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Showing results for "religious%20%28people%29" in Secondary Keywords.

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Title
Man of Sorrows
Artist
Artist Unknown, Germany
Century
15th century
Object Creation Date
circa 1460
Accession Number
1949/1.167
Medium and Support
offset print on paper
relevance
rank 4.14274
Secondary Keywords
new testament
religion
subject matter
themes (religious)
Access to media is restricted to U-M users.
Title
A Rabbi Studying, from a drawing by Rembrandt
Artist
Augustus John
Physical Description
A bearded man sits stooped over his literature. He is adorned in thick robes and his head wrapped. He sits at a table that is also covered in cloth.
Artist Life Dates
1878-1961
Century
20th century
Object Creation Date
1906
Accession Number
1949/1.70
Medium and Support
etching on paper
relevance
rank 4.13101
Secondary Keywords
associated concepts
clergy
descriptors
object genres
object genres by location, context or origin
people
people (agents)
people and culture
people by occupation
people in religion
people in religion and related occupations
people in the humanities
religions
religions and religious concepts
Access to media is restricted to U-M users.
Title
He's Got You and Me Brother
Artist
Ronald E. Cooper
Artist Life Dates
born 1931
Century
late 20th century
Object Creation Date
1992
Accession Number
2002/1.213
Medium and Support
carved and painted wood
relevance
rank 4.12422
Secondary Keywords
allegory and literature
associated concepts
bible
new testament
objects we use
people
people (agents)
people and culture
people and occupations
people by gender
people by occupation
people in religion
people in religion and related occupations
people in the humanities
religions
religions and religious concepts
standing
visual works
visual works by subject type
Title
Elevation of a Small Domed Church
Artist
Giuseppe Barberi
Physical Description
The sketch for a church is presented with the view towards the door. The church has a portico entrance with columns and and pediment. Above that his a high glazed drum supporting the dome. Atop the dome is a lantern and cross. At the ends of the entableture are sculptures of standing figures. The sides of the stucture appear to be quite shallow, suggesting that the church is a short-armed Greek cross or even round in plan.
Artist Life Dates
1746-1809
Century
18th-19th century
Object Creation Date
1777-1784
Accession Number
1958/1.64
Medium and Support
pen and brown ink with ink wash
relevance
rank 4.11180
Secondary Keywords
agricultural structures
building divisions
buildings and the land
components
components and systems
components by specific context
reading and writing spaces
religious buildings
religious structures
rooms and spaces
rooms and spaces by function
single built works
single built works by function
single built works by specific type
Title
Varahi
Artist
Artist Unknown, India, Tamil Nandu, Kanchipuran
Physical Description
Varahi has a crowned boar’s head on a woman’s body. She sits with her ankles crosses and originally had four arms, the back two have broken away as has the front right hand which had probably been held up in a reassuring gesture. Her left from hand is held down at her left knee with the palm held facing out in a gesture of giving. Her body is softly modeled with a narrow waist and full breasts. She wears jewelry that is in sharp but low relief and includes a series of necklaces forming a collar of decoration and a longer one that falls between her breasts which suggests the sacred thread extending down to her waist at her right. She is naked from the waist up and the lower garment is merely suggested by the heavier folds at the waist. Her head is tilted and her chin/snout had jutted out to the left, but the lower snout is broken away. She wears a conical crown that accents the long diagonal of her face. Originally there was an arch behind the image which would have supported her back arms, so the image would have appeared denser, with only the cut away empty space to the sides of her waist.
Century
10th century
Object Creation Date
circa early 10th century
Accession Number
1960/1.113
Medium and Support
granite
relevance
rank 4.10163
Secondary Keywords
animals and creatures
associated concepts
descriptors
inorganic material
mammals
materials
materials by composition
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
rock
rock by form
Title
Ganesha, seated on a double lotus throne
Artist
Artist Unknown, Indonesia, Java
Physical Description
Ganesha is shown here seated on a double lotus throne, in a royal posture with the soles of his feet together. He has four arms, and holds two of his attributes in the rear pair: an ax and a rosary. His trunk curls down across his rotund belly to reach for a bowl of sweets that rests in his left forward arm. The cobra slung across his shoulder, now hard to make out because of the centuries of wear of the stone, indicates Ganesha's lineage as the son of the Shiva, in his aspect as the great ascetic. Almost 27 inches high, this sculpture of the Hindu god Ganesha is carved of andesite, a volcanic stone common to the island of Java in Indonesia. Andesite is a soft stone and erodes easily, which is why the carving is no longer crisp.
Century
11th century
Object Creation Date
11th century
Accession Number
1957/2.56
Medium and Support
andesite (volcanic stone)
relevance
rank 4.10163
Secondary Keywords
animals and creatures
associated concepts
descriptors
inorganic material
mammals
materials
materials by composition
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
rock
rock by form
Title
Digambara Jain manuscript page: Jina and worshipper
Artist
Artist Unknown, India, Sirohi School
Physical Description
In the upper register of this folio a woman holds a child who is crowned and adorned with jewels. The golden hue of the infant, along with the fan held above their heads signifies the child’s importance. They sit in devotion before a Jina, indicated by his nudity—a trademark of Digambara Jina and a sign of purity.
Century
18th century
Object Creation Date
circa 18th century
Accession Number
1975/2.165
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 4.09240
Secondary Keywords
associated concepts
children (people by age group)
figures (representations)
objects we use
parents
people
people (agents)
people and culture
people by age group
people by family relationship
people by gender
people by state or condition
religions
religions and religious concepts
visual works
visual works by subject type
youth
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
Artist
Max Pechstein
Physical Description
Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.427
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 4.08742
Secondary Keywords
transfer method
animals
associated concepts
components and systems
descriptors
document genres
document genres by form
document genres for literary works
european
european styles and periods
events
information forms
materials
materials by function
mental activities
modern and contemporary art
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
physical activities
physical activities by general context
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
Hassidic Men Walking Amongst Sand Piles, Israel
Artist
Leonard Freed
Physical Description
A man in hassidic clothing standing in the middle of a sand pile. There is another man farther back in the distance.
Object Creation Date
1968
Accession Number
2014/2.330
Medium and Support
vintage gelatin silver print on paper
relevance
rank 4.08546
Secondary Keywords
associated concepts
combination inorganic/organic material
descriptors
materials
materials by composition
people
people (agents)
people and culture
people by gender
religions and religious concepts
soil
soil by composition or origin
Title
Mukha-Linga, Cobra head
Artist
Artist Unknown, India, South India
Physical Description
This phallic representation of the god Shiva appears as a columnar head placed on a base with two rounded moldings on top of a series of square ones. His neck is fully cylindrical and the face is modeled on that cylinder. The eyes are wide open and a bow shaped eyebrow curves over them. He has a flared nose and luxuriant moustache over a narrow but full lips and a short ball like chin. A ‘U’ shaped element consisting of lines and a pearl motif probably represents his beard, perhaps held up in a tight net. His forehead is decorated with three raise lines that go straight across and his crown is basically flat over his hear decorated with a bunch of peak forms in the center with a finial surmounting the whole. His ears fan out almost like handles to a jar and are decorated with stylized arabesques. A five-headed snake hood rises behind the head and has a rib down its center and scale motives incised towards the bottom an ‘S’ shapes t denote the cobra ‘eyes’ to each side.
Century
18th-19th century
Object Creation Date
18th century - 19th century
Accession Number
1981/2.52C
Medium and Support
bronze
relevance
rank 4.08546
Secondary Keywords
animals
animals and creatures
associated concepts
hinduism
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
reptiles
reptiles and amphibians
snakes
the natural world
Title
Dancing Krishna holding butter-balls
Artist
Artist Unknown, India, Tamil Nadu
Physical Description
small bronze figurine made by lost wax process. The child Krishna dances on one leg with his right one raised. He hold balls of butter in his hands, one outstretched to this side and the right one extended forward as if offering it to the viewer. He stands on a round lotus base placed on a square slab. He is naked, but is decorated with a vast assortment of jewelry. Necklaces that cross his chest and drop to his waist, decorated belts, shoulder pieces, rings, bracelets and earrings and elaborate decorations on his head fanning out from his ears and decorating his hair which is arranged in a flat chignon on the top of his head.
Century
17th-18th century
Object Creation Date
17th century - 18th century
Accession Number
1976/2.42
Medium and Support
copper alloy with gilt
relevance
rank 4.08374
Secondary Keywords
arts
arts and related disciplines
associated concepts
disciplines
hindu
humanities
named gods and goddesses
people
people (agents)
people and culture
people by age group
people by state or condition
performing arts
religion
religions
religions and religious concepts
subject matter
vishnu
youth
Title
View of Amsterdam
Artist
Auguste Louis Lepère
Physical Description
In the right foreground, cutting across diagonally, is a pier with figures moving around. At the pier are some ships, and in the middle ground is a strip of water and a row of darkly shadowed buildings. In the background are some faint towers that jut into the sky.
Artist Life Dates
1849-1918
Century
20th century
Object Creation Date
1849-1918
Accession Number
1965/2.63
Medium and Support
etching on paper
relevance
rank 4.08065
Secondary Keywords
buildings and the land
churches
churches by location or context
europe (continent)
geographic and political locations
hydraulic structures
hydraulic structures by form
modern and contemporary art
netherlands (nation)
north holland (province)
objects we use
religious buildings
religious structures
single built works
single built works by function
single built works by specific type
transportation vehicles
vehicles
visual works
visual works by subject type
watercraft
watercraft by general type
Title
Visnhu triad: goddess Shri Devi, 1 of 3 figures
Artist
Artist Unknown, India, Tamil Nadu
Physical Description
Shridevi stands in a tribhanga pose (with three bends) with her right arm hanging pendant to her side and holding a lotus bud in her left hand. She leans towards the figure of Vishnu in the grouping of three bronzes. She stands on a base consisting of a flat square element topped with a series of five round rings. She wears a decorated lower garment flared out on either side in a pattern. She wears a decorated belt and necklaces, bracelets and armlets, with shoulder loops, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes. She also wears a band across her breasts, a characteristic of Shridevi in groupings with Vishnu and his other consort, Bhudevi.
Century
17th-18th century
Object Creation Date
17th century - 18th century
Accession Number
1978/2.131
Medium and Support
bronze
relevance
rank 4.07794
Secondary Keywords
associated concepts
figures
people and culture
people and occupations
religion
religions
religions and religious concepts
Title
Votive tablet of a seated Buddha in dhyana mudra
Artist
Artist Unknown, India
Accession Number
1990/1.177
Medium and Support
terracotta
relevance
rank 4.07794
Secondary Keywords
associated concepts
figures
people and culture
people and occupations
religion
religions
religions and religious concepts
Title
Miniature altar fragment: Seated Buddha flanked by two attendants
Artist
Artist Unknown, China
Century
6th century
Object Creation Date
6th century
Accession Number
1981/2.73
Medium and Support
bronze
relevance
rank 4.07794
Secondary Keywords
associated concepts
figures
people and culture
people and occupations
religion
religions
religions and religious concepts
Access to media is restricted to U-M users.
Title
Basílica do Palácio Nacional de Mafra
Artist
Candida Höfer
Physical Description
chromogenic print
Artist Life Dates
born 1944
Century
21st century
Object Creation Date
2006
Accession Number
2007/2.15
Medium and Support
chromogenic color print on paper
relevance
rank 4.06427
Secondary Keywords
architecture
building divisions
buildings
buildings and the land
churches
churches by location or context
components
components and systems
components by specific context
europe (continent)
geographic and political locations
interior spaces
modern and contemporary art
photographs
places of worship
religious buildings
religious structures
rooms and spaces
rooms and spaces by location or context
single built works
single built works by function
single built works by specific type
Title
Vajra bell (Lontjeng) (one of a pair)
Artist
Artist Unknown, Indonesia, Java
Physical Description
This is one of a pair of Javanese bells. A talon-like vajra sits atop the bronze handle. Lotus petals decorate the base, and the faces encircling the the bell above them depict Prajnaparamita, the bodhisattva aspect of “Perfection of Wisdom.”
Century
16th -17th century
Object Creation Date
16th century - 17th century
Accession Number
1957/2.54
Medium and Support
bronze
relevance
rank 4.06388
Secondary Keywords
hollow-bodied
associated concepts
bells and sets of bells
biological components
buddhism
buddhist doctrinal concepts
chordophones
components
components and systems
components by specific context
copper alloy
copper and copper alloy
descriptors
directly struck idiophones
doctrinal concepts
heads
inorganic material
materials
materials by composition
metal
metal and metal products
metal by composition or origin
nonferrous metal
objects
objects we use
people and culture
percussion idiophones
religions
religions and religious concepts
religious concepts
sound devices
sound devices by acoustical characteristics
struck idiophones
the human body
upper body
Access to media is restricted to U-M users.
Title
Calvario, Patzuaro, from "The Mexican Portfolio", 2nd Edition
Artist
Paul Strand
Artist Life Dates
1890-1976
Century
20th century
Object Creation Date
1967
Accession Number
1971/2.126.12
Medium and Support
photogravure on paper
relevance
rank 4.05931
Secondary Keywords
allegory and literature
bible
figures
genres
holy figures and saints
modern and contemporary art
new testament
objects
people and occupations
religion
subject matter
themes (religious)
Title
Scene from the life of the Buddha: Buddha triumphs over the fire snake at the Fire Temple of Uruvilva Kasyapa (architectural fragment)
Artist
Artist Unknown,Gandhara (ancient Pakistan and Afghanistan)
Physical Description
A fragment of a stone slab, originally a facing on the drum of a small stupa, carved with a narrative scene. In this relief, he is converting devotees of the fire god Agni, the three ascetic Kasyapa brothers and their disciples. In this narrative, the Buddha asked to spend the night in the fire temple of Uruvilva Kasyapa. The temple’s fire god worshipers thought the fearsome fire serpent that dwelled within the temple would vanquish the Buddha. Instead, the fiery radiance of the meditating Buddha overwhelmed the serpent, who crawled into the Buddha’s alms bowl; the defeated snake appears in this sculpture below the Buddha. Meanwhile, the dazzling radiance the Buddha emits has been mistaken for flames and a fire brigade using ladders and pots of water has been formed to put out the fire, as can be seen here. Seated in the posture and gesture of meditation, the Buddha’s calm presence is in contrast to the action unfolding around him. The three Kasyapa brothers, with their beards and matted hair, are at the bottom directing it all – two are on the right and the other is seated at the far left.
Century
3rd century
Object Creation Date
200-232
Accession Number
1972/2.41
Medium and Support
grey schist
relevance
rank 4.05619
Secondary Keywords
animals and creatures
asian
associated concepts
buildings and the land
descriptors
design elements
equipment
equipment by process
indian
indian dynastic styles and periods
indian styles and periods
kushan
motifs
natural element motifs
object genres
object genres by form
objects we use
people and culture
religions
religions and religious concepts
religious structures
reptiles
single built works
single built works by function
single built works by specific type
south asian
styles and periods
styles and periods by region
supporting equipment
tools and equipment
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
Forced March to the Front between Lonie and Mitulen, Poland
Artist
André Kertész
Physical Description
A long row of male soldiers march down a Hungarian landscape. They are dressed in uniform and carrying artilery. They are boardered by a field of vegetation and an arid mountain range.
Artist Life Dates
1894-1985
Century
20th century
Object Creation Date
July 19, 1915; printed 1981
Accession Number
1985/1.125.9
Medium and Support
gelatin silver print on paper
relevance
rank 4.05458
Secondary Keywords
associated concepts
descriptors
design elements
firearms
objects we use
ornament areas
people
people (agents)
people and culture
people by occupation
people in military occupations
projectile weapons
projectile weapons with explosive propellant
religions
religions and religious concepts
weapons
weapons and ammunition
Access to media is restricted to U-M users.
Title
Sketch of the Baths of Caracalla (?)
Artist
Anonymous
Physical Description
This sketch shows ancient ruins. The top half of the page is left empty with sky. At the righ is an apsed portico and from it, to the left of the page, runs a wall studded with windows. In the foreground is a set of stairs with shrubbery overgrowing.
Century
18th century?
Accession Number
2013/2.559.2
Medium and Support
red crayon on laid paper
relevance
rank 4.05332
Secondary Keywords
bath, dressing and sanitary spaces
building divisions
buildings and the land
components
components and systems
components by specific context
objects we use
religious buildings
religious structures
rooms and spaces
rooms and spaces by function
single built works
single built works by condition
single built works by function
single built works by specific type
visual works
visual works by medium or technique
Title
Snuff bottle with relief images of luohan (Buddhist sages/arhats)
Artist
Artist Unknown, China
Century
19th century
Object Creation Date
circa 1800-1880
Accession Number
1980/2.129
Medium and Support
porcelain, molded, with overglaze enamel painting
relevance
rank 4.04712
Secondary Keywords
associated concepts
containers
containers by function or context
containers for personal use
containers for smoking and tobacco use
objects we use
people
people (agents)
people and culture
people by activity
religions
religions and religious concepts
Access to media is restricted to U-M users.
Title
Jewish Men Praying, Jerusalem, Israel
Artist
Leonard Freed
Physical Description
A group of Hassidic men praying inside of a religious place. They are all standing, facing forward.
Object Creation Date
1968
Accession Number
2014/2.331
Medium and Support
vintage gelatin silver print on paper
relevance
rank 4.04470
Secondary Keywords
associated concepts
document genres
document genres by form
document genres for literary works
information forms
objects we use
people
people (agents)
people and culture
people by gender
religions and religious concepts
Title
Buddha Asyura (Ashura, Kôfukuji, Nara)
Artist
Saitô Kiyoshi
Artist Life Dates
(active 1907 - 1997)
Century
20th century
Object Creation Date
1959
Accession Number
1986/2.65
Medium and Support
color woodblock print on paper
relevance
rank 4.04020
Secondary Keywords
associated concepts
people
people (agents)
people and culture
people by activity
religions
religions and religious concepts
Title
Bhairava: Shiva as Lord of the Cremation Grounds
Artist
Artist Unknown, India, Karnataka
Physical Description
Shiva as Bhairava stands against a plain pointed arch supported by pilasters with a kirtimukha or face of glory at the top. He stands in a trihanga pose, with his hip thrust to his right and wears platform sandals. He originally has four arms, the front two of which are broken away. His back two arms hold a decorated trident and a drum. He would have held a sword in one hand and a kapala, a cup made out of a scull and a hanging severed head in the other. He is naked, but wears much of jewelry including belts with pendant elements, anklets, armlets, bracelets, necklaces, a band just under his breasts and large circular earrings. He also wears a decorated sacred thread over his left shoulder. His has an elaborate coiffure in curls around the top of his head with a large topknot to one side. His face is badly damaged. Emaciated hungry ghosts attend him, the one to his right dancing with his hands raised above his head with a pot between his legs. The ghost who is on his left stands behind a dog, whose head has broken away. The ghost and the dog would have been playing with the absent severed head, adding to the ghoulish nature of the image.
Century
12th - 13th century
Object Creation Date
12th century -13th century
Accession Number
2001/2.131
Medium and Support
stone
relevance
rank 4.03848
Secondary Keywords
associated concepts
hindu
named gods and goddesses
people and culture
religion
religions
religions and religious concepts
subject matter
Title
Vishnu Stele, four-armed Vishnu with two of his attributes personified
Artist
Artist Unknown
Physical Description
Vishnu stand in a strict unbending pose, samabhanga and has four hands. Reading clockwise from the front right hand, he holds lotus, a club, a discus and a conch. The lotus and conch are also personified with full standing figures at the base below his tow front hands, the lotus as a female figure to his right and the conch as a male figure to his left. On the pointed arch behind the figure a flying figure holding garlands is carved in shallow relief to either side of his crown. He wears a diaphanous lower cloth, the folds of the garment are articulated with a flared section down the center. He wears a long garland down to his knees, a sacred thread and various pieces of jewelry, including bracelets, armlets, a necklace and large earrings and an elaborate crown.
Century
10th century
Object Creation Date
circa 10th century
Accession Number
2003/1.385
Medium and Support
black schist
relevance
rank 4.03848
Secondary Keywords
associated concepts
hindu
named gods and goddesses
people and culture
religion
religions
religions and religious concepts
subject matter
Title
Friction Oracle (Itombwa)
Artist
Artist Unknown, African, Congo (Zaire), Kuba
Physical Description
Carved wood figure of a quadraped, probably a dog. The figure's back is concave and smooth from use. The figure's back was rubbed with a stick, dowel, or cloth to create friction. A small bell or gong hangs from the figure's neck. Details of the face (nose, mouth eyes) are carved in.
Century
20th century
Object Creation Date
20th century
Accession Number
1997/1.358
Medium and Support
carved wood, metal, glass beads and cowrie shell
relevance
rank 4.03814
Secondary Keywords
descriptors
object genres
object genres by function
people and occupations
religious figures
the natural world
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
Artist
Max Pechstein
Physical Description
A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.432
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 4.03654
Secondary Keywords
transfer method
animals
animals and creatures
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
emotion
european
european styles and periods
figures
groups of people
information forms
kinship groups
mammals
mental activities
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people and occupations
prints
prints by process
prints by process or technique
psychological concepts
relief prints
religions and religious concepts
religious concepts
social groups
social science concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
Paestum
Artist
Luigi Kasimir
Physical Description
Print depicting the city of Paestum in Rome from the inside of a temple. The etching is in color, and the image was probably colored after the printing process was complete. The perspective is from the ground level, as if the viewer was standing inside the structure and looking towards the outside.
Artist Life Dates
b. 1881, active 1905-1925
Object Creation Date
1923
Accession Number
2009/2.97
Medium and Support
etching on paper
relevance
rank 4.03562
Secondary Keywords
ancient italian periods
ancient italian styles and periods
buildings and the land
descriptors
early western world
europe (continent)
geographic and political locations
image-making processes and techniques
intaglio printing processes
lazio (region)
mediterranean
people and culture
printing and printing processes and techniques
printing processes
processes and techniques
processes and techniques by specific type
religious buildings
religious structures
roma (province)
single built works
single built works by function
single built works by specific type
styles and periods
styles and periods by general era
styles and periods by region
Title
St. Michael Overcoming Satan
Artist
Giovanni Rovere
Artist Life Dates
1575-1640
Century
Late 16th or early 17th century
Object Creation Date
1575-1640
Accession Number
1970/2.60
Medium and Support
pen, brown ink and brown wash, heightened with white
relevance
rank 4.03018
Secondary Keywords
demons
historical figures
horns
men on horseback
objects
objects we use
people and occupations
religion
religious figures
subject matter
Title
Ascetics with dogs in landscape
Artist
Artist Unknown Mughal Workshop, Uttar Pradesh
Physical Description
The drawing is mounted on an album page of a yellowish color flecked with gold. There is a narrow frame in a slighter lighter tone outlined with gold and red lines. The main figure sits facing the viewer and is in a long robe. An emaciated, nearly nude figure faces him squatting with his hand on one knee. Another ascetic stands and offers obeisance to the master. One dog rolls around in front of him and another on a leash walks behind him. There is a clump of bushes to the lower left and a tree to the upper left tops a diagonal leading down to the right with a large group of twisted trees.
Century
17th century
Object Creation Date
17th century
Accession Number
1969/2.176
Medium and Support
black and red opaque watercolor and gold on paper
relevance
rank 4.03018
Secondary Keywords
animals
animals and creatures
buildings and the land
figures
mammals
people and occupations
religious figures
settlements and landscapes
the natural world
Title
The Vision of St. Dominic
Artist
Bernardo Castello
Artist Life Dates
1557-1629
Century
Late 16th or early 17th century
Object Creation Date
1550-1629
Accession Number
1970/2.9
Medium and Support
pen and ink with brown wash, heightened with white
relevance
rank 4.02803
Secondary Keywords
allegory and literature
atmospheric effects
bible
figures
holy figures and saints
new testament
people and occupations
religion
religious figures
subject matter
the natural world
Title
The Adoration of the Magi
Artist
Cristofano Robetta
Artist Life Dates
1452 - working until 1522
Century
15th-16th century
Object Creation Date
circa 1495
Accession Number
1956/1.77
Medium and Support
engraving on paper
relevance
rank 4.02803
Secondary Keywords
allegory and literature
bible
drapery
figures
geography
groups
holy figures and saints
new testament
people and occupations
religion
religions
religious figures
subject matter
Title
Vishnu as Bhogasthanakamurti, accompanied by a pair of female attendants, 1978/2.131 and 1978/2.132
Artist
Artist Unknown, India, Tamil Nadu
Physical Description
Vishnu stands on a base consisting of a flat square element topped with a series of five round rings. He stands in an unbending pose and has four arms. Reading clockwise from his front right hand, he is in varada mudra, holds a discus, holds a conch, and is on his hip. He wears a decorated lower garment flared out on either side in a pattern. He wears a decorated belt and necklaces, a sacred thread and shoulder loops, bracelets and armlets, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes.
Century
17th-18th century
Object Creation Date
17th century - 18th century
Accession Number
1978/2.123
Medium and Support
bronze
relevance
rank 4.02577
Secondary Keywords
associated concepts
hindu
people and culture
religion
religions
religions and religious concepts
subject matter
Access to media is restricted to U-M users.
Title
Illustrated book: Sayings of Jesus, The Sermon on the Mount and the Instructions
Artist
André Girard
Artist Life Dates
Born 1901
Century
20th century
Object Creation Date
1956
Accession Number
1956/2.20
Medium and Support
serigraph on paper
relevance
rank 4.01791
Secondary Keywords
allegory and literature
bible
figures
illustrations
modern and contemporary art
new testament
people and occupations
religious figures
text-based art
Access to media is restricted to U-M users.
Title
The Left Thief (Der linke Schächer), preparatory drawing for "Golgotha" illustration in 20 Pictures of the Bible (20 Bilder zur Bibel), 1924
Artist
Alfred Kubin
Physical Description
A remake of the traditional Golgotha crucifixion scene. On the right is a horribly distended figure, hanging precariously from a cross that leans out toward the viewer. He represents the left thief, or, the bad thief. He looks out toward the viewer. At the bottom center is a hooded Mary figure, her face shielded from view. At the far left, another cross contains the regular, "sleeping" form of another crucified man, but without the distention of the first. On the ground between the two is the empty cross of Christ, marked by the INRI signed nailed into its top. Along the center of the image, in the background, a file of viewers move from right to left, one of whom carries a ladder. Clouds can be seen in the sky.
Artist Life Dates
1877-1959
Century
20th century
Object Creation Date
1924
Accession Number
2007/2.100
Medium and Support
pen and ink on laid paper
relevance
rank 4.01322
Secondary Keywords
crosses
holy figures and saints
religion
subject matter
themes (religious)
Title
Tapestry
Artist
Anonymous Italian
Century
16th century
Object Creation Date
16th century
Accession Number
1972/2.328
Medium and Support
wool?
relevance
rank 4.01322
Secondary Keywords
allegory and literature
bible
crosses
new testament
religion
tapestry
themes (religious)
Title
Page from a Chorale: Last Judgment?
Artist
Anonymous Italian
Century
16th century
Object Creation Date
16th century
Accession Number
before6/30/46.10
Medium and Support
tempera on parchment
relevance
rank 4.01322
Secondary Keywords
allegory and literature
music
religion
text-based art
themes (religious)
Access to media is restricted to U-M users.
Title
Nun with Recorder
Artist
Ilse Bing
Physical Description
A nun holding a recording tool.
Artist Life Dates
American, born Germany, 1899/1900-1998
Object Creation Date
1935
Accession Number
2012/2.45
Medium and Support
vintage gelatin silver print on paper
relevance
rank 4.01055
Secondary Keywords
descriptors
image-making processes and techniques
people
people (agents)
people and culture
people by occupation
people in religion
people in religion and related occupations
people in the humanities
photographic processes
photography and photographic processes and techniques
processes and techniques
processes and techniques by specific type
religious (people)
Title
Head of an unidentified male figure, possibly a donor figure or a devotee in a Buddhist sculpture group
Artist
Gandhara (ancient Pakistan and Afghanistan)
Physical Description
This head of a male figure with curly hair and a mustache would once have been part of a large stucco sculpture group. Part of the stucco has flaked away from the right-hand side of the face.
Century
5th century
Object Creation Date
circa 5th century
Accession Number
1948/1.102
Medium and Support
stucco
relevance
rank 4.00773
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
people
people (agents)
people and culture
people by activity
people by gender
religions
religions and religious concepts
the human body
upper body
Title
Seated Buddha
Artist
Artist Unknown, China
Century
5th century
Object Creation Date
first half of 5th century
Accession Number
1964/1.93
Medium and Support
bronze
relevance
rank 4.00336
Secondary Keywords
associated concepts
figures
people and culture
people and occupations
religions
religions and religious concepts
Title
Bhu Devi
Artist
Artist Unknown, India, Tamil Nadu
Physical Description
Bhudevi stands in a tribhanga pose (with three bends) with her left arm hanging pendant to her side and holding a lotus bud in her right hand. She leans towards the figure of Vishnu in the grouping of three bronzes. She stands on a base consisting of a flat square element topped with a series of five round rings. She wears a decorated lower garment flared out on either side in a pattern. She wears a decorated belt and necklaces, bracelets and armlets, with shoulder loops, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes. She does not wear a band across her breasts, as does Shridevi in groupings with Vishnu and Bhudevi.
Century
17th-18th century
Object Creation Date
17th century - 18th century
Accession Number
1978/2.132
Medium and Support
bronze
relevance
rank 4.00140
Secondary Keywords
associated concepts
people and culture
religion
religions
religions and religious concepts
subject matter
Title
Iconography series: Brisha (female monkey, riding a bull)
Artist
Artist Unknown, India, Rajasthan, Jaipur School
Physical Description
Two figures, Anjana and a bull are depicted centrally in the image. The background is very simple with some grass tufts and a pond near the very bottom of the images. Near the top of the image in the background there some trees and sky are visible.
Century
19th century
Object Creation Date
circa 1840
Accession Number
1988/1.82
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 4.00140
Secondary Keywords
animals and creatures
associated concepts
mammals
people and culture
religions
religions and religious concepts
Title
Tara, six-armed, with attendant Buddha and Bodhisattva
Artist
Artist Unknown, India
Century
17th-18th century
Object Creation Date
17th century
Accession Number
1978/2.105
Medium and Support
bronze
relevance
rank 4.00140
Secondary Keywords
associated concepts
people and culture
religion
religions
religions and religious concepts
subject matter
Title
Standing Parvati
Artist
Artist Unknown India, Tamil Nadu, Pudukottai Workshop
Physical Description
Parvati stands on a tiny base with little feet in a strict unbending stance. The body is elongated with a small waist, the hips billowing out and tapering in a stylized way to the feet. He has broad shoulders, pointy breasts that fall quite low in the chest and has two arms holding a bowl in her right one and a lotus flower in her left. She wears a d simple tight fitting skirt decorated with incised lines and a corded belt that falls down the center of her body with five rows of cords falling from the center and wrapping around her legs creating a fishbone pattern. She wears necklaces with added pendants on her shoulders and her coiffure is tied in a chignon on the right side at the back of her head wearing a headdress that has decorations that cascade down both shoulders. Like the accompanying Shiva figure she has large eyes and what appear to be two sets of eyebrows, but the tikka on her forehead is of a flame shape.
Century
15th-16th century
Object Creation Date
15th century - 16th century
Accession Number
1978/2.127
Medium and Support
bronze
relevance
rank 4.00140
Secondary Keywords
associated concepts
people and culture
religion
religions
religions and religious concepts
subject matter
Title
Digambara Jain manuscript page: Jina venerated by a monk and a royal devotee
Artist
Artist Unknown, India, Sirohi School
Physical Description
This is a brightly colored painting on a light background. It depicts a three- tiered scene with several figures, standing and kneeling, looking toward a central seated figure in the top tier. This male figure is seated in lotus position on a throne, decorated with colorful designs. To his left and right are attendants who fan him. In the middle tier, there is a nude man with long hair, a kneeling woman and a figure who is half-man and half-serpent. In the bottom tier, there are two kneeling men, wearing robes and headdresses, with hands pressed together and eyes gazing upward toward the main figure. They are surrounded by a tiger, a bird, an insect and a serpent.
Century
18th century
Object Creation Date
18th century
Accession Number
1975/2.167
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 4.00110
Secondary Keywords
animals
animals and creatures
mammals
objects we use
people
people (agents)
people and culture
people and occupations
people by activity
people by state or condition
physical activities
physical activities by general context
religious figures
reptiles
reptiles and amphibians
the natural world
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
The Student (L'Etudiante)
Artist
Gerome Kamrowski
Physical Description
On a narrow canvas a background of overlapping, rounded segments of blues, grays, and greens suggests rock. These layers build up to warmer colors, and on the surface of the layers are several shapes executed in white line suggestive of cave-painting. The shapes looks like microscopic organisms and are connected by the nerve-like white lines. As a whole, the visual elements are also suggestive of a seated figure, and the white shapes then appear as organs.
Artist Life Dates
1914 - 2004
Century
20th century
Object Creation Date
1950
Accession Number
1975/1.77
Medium and Support
oil on canvas
relevance
rank 3.99747
Secondary Keywords
visual arts
artistic concepts
associated concepts
concepts in the arts
descriptors
european
european styles and periods
forms of expression
genres
image-making processes and techniques
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
objects we use
painting and painting techniques
painting techniques
painting techniques by medium
people and culture
processes and techniques
processes and techniques by specific type
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
Stones from the River, table base
Artist
Dan Kvitka
Physical Description
On a large, sinuous platform, twenty-two finished wood pieces are nestled within their respective positions; the pieces are comprised of large and small flat cylindrical shapes in shades of red and black.
Artist Life Dates
born 1958
Century
20th century
Object Creation Date
2000
Accession Number
2002/2.153A
Medium and Support
Burmese Afzelia burl and Nigerian black ebony on wood table
relevance
rank 3.98841
Secondary Keywords
associated concepts
bodies of water and components of bodies of water
buildings and the land
components of bodies of water
descriptors
european
european styles and periods
landscapes (environments)
modern european fine arts styles and movements
modern european styles and movements
natural landscapes
objects we use
people and culture
processes and techniques
processes and techniques by material
processes and techniques by specific type
religions and religious concepts
religious concepts
sculpture
sculpture by material
settlements and landscapes
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Title
Samvara (?) and Sakti
Artist
Nepal
Century
16th – 18th century
Object Creation Date
16th century
Accession Number
1976/2.76
Medium and Support
gilded copper or bronze
relevance
rank 3.98309
Secondary Keywords
asian
associated concepts
figures
people
people (agents)
people and culture
people and occupations
people by state or condition
religions
religions and religious concepts
south asian
styles and periods
styles and periods by region
Access to media is restricted to U-M users.
Title
Farm Landscape
Artist
Jacques Callot
Physical Description
Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
Accession Number
2008/2.381
Medium and Support
etching on beige laid paper
relevance
rank 3.97313
Secondary Keywords
transfer method
agricultural complexes
agricultural functions
animals and creatures
buildings and the land
built complexes and districts
complexes
complexes by function
descriptors
functions
functions (activities)
functions by specific context
image-making processes and techniques
intaglio printing processes
intaglio prints
mammals
objects we use
open spaces
open spaces and site elements
open spaces by form
people
people (agents)
people and culture
people by gender
people by occupation
people in agriculture
people in agriculture or natural resource occupations
people in science-related occupations
printing and printing processes and techniques
printing processes
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
religious buildings
religious structures
scientists and people in science-related occupations
single built works
single built works by function
single built works by specific type
visual works
visual works by medium or technique
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