A small gathering of buildings is nestled at the bottom of a tall, rounded mountain range. Slightly above the settlement, two travelers make their way along the mountain path. A few trees crow up out of the mountains. The mountain range near the small village cuts diagonally across the picture plane, from bottom left to middle right. The top left of the image also contains mountains, taller still. Across from these on the top right is calligraphic text and two seals.
Console with bird in vine scroll, rinceau, and angel
Anonymous French (Burgundy)
A three-quarter length angel, robustly carved in high relief, emerges from a cloud bank on the curved inner face of the console. The outer face of the console bears a tightly wound vine scroll carved in shallower relief with a bird at its center. The bird grasps the vine with its left leg while stretching back to grasp a cluster of grapes in its beak.
A large, Gothic ruin dominates the scene. The west portal of a large church stands with full light, from the left, illuminating its portal. Along its second story ivy grows across the facade while trees cluster in the L-shaped angle toward the right and other vegetation is evident along the roofline of the structure. Several women enter through the main doorway of the building. A stone wall encircles the structure and two houses occupy the land immediately to the left of the church ruin. In the foreground a lane leads past the church with a man leading a black horse and a running hound in the right foreground, and a figure with its back to the viewer is visible at the left foreground. Behind the scene, dark, wind-swept clouds indicate a recent storm that has now passed, allowing golden light to suffuse the landscape.
The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
James McNeill Whistler
A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
Artist Life Dates
1834 - 1903
Object Creation Date
Medium and Support
etching and drypoint, printed in dark brown ink on laid paper
This painting shows a man seated on a bench, facing the viewer. He leans forward slightly and his right hand reaches across his body to point toward a group of coins on the ground. He is dressed in tattered clothing and his feet are bare. The bench where he is seated is inscribed with the letters: P. Q. P. C. /T. T. This is an outdoor scene with open sky in the background and some vegetation on a ledge above him, but there are no details to indicate the exact location. Another man is shown in the background at the right, walking hunched over and using a staff. There is a strong contrast between dark and light in this painting. The figure of the walking man and the dark shapes of buildings are outlined against the light backdrop of the sky. A strong warm light, from the left side of the painting, highlights the knees, hand and upper body of the seated man.