Stoneware bottle with partial white slip extending up from an incised band near the widest stretch of the body upwards to the lip. Another band is incised just above the former, creating a two-band pattern that is repeated again at the neck. Between these pairs of bands is an abstract design painted in iron-oxide, creating a brown hue against the white slip. The mouth of the bottle is also coated in this reddish-brown hue. The base of the piece is left its natural gray-brown color.
Pear-shaped stoneware wine bottle with white slip and sgraffito designs. Stylized foliage is incised across the main register of the body, separated from the register above by two incised bands. Above this are perhaps incised stylized petals, and separating them from the flared lip of the bottle are two more incised bands. The incisions reveal the gray clay beneath the white slip.
Porcelain wine bottle with ten cobalt pigment depicting Chinese Daoist ten symbols of longevity—sun, cloud, mountain, rock, water, crane, deer, turtle, pine tree, and the mushroom of eternal youth. A blue band rings the foot of the bottle, as well as just below the main register of the body. The ten symbols of longevity design stretches around the bulbous body above, tapering off as the body begins to taper into the tubular neck, culminating in a slightly flared rim.
Wine bottle with ten Daoist symbols of longevity—sun, cloud, mountain, rock, water, crane, deer, turtle, pine tree, and the mushroom of eternal youth.
Flask-shaped bottle with short, narrow neck. Bamboo leaves design in brown color is applied on one shoulder toward the bottom. The porous surface of white glaze shows the orange color of the clay. The spout is narrow and has an elevated rim. The foot is short and glazed.
The flask bottle is perhaps intended to be displayed by itself, but not for practical use. The bamboo leaves are painted with quick brushstroke.
An angular bottle executed in two tones of white stands tall just to the (viewer's) right of center. To its left is a stack of gray drinking cups. Irregular blocks of various sizes and colors make up the rest of the field.
A Cubist still life, depicting a bottle and drinking cups. The perspective is mildly fragmented and, through the use of the blocks of color as well as the blocky objects, the space is flattened into discrete planes.