the freemen to and fro Bind the tyrant sand and snow, Snatching Death's hot bolt ere hurled, Flash new Life about the world, Sun the secrets of the hills, Shame the gods' slow-grinding mills, Prison Yesterday in Print, Read To-morrow's weather-hint, Haste before the halting Time, Try new virtue and new crime, Mould new faiths, devise new creeds, Run each road that frontward leads, Driven by an Onward-ache, Scorning souls that circles make.

Now, O Sin! O Love's lost Shame! Burns the land with redder flame: North in line and South in line Yell the charge and spring the mine. Heartstrong South would have his way, Headstrong North hath said him nay: O strong Heart, strong Brain, beware! Hear a Song from out the air:

I.

"Lists all white and blue in the skies; And the people hurried amain To the Tournament under the ladies' eyes Where jousted Heart and Brain.

II.

"Blow, herald, blow! There entered Heart, A youth in crimson and gold. Blow, herald, blow! Brain stood apart, Steel-armored, glittering, cold.

III.

"Heart's palfrey caracoled gayly round, Heart tra-li-raed merrily; But Brain sat still, with never a sound— Full cynical-calm was he.

IV.

"Heart's helmet-crest bore favors three From his lady's white hand caught; Brain's casque was bare as Fact—not he Or favor gave or sought.

V.

" Blow, herald, blow! Heart shot a glance To catch his lady's eye; But Brain looked straight a-front, his lance To aim more faithfully.

VI.

"They charged, they struck; both fell, both bled; Brain rose again, ungloved; Heart fainting smiled, and softly said, My love to my Beloved."

Heart and Brain! no more be twain; Throb and think, one flesh again! Lo! they weep, they turn, they run; Lo! they kiss: Love, thou art one!

Now the Land, with drying tears, Counts him up his flocks of years, "See," he says, "my substance grows; Hundred-flocked my Herdsman goes, Hundred-flocked my Herdsman stands On the Past's broad meadow-lands, Come from where ye mildly graze, Black herds, white herds, nights and days. Drive them homeward, Herdsman Time, From the meadows of the Prime: I will feast my house, and rest. Neighbor East, come over West; Pledge me in good wine and words While I count my hundred herds,

Sum the substance of my Past From the first unto the last, Chanting o'er the generous brim Cloudy memories yet more dim, Ghostly rhymes of Norsemen pale Staring by old Björne's sail, Strains more noble of that night Worn Columbus saw his Light, Psalms of still more heavenly tone, How the Mayflower tossed alone, Olden tale and later song Of the Patriot's love and wrong, Grandsire's ballad, nurse's hymn— Chanting o'er the sparkling brim Till I shall from first to last Sum the substance of my Past."

Then called the Artist's God from in the sky: "This Time shall show by dream and mystery The heart of all his matter to thine eye. Son, study stars by looking down in streams, Interpret that which is by that which seems, And tell thy dreams in words which are but dreams."

I.

The Master with His lucent hand Pinched up the atom hills and plains O'er all the moiety of land The ocean-bounded West contains: The dust lay dead upon the calm And mighty middle of His palm.

II.

And lo! He wrought full tenderly, And lo! He wrought with love and might, And lo! He wrought a thing to see Was marvel in His people's sight: He wrought His image dead and small, A nothing fashioned like an All.

III.

Then breathed He softly on the dead: "Live Self!—thou part, yet none, of Me; Dust for humility," He said, "And my warm breath for Charity. Behold my latest work, thou Earth! The Self of Man is taking birth."

IV.

Then, Land, tall Adam of the West, Thou stood'st upon the springy sod, Thy large eye ranging self-possest, Thy limbs the limbs of God's young god, Thy Passion murmuring I will— Lord of the Lordship Good-and-Ill.

V.

O manful arms, of supple size To clasp a world or a waist as well! O manful eyes, to front the skies Or look much pity down on hell! O manful tongue, to work and sing, And soothe a child and dare a king!

VI.

O wonder! Now thou sleep'st in pain, Like as some dream thy soul did grieve: God wounds thee, heals thee whole again, And calls thee trembling to thine Eve. Wide-armed, thou dropp'st on knightly knee: Dear Love, Dear Freedom, go with me!

VII.

Then all the beasts before thee passed— Beast War, Oppression, Murder, Lust, False Art, False Faith, slow skulking last— And out of Time's thick-rising dust Thy Lord said, "Name them, tame them, Son; Nor rest, nor rest, till thou hast done."

VIII.

Ah, name thou false, or tame thou wrong, At heart let no man fear for thee: Thy Past sings ever Freedom's Song, Thy Future's voice sounds wondrous free; And Freedom is more large than Crime, And Error is more small than Time.

IX.

Come, thou whole Self of Latter Man! Come o'er thy realm of Good-and-Ill, And do, thou Self that say'st I can, And love, thou Self that say'st I will; And prove and know Time's worst and best, Thou tall young Adam of the West!

BALTIMORE, 1876.

AT FIRST.

TO CHARLOTTE CUSHMAN.

MY crippled sense fares bow'd along His uncompanioned way, And wronged by death pays life with wrong And I wake by night and dream by day.

And the Morning seems but fatiguèd Night That hath wept his visage pale, And the healthy mark 'twixt dark and light In sickly sameness out doth fail.

And the woods stare strange, and the wind is dumb, —O Wind, pray talk again— And the Hand of the Frost spreads stark and numb As Death's on the deadened window-pane.

Still dumb, thou Wind, old voluble friend? And the middle of the day is cold, And the heart of eve beats lax i' the end As a legend's climax poorly told.

Oh vain the up-straining of the hands In the chamber late at night, Oh vain the complainings, the hot demands, The prayers for a sound, the tears for a sight.

No word from over the starry line, No motion felt in the dark, And never a day gives ever a sign Or a dream sets seal with palpable mark.

And O my God, how slight it were, How nothing, thou All! to thee, That a kiss or a whisper might fall from her Down by the way of Time to me:

Or some least grace of the body of love, —Mere wafture of floating-by, Mere sense of unseen smiling above, Mere hint sincere of a large blue eye,

Mere dim receipt of sad delight From Nearness warm in the air, What time with the passing of the night She also passed, somehow, somewhere.

BALTIMORE, 1876.

A BALLAD OF TREES AND THE MASTER.

INTO the woods my Master went, Clean forspent, forspent. Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him, The little gray leaves were kind to Him: The thorn-tree had a mind to Him When into the woods He came.

Out of the woods my Master went, And He was well content. Out of the woods my Master came, Content with death and shame. When Death and Shame would woo Him last, From under the trees they drew Him last: 'Twas on a tree they slew Him—last When out of the woods He came.

BALTIMORE, November, 1880.

A FLORIDA SUNDAY.

FROM cold Norse caves or buccaneer Southern seas Oft come repenting tempests here to die; Bewailing old-time wrecks and robberies, They shrive to priestly pines with many a sigh, Breathe salutary balms through lank-lock'd hair Of sick men's heads, and soon—this world outworn— Sink into saintly heavens of stirless air, Clean from confessional. One died, this morn, And willed the world to wise Queen Tranquil: she, Sweet sovereign Lady of all souls that bide In contemplation, tames the too bright skies Like that faint agate film, far down descried, Restraining suns in sudden thoughtful eyes Which flashed but now. Blest distillation rare Of o'er-rank brightness filtered waterwise Through all the earths in heaven—thon always fair, Still virgin bride of e'er-creating thought— Dream-worker, in whose dream the Future's wrought— Healer of hurts, free balm for bitter wrongs— Most silent mother of all sounding songs— Thou that dissolvest hells to make thy heaven— Thou tempest's heir, that keep'st no tempest leaven— But after winds' and thunders' wide mischance Dost brood, and better thine inheritance— Thou privacy of space, where each grave Star As in his own still chamber sits afar

To meditate, yet, by thy walls unpent, Shines to his fellows o'er the firmament— Oh! as thou liv'st in all this sky and sea That likewise lovingly do live in thee, So melt my soul in thee, and thine in me, Divine Tranquillity!

Gray Pelican, poised where yon broad shallows shine, Know'st thou, that finny foison all is mine In the bag below thy beak—yet thine, not less? For God, of His most gracious friendliness, Hath wrought that every soul, this loving morn, Into all things may be new-corporate born, And each live whole in all: I sail with thee, Thy Pelican's self is mine; yea, silver Sea, In this large moment all thy fishes, ripples, bights, Pale in-shore greens and distant blue delights, White visionary sails, long reaches fair By moon-horn'd strands that film the far-off air, Bright sparkle-revelations, secret majesties, Shells, wrecks and wealths, are mine; yea, Orange-trees, That lift your small world-systems in the light, Rich sets of round green heavens studded bright With globes of fruit that like still planets shine, Mine is your green-gold universe; yea, mine, White slender Lighthouse fainting to the eye That wait'st on yon keen cape-point wistfully, Like to some maiden spirit pausing pale, New-wing'd, yet fain to sail Above the serene Gulf to where a bridegroom soul Calls o'er the soft horizon—mine thy dole Of shut undaring wings and wan desire— Mine, too, thy later hope and heavenly fire Of kindling expectation; yea, all sights, All sounds, that make this morn—quick flights

Of pea-green paroquets 'twixt neighbor trees, Like missives and sweet morning inquiries From green to green, in green—live oaks' round heads, Busy with jays for thoughts—grays, whites and reds Of pranked woodpeckers that ne'er gossip out, But alway tap at doors and gad about— Robins and mocking-birds that all day long Athwart straight sunshine weave cross-threads of song, Shuttles of music—clouds of mosses gray That rain me rains of pleasant thoughts alway From a low sky of leaves—faint yearning psalms Of endless metre breathing through the palms That crowd and lean and gaze from off the shore Ever for one that cometh nevermore— Palmettos ranked, with childish spear-points set Against no enemy—rich cones that fret High roofs of temples shafted tall with pines— Green, grateful mangroves where the sand-beach shines— Long lissome coast that in and outward swerves, The grace of God made manifest in curves— All riches, goods and braveries never told Of earth, sun, air and heaven—now I hold Your being in my being; I am ye, And ye myself; yea, lastly, Thee, God, whom my roads all reach, howe'er they run, My Father, Friend, Belovèd, dear All-One, Thee in my soul, my soul in Thee, I feel, Self of my self. Lo, through my sense doth steal Clear cognizance of all selves and qualities, Of all existence that hath been or is, Of all strange haps that men miscall of chance, And all the works of tireless circumstance: Each borders each, like mutual sea and shore, Nor aught misfits his neighbor that's before,

Nor him that's after—nay, through this still air, Out of the North come quarrels, and keen blare Of challenge by the hot-breath'd parties blown; Yet break they not this peace with alien tone, Fray not my heart, nor fright me for my land, —I hear from all-wards, allwise understand, The great bird Purpose bears me twixt her wings, And I am one with all the kinsmen things That e'er my Father fathered. Oh, to me All questions solve in this tranquillity: E'en this dark matter, once so dim, so drear, Now shines upon my spirit heavenly-clear: Thou, Father, without logic, tellest me How this divine denial true may be, —How All's in each, yet every one of all Maintains his Self complete and several.

TAMPA, FLORIDA, 1877.

TO MY CLASS:

ON CERTAIN FRUITS AND FLOWERS SENT ME IN SICKNESS.

IF spicy-fringéd pinks that blush and pale With passions of perfume,—if violets blue That hint of heaven with odor more than hue,— If perfect roses, each a holy Grail Wherefrom the blood of beauty doth exhale Grave raptures round,—if leaves of green as new As those fresh chaplets wove in dawn and dew By Emily when down the Athenian vale She paced, to do observance to the May, Nor dreamed of Arcite nor of Palamon,— If fruits that riped in some more riotous play Of wind and beam than stirs our temperate sun,— If these the products be of love and pain, Oft may I suffer, and you love, again.

BALTIMORE, Christmas, 1880.

ON VIOLET'S WAFERS,

SENT ME WHEN I WAS ILL.

FINE-TISSUED as her finger-tips, and white As all her thoughts; in shape like shields of prize, As if before young Violet's dreaming eyes Still blazed the two great Theban bucklers bright That swayed the random of that furious fight Where Palamon and Arcite made assize For Emily; fresh, crisp as her replies, That, not with sting, but pith, do oft invite More trial of the tongue; simple, like, her, Well fitting lowlihood, yet fine as well, —The queen's no finer; rich (though gossamer) In help to him they came to, which may tell How rich that him she'll come to; thus men see, Like Violet's self e'en Violet's wafers be.

BALTIMORE, 1881.

IRELAND.

WRITTEN FOR THE ART AUTOGRAPH DURING THE IRISH FAMINE, 1880.

HEARTSOME Ireland, winsome Ireland, Charmer of the sun and sea, Bright beguiler of old anguish, How could Famine frown on thee?

As our Gulf-Stream, drawn to thee-ward, Turns him from his northward flow, And our wintry western headlands Send thee summer from their snow,

Thus the main and cordial current Of our love sets over sea,— Tender, comely, valiant Ireland, Songful, soulful, sorrowful Ireland,— Streaming warm to comfort thee.

BALTIMORE, 1880.

UNDER THE CEDARCROFT CHESTNUT.

TRIM set in ancient sward, his manful bole Upbore his frontage largely toward the sky. We could not dream but that he had a soul: What virtue breathed from out his bravery!

We gazed o'erhead: far down our deepening eyes Rained glamours from his green midsummer mass. The worth and sum of all his centuries Suffused his mighty shadow on the grass.

A Presence large, a grave and steadfast Form Amid the leaves' light play and fantasy, A calmness conquered out of many a storm, A Manhood mastered by a chestnut-tree!

Then, while his monarch fingers downward held The rugged burrs wherewith his state was rife, A voice of large authoritative Eld Seemed uttering quickly parables of life:

How Life in truth was sharply set with ills; A kernel cased in quarrels; yea, a sphere Of slings, and hedge-hog-round of mortal quills: How most men itched to eat too soon i' the year,

And took but wounds and worries for their pains, Whereas the wise withheld their patient hands, Nor plucked green pleasures till the sun and rains And seasonable ripenings burst all bands

And opened wide the liberal burrs of life. There, O my Friend, beneath the chestnut bough, Gazing on thee immerged in modern strife, I framed a prayer of fervency—that thou,

In soul and stature larger than thy kind, Still more to this strong Form might'st liken thee, Till thy whole Self in every fibre find The tranquil lordship of thy chestnut tree.

TAMPA, FLORIDA, February, 1877.

EVENING SONG.

LOOK off, dear Love, across the sallow sands, And mark yon meeting of the sun and sea, How long they kiss in sight of all the lands. Ah! longer, longer, we.

Now in the sea's red vintage melts the sun, As Egypt's pearl dissolved in rosy wine, And Cleopatra night drinks all. 'Tis done, Love, lay thine hand in mine.

Come forth, sweet stars, and comfort heaven's heart; Glimmer, ye waves, round else unlighted sands. O night! divorce our sun and sky apart Never our lips, our hands.

1876.

THE HARD TIMES IN ELFLAND.

A STORY OF CHRISTMAS EVE.

STRANGE that the termagant winds should scold The Christmas Eve so bitterly! But Wife, and Harry the four-year-old, Big Charley, Nimblewits, and I,

Blithe as the wind was bitter, drew More frontward of the mighty fire, Where wise Newfoundland Fan foreknew The heaven that Christian dogs desire—

Stretched o'er the rug, serene and grave, Huge nose on heavy paws reclined, With never a drowning boy to save, And warmth of body and peace of mind.

And, as our happy circle sat, The fire well capp'd the company: In grave debate or careless chat, A right good fellow, mingled he:

He seemed as one of us to sit, And talked of things above, below, With flames more winsome than our wit, And coals that burned like love aglow.

While thus our rippling discourse rolled Smooth down the channel of the night, We spoke of Time: thereat, one told A parable of the Seasons' flight.

"Time was a Shepherd with four sheep. In a certain Field he long abode. He stood by the bars, and his flock bade leap One at a time to the Common Road.

"And first there leapt, like bird on wing, A lissome Lamb that played in the air. I heard the Shepherd call him Spring: Oh, large-eyed, fresh and snowy fair

"He skipped the flowering Highway fast, Hurried the hedgerows green and white, Set maids and men a-yearning, passed The Bend, and gamboll'd out of sight.

"And next marched forth a matron Ewe (While Time took down a bar for her), Udder'd so large 'twas much ado E'en then to clear the barrier.

"Full softly shone her silken fleece What stately time she paced along: Each heartsome hoof-stroke wrought increase Of sunlight, substance, seedling, song,

"In flower, in fruit, in field, in bird, Till the great globe, rich fleck'd and pied, Like some large peach half pinkly furred, Turned to the sun a glowing side

"And hung in the heavenly orchard, bright, None-such, complete. Then, while the Ewe Slow passed the Bend, a blur of light, The Shepherd's face in sadness grew:

"'Summer!' he said, as one would say A sigh in syllables. So, in haste (For shame of Summer's long delay, Yet gazing still what way she paced),

"He summoned Autumn, slanting down The second bar. Thereover strode A Wether, fleeced in burning brown, And largely loitered down the Road.

"Far as the farmers sight his shape Majestic moving o'er the way, All cry To harvest, crush the grape, And haul the corn and house the hay,

"Till presently, no man can say, (So brown the woods that line that end) If yet the brown-fleeced Wether may, Or not, have passed beyond the Bend.

"Now turn I towards the Shepherd: lo, An aged Ram, flapp'd, gnarly-horn'd, With bones that crackle o'er the snow, Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd

"Time takes the third bar off for him, He totters down the windy lane. 'Tis Winter, still: the Bend lies dim. O Lamb, would thou wouldst leap again!"

Those seasons out, we talked of these: And I (with inward purpose sly To shield my purse from Christmas trees And stockings and wild robbery

When Hal and Nimblewits invade My cash in Santa Claus's name) In full the hard, hard times surveyed; Denounced all waste as crime and shame;

Hinted that "waste" might be a term Including skates, velocipedes, Kites, marbles, soldiers, towers infirm, Bows, arrows, cannon, Indian reeds,

Cap-pistols, drums, mechanic toys, And all th' infernal host of horns Whereby to strenuous hells of noise Are turned the blessed Christmas morns;

Thus, roused—those horns!—to sacred rage, I rose, forefinger high in air, When Harry cried ( some war to wage), "Papa, is hard times ev'rywhere?

"Maybe in Santa Claus's land It isn't hard times none at all!" Now, blessed Vision! to my hand Most pat, a marvel strange did fall.

Scarce had my Harry ceased, when "Look!" He cried, leapt up in wild alarm, Ran to my Comrade, shelter took Beneath the startled mother's arm.

And so was still: what time we saw A foot hang down the fireplace! Then, With painful scrambling scratched and raw, Two hands that seemed like hands of men

Eased down two legs and a body through The blazing fire, and forth there came Before our wide and wondering view A figure shrinking half with shame,

And half with weakness. "Sir," I said, —But with a mien of dignity The seedy stranger raised his head: "My friends, I'm Santa Claus," said he.

But oh, how changed! That rotund face The new moon rivall'd, pale and thin; Where once was cheek, now empty space; Whate'er stood out, did now stand in.

His piteous legs scarce propped him up: His arms mere sickles seemed to be: But most o'erflowed our sorrow's cup When that we saw—or did not see—

His belly: we remembered how It shook like a bowl of jelly fine: An earthquake could not shake it now; He had no belly—not a sign.

"Yes, yes, old friends, you well may stare: I have seen better days," he said: "But now, with shrinkage, loss and care, Your Santa Claus scarce owns his head.

"We've had such hard, hard times this year For goblins! Never knew the like. All Elfland's mortgaged! And we fear The gnomes are just about to strike.

"I once was rich, and round, and hale. The whole world called me jolly brick; But listen to a piteous tale. Young Harry,—Santa Claus is sick!

"'Twas thus: a smooth-tongued railroad man Comes to my house and talks to me: 'I've got,' says he, 'a little plan That suits this nineteenth century.

"Instead of driving, as you do, Six reindeer slow from house to house, Let's build a Grand Trunk Railway through From here to earth's last terminus.

"'We'll touch at every chimney-top (An Elevated Track, of course), Then, as we whisk you by, you'll drop Each package down: just think, the force

"'You'll save, the time!—Besides, we'll make Our millions: look you, soon we will Compete for freights—and then we'll take Dame Fortune's bales of good and ill

"'(Why, she's the biggest shipper, sir, That e'er did business in this world!): Then Death, that ceaseless Traveller, Shall on his rounds by us be whirled.

"'When ghosts return to walk with men, We'll bring 'em cheap by steam, and fast: We'll run a Branch to heaven! and then We'll riot, man; for then, at last

"'We'll make with heaven a contract fair To call, each hour, from town to town, And carry the dead folks' souls up there, And bring the unborn babies down!'

"The plan seemed fair: I gave him cash, Nay, every penny I could raise. My wife e'er cried, ''Tis rash, 'tis rash:' How could I know the stock-thief's ways?

"But soon I learned full well, poor fool! My woes began, that wretched day. The President plied me like a tool. In lawyer's fees, and rights of way,

"Injunctions, leases, charters, I Was meshed as in a mighty maze. The stock ran low, the talk ran high: Then quickly flamed the final blaze.

"With never an inch of track—'tis true! The debts were large . . . the oft-told tale. The President rolled in splendor new —He bought my silver at the sale. "Yes, sold me out: we've moved away.

I've had to give up everything. My reindeer, even, whom I . . . pray, Excuse me". . . here, o'er-sorrowing,

Poor Santa Claus burst into tears, Then calmed again:"my reindeer fleet, I gave them up: on foot, my dears, I now must plod through snow and sleet.

"Retrenchment rules in Elfland, now; Yes, every luxury is cut off. —Which, by the way, reminds me how I caught this dreadful hacking cough:

"I cut off the tail of my Ulster furred To make young Kris a coat of state. That very night the storm occurred! Thus we become the sport of Fate.

"For I was out till after one, Surveying chimney-tops and roofs, And planning how it could be done Without my reindeers' bouncing hoofs.

"'My dear,' says Mrs. Claus, that night (A most superior woman she!) "It never, never can be right That you, deep-sunk in poverty,

"'This year should leave your poor old bed, And trot about, bent down with toys, (There's Kris a-crying now for bread!) To give to other people's boys.

"'Since you've been out, the news arrives The Elfs' Insurance Company 's gone. Ah, Claus, those premiums! Now, our lives Depend on yours: thus griefs go on.

"'And even while you're thus harassed, I do believe, if out you went, You'd go, in spite of all that's passed, To the children of that President!'

"Oh, Charley, Harry, Nimblewits, These eyes, that night, ne'er slept a wink. My path seemed honeycombed with pits. Naught could I do but think and think.

"But, with the day, my courage rose. Ne'er shall my boys, my boys (I cried), When Christmas morns their eyes unclose, Find empty stockings gaping wide!

"Then hewed and whacked and whittled I; The wife, the girls and Kris took fire; They spun, sewed, cut,—till by and by We made, at home, my pack entire!"

(He handed me a bundle, here.) "Now, hoist me up: there, gently: quick! Dear boys, don't look for much this year: Remember, Santa Claus is sick!"

BALTIMORE, December, 1877.