Three women sit just inside the doorway of a building shown frontally to the viewer. The doorway is framed by windows on either side within an archietctural framework that connects the windows and door with a dado under the windows. The women have a large piece of fabric laid over their laps on which they are working. The woman at the left is angled so that she is looking into the room; the other two look out at the viewer. The profile of a fourth woman is visible in the central window on the left side of the door.
Whistler's continuing interest in the arrangements of doorways and windows as a compositional focus dates back to his early work in the French Set. Here, the composition recalls some of his Venice etchings, such as "The Bead-Stringers", but is handled with the light, hair-like fine lines of the Amsterdam etchings. The result is an of evansecent, almost shimmering effect of light.