Arabic calligraphic script on paper; script is in Maghribi style, written in black ink with touches of green and rec ochre. Shadows of script (from reverse or opposite page, transferred while closed?) show through. Beige paper is browned with age at edges; upper left has repaired tear.
The body of this cylindrical censer is decorated with eight columns spaced at regular intervals. The lid of the censer consists of an openwork dome divided into sections by eight vertical ribs that converge at its apex. An arched horizontal band intersects the midpoint of the ribs, and these eight junctures are marked with a projecting bird that holds a small bronze ball dangling from its beak. Two segments of the dome are decorated with Maltese crosses while another two feature curved plant forms. The apex is surmounted by a finial comprised of a globe topped by a Maltese cross on which a bird holding a piece of fruit perches.
This bronze light fixture consists of a central circular celestial motif from which extend twelve arms in a radial pattern. Six of these arms, embellished with maltese crosses, end in omega-shaped terminals. These decorated arms alternate with six unadorned arms that terminate in rings designed to hold glass oil lamps. The entire disk is suspended from three bronze chains joined to a large hook.
A stylized rendering of a human face with long narrow nose, round eyes set close to bridge of nose, and open, ellipitical mouth. The head is carved in shape of a coiffure that resembles a helmet which extends down the sides of the head. The head is topped with a high arched sagital crest. Patina is dark brown in color with traces of red and blue pigment. Sheet metal cut in circles and long strips embellish the top of the head.
A naturalistic rendering of a ram, with striations incised into the top of the head and down the first third of the horns which sweep forward in a natural curve toward the nose. Eyes inlaid with green glass, and muzzle is overlaid with strip of metal. Jaw articulates, tied with cord. Cloth ears are attached and dangle on either side of head. Wood is unpainted.
Stylized wood carving of hyena head; two pieces of wood joined to form articulating jaw. edged with prominent teeth. short upright ears, long triangular nose or snout; eyes, teeth, nose and crown of head overlaid with sheet metal. Wood is unpainted.
Artist Unknown, African, Baule Peoples Côte D'Ivoire
Male figured seated on high-backed stool with hands resting on abdomen; symmetrical scarification patterns on cheeks and temples, also down center of forehead and at base of the nose. Coiffure is high crested and segmented. Figure wears sandals and necklace or amulet around neck. Figure has sheen to patina, pigmented deep brown in contrast to stool. Figure has bore hole in back between buttocks.
Artist Unknown, African, Sala Mpasu Peoples Democratic Republic of the Congo
Face mask made of wood, covered in white kaolin; face has round, bulging forehead, deep set narrow eyes, small round ears, fiber beard, open rectangular mouth and pointed teeth; basketry weave that held mask on the dancer’s head is visible at back and sides; raffia attachment on top of head frayed and missing.