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Showing results for "religious%20%28people%29" in Secondary Keywords.
- Title
- Man of Sorrows
- Artist
- Artist Unknown, Germany
- Century
- 15th century
- Object Creation Date
- circa 1460
- Accession Number
- 1949/1.167
- Medium and Support
- offset print on paper
- relevance
- rank 4.14274
- Secondary Keywords
- new testament
- religion
- subject matter
- themes (religious)
- Title
- A Rabbi Studying, from a drawing by Rembrandt
- Artist
- Augustus John
- Physical Description
- A bearded man sits stooped over his literature. He is adorned in thick robes and his head wrapped. He sits at a table that is also covered in cloth.
- Artist Life Dates
- 1878-1961
- Century
- 20th century
- Object Creation Date
- 1906
- Accession Number
- 1949/1.70
- Medium and Support
- etching on paper
- relevance
- rank 4.13101
- Secondary Keywords
- associated concepts
- clergy
- descriptors
- object genres
- object genres by location, context or origin
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- Title
- He's Got You and Me Brother
- Artist
- Ronald E. Cooper
- Artist Life Dates
- born 1931
- Century
- late 20th century
- Object Creation Date
- 1992
- Accession Number
- 2002/1.213
- Medium and Support
- carved and painted wood
- relevance
- rank 4.12422
- Secondary Keywords
- allegory and literature
- associated concepts
- bible
- new testament
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- standing
- visual works
- visual works by subject type
- Title
- Elevation of a Small Domed Church
- Artist
- Giuseppe Barberi
- Physical Description
- The sketch for a church is presented with the view towards the door. The church has a portico entrance with columns and and pediment. Above that his a high glazed drum supporting the dome. Atop the dome is a lantern and cross. At the ends of the entableture are sculptures of standing figures. The sides of the stucture appear to be quite shallow, suggesting that the church is a short-armed Greek cross or even round in plan.
- Artist Life Dates
- 1746-1809
- Century
- 18th-19th century
- Object Creation Date
- 1777-1784
- Accession Number
- 1958/1.64
- Medium and Support
- pen and brown ink with ink wash
- relevance
- rank 4.11180
- Secondary Keywords
- agricultural structures
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- reading and writing spaces
- religious buildings
- religious structures
- rooms and spaces
- rooms and spaces by function
- single built works
- single built works by function
- single built works by specific type
- Title
- Varahi
- Artist
- Artist Unknown, India, Tamil Nandu, Kanchipuran
- Physical Description
- Varahi has a crowned boar’s head on a woman’s body. She sits with her ankles crosses and originally had four arms, the back two have broken away as has the front right hand which had probably been held up in a reassuring gesture. Her left from hand is held down at her left knee with the palm held facing out in a gesture of giving. Her body is softly modeled with a narrow waist and full breasts. She wears jewelry that is in sharp but low relief and includes a series of necklaces forming a collar of decoration and a longer one that falls between her breasts which suggests the sacred thread extending down to her waist at her right. She is naked from the waist up and the lower garment is merely suggested by the heavier folds at the waist. Her head is tilted and her chin/snout had jutted out to the left, but the lower snout is broken away. She wears a conical crown that accents the long diagonal of her face. Originally there was an arch behind the image which would have supported her back arms, so the image would have appeared denser, with only the cut away empty space to the sides of her waist.
- Century
- 10th century
- Object Creation Date
- circa early 10th century
- Accession Number
- 1960/1.113
- Medium and Support
- granite
- relevance
- rank 4.10163
- Secondary Keywords
- animals and creatures
- associated concepts
- descriptors
- inorganic material
- mammals
- materials
- materials by composition
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- rock
- rock by form
- Title
- Ganesha, seated on a double lotus throne
- Artist
- Artist Unknown, Indonesia, Java
- Physical Description
- Ganesha is shown here seated on a double lotus throne, in a royal posture with the soles of his feet together. He has four arms, and holds two of his attributes in the rear pair: an ax and a rosary. His trunk curls down across his rotund belly to reach for a bowl of sweets that rests in his left forward arm. The cobra slung across his shoulder, now hard to make out because of the centuries of wear of the stone, indicates Ganesha's lineage as the son of the Shiva, in his aspect as the great ascetic. Almost 27 inches high, this sculpture of the Hindu god Ganesha is carved of andesite, a volcanic stone common to the island of Java in Indonesia. Andesite is a soft stone and erodes easily, which is why the carving is no longer crisp.
- Century
- 11th century
- Object Creation Date
- 11th century
- Accession Number
- 1957/2.56
- Medium and Support
- andesite (volcanic stone)
- relevance
- rank 4.10163
- Secondary Keywords
- animals and creatures
- associated concepts
- descriptors
- inorganic material
- mammals
- materials
- materials by composition
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- rock
- rock by form
- Title
- Digambara Jain manuscript page: Jina and worshipper
- Artist
- Artist Unknown, India, Sirohi School
- Physical Description
- In the upper register of this folio a woman holds a child who is crowned and adorned with jewels. The golden hue of the infant, along with the fan held above their heads signifies the child’s importance. They sit in devotion before a Jina, indicated by his nudity—a trademark of Digambara Jina and a sign of purity.
- Century
- 18th century
- Object Creation Date
- circa 18th century
- Accession Number
- 1975/2.165
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 4.09240
- Secondary Keywords
- associated concepts
- children (people by age group)
- figures (representations)
- objects we use
- parents
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- people by gender
- people by state or condition
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- youth
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 4.08742
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Hassidic Men Walking Amongst Sand Piles, Israel
- Artist
- Leonard Freed
- Physical Description
- A man in hassidic clothing standing in the middle of a sand pile. There is another man farther back in the distance.
- Object Creation Date
- 1968
- Accession Number
- 2014/2.330
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 4.08546
- Secondary Keywords
- associated concepts
- combination inorganic/organic material
- descriptors
- materials
- materials by composition
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- soil
- soil by composition or origin
- Title
- Mukha-Linga, Cobra head
- Artist
- Artist Unknown, India, South India
- Physical Description
- This phallic representation of the god Shiva appears as a columnar head placed on a base with two rounded moldings on top of a series of square ones. His neck is fully cylindrical and the face is modeled on that cylinder. The eyes are wide open and a bow shaped eyebrow curves over them. He has a flared nose and luxuriant moustache over a narrow but full lips and a short ball like chin. A ‘U’ shaped element consisting of lines and a pearl motif probably represents his beard, perhaps held up in a tight net. His forehead is decorated with three raise lines that go straight across and his crown is basically flat over his hear decorated with a bunch of peak forms in the center with a finial surmounting the whole. His ears fan out almost like handles to a jar and are decorated with stylized arabesques. A five-headed snake hood rises behind the head and has a rib down its center and scale motives incised towards the bottom an ‘S’ shapes t denote the cobra ‘eyes’ to each side.
- Century
- 18th-19th century
- Object Creation Date
- 18th century - 19th century
- Accession Number
- 1981/2.52C
- Medium and Support
- bronze
- relevance
- rank 4.08546
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- hinduism
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- reptiles
- reptiles and amphibians
- snakes
- the natural world
- Title
- Dancing Krishna holding butter-balls
- Artist
- Artist Unknown, India, Tamil Nadu
- Physical Description
- small bronze figurine made by lost wax process. The child Krishna dances on one leg with his right one raised. He hold balls of butter in his hands, one outstretched to this side and the right one extended forward as if offering it to the viewer. He stands on a round lotus base placed on a square slab. He is naked, but is decorated with a vast assortment of jewelry. Necklaces that cross his chest and drop to his waist, decorated belts, shoulder pieces, rings, bracelets and earrings and elaborate decorations on his head fanning out from his ears and decorating his hair which is arranged in a flat chignon on the top of his head.
- Century
- 17th-18th century
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 1976/2.42
- Medium and Support
- copper alloy with gilt
- relevance
- rank 4.08374
- Secondary Keywords
- arts
- arts and related disciplines
- associated concepts
- disciplines
- hindu
- humanities
- named gods and goddesses
- people
- people (agents)
- people and culture
- people by age group
- people by state or condition
- performing arts
- religion
- religions
- religions and religious concepts
- subject matter
- vishnu
- youth
- Title
- View of Amsterdam
- Artist
- Auguste Louis Lepère
- Physical Description
- In the right foreground, cutting across diagonally, is a pier with figures moving around. At the pier are some ships, and in the middle ground is a strip of water and a row of darkly shadowed buildings. In the background are some faint towers that jut into the sky.
- Artist Life Dates
- 1849-1918
- Century
- 20th century
- Object Creation Date
- 1849-1918
- Accession Number
- 1965/2.63
- Medium and Support
- etching on paper
- relevance
- rank 4.08065
- Secondary Keywords
- buildings and the land
- churches
- churches by location or context
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- modern and contemporary art
- netherlands (nation)
- north holland (province)
- objects we use
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Visnhu triad: goddess Shri Devi, 1 of 3 figures
- Artist
- Artist Unknown, India, Tamil Nadu
- Physical Description
- Shridevi stands in a tribhanga pose (with three bends) with her right arm hanging pendant to her side and holding a lotus bud in her left hand. She leans towards the figure of Vishnu in the grouping of three bronzes. She stands on a base consisting of a flat square element topped with a series of five round rings. She wears a decorated lower garment flared out on either side in a pattern. She wears a decorated belt and necklaces, bracelets and armlets, with shoulder loops, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes. She also wears a band across her breasts, a characteristic of Shridevi in groupings with Vishnu and his other consort, Bhudevi.
- Century
- 17th-18th century
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 1978/2.131
- Medium and Support
- bronze
- relevance
- rank 4.07794
- Secondary Keywords
- associated concepts
- figures
- people and culture
- people and occupations
- religion
- religions
- religions and religious concepts
- Title
- Votive tablet of a seated Buddha in dhyana mudra
- Artist
- Artist Unknown, India
- Accession Number
- 1990/1.177
- Medium and Support
- terracotta
- relevance
- rank 4.07794
- Secondary Keywords
- associated concepts
- figures
- people and culture
- people and occupations
- religion
- religions
- religions and religious concepts
- Title
- Miniature altar fragment: Seated Buddha flanked by two attendants
- Artist
- Artist Unknown, China
- Century
- 6th century
- Object Creation Date
- 6th century
- Accession Number
- 1981/2.73
- Medium and Support
- bronze
- relevance
- rank 4.07794
- Secondary Keywords
- associated concepts
- figures
- people and culture
- people and occupations
- religion
- religions
- religions and religious concepts
- Title
- Basílica do Palácio Nacional de Mafra
- Artist
- Candida Höfer
- Physical Description
- chromogenic print
- Artist Life Dates
- born 1944
- Century
- 21st century
- Object Creation Date
- 2006
- Accession Number
- 2007/2.15
- Medium and Support
- chromogenic color print on paper
- relevance
- rank 4.06427
- Secondary Keywords
- architecture
- building divisions
- buildings
- buildings and the land
- churches
- churches by location or context
- components
- components and systems
- components by specific context
- europe (continent)
- geographic and political locations
- interior spaces
- modern and contemporary art
- photographs
- places of worship
- religious buildings
- religious structures
- rooms and spaces
- rooms and spaces by location or context
- single built works
- single built works by function
- single built works by specific type
- Title
- Vajra bell (Lontjeng) (one of a pair)
- Artist
- Artist Unknown, Indonesia, Java
- Physical Description
- This is one of a pair of Javanese bells. A talon-like vajra sits atop the bronze handle. Lotus petals decorate the base, and the faces encircling the the bell above them depict Prajnaparamita, the bodhisattva aspect of “Perfection of Wisdom.”
- Century
- 16th -17th century
- Object Creation Date
- 16th century - 17th century
- Accession Number
- 1957/2.54
- Medium and Support
- bronze
- relevance
- rank 4.06388
- Secondary Keywords
- hollow-bodied
- associated concepts
- bells and sets of bells
- biological components
- buddhism
- buddhist doctrinal concepts
- chordophones
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- directly struck idiophones
- doctrinal concepts
- heads
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects
- objects we use
- people and culture
- percussion idiophones
- religions
- religions and religious concepts
- religious concepts
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- the human body
- upper body
- Title
- Calvario, Patzuaro, from "The Mexican Portfolio", 2nd Edition
- Artist
- Paul Strand
- Artist Life Dates
- 1890-1976
- Century
- 20th century
- Object Creation Date
- 1967
- Accession Number
- 1971/2.126.12
- Medium and Support
- photogravure on paper
- relevance
- rank 4.05931
- Secondary Keywords
- allegory and literature
- bible
- figures
- genres
- holy figures and saints
- modern and contemporary art
- new testament
- objects
- people and occupations
- religion
- subject matter
- themes (religious)
- Title
- Scene from the life of the Buddha: Buddha triumphs over the fire snake at the Fire Temple of Uruvilva Kasyapa (architectural fragment)
- Artist
- Artist Unknown,Gandhara (ancient Pakistan and Afghanistan)
- Physical Description
- A fragment of a stone slab, originally a facing on the drum of a small stupa, carved with a narrative scene. In this relief, he is converting devotees of the fire god Agni, the three ascetic Kasyapa brothers and their disciples. In this narrative, the Buddha asked to spend the night in the fire temple of Uruvilva Kasyapa. The temple’s fire god worshipers thought the fearsome fire serpent that dwelled within the temple would vanquish the Buddha. Instead, the fiery radiance of the meditating Buddha overwhelmed the serpent, who crawled into the Buddha’s alms bowl; the defeated snake appears in this sculpture below the Buddha. Meanwhile, the dazzling radiance the Buddha emits has been mistaken for flames and a fire brigade using ladders and pots of water has been formed to put out the fire, as can be seen here. Seated in the posture and gesture of meditation, the Buddha’s calm presence is in contrast to the action unfolding around him. The three Kasyapa brothers, with their beards and matted hair, are at the bottom directing it all – two are on the right and the other is seated at the far left.
- Century
- 3rd century
- Object Creation Date
- 200-232
- Accession Number
- 1972/2.41
- Medium and Support
- grey schist
- relevance
- rank 4.05619
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- buildings and the land
- descriptors
- design elements
- equipment
- equipment by process
- indian
- indian dynastic styles and periods
- indian styles and periods
- kushan
- motifs
- natural element motifs
- object genres
- object genres by form
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious structures
- reptiles
- single built works
- single built works by function
- single built works by specific type
- south asian
- styles and periods
- styles and periods by region
- supporting equipment
- tools and equipment
- visual works
- visual works by subject type
- Title
- Forced March to the Front between Lonie and Mitulen, Poland
- Artist
- André Kertész
- Physical Description
- A long row of male soldiers march down a Hungarian landscape. They are dressed in uniform and carrying artilery. They are boardered by a field of vegetation and an arid mountain range.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- July 19, 1915; printed 1981
- Accession Number
- 1985/1.125.9
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 4.05458
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- firearms
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- projectile weapons
- projectile weapons with explosive propellant
- religions
- religions and religious concepts
- weapons
- weapons and ammunition
- Title
- Sketch of the Baths of Caracalla (?)
- Artist
- Anonymous
- Physical Description
- This sketch shows ancient ruins. The top half of the page is left empty with sky. At the righ is an apsed portico and from it, to the left of the page, runs a wall studded with windows. In the foreground is a set of stairs with shrubbery overgrowing.
- Century
- 18th century?
- Accession Number
- 2013/2.559.2
- Medium and Support
- red crayon on laid paper
- relevance
- rank 4.05332
- Secondary Keywords
- bath, dressing and sanitary spaces
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- objects we use
- religious buildings
- religious structures
- rooms and spaces
- rooms and spaces by function
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Snuff bottle with relief images of luohan (Buddhist sages/arhats)
- Artist
- Artist Unknown, China
- Century
- 19th century
- Object Creation Date
- circa 1800-1880
- Accession Number
- 1980/2.129
- Medium and Support
- porcelain, molded, with overglaze enamel painting
- relevance
- rank 4.04712
- Secondary Keywords
- associated concepts
- containers
- containers by function or context
- containers for personal use
- containers for smoking and tobacco use
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- Title
- Jewish Men Praying, Jerusalem, Israel
- Artist
- Leonard Freed
- Physical Description
- A group of Hassidic men praying inside of a religious place. They are all standing, facing forward.
- Object Creation Date
- 1968
- Accession Number
- 2014/2.331
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 4.04470
- Secondary Keywords
- associated concepts
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- Title
- Buddha Asyura (Ashura, Kôfukuji, Nara)
- Artist
- Saitô Kiyoshi
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- 1959
- Accession Number
- 1986/2.65
- Medium and Support
- color woodblock print on paper
- relevance
- rank 4.04020
- Secondary Keywords
- associated concepts
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- Title
- Bhairava: Shiva as Lord of the Cremation Grounds
- Artist
- Artist Unknown, India, Karnataka
- Physical Description
- Shiva as Bhairava stands against a plain pointed arch supported by pilasters with a kirtimukha or face of glory at the top. He stands in a trihanga pose, with his hip thrust to his right and wears platform sandals. He originally has four arms, the front two of which are broken away. His back two arms hold a decorated trident and a drum. He would have held a sword in one hand and a kapala, a cup made out of a scull and a hanging severed head in the other. He is naked, but wears much of jewelry including belts with pendant elements, anklets, armlets, bracelets, necklaces, a band just under his breasts and large circular earrings. He also wears a decorated sacred thread over his left shoulder. His has an elaborate coiffure in curls around the top of his head with a large topknot to one side. His face is badly damaged. Emaciated hungry ghosts attend him, the one to his right dancing with his hands raised above his head with a pot between his legs. The ghost who is on his left stands behind a dog, whose head has broken away. The ghost and the dog would have been playing with the absent severed head, adding to the ghoulish nature of the image.
- Century
- 12th - 13th century
- Object Creation Date
- 12th century -13th century
- Accession Number
- 2001/2.131
- Medium and Support
- stone
- relevance
- rank 4.03848
- Secondary Keywords
- associated concepts
- hindu
- named gods and goddesses
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Vishnu Stele, four-armed Vishnu with two of his attributes personified
- Artist
- Artist Unknown
- Physical Description
- Vishnu stand in a strict unbending pose, samabhanga and has four hands. Reading clockwise from the front right hand, he holds lotus, a club, a discus and a conch. The lotus and conch are also personified with full standing figures at the base below his tow front hands, the lotus as a female figure to his right and the conch as a male figure to his left. On the pointed arch behind the figure a flying figure holding garlands is carved in shallow relief to either side of his crown. He wears a diaphanous lower cloth, the folds of the garment are articulated with a flared section down the center. He wears a long garland down to his knees, a sacred thread and various pieces of jewelry, including bracelets, armlets, a necklace and large earrings and an elaborate crown.
- Century
- 10th century
- Object Creation Date
- circa 10th century
- Accession Number
- 2003/1.385
- Medium and Support
- black schist
- relevance
- rank 4.03848
- Secondary Keywords
- associated concepts
- hindu
- named gods and goddesses
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Friction Oracle (Itombwa)
- Artist
- Artist Unknown, African, Congo (Zaire), Kuba
- Physical Description
- Carved wood figure of a quadraped, probably a dog. The figure's back is concave and smooth from use. The figure's back was rubbed with a stick, dowel, or cloth to create friction. A small bell or gong hangs from the figure's neck. Details of the face (nose, mouth eyes) are carved in.
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.358
- Medium and Support
- carved wood, metal, glass beads and cowrie shell
- relevance
- rank 4.03814
- Secondary Keywords
- descriptors
- object genres
- object genres by function
- people and occupations
- religious figures
- the natural world
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 4.03654
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Paestum
- Artist
- Luigi Kasimir
- Physical Description
- Print depicting the city of Paestum in Rome from the inside of a temple. The etching is in color, and the image was probably colored after the printing process was complete. The perspective is from the ground level, as if the viewer was standing inside the structure and looking towards the outside.
- Artist Life Dates
- b. 1881, active 1905-1925
- Object Creation Date
- 1923
- Accession Number
- 2009/2.97
- Medium and Support
- etching on paper
- relevance
- rank 4.03562
- Secondary Keywords
- ancient italian periods
- ancient italian styles and periods
- buildings and the land
- descriptors
- early western world
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- lazio (region)
- mediterranean
- people and culture
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- roma (province)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by general era
- styles and periods by region
- Title
- St. Michael Overcoming Satan
- Artist
- Giovanni Rovere
- Artist Life Dates
- 1575-1640
- Century
- Late 16th or early 17th century
- Object Creation Date
- 1575-1640
- Accession Number
- 1970/2.60
- Medium and Support
- pen, brown ink and brown wash, heightened with white
- relevance
- rank 4.03018
- Secondary Keywords
- demons
- historical figures
- horns
- men on horseback
- objects
- objects we use
- people and occupations
- religion
- religious figures
- subject matter
- Title
- Ascetics with dogs in landscape
- Artist
- Artist Unknown Mughal Workshop, Uttar Pradesh
- Physical Description
- The drawing is mounted on an album page of a yellowish color flecked with gold. There is a narrow frame in a slighter lighter tone outlined with gold and red lines. The main figure sits facing the viewer and is in a long robe. An emaciated, nearly nude figure faces him squatting with his hand on one knee. Another ascetic stands and offers obeisance to the master. One dog rolls around in front of him and another on a leash walks behind him. There is a clump of bushes to the lower left and a tree to the upper left tops a diagonal leading down to the right with a large group of twisted trees.
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 1969/2.176
- Medium and Support
- black and red opaque watercolor and gold on paper
- relevance
- rank 4.03018
- Secondary Keywords
- animals
- animals and creatures
- buildings and the land
- figures
- mammals
- people and occupations
- religious figures
- settlements and landscapes
- the natural world
- Title
- The Vision of St. Dominic
- Artist
- Bernardo Castello
- Artist Life Dates
- 1557-1629
- Century
- Late 16th or early 17th century
- Object Creation Date
- 1550-1629
- Accession Number
- 1970/2.9
- Medium and Support
- pen and ink with brown wash, heightened with white
- relevance
- rank 4.02803
- Secondary Keywords
- allegory and literature
- atmospheric effects
- bible
- figures
- holy figures and saints
- new testament
- people and occupations
- religion
- religious figures
- subject matter
- the natural world
- Title
- The Adoration of the Magi
- Artist
- Cristofano Robetta
- Artist Life Dates
- 1452 - working until 1522
- Century
- 15th-16th century
- Object Creation Date
- circa 1495
- Accession Number
- 1956/1.77
- Medium and Support
- engraving on paper
- relevance
- rank 4.02803
- Secondary Keywords
- allegory and literature
- bible
- drapery
- figures
- geography
- groups
- holy figures and saints
- new testament
- people and occupations
- religion
- religions
- religious figures
- subject matter
- Title
- Vishnu as Bhogasthanakamurti, accompanied by a pair of female attendants, 1978/2.131 and 1978/2.132
- Artist
- Artist Unknown, India, Tamil Nadu
- Physical Description
- Vishnu stands on a base consisting of a flat square element topped with a series of five round rings. He stands in an unbending pose and has four arms. Reading clockwise from his front right hand, he is in varada mudra, holds a discus, holds a conch, and is on his hip. He wears a decorated lower garment flared out on either side in a pattern. He wears a decorated belt and necklaces, a sacred thread and shoulder loops, bracelets and armlets, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes.
- Century
- 17th-18th century
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 1978/2.123
- Medium and Support
- bronze
- relevance
- rank 4.02577
- Secondary Keywords
- associated concepts
- hindu
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Illustrated book: Sayings of Jesus, The Sermon on the Mount and the Instructions
- Artist
- André Girard
- Artist Life Dates
- Born 1901
- Century
- 20th century
- Object Creation Date
- 1956
- Accession Number
- 1956/2.20
- Medium and Support
- serigraph on paper
- relevance
- rank 4.01791
- Secondary Keywords
- allegory and literature
- bible
- figures
- illustrations
- modern and contemporary art
- new testament
- people and occupations
- religious figures
- text-based art
- Title
- The Left Thief (Der linke Schächer), preparatory drawing for "Golgotha" illustration in 20 Pictures of the Bible (20 Bilder zur Bibel), 1924
- Artist
- Alfred Kubin
- Physical Description
- A remake of the traditional Golgotha crucifixion scene. On the right is a horribly distended figure, hanging precariously from a cross that leans out toward the viewer. He represents the left thief, or, the bad thief. He looks out toward the viewer. At the bottom center is a hooded Mary figure, her face shielded from view. At the far left, another cross contains the regular, "sleeping" form of another crucified man, but without the distention of the first. On the ground between the two is the empty cross of Christ, marked by the INRI signed nailed into its top. Along the center of the image, in the background, a file of viewers move from right to left, one of whom carries a ladder. Clouds can be seen in the sky.
- Artist Life Dates
- 1877-1959
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 2007/2.100
- Medium and Support
- pen and ink on laid paper
- relevance
- rank 4.01322
- Secondary Keywords
- crosses
- holy figures and saints
- religion
- subject matter
- themes (religious)
- Title
- Tapestry
- Artist
- Anonymous Italian
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1972/2.328
- Medium and Support
- wool?
- relevance
- rank 4.01322
- Secondary Keywords
- allegory and literature
- bible
- crosses
- new testament
- religion
- tapestry
- themes (religious)
- Title
- Page from a Chorale: Last Judgment?
- Artist
- Anonymous Italian
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- before6/30/46.10
- Medium and Support
- tempera on parchment
- relevance
- rank 4.01322
- Secondary Keywords
- allegory and literature
- music
- religion
- text-based art
- themes (religious)
- Title
- Nun with Recorder
- Artist
- Ilse Bing
- Physical Description
- A nun holding a recording tool.
- Artist Life Dates
- American, born Germany, 1899/1900-1998
- Object Creation Date
- 1935
- Accession Number
- 2012/2.45
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 4.01055
- Secondary Keywords
- descriptors
- image-making processes and techniques
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- religious (people)
- Title
- Head of an unidentified male figure, possibly a donor figure or a devotee in a Buddhist sculpture group
- Artist
- Gandhara (ancient Pakistan and Afghanistan)
- Physical Description
- This head of a male figure with curly hair and a mustache would once have been part of a large stucco sculpture group. Part of the stucco has flaked away from the right-hand side of the face.
- Century
- 5th century
- Object Creation Date
- circa 5th century
- Accession Number
- 1948/1.102
- Medium and Support
- stucco
- relevance
- rank 4.00773
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- religions
- religions and religious concepts
- the human body
- upper body
- Title
- Seated Buddha
- Artist
- Artist Unknown, China
- Century
- 5th century
- Object Creation Date
- first half of 5th century
- Accession Number
- 1964/1.93
- Medium and Support
- bronze
- relevance
- rank 4.00336
- Secondary Keywords
- associated concepts
- figures
- people and culture
- people and occupations
- religions
- religions and religious concepts
- Title
- Bhu Devi
- Artist
- Artist Unknown, India, Tamil Nadu
- Physical Description
- Bhudevi stands in a tribhanga pose (with three bends) with her left arm hanging pendant to her side and holding a lotus bud in her right hand. She leans towards the figure of Vishnu in the grouping of three bronzes. She stands on a base consisting of a flat square element topped with a series of five round rings. She wears a decorated lower garment flared out on either side in a pattern. She wears a decorated belt and necklaces, bracelets and armlets, with shoulder loops, earrings and a crown. The jewelry and crown is highlighted with gold paint as is his clothing and the two attributes. She does not wear a band across her breasts, as does Shridevi in groupings with Vishnu and Bhudevi.
- Century
- 17th-18th century
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 1978/2.132
- Medium and Support
- bronze
- relevance
- rank 4.00140
- Secondary Keywords
- associated concepts
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Iconography series: Brisha (female monkey, riding a bull)
- Artist
- Artist Unknown, India, Rajasthan, Jaipur School
- Physical Description
- Two figures, Anjana and a bull are depicted centrally in the image. The background is very simple with some grass tufts and a pond near the very bottom of the images. Near the top of the image in the background there some trees and sky are visible.
- Century
- 19th century
- Object Creation Date
- circa 1840
- Accession Number
- 1988/1.82
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 4.00140
- Secondary Keywords
- animals and creatures
- associated concepts
- mammals
- people and culture
- religions
- religions and religious concepts
- Title
- Tara, six-armed, with attendant Buddha and Bodhisattva
- Artist
- Artist Unknown, India
- Century
- 17th-18th century
- Object Creation Date
- 17th century
- Accession Number
- 1978/2.105
- Medium and Support
- bronze
- relevance
- rank 4.00140
- Secondary Keywords
- associated concepts
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Standing Parvati
- Artist
- Artist Unknown India, Tamil Nadu, Pudukottai Workshop
- Physical Description
- Parvati stands on a tiny base with little feet in a strict unbending stance. The body is elongated with a small waist, the hips billowing out and tapering in a stylized way to the feet. He has broad shoulders, pointy breasts that fall quite low in the chest and has two arms holding a bowl in her right one and a lotus flower in her left. She wears a d simple tight fitting skirt decorated with incised lines and a corded belt that falls down the center of her body with five rows of cords falling from the center and wrapping around her legs creating a fishbone pattern. She wears necklaces with added pendants on her shoulders and her coiffure is tied in a chignon on the right side at the back of her head wearing a headdress that has decorations that cascade down both shoulders. Like the accompanying Shiva figure she has large eyes and what appear to be two sets of eyebrows, but the tikka on her forehead is of a flame shape.
- Century
- 15th-16th century
- Object Creation Date
- 15th century - 16th century
- Accession Number
- 1978/2.127
- Medium and Support
- bronze
- relevance
- rank 4.00140
- Secondary Keywords
- associated concepts
- people and culture
- religion
- religions
- religions and religious concepts
- subject matter
- Title
- Digambara Jain manuscript page: Jina venerated by a monk and a royal devotee
- Artist
- Artist Unknown, India, Sirohi School
- Physical Description
- This is a brightly colored painting on a light background. It depicts a three- tiered scene with several figures, standing and kneeling, looking toward a central seated figure in the top tier. This male figure is seated in lotus position on a throne, decorated with colorful designs. To his left and right are attendants who fan him. In the middle tier, there is a nude man with long hair, a kneeling woman and a figure who is half-man and half-serpent. In the bottom tier, there are two kneeling men, wearing robes and headdresses, with hands pressed together and eyes gazing upward toward the main figure. They are surrounded by a tiger, a bird, an insect and a serpent.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1975/2.167
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 4.00110
- Secondary Keywords
- animals
- animals and creatures
- mammals
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by state or condition
- physical activities
- physical activities by general context
- religious figures
- reptiles
- reptiles and amphibians
- the natural world
- visual works
- visual works by subject type
- Title
- The Student (L'Etudiante)
- Artist
- Gerome Kamrowski
- Physical Description
- On a narrow canvas a background of overlapping, rounded segments of blues, grays, and greens suggests rock. These layers build up to warmer colors, and on the surface of the layers are several shapes executed in white line suggestive of cave-painting. The shapes looks like microscopic organisms and are connected by the nerve-like white lines. As a whole, the visual elements are also suggestive of a seated figure, and the white shapes then appear as organs.
- Artist Life Dates
- 1914 - 2004
- Century
- 20th century
- Object Creation Date
- 1950
- Accession Number
- 1975/1.77
- Medium and Support
- oil on canvas
- relevance
- rank 3.99747
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- image-making processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Stones from the River, table base
- Artist
- Dan Kvitka
- Physical Description
- On a large, sinuous platform, twenty-two finished wood pieces are nestled within their respective positions; the pieces are comprised of large and small flat cylindrical shapes in shades of red and black.
- Artist Life Dates
- born 1958
- Century
- 20th century
- Object Creation Date
- 2000
- Accession Number
- 2002/2.153A
- Medium and Support
- Burmese Afzelia burl and Nigerian black ebony on wood table
- relevance
- rank 3.98841
- Secondary Keywords
- associated concepts
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- descriptors
- european
- european styles and periods
- landscapes (environments)
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects we use
- people and culture
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- sculpture
- sculpture by material
- settlements and landscapes
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Samvara (?) and Sakti
- Artist
- Nepal
- Century
- 16th – 18th century
- Object Creation Date
- 16th century
- Accession Number
- 1976/2.76
- Medium and Support
- gilded copper or bronze
- relevance
- rank 3.98309
- Secondary Keywords
- asian
- associated concepts
- figures
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Farm Landscape
- Artist
- Jacques Callot
- Physical Description
- Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
- Accession Number
- 2008/2.381
- Medium and Support
- etching on beige laid paper
- relevance
- rank 3.97313
- Secondary Keywords
- transfer method
- agricultural complexes
- agricultural functions
- animals and creatures
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- scientists and people in science-related occupations
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique