Search Results
Options
Filters
1 to 24 of 24 results
Showing results for "Kanto%20%28region%29" in Creation Place 3.
Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province; Andô Hiroshige
- Title
- Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province
- Artist
- Andô Hiroshige
- Physical Description
- This piece depicts boats decorated with lanterns, the evening sky and festivities. The shore is lined with teahouses set up for the event. The title for the print is located in the upper right corner in a red box.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853-1856
- Accession Number
- 1960/2.144
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Courtesans of the Chôjiya: Hinatsuru and Her Attendant; Kitagawa Utamaro
- Title
- Courtesans of the Chôjiya: Hinatsuru and Her Attendant
- Artist
- Kitagawa Utamaro
- Physical Description
- The kneeling figure in the foreground is grand courtesan Hinatsuru. Her kamuro (attendant) is arranging a vase of chrysanthemums beside her. The circular inset contains a poet and his poem addressed to the two of them:
- In its wake
- The autumn grasses wither.
- Indeed, the mountain wind
- Has now become a gale.
- Artist Life Dates
- (Edo, 1754 - 1806, Edo)
- Century
- 18th century
- Object Creation Date
- circa 1790
- Accession Number
- 1948/1.184
- Medium and Support
- Ôban (large size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Iwai Hanshirô IV in a Female Role; Katsukawa Shunshô
- Title
- Iwai Hanshirô IV in a Female Role
- Artist
- Katsukawa Shunshô
- Physical Description
- Kabuki Actor Iwai Hanshiro IV in a role as a woman with a sword. The stage appears to be dark aside from a lantern on the ground behind her, which emanates a triangular stream of yellow light directly upwards. The woman looks alertly to her left, with her right hand within her long kimono sleeve, hovering just above the sword handle.
- Artist Life Dates
- 1726-1792
- Century
- 18th century
- Object Creation Date
- 2nd half of 18th century
- Accession Number
- 1960/1.156
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Eight Views of Ômi: #1 Evening Snow on Mount Hira; Andô Hiroshige; Attributed to
- Title
- Eight Views of Ômi: #1 Evening Snow on Mount Hira
- Artist
- Andô Hiroshige
- Physical Description
- The snowy mass of Mount Hira rises behind a snow-covered village and clumps of bamboo by an inlet of Lake Biwa. The attendant poem in the upper left corner reads:
- He who would see the beauty of the evening on the peaks of
- Hira must behold it after the snows have fallen and before the
- flowers are fully blown.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.134
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Courtesan and client: parody of the Kiritsubo Chapter of the Tale of Genji (Mitate Genji Kiritsubo); Okumura Masanobu
- Title
- Courtesan and client: parody of the Kiritsubo Chapter of the Tale of Genji (Mitate Genji Kiritsubo)
- Artist
- Okumura Masanobu
- Physical Description
- A monochrome print depicting two standing women and a reclining man in a room. The taller woman, a courtesan, wears an elaborate kimono of butterfly design and under-kimono of geometric patterns; her hair is tied on the back, wearing tortoise shell comb and hairpin. She is holding skirts of kimono and under-kimono with her right hand and is hiding her left hand under the kimono. The second woman, an attendant, is standing behind the courtesan, holding a doll of a boy and her face turning away. She wears a plain kimono with pine tree design and obi (sash) with striped patterns. The man is reclining and looking toward the courtesan. They seem to engage in conversation. The man wears kimono with design of coins and short jacket with plaid patterns. His hair is shaved on top and tied on the back. There is a folded screen behind him, depicting a plum tree by river. In front of him, there are a sake pitcher, sake cup and its stand, and a bowl with food accompanied by a tray and chopsticks. There is a title of the print in cartouche at upper right.
- Artist Life Dates
- 1686-1764
- Century
- 18th century
- Object Creation Date
- 1711-1716
- Accession Number
- 1948/1.198
- Medium and Support
- Oban (large-size) sumizurii-e (monochrome woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Elegant Fresh Foods (Three Courtesans at a Drinking Party); Kikugawa Eizan
- Title
- Elegant Fresh Foods (Three Courtesans at a Drinking Party)
- Artist
- Kikugawa Eizan
- Physical Description
- Three courtesans engaged in a drinking game sit in an open veranda in early spring, with cherry blossoms in full bloom behind them. The women appear tipsy, and the one at the right clings to her companion in the middle for support, as she stretches out her left hand to have her cup refilled with saké (rice wine). They have a tray of delicacies shamisen at their feet.
- Artist Life Dates
- 1787-1867
- Century
- 19th century
- Object Creation Date
- mid 1800s - circa 1810
- Accession Number
- 1960/1.138
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
The Fifty-Three Stations of the Tokaido (Kyoka Edition): #30 Hamamatsu; Andô Hiroshige
- Title
- The Fifty-Three Stations of the Tokaido (Kyoka Edition): #30 Hamamatsu
- Artist
- Andô Hiroshige
- Physical Description
- A procession on horseback travels through the village of Homatsu with castles in the background. Red tones in the sky indicate a setting sun, and a distant mountain is visible. It is accompanied by text.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- late 1830s
- Accession Number
- 2008/2.323
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Evening Scene in Tokyo: Woman with Umbrella on Bridge; Takahashi Hiroaki
- Title
- Evening Scene in Tokyo: Woman with Umbrella on Bridge
- Artist
- Takahashi Hiroaki
- Physical Description
- A woman who just got out of a public bath is crossing a bridge and trying to protect herself with an umbrella from the wind and rain of a sudden yûdachi. She uses one hand to keep her kimono decorated with fishing net and sea anemone patterns from flying open, and carries a soap pouch in her mouth. Three swallows fly above. The title, yu agari ("after the bath") is inscribed in the lower left hand corner of the print, just above a seal with the artist's name, Hiroaki.
- Artist Life Dates
- 1871-1944
- Century
- 20th century
- Object Creation Date
- 1920-1940
- Accession Number
- 1991/2.112
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi); Kitagawa Utamaro
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.186
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Hanging a Poem on a Cherry Tree; Ishikawa Toyonobu
- Title
- Hanging a Poem on a Cherry Tree
- Artist
- Ishikawa Toyonobu
- Physical Description
- A color woodblock print of a young woman hanging a paper with poem on a cherry tree. The woman is in a kimono with intricate design of cherry blossom, hemp leaves, birds and swirls, pine trees and diamond patterns. She also wears broad obi (sash) in checkerboard patterns, which is bow- tied on her back. There is also a white sash underneath the obi, which supports her long kimono. Her hair is tied on the back and adorn with tortoise-shell comb and pin. The cherry tree is in full bloom; there is a curtain with a family crest behind the woman and the tree; a certain kind of platform with swirling vine pattern is peaking below the curtain. The overall color scheme is in yellow, orange, black and white (the color of the paper). There are artist’s signature and two seals on the right bottom corner, and smaller seal on the left bottom corner.
- Artist Life Dates
- 1711-1785
- Century
- 18th century
- Object Creation Date
- circa 1746-1749
- Accession Number
- 1955/1.130
- Medium and Support
- Urushi-e (color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Views of Ten Tea Houses: Takanawa; Torii Kiyonaga
- Title
- Views of Ten Tea Houses: Takanawa
- Artist
- Torii Kiyonaga
- Physical Description
- In this print, one of a series of ten views of "tea house" districts, Kiyonaga has depicted two women and a child strolling along the shore by the sea wall at Takanawa. A woman at left shields her eyes from the summer sun with her fan, and has her obi tied in front of her. The younger looking companion holding her hand wears a gaily flowered kimono, which has fallen wide open. A child walks with them, gesturing to the side of the print. The front portion of a boat and wall of a town or temple lie behind them.
- This is an especially well-preserved print, where even the indigo blue is still visible.
- Artist Life Dates
- 1752 - 1815
- Century
- 19th century
- Object Creation Date
- circa 1783
- Accession Number
- 1960/1.143
- Medium and Support
- Chûban (medium-size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku; Andô Hiroshige
- Title
- Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku
- Artist
- Andô Hiroshige
- Physical Description
- The pyramid shaped hills in the background of this print are those of the boiling houses and salt piles of Gyôtoku’s salt industry. A ferry boat, or watashi-bune, carries passengers in the foreground of this picture. In this print a shipman steers using the large rudder located in the back of the boat.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1835-1842
- Accession Number
- 1948/1.138
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Courtesan in procession; Kitagawa Utamaro
- Title
- Courtesan in procession
- Artist
- Kitagawa Utamaro
- Physical Description
- This is a portrait of courtesan and her attendant. The courtesan wears a kimono with overall cherry blossom patterns and a darker color cloak with fan, plover and wave design lining with overall cherry blossom design silk; the cloak is slipping from her right shoulder. Her obi is draped in front; it has overall hollyhock pattern. Her face is white; Her hair is sculpted like a balloon on the top and has broad wings to the side. Tortoise-shell comb and multiple hairpins adorn the hair. She is strolling toward the right. Her attendant is walking behind her, her face and body partially hidden by the courtesan. She wears the matching kimono with plover and wave design; her kimono has long sleeves (furisode), whose openings are tied with ribbons. Her obi, with peony and geometric design, is tied at the back. Her hair is in the similar shape as the courtesan but not too exaggerated. But she wears an enormous hair accessory consisting of cherry blossoms and tassels, made of silver. Her face is also in white. The painting is accompanied by poem written by Santô Kyôden with his signature and two seals. On the lower left, there are the artist's signature and seal. The mounting is made of silk brocade with embroidery in the design of clematis and millets.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- circa 1793-1795
- Accession Number
- 1962/1.104
- Medium and Support
- ink, white pigment, and red color on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Courtesan in an iris-patterned robe: "June" in a series of Twelve Months; Kaigetsudô Dohan
- Title
- Courtesan in an iris-patterned robe: "June" in a series of Twelve Months
- Artist
- Kaigetsudô Dohan
- Physical Description
- This is a large monochrome print of a courtesan wearing kimono with iris design. The courtesan is standing with her right hand in the sleeve that she raises to her chin and left hand gathering up her kimono; Her cloak with bamboo leaf and gentian flower design is slipping off her shoulder and revealing her dark kimono with iris roundels. She has long hair; her hair is tied and draped on the back. She is looking toward the right side. There is the artist’s signature and seal, and publisher’s seal on the right.
- Artist Life Dates
- active 1710 - 1716
- Century
- 18th century
- Object Creation Date
- circa 1714
- Accession Number
- 1955/1.128
- Medium and Support
- Kakemono-e (oversize) sumizurii-e (monochrome woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara; Andô Hiroshige
- Title
- The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara
- Artist
- Andô Hiroshige
- Physical Description
- In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara. Writing is centered at the top of the image, as well as aloong the bottom left wide with a seal. Three figures walk through the snow.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.122
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Tsuba (Sword guard) with design of dragon among clouds; Okada Masatoyo
- Title
- Tsuba (Sword guard) with design of dragon among clouds
- Artist
- Okada Masatoyo
- Physical Description
- The flat iron plate with quatrefoil shape and the design of a dragon in midst of clouds. It has three holes: one for blade (middle) flanked by two deformed oval-shape holes (for kougai and kozuka). Around the blade hole, there is the carver’s signature. The design of a dragon, among stylized clouds, is intricately carved in high relief; the dragon has almost three-dimensional quality. On the back, the dragon tail, some parts of the body, one claw are peeking from clouds. The dragon coils around the center holes. The rims of the three circles are wavy, as if they are the part of the cloud design. The stoppers on the blade hole edges are made of gold. Some silver inlays are applied on the dragon’s eye blow and some nails.
- Artist Life Dates
- act. 1789
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1978/2.6
- Medium and Support
- iron with gold and silver inlays
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Sunrise at Benten Shrine, Suzaki Cape; Katsushika Hokusai
- Title
- Sunrise at Benten Shrine, Suzaki Cape
- Artist
- Katsushika Hokusai
- Physical Description
- Two geisha (itinerant musicians) are shown strolling in the countryside, with the roof of Benten Shintô shrine in the distance. The backdrop is the rising sun—the give-away that this is a New Year’s print—seen over distant mountains and a calm bay. One woman stoops to empty the ashes from her pipe, while the other draws her kimono closely about her. A poem lies just above the rising sun in the top left register of the morning sky.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1800-1820
- Accession Number
- 1954/1.471
- Medium and Support
- koban surimono (privately published) color woodblock print (nishiki e) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Eight Views of Ômi: #2 Night Rain at Karasaki; Andô Hiroshige
- Title
- Eight Views of Ômi: #2 Night Rain at Karasaki
- Artist
- Andô Hiroshige
- Physical Description
- Vertical lines stream downward across the print indicate torrents of rain. The dark color pallette and black strip across the top indicate that the image is set at night. A giant tree on an island looms over the image, surrounded by water. A poem in the upper left corner reads:
- "Elsewhere will they talk of the music of the evening breeze
- that has made the pine of Karasaki famous; the voice of the
- wind is not heard through the sound of the rain in the night."
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.135
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Album of Letters and Sketches, with Poet Portrait as frontispiece (28 pages); Sakai Hôitsu
- Title
- Album of Letters and Sketches, with Poet Portrait as frontispiece (28 pages)
- Artist
- Sakai Hôitsu
- Physical Description
- An album of 28 pages. Cover is brown with a faded image at the center, possibly of leaves on an off-white background. The inside of the album primarily contains hand-written text, though some of the text has faded images in the background, and some of the pages are completely images. The first page depicts a seated man in formal attire. and across from him is a seperate painting of a landscape with green mountains. Other images contained within are of various topics with various colors and styles.
- Artist Life Dates
- 1761-1828
- Century
- 19th century
- Object Creation Date
- circa 1800-1828
- Accession Number
- 1968/2.55
- Medium and Support
- album, ink, color and gold leaf on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi); Kitagawa Utamaro
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.185
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Autumn Wind, from the Furyu rokkasen (The Six Elegant Poets) series; Suzuki Harunobu
- Title
- Autumn Wind, from the Furyu rokkasen (The Six Elegant Poets) series
- Artist
- Suzuki Harunobu
- Physical Description
- A young woman hurries across a bridge, using one of her sleeves to shield her head from the strong wind. Plants around her bend in the force of the wind, and tree branches lose their leaves. An Uta poem by Bunya-no-Yasuhide graces the top register.
- Artist Life Dates
- 1725-1770
- Century
- 18th century
- Object Creation Date
- circa 1768
- Accession Number
- 1948/1.156
- Medium and Support
- chûban (medium size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Scholar Seated under a Tree; Tani Bunchô
- Title
- Scholar Seated under a Tree
- Artist
- Tani Bunchô
- Artist Life Dates
- 1763-1840
- Century
- 18-19th century
- Object Creation Date
- late 18th century - 1840
- Accession Number
- 1964/1.96
- Medium and Support
- fan painting matted for framing, ink and color on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi); Kitagawa Utamaro
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.187
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)
First Designs of Model Young Leaves: the Courtesan Karauta of the Chôjiya, accompanied by her attendants Matsuno and Takeno; Isoda Koryûsai
- Title
- First Designs of Model Young Leaves: the Courtesan Karauta of the Chôjiya, accompanied by her attendants Matsuno and Takeno
- Artist
- Isoda Koryûsai
- Physical Description
- This is a color woodblock print of a courtesan and her two attendants. They are walking toward the left. The courtesan wears red and brown kimono with geometric designs and a pink cloak with plum tree and cloud design. Her green obi (sash), tied in front, has peacock feather and geometric patterns. Her hair is sculpted in the shape of “lantern” style, with the broad wings to the side of the head. Three large tortoise-shell comb and four pins adorn the hair. The two young attendants wear matching clothes and hair accessories; their kimono design has the same plum and cloud patterns as the courtesan but in brownish colors. Their obi is in green color with wavy stripes, loosely tied on their backs. They also have tortoise shell combs, hairpins, and ornaments in the shape of pine leaves. One attendant is looking at a ground, and other attendant toward the right. All three wear high platform sandals. There are artist’s signature and publisher’s seal on the lower left corner, as well as the title on the upper right corner.
- Artist Life Dates
- active 1764 - 1788
- Century
- 18th century
- Object Creation Date
- circa 1777-1782
- Accession Number
- 1960/1.145
- Medium and Support
- Oban (large size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 14.07998
- Creation Place 3
- Kanto (region)