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Doge’s Palace (Palazzo Ducale), Venice: exterior, detail of SW. corner facing the Grand Canal, 1309-1424

Doric column drum (Hellenistic?), detail showing effect of sunlight and shadow on arris and fluting

Dormition of the Virgin; mosaic from the nave, Church of the Savior in Chora (Kariye Camii), Istanbul, ca. 1310-1320

Double bull capital from the Apadana Hall, Palace of Darius at Persepolis

Double sphinx base for a wooden pillar (from Hilani III, palace of King Barrekup at Zinjirli-Sam’al), 8th century B.C.E.

Doubting of Thomas [replica figure group in situ, east facade of the Orsanmichele, Florence; original ca. 1465-1483]

Doubting of Thomas [replica figure group in situ, east facade of the Orsanmichele, Florence; original ca. 1465-1483]

Doubting of Thomas [replica figure group in situ, east facade of the Orsanmichele, Florence; original ca. 1465-1483]

Dream of Queen Maya and divine conception of the Buddha, 3rd century C.E.

Dream of the Magi; detail of roundel from the “Biblia Pauperum” (I) window, north aisle of the choir, Canterbury Cathedral, ca. late 12th century

Drunken Old Woman with Wine Jug (Roman copy after original ca. 200-180 B.C.)

Dry stone “beehive” hut (clochan) with enclosure wall, from the Fahan group, Dingle Peninsula

Dry stone “beehive” hut (clochan), from the Fahan group, Dingle Peninsula

Dry stone “beehive” huts (clochans), from the Fahan group, Dingle Peninsula

Dwelling, timber frame with thatched roof (20th century reconstruction after original of the 6th-7th century)

Dying Gaul (Roman marble copy after bronze original from Pergamum in Asia Minor, ca. 220 B.C.)

Dying Gaul (Roman marble copy after bronze original from Pergamum in Asia Minor, ca. 220 B.C.)

Dying Gaul: detail of head showing Celtic-style torc (Roman marble copy after bronze original from Pergamum in Asia Minor, ca. 220 B.C.)

Dying Warrior: detail of figure from L. angle of E. pediment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Dying Warrior: detail of figure from L. angle of E. pediment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Dying Warrior: detail, head of figure from L. angle of E. pedi- ment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Dying Warrior: figure from L. angle of E. pediment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Eagle-headed Winged Genius figure holding pollinating cone and situla, detail of wall relief from Palace of Ashurnasirpal II at Nimrud (Kalakh), ca. 883-859 B.C.

Eagle-headed Winged Genius figure, detail R. of wall relief from Palace of Ashurnasirpal II at Nimrud (Kalakh), ca. 883-859 B.C.

Eagle-headed Winged Genius figure, wall relief from Palace of Ashurnasirpal II at Nimrud (Kalakh), ca. 883-859 B.C.

Ecce Homo

Ecclesia (allegory of the Church); detail of figure [attributed to Giovanni Pisano] from the upper basin, Fontana Maggiore, Perugia, 1278

El Escorial (Royal Monastery of San Lorenzo): exterior, detail of W. facade, view from SW., ca. 1563-1584

El Escorial (Royal Monastery of San Lorenzo): exterior, detail of “gridiron” motifs above principal entrance on W. facade, ca. 1563-1584

El Escorial (Royal Monastery of San Lorenzo): exterior, S. facade, view from SW., ca. 1563-1584

El Escorial (Royal Monastery of San Lorenzo): exterior, W. facade of church, view through the Patio de los Reyes, ca. 1563-1584

El Escorial (Royal Monastery of San Lorenzo): exterior, W. facade, view from SW., ca. 1563-1584

Embattled Warrior: figure from R. angle of E. pediment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Embattled Warriors: figure group from R. angle of E. pediment, Temple of Aphaia, Aegina, ca. 490-480 B.C.

Emperor Caracalla, portrait bust in military garb, ca. 215 A.D.

Emperor Domitian; head from a colossal statue, ca. 81-96 C.E.

Emperor Hadrian, ca. 117-138 A.D.

Emperor Hadrian: detail of corselet showing Victory Crowned, with Romulus and Remus and symbols of the Roman state, ca. 117-138 A.D.

Emperor Titus, ca. 79-81 A.D.

Empress Livia, wife of Augustus; detached head from over-life- sized statue (broken and defaced in early Byzantine era), originally intended for the basilica of the upper agora at Ephesus, early 1st century C.E.

Entablature: Geison fragment (Geloan Treasury, Olympia), 6th century B.C.

Enthroned Goddess (probably cult image of Persephone as Queen of the Underworld), ca. 460 B.C.

Entrance to the Great Temple (Temple I) complex at Hattusas (Boghazkoy), ca. 1275-1250 B.C.E.

Ephebe (“Kritios Boy”)

Ephebe (“Kritios Boy”): detail, head and torso, ca. 480 B.C.

Ephesus: the Arcadian Way, originally 1st century A.D.; restored by Emperor Arcadius, late 4th - early 5th century A.D. (looking E. towards the Great Theater, cavea rebuilt late 2nd - early 3rd century A.D.)

Ephesus: the Arcadian Way, originally 1st century; restored by Emperor Arcadius, late 4th - early 5th century A.D. (looking W. towards the ancient harbor)

Eponymous Heroes (or civic dignitaries?) representing the Ten Tribes of Attica; detail from east frieze of the Parthenon, ca. 438-432 B.C.E.

Equestrian Monument to Bartolommeo Colleoni [view from NW. showing pedestal], ca. 1483-1488

Equestrian Monument to Bartolommeo Colleoni [view from SW.], ca. 1483-1488