This black and white print shows an outdoor scene with lush leafy trees, open sky and mountains in the far distance. Two figures are walking along a wooded path in the foreground- one is a man with wings wearing robed garments and the other a younger man carrying a single large fish. There is a city shown in the middle distance through the trees and a pasture scene depicted on the right.
Subject Matter
As with most the Goudt's prints, this composition is based on a painting by Adam Elsheimer, a German painter and friend of Goudt's whom he knew when both were residing in Rome. This scene is based on the Old Testament story of Tobias who, accompanied by the angel Raphael, brings home a fish whose gall cures the blindness of his father, Tobit.
Label Copy
Gallery Rotation Fall 2011
Hendrik Goudt
Netherlands, 1585–1630
(after Adam Elsheimer, Germany, 1574–1620)
Tobias with the Angel Dragging the Fish (The Large Tobias)
1613
Etching and engraving
Museum purchase, 1972/1.165
Not much is known about Goudt’s early work as a painter and engraver, but in 1604 he traveled to Rome and associated with a group of northern writers and intellectuals, including the German painter Adam Elsheimer. Goudt lived with Elsheimer for part of his time in Rome and seems to have been in the unusual position of being both Elsheimer’s patron and student.
Goudt made only a few prints, most of which are after Elsheimer’s paintings, a common means for disseminating a painter’s work to a wider audience. In this scene showing the Biblical story of the youthful Tobias traveling with the archangel Raphael, the figures are in the foreground while behind them unfolds a lush landscape that evokes pastoral descriptions by the ancient Roman poet Ovid (43 bce–17/18 ce). Classical sources for works of art appealed to the literary group in Rome with which both Goudt and Elsheimer were associated; they offered those in the know an opportunity to display their erudition, confirming their membership in a learned elite.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
This black and white print shows an outdoor scene with lush leafy trees, open sky and mountains in the far distance. Two figures are walking along a wooded path in the foreground- one is a man with wings wearing robed garments and the other a younger man carrying a single large fish. There is a city shown in the middle distance through the trees and a pasture scene depicted on the right.
Subject Matter
As with most the Goudt's prints, this composition is based on a painting by Adam Elsheimer, a German painter and friend of Goudt's whom he knew when both were residing in Rome. This scene is based on the Old Testament story of Tobias who, accompanied by the angel Raphael, brings home a fish whose gall cures the blindness of his father, Tobit.
Label Copy
Gallery Rotation Fall 2011
Hendrik Goudt
Netherlands, 1585–1630
(after Adam Elsheimer, Germany, 1574–1620)
Tobias with the Angel Dragging the Fish (The Large Tobias)
1613
Etching and engraving
Museum purchase, 1972/1.165
Not much is known about Goudt’s early work as a painter and engraver, but in 1604 he traveled to Rome and associated with a group of northern writers and intellectuals, including the German painter Adam Elsheimer. Goudt lived with Elsheimer for part of his time in Rome and seems to have been in the unusual position of being both Elsheimer’s patron and student.
Goudt made only a few prints, most of which are after Elsheimer’s paintings, a common means for disseminating a painter’s work to a wider audience. In this scene showing the Biblical story of the youthful Tobias traveling with the archangel Raphael, the figures are in the foreground while behind them unfolds a lush landscape that evokes pastoral descriptions by the ancient Roman poet Ovid (43 bce–17/18 ce). Classical sources for works of art appealed to the literary group in Rome with which both Goudt and Elsheimer were associated; they offered those in the know an opportunity to display their erudition, confirming their membership in a learned elite.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
The subject of this engraving, the Descent into Limbo (also known as the Harrowing of Hell), is one of the scenes in the cycle of the Passion of Christ that was particularly popular in medieval and Renaissance art. According to Christian belief, because the Old Testament saints had lived in an era in which they had not benefited from the Christian sacraments, their souls were confined to Limbo, a region on the border of Hell, until Christ could come to free them. Christ, bearing his standard, is shown standing on the broken gate of Hell reaching into the doorway to rescue the Old Testament forefathers, three of whom stand, nude, cowering at right, tormented by devils. At left, a figure, possibly the Good Thief, stands holding a large cross. Mantegna represented the leaning Christ in a novel and startling pose—from the rear—with the result that the viewer might identify with Christ’s stance and look upon the scene as he did. The print is very likely unfinished, as there are no clouds in the sky and no detail in the landscape.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
If you are interested in using an image for a publication, please fax a request to the attention of Orian Neumann, Assistant Registrar, at 734-474-7643. For other queries, email orian@umich.edu.edu.
