A round and squat kettle made of iron. It has a tall, arching handle which is tapered at the ends of attachment and the handle on the cover is decorated with cut-outs.
This is a delicate landscape. There are mountain crags, dispersed trees and bushes, and some houses/huts depicted. There is calligraphy on the upper right hand corner with one red seal, and towards the upper left corner with a red seal. There is also another red seal on the lower left hand corner. The colors are muted and are barely discernable from one another. There is a central jutting rock in the center of the painting that takes up a lot of horizontal space, and encourages the eye to travel upwards.
This engraving is horizontally oriented. The length of a cow (with its head to the left and its tail to the right) is the focal point, taking up about a third of the image. At the cow’s head on the left, a barefooted man with a hat leans on a pole and rests his arm on a tree trunk. Behind the man is another cow with horns and he is standing in front of a building. The ground is rocky and a fence made of thin tree trunks runs along the background. At the cow’s tail on the right, is a peasant woman with bare feet. Her head is covered with a cloth and she labors to carry a heavy wooden milk bucket. Several trees and another cow are behind her. A small plaque on the ground in the foreground contains an inscription.
This work depicts a lively outdoor scene in pen and ink with grey wash and pink and blue watercolor. The setting is replete with lush foliage and populated by several figures and animals. A nude female figure stands holding onto a slender fruit tree looking over a body of water in which a winged boy wades holding his hands to his head. Another nude female figure is shown seated on the right holding a dog tied to a leash. Two playful birds and another winged boy are shown in the bottom foreground.
A rock dominates the image, with orchids and grasses growing next to it. Calligraphic text accompanies the image, places above the rock, with three seals.
Circular tsuba, made of iron. It has two holes in the middle. There are two openwork motifs of mushrooms on the lower left. Rusts on some parts of the piece.
Two piers of a bridge soar in the upper half of the image, including the span with pedestrians and the railing at the top of the work. In the foreground, the water and reflections at the foot of the bridge dominate. Between the piers smoke stacks can be seen in the distance.
Artist Life Dates
1834 - 1903
Century
19th century
Object Creation Date
1878
Accession Number
1954/1.418
Medium and Support
lithotint with scraping, printed in black ink on white wove paper
Standing gilt bronze Shakyamuni Buddha with glass inlay. One hand is raised in the form of the "fear not" mudra. Stands on a pedestal in ornamented dress and crown.
A round metal lock meant to lock a chest. The front of the metal disc is decorated with a line carving of a Korean character surrounded by multiple carved circles and bulb-like motifs. Around the central design is a ring of larger circles.
Large bronze sculpture resembling a headless human figure. The surface texture is very rough with deep voids and coarse patches of metal. The brown patina has a whitish tinge.
Brass female figure, kneeling with buttocks on the heels, atop an iron staff. The protruding eyes, nose, and mouth convey a serene, dignified and somewhat withdrawn look. The figure has a beard around the face; she wears ornamentation in small holes atop the ears, cone-shaped headgear, and an elaborate necklace; there is a small spiral motif on the forehead, and two larger spiral motifs on the sides of the body. The hands are held in closed fists in front of the body, the left hand on top of the right.
In this painting, the hawk perches on the base of a tree, gripping the knotted bark with its talons. Its back is presented to the viewer, bringing attention the impressive patterning and feather detail. Arching its head to the right to reveal a keen awareness of its surroundings coupled with a razor sharp glare, it appears ready to take off after unsuspecting prey.
Domed boss surrounded by raised band and dots, field of two phoenixes among flowers and vines, raised border with floral motif and five-lobed edges on both sides.
Artist
Artist Unknown, Korea
Physical Description
This mirror features designs of two birds, coupled with floral motifs, positioned symmetrically on the left and right sides. Eight-foiled barbed bronze mirror is general. This type is a modified form of that.
This is a 21cm tall bronze sculpture of a nude female figure seated on a stump-like form with her legs extending out in front of her and crossed at the ankles. She leans the weight of her body on her left arm, as her left hand grasps the edge of the stump. Her right arm is bent and raised, with the back of her hand resting against the left side of her head. She is gazing downward and her arm seems to be shielding her face. Her hair is pulled back and gathered in a knot. The patina is dark brown and the metal surface has a uneven appearance.
