Title |
Author(s) |
Volume/Issue |
Date |
Type |
Distinctiveness versus Universality: Reconsidering New Japanese Photography
|
Yoshiaki Kai |
vol. 3
no. 2 |
Spring 2013 |
Article |
Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
|
Richard K. Kent |
vol. 3
no. 2 |
Spring 2013 |
Article |
The Development of Photo Studios in Korea, by Lee Kyung-Min
|
Jeehey Kim |
vol. 4
no. 2 |
Spring 2014 |
Essay |
Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
|
Jeehey Kim |
vol. 2
no. 1 |
Fall 2011 |
Curatorial Project |
Contemporary Photography Magazines in Korea and Taiwan: Vostok and Voices of Photography in Context
|
Jeehey Kim |
vol. 10
no. 2 |
Spring 2020 |
Profile |
Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.
|
Jina E. Kim |
vol. 3
no. 2 |
Spring 2013 |
Book Review |
Witnessing the Action of Current Events from the Comfort of your Chair: The Place of the Photographic Magazine 'The Graphic'
|
Naoyuki Kinoshita; Erumi Honda |
vol. 1
no. 1 |
Fall 2010 |
Essay |
“Ma” and Photography: Four Emerging Female Artists from Japan
|
Mika Kobayashi |
vol. 2
no. 2 |
Spring 2012 |
Curatorial Project |
Before the End of Everything: Masuyama Tazuko and “Another Tokuyama Village”
|
Masashi Kohara; Yoshiaki Kai |
vol. 6
no. 2 |
Spring 2016 |
Article |
Surface Tension: Hong Kong Photographs in Wei Leng Tay’s Abridge Project
|
Olivier Krischer |
vol. 10
no. 2 |
Spring 2020 |
Curatorial Project |
Traveler-as-Lama Photography and the Fantasy of Transformation in Tibet
|
Namiko Kunimoto |
vol. 2
no. 1 |
Fall 2011 |
Article |
Nuclear Waste Out of Lanyu: Indigenous Indignation in Taiwan Seen through Guan Xiao-rong’s Photographs
|
Li-hsin Kuo |
vol. 5
no. 2 |
Spring 2015 |
Curatorial Project |
Review of Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia, by Karen Strassler
|
Veronika Kusumaryati |
vol. 10
no. 2 |
Spring 2020 |
Book Review |