Title |
Author(s) |
Volume/Issue |
Date |
Type |
Matca: Creating Conversations around Photography in Vietnam
|
Ha Dao |
vol. 10
no. 2 |
Spring 2020 |
Profile |
Revealing the Radioactive Contamination after Fukushima in Japanese Photography
|
Amandine Davre |
vol. 10
no. 1 |
Fall 2019 |
Article |
Seeing Nuclear Issues in Daguerrotypes: An Interview with Takashi Arai
|
Amandine Davre |
vol. 7
no. 2 |
Spring 2017 |
Curatorial Project |
Transpacific Rizalistas: Portrait Photography and the Filipino Becoming-Subject
|
Adrian De Leon |
vol. 11
no. 1 |
Spring 2021 |
Article |
Introduction
|
Deepali Dewan |
vol. 9
no. 1 |
Fall 2018 |
Introduction |
We’ll Take Your Artifacts but Not Your People: The Komagata Maru in Canada’s South Asian Diasporic History
|
Deepali Dewan |
vol. 5
no. 1 |
Fall 2014 |
Article |
John Falconer, ed., “The Waterhouse Albums: Central Indian Provinces” (Ahmedabad: Mapin Publishing in association with the Alkazi Collection of Photography; Ocean Township, N.J.: Grantha; Easthampton, MA.: Distributed in North America by Antique Collectors’ Club, 2009) 262 p. ISBN 9788189995300 (Mapin)
|
Deepali Dewan |
vol. 2
no. 1 |
Fall 2011 |
Book Review |
Drik Picture Library, Dhaka, Bangladesh: A Conversation with Shahidul Alam
|
Deepali Dewan |
vol. 10
no. 2 |
Spring 2020 |
Profile |
Ernest ‘Chinese’ Wilson’s Re-imagined Legacy in Sichuan
|
Scott Dietrich; Michael R. Dietrich |
vol. 9
no. 2 |
Spring 2019 |
Article |
Eleanor M. Hight, Capturing Japan in Nineteenth-Century New England Photography Collections. (Burlington, VT: Ashgate, 2011). 226 pp. ISBN 9781409404989
|
Sebastian Dobson |
vol. 2
no. 2 |
Spring 2012 |
Book Review |