A boy stands at the front of the painting, arms crossed and face solemn. He is wearing an oversized white shirt that comes down to his knees. A figure, most likely a woman, stands behind him with her back turned. Her head is covered in a long black headscarf that is traditional to Jewish culture. Behind them is a blue horizon.
In thick, sketchy lines, this print portrays a scene in which a figure leans against a wall on the left, and a crowd of people look over a balcony on the right. The top half of the composition is taken up mostly by a ceiling with two lamps hanging from it.
(Cited from the book Fresh Impressions: Early Modern Japanese Prints) Oda Kazuma began his career by studying painting. While learning Western-style painting, he became interested in lithography. He was also influenced by his older brother, who was a lithography technician. While first associated with the Shin-hanga style, Oda Kazuma became deeply involved in the Creative Prints movement, or Sosaku-hanga, and in 1918 he was a founding member of Nihon Sosaku Hanga Kyokai. Oda Kazuma focused mostly on lithography, and his painterly style set him apart from his contemporaries. Oda Kazuma was particularly interested in portraying the developing urban landscape in Japan.