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Showing results for "mammals" in Secondary Keywords.

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Title
Copy of a Print by Gilray
Artist
George Cruikshank
Artist Life Dates
1782-1878
Century
19th century
Object Creation Date
1782-1878
Accession Number
1983/1.128
Medium and Support
graphite on paper
relevance
rank 2.13695
Secondary Keywords
animals
atmospheric effects
european
european styles and periods
geography
houses
mammals
modern british styles and movements
modern british styles by reign
modern european regional styles and movements
modern european styles and movements
objects we use
people and culture
people and occupations
plants
projectile weapons
projectile weapons with nonexplosive propellant
projectiles with nonexplosive propellant
styles and periods
styles and periods by region
the natural world
waterscapes
weapons
weapons and ammunition
Title
Scene from the Ramayana (?)
Artist
Indonesia, Bali
Century
20th century
Object Creation Date
1st half of 20th century
Accession Number
1991/2.31
Medium and Support
ink and opaque watercolor on hand-woven cotton
relevance
rank 2.12048
Secondary Keywords
animals and creatures
associated concepts
ceremonial chairs
chairs
chairs by function
components and systems
furnishings
furnishings by form or function
furniture
furniture by form or function
mammals
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
people by occupation
people in government and administration
religions
religions and religious concepts
rulers (people)
seating furniture
single seating furniture
visual works groupings
Access to media is restricted to U-M users.
Title
The Fifty-Three Stations of the Tokaido (Kichizo Edition): #34 Futagawa
Artist
Andô Hiroshige
Physical Description
Group of people carrying parcels and leading horses in front of a shop. Other travelers can be seen crossing in the distance. There is a tall tree by the store, and across the water is a smal hill with trees on it. The skyline is edged in pink, suggesting dawn or dusk. Writing in upper right and left corners. Title in red box in upper right corner.
Artist Life Dates
1797-1858
Object Creation Date
circa 1850
Accession Number
2008/2.316
Medium and Support
woodblock print on paper
relevance
rank 2.11887
Secondary Keywords
upward
animals and creatures
buildings and the land
commercial buildings
descriptors
dwellings
inorganic material
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
materials
materials by composition
mercantile buildings
natural landscapes
objects we use
plants
residential structures
settlements and landscapes
single built works
single built works by function
single built works by specific type
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
woody plants
Title
Ivory snuff bottle
Artist
Artist Unknown, China
Century
20th century
Object Creation Date
circa 1825-1900
Accession Number
1980/2.62
Medium and Support
ivory
relevance
rank 2.08646
Secondary Keywords
animals and creatures
associated concepts
bone
bone by form
combination inorganic/organic animal material
combination inorganic/organic material
containers
containers by function or context
containers for personal use
containers for smoking and tobacco use
dentin
descriptors
earth sciences concepts
mammals
materials
materials by composition
objects we use
people
people (agents)
people and culture
people by state or condition
physical sciences concepts
scientific concepts
tooth and tooth components
tooth components
weather and related phenomena
weather-related phenomena
Access to media is restricted to U-M users.
Title
Warriors
Artist
Utagawa Kuniyoshi
Physical Description
A woodblock print of two men entangled in combat at the base of a tree. Tree trunk takes up left side of print, in the distance are two green mountain peaks. A brown horse and rider are in the background (center right).
Artist Life Dates
1797 - 1861
Object Creation Date
1849-1853
Accession Number
2011/2.194
Medium and Support
woodblock print on paper
relevance
rank 2.08574
Secondary Keywords
transfer method
upward
animals and creatures
buildings and the land
entertainment events
events
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
natural landscapes
objects we use
people
people (agents)
people and culture
people by gender
performances
physical activities
physical activities by general context
plants
prints
prints by process
prints by process or technique
relief prints
settlements and landscapes
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
woody plants
Access to media is restricted to U-M users.
Title
The Fifty-Three Stations of the Tokaido (Gyosho Edition): #8 Hiratsuka
Artist
Andô Hiroshige
Physical Description
A woodblock print of three men and a horse ladened with packages in the foreground. They are beside a river and two grey mountain peaks and one central white mountain peak are set in the background. A small boat with men wearing large white hats is to the viewer's left.
Artist Life Dates
1797-1858
Object Creation Date
circa 1841-1842
Accession Number
2011/2.196
Medium and Support
woodblock print on paper
relevance
rank 2.08458
Secondary Keywords
transfer method
upward
animals and creatures
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
natural landscapes
objects we use
people
people (agents)
people and culture
people by gender
prints
prints by process
prints by process or technique
relief prints
riverine bodies
settlements and landscapes
transportation vehicles
vehicles
visual works
visual works by medium or technique
watercraft
watercraft by general type
Title
Conch trumpet, in an embossed silver mount, inlaid with lapis lazuli, turquoise and coral
Artist
Artist Unknown, Tibet or Nepal
Physical Description
An elaborately decorated conch shell trumpet, with extensions and a side chamber made from silver, inlaid with other precious metals and semi-precious stones of turquoise, lapiz lazuli, and mountain coral.
Century
9th-20th century
Object Creation Date
800-1900
Accession Number
1982/2.42A
Medium and Support
conch shell, silver, vermeil, lapis lazuli, and coral
relevance
rank 2.08367
Secondary Keywords
animals and creatures
asian
associated concepts
combination inorganic/organic animal material
combination inorganic/organic material
descriptors
legendary creatures
mammals
materials
materials by composition
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
shell (animal material)
shell and shell material
sound devices
sound devices by function
south asian
styles and periods
styles and periods by region
Title
Royal Elephant Mask (Bajoun)
Artist
Artist Unknown, African, Cameroon, Bamileke
Century
20th century
Object Creation Date
20th century
Accession Number
1997/1.305
Medium and Support
cloth with multi-colored beadwork
relevance
rank 2.07786
Secondary Keywords
african
african styles by region
animals
animals and creatures
aristocracy
beads and sets of beads
beadwork
cameroon grassfields
cameroon styles
costume
costume by function
descriptors
groups of people
mammals
nobility
object genres
object genres by form
objects
objects we use
people
people (agents)
people and culture
people and occupations
political figures
social classes
social classes by specific type
social groups
styles and periods
styles and periods by region
the natural world
upper class
west african styles
Title
Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
Artist
Samson Carver, Pricked-Ivories Workshop, Cologne, Germany
Physical Description
Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
Century
12th century
Object Creation Date
circa 1150
Accession Number
1987/1.262
Medium and Support
elephant ivory
relevance
rank 2.07362
Secondary Keywords
animals and creatures
bone
bone by form
card, table and board game elements
combination inorganic/organic animal material
combination inorganic/organic material
dentin
descriptors
edged weapons
mammals
materials
materials by composition
object-making processes and techniques
objects we use
people and culture
physical activities
physical activities by general context
processes and techniques
processes and techniques by specific type
recreational artifacts
recreational artifacts for competitive activities
relief
sculpture techniques
tooth and tooth components
tooth components
weapons
weapons and ammunition
Title
The Butcher's Dog
Artist
James McNeill Whistler
Physical Description
A partial view of a butcher's shop is seen frontally from across the road. To the left is an arched doorway within a pedimented entryway; a woman holding a baby stands silhouetted against the doorway while a little girl sits on the stoop. To the right is an arched shopfront that comprises both the doorway and the window in which hangs two large cuts of meat. The window of the shop is partially screened by an awning the extends before the facade of the building. A dog is seen sitting in front of the shop window.
Artist Life Dates
1834-1903
Century
19th century
Object Creation Date
1896
Accession Number
1954/1.464
Medium and Support
transfer lithograph on wove paper
relevance
rank 2.07350
Secondary Keywords
animals
animals and creatures
architectural elements
architecture
buildings and the land
components
components and systems
components by specific context
descriptors
figures
mammals
materials
materials by function
open spaces
open spaces and site elements
open spaces by function
openings (architectural elements)
openings and opening components
openings by form
people and culture
people and occupations
physical activities
physical activities by general context
roads
roads by form
the natural world
transportation spaces
windows and window components
Title
St. Jerome in His Study
Artist
Albrecht Dürer
Physical Description
This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.
Artist Life Dates
Nüremberg, 1471-1528
Century
16th century
Object Creation Date
1514
Accession Number
1993/2.1
Medium and Support
engraving on laid paper
relevance
rank 2.06885
Secondary Keywords
image form
transfer method
animal material
animal material by form or function
animals and creatures
bavaria (state)
descriptors
europe (continent)
geographic and political locations
germany (nation)
information artifacts
information artifacts by physical form
information forms
intaglio prints
mammals
materials
materials by origin
mittelfranken (national district)
objects we use
prints
prints by process
prints by process or technique
skeleton and skeleton components
skeleton components
views
views by vantage point or orientation
visual works
visual works by form
visual works by medium or technique
Access to media is restricted to U-M users.
Title
Les Voisins de Campagne
Artist
Félix Hilaire Buhot
Physical Description
Paper size: lh 24cm & rh 23 4/5cm x tw 29cm & bw 29 1/5cm. Image size: h 13 1/2cm x w 18cm.
Artist Life Dates
1847-1898
Accession Number
2008/2.458
Medium and Support
etching, drypoint and soft-ground etching on beige laid paper
relevance
rank 2.06793
Secondary Keywords
settlement area
animals and creatures
buildings and the land
costume
costume accessories
costume accessories carried
descriptors
dwellings
engraving (printing process)
houses
houses by location
houses by location or context
image-making processes and techniques
intaglio printing processes
mammals
objects we use
printing and printing processes and techniques
printing processes
processes and techniques
processes and techniques by specific type
residential structures
rural houses
single built works
single built works by function
single built works by specific type
Title
Jain Tirthankara and a monk with animal forest scene, no. 12 from a Digambara series
Artist
Artist Unknown, India, Sirohi School
Physical Description
Two distinct registers divide a page in half. At the top, a yellow-orange colored nude jina sits in lotus position upon a three tiered throne [a patterned blue level at the bottom on feet, with an orange section with gold and red decoration and a green level at the top with gold vertical stripes]. He sits against a red background adorned with a pattern of three white dots. The background takes the shape of an elegant cusped arch with a green and white pattern along its outside with a gold pattern at its sides. To the right of the seated figure a nude Digambara monk sits with his legs folded and one knee up on a less elaborate throne with a lota or pot at the corner and a crossed bookstand to the side holding a book with some devanagari writing on it. He raises his right arm and holds his left to his ear.
Placed under a band of curving yellow stripes, the bottom register represents animals in a landscape. At the bottom are clumps of grass with four stylized mountain forms in blue at the right. Above the mountains stands a tiger facing a family of antelope striding towards him. The family consists of the blue male with his long spiraling horns and a yellow doe below him with a flesh-colored in front of her. Another small yellow fawn takes up the rear. Clumps of light blue and green grasses fill in the background.
Century
18th century
Object Creation Date
18th century
Accession Number
1975/2.178
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 2.06717
Secondary Keywords
upward
animals and creatures
associated concepts
buildings and the land
containers
containers by form
descriptors
figures (representations)
information artifacts
information artifacts by physical form
information forms
landforms
landforms and landform components
landforms by shape or position
mammals
materials
materials by origin
natural landscapes
objects we use
people
people (agents)
people and culture
people by gender
people by occupation
people by state or condition
people in religion
people in religion and related occupations
people in the humanities
plant material
religions
religions and religious concepts
religious (people)
settlements and landscapes
vessels
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
The Fifty-Three Stations of the Tokaido (Kyoka Edition): #30 Hamamatsu
Artist
Andô Hiroshige
Physical Description
A procession on horseback travels through the village of Homatsu with castles in the background. Red tones in the sky indicate a setting sun, and a distant mountain is visible. It is accompanied by text.
Artist Life Dates
1797-1858
Object Creation Date
late 1830s
Accession Number
2008/2.323
Medium and Support
color woodblock print on paper
relevance
rank 2.06654
Secondary Keywords
scale
upward
animals and creatures
associated concepts
buildings and the land
ceremonies
cultural ceremonies
culture and related concepts
culture-related concepts
events
fortifications
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
natural landscapes
open spaces
open spaces and site elements
open spaces by function
people and culture
settlements
settlements and landscapes
settlements by form
single built works
single built works by function
single built works by specific type
transportation spaces
Title
Hyena Puppet Head (Nama, Sogu kun)
Artist
Artist Unknown, African, Bamana Peoples, Mali
Physical Description
Stylized wood carving of hyena head; two pieces of wood joined to form articulating jaw. edged with prominent teeth. short upright ears, long triangular nose or snout; eyes, teeth, nose and crown of head overlaid with sheet metal. Wood is unpainted.
Century
20th century
Object Creation Date
circa 1950
Accession Number
1971/2.23
Medium and Support
wood, sheet metal
relevance
rank 2.05653
Secondary Keywords
animals and creatures
biological components
buildings and the land
components
components and systems
components by specific context
descriptors
inorganic material
mammals
materials
materials by composition
metal and metal products
objects we use
performing arts buildings
performing arts structures
puppets
recreational artifacts
recreational artifacts for noncompetitive activities
sculpture
sculpture by material
single built works
single built works by function
single built works by specific type
the human body
upper body
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
Transport Braila, Rumania, from "Hungarian Memories"
Artist
André Kertész
Physical Description
A man sits in the street with legs crossed and hands clasp, leaning against his wagon. The wagon is filled to the brim with various wooden objects. The man's gaze is transfixed on two dogs sitting beside wooden crates.
Artist Life Dates
1894-1985
Century
20th century
Object Creation Date
October 19, 1918; printed 1981
Accession Number
1985/1.125.8
Medium and Support
gelatin silver print on paper
relevance
rank 2.05463
Secondary Keywords
animals and creatures
associated concepts
cargo vehicles
cargo vehicles by form
components and systems
containers
containers by form
environments (object groupings)
freewheeled vehicles
freewheeled vehicles by form or function
land vehicles
land vehicles by form
mammals
object groupings
object groupings and systems
object groupings by specific context
objects we use
people and culture
physical activities
physical activities by general context
religions
religions and religious concepts
transportation vehicles
vehicles
Title
Thinks I to Myself, Thinks I
Artist
George Cruikshank
Artist Life Dates
1782-1878
Century
19th century
Object Creation Date
circa 1850
Accession Number
1983/1.125
Medium and Support
color etching on paper
relevance
rank 2.05451
Secondary Keywords
image form
animals
architecture
european
european styles and periods
furnishings
furnishings by form or function
furniture
furniture by form or function
genres
mammals
modern british styles and movements
modern british styles by reign
modern european regional styles and movements
modern european styles and movements
objects we use
people and culture
people and occupations
sleeping and reclining furniture
styles and periods
styles and periods by region
text-based art
the natural world
visual works
visual works by form
Title
Ram Rod Puppet Head (Bakòrò, Sogokun)
Artist
Artist Unknown, African, Bamana Peoples, Mali
Physical Description
A naturalistic rendering of a ram, with striations incised into the top of the head and down the first third of the horns which sweep forward in a natural curve toward the nose. Eyes inlaid with green glass, and muzzle is overlaid with strip of metal. Jaw articulates, tied with cord. Cloth ears are attached and dangle on either side of head. Wood is unpainted.
Century
20th century
Object Creation Date
circa 1950
Accession Number
1971/2.22
Medium and Support
wood, sheet metal, glass and cloth
relevance
rank 2.05402
Secondary Keywords
animals and creatures
biological components
buildings and the land
components
components and systems
components by specific context
descriptors
inorganic material
mammals
materials
materials by composition
metal and metal products
objects we use
performing arts buildings
performing arts structures
puppets
recreational artifacts
recreational artifacts for noncompetitive activities
sculpture
sculpture by material
sheep
single built works
single built works by function
single built works by specific type
the human body
upper body
visual works
visual works by medium or technique
Title
The Four Times of Day: Evening
Artist
William Hogarth
Physical Description
This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.
Artist Life Dates
1697-1764
Century
18th century
Object Creation Date
1738
Accession Number
1971/2.58
Medium and Support
etching and engraving on laid paper
relevance
rank 2.05021
Secondary Keywords
animals and creatures
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
commercial buildings
earth sciences concepts
eating and drinking buildings
landscapes (environments)
mammals
natural landscapes
people (agents)
people and culture
people by family relationship
physical sciences concepts
riverine bodies
scientific concepts
settlements and landscapes
single built works
single built works by function
single built works by specific type
weather and related phenomena
weather-related phenomena
Access to media is restricted to U-M users.
Title
The Fifty-Three Stations of the Tokaido (Kichizo Edition): #13 Numazu
Artist
Andô Hiroshige
Physical Description
Small group of figures with a palanquin and horse along with shops and a rounded hill in the distance.
Artist Life Dates
1797-1858
Object Creation Date
circa 1850
Accession Number
2008/2.319
Medium and Support
woodblock print on paper
relevance
rank 2.04701
Secondary Keywords
layout features
upward
animals and creatures
buildings and the land
components
components and systems
components by specific context
dwellings
houses
houses by form
illustrations
illustrations by form
images and ornament
information form components
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
layout features
mammals
natural landscapes
plants
residential structures
settlements and landscapes
single built works
single built works by function
single built works by specific type
vegetation and vegetation components
vegetation components
woody plants
Title
Temple bell with handle of a pair of addorsed lions and a dragon
Artist
Artist Unknown, Burma
Physical Description
Bronze temple bell with traces of polychrome, text, and lowermost handle in shape of a pair of addorsed lions. A decorated post threads through the space created by the back-to-back lions, on which an additional handle decorated with addorsed dragons is thread. The open space created between the dragons' connecting tails is where part of a frame would pass through, suspending the bell above the ground. This type of bell does not have a metal clapper, and is rung by striking with a wooden stick.
Century
Early 20th century
Object Creation Date
1907
Accession Number
2002/2.237A-C
Medium and Support
bronze with traces of polychrome
relevance
rank 2.03375
Secondary Keywords
hollow-bodied
animals and creatures
bells and sets of bells
buildings and the land
chordophones
copper alloy
copper and copper alloy
descriptors
directly struck idiophones
inorganic material
legendary creatures
mammals
materials
materials by composition
metal
metal and metal products
metal by composition or origin
nonferrous metal
objects we use
percussion idiophones
religious buildings
religious structures
single built works
single built works by function
single built works by specific type
sound devices
sound devices by acoustical characteristics
struck idiophones
Title
The Road to Shu
Artist
Matsumura Goshun
Physical Description
Travelers are seen on a winding mountain pathway, among overlapping layers of mountains.
Artist Life Dates
1752-1811
Century
18th century
Object Creation Date
late 18th century - early 19th century
Accession Number
1970/2.152
Medium and Support
hanging scroll, ink and color on silk
relevance
rank 2.02694
Secondary Keywords
upward
animals
animals and creatures
architecture
army
atmospheric effects
buildings and the land
geography
history
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
military
natural landscapes
open spaces
open spaces and site elements
open spaces by function
people
people (agents)
people and culture
people and occupations
people by activity
plants
religious figures
roads
seasons
settlements and landscapes
single built works
single built works by function
single built works by specific type
the natural world
transportation spaces
transportation structures
transportation structures by form
Title
Upright Ornament with Bull and Satyrs
Artist
Agostino Musi
Physical Description
This decorative image is organized along a vertical axis wtih fanciful creatures, grotesque heads, depictions of carved gems and harpies.
Artist Life Dates
Active 1514-1536
Century
16th century
Object Creation Date
circa 1520
Accession Number
1960/2.133
Medium and Support
engraving on paper
relevance
rank 2.02240
Secondary Keywords
transfer method
animal material
animals and creatures
associated concepts
concepts in the arts
descriptors
genres in the arts
image-making processes and techniques
intaglio prints
keratinous material
literary, oral and motion picture genres
mammals
materials
materials by origin
objects we use
people
people (agents)
people and culture
people by state or condition
printing
printing and printing processes and techniques
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
religions and religious concepts
religious concepts
visual works
visual works by medium or technique
Title
Battle of the Sea Gods
Artist
Daniel Hopfer
Physical Description
This black and white print depicts an animated and detailed scene of nude figures and mythical beasts on the surface of the sea.Two men, with seaweed hair and riding half horse/half fish creatures, strike out at each other. A man and a woman ride a beast with a scaly body and the head of a fierce dog. In the background, a man holding a trident stands with his back to the viewer. Action and motion are expressed with billowing drapery, flowing hair and moving waves. The wide mouthed expressions of the figures and animals suggest yelling and noise in this chaotic scene. Among the many details depicted by the artist is a plaque held by the woman that has his initials.
Artist Life Dates
ca. 1470-1536
Century
16th century
Object Creation Date
early 16th century
Accession Number
1996/2.1
Medium and Support
etching on iron on medium, slightly textured light beige laid paper
relevance
rank 2.02091
Secondary Keywords
animals and creatures
armed conflicts
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
creature
descriptors
edged weapons
events
image-making processes and techniques
intaglio printing processes
landscapes (environments)
mammals
marine bodies
natural landscapes
objects we use
people
people (agents)
people and culture
people by state or condition
printing and printing processes and techniques
printing processes
processes and techniques
processes and techniques by specific type
religions and religious concepts
religious concepts
settlements and landscapes
spears (weapons)
spears by form
staff weapons
weapons
weapons and ammunition
Title
Four-armed Vishnu
Artist
Artist Unknown, India, Rajasthan
Physical Description
Vishnu stands with his legs apart holding his four attributes in his hands. Reading in clockwise direction from his right front hand he holds: his club, discus, conch and lotus, here a rather flat object cupped in his palm. His back two arms are extremely short. The figure is encircled with a decorated arch with a line of beads and triangular shaped openings around them. A stylized sun and moon are to either side of Vishnu’s head. He wears a variety of simple, lumpy jewelry at his feet are a horse to his right and a bull or cow to his left and between them are three rings lying flat on the base. At the front of the base are seven stylized horses, identifying this as a combination figure: Vishnu and the sun god Surya, whose chariot is pulled by seven horses.
Century
18th-19th century
Object Creation Date
18th century - 19th century
Accession Number
1977/2.49
Medium and Support
bronze
relevance
rank 2.01374
Secondary Keywords
animals and creatures
associated concepts
combination inorganic/organic animal material
combination inorganic/organic material
descriptors
design elements
hindu
mammals
materials
materials by composition
motifs
named gods and goddesses
natural element motifs
objects we use
people
people (agents)
people and culture
people by state or condition
percussive weapons
plant-derived motifs
recreational artifacts
recreational artifacts for competitive activities
religion
religions
religions and religious concepts
shell (animal material)
shell and shell material
sports and athletic equipment
subject matter
track and field sports equipment
weapons
weapons and ammunition
Access to media is restricted to U-M users.
Title
The Arrival of Grandfather and Grandmother
Artist
Anton Heinrich Dieffenbach
Physical Description
A painting of a rural, rather secluded homestead. The property is surrounded by woods. There is a woman who is pulling water from a well and child awaiting the arrival of her grandparents. The elder couple has just arrived onto the property of their family, still standing at the threshold of the forest path and the grounds of the home, and are greeted by a small dog. To the right is a simple barn with a thatched roof where a horse and presumably other animals are kept. The yard is full of activity - a group of chicken and a rooster pick at food from the ground while nearby a chicken looks after a group of chicks. To the right of the scene, between the edge of the house and the well are a few duks looking around.
Artist Life Dates
1831 - 1914
Object Creation Date
1862
Accession Number
2009/2.91
Medium and Support
oil on canvas
relevance
rank 2.01038
Secondary Keywords
settlement area
agricultural buildings
agricultural complexes
agricultural structures
animals and creatures
birds
buildings and the land
built complexes and districts
complexes
complexes by function
cultural landscapes
cultural landscapes by location or context
dwellings
houses
houses by location
houses by location or context
landscapes (environments)
mammals
people
people (agents)
people and culture
people by age group
people by gender
residential structures
settlements and landscapes
single built works
single built works by function
single built works by specific type
wilderness
youth
Title
Thinks I to Myself, Thinks I
Artist
George Cruikshank
Artist Life Dates
1782-1878
Century
19th century
Object Creation Date
circa 1850
Accession Number
1983/1.124
Medium and Support
watercolor on paper
relevance
rank 2.00807
Secondary Keywords
image form
animals
architecture
european
european styles and periods
furnishings
furnishings by form or function
furniture
furniture by form or function
genres
mammals
modern british styles and movements
modern british styles by reign
modern european regional styles and movements
modern european styles and movements
objects
objects we use
people and culture
people and occupations
sleeping and reclining furniture
styles and periods
styles and periods by region
the natural world
visual works
visual works by form
Title
Hide and Seek (Cache-Cache)
Artist
Alfred Stevens
Physical Description
Panel painting depicting a young woman of high society in an interior setting filled with Asian accessories. She stands behind a door, which she holds partly open revealing a small white dog sitting in front of an armchair.
Artist Life Dates
1823-1906
Century
19th century
Object Creation Date
circa 1878
Accession Number
1955/1.85
Medium and Support
oil on panel
relevance
rank 1.99903
Secondary Keywords
accessories worn on arms or hands
animals
animals and creatures
architectural elements
architecture
building divisions
candles and candleholders
clothing
components
components and systems
components by specific context
costume
costume accessories
costume accessories worn
doors and door components
doorway components
doorways and doorway components
figures
furnishings
furnishings by form or function
genres
handwear
how we live
lighting devices
lighting devices by form
mammals
objects
objects we use
openings (architectural elements)
openings and opening components
openings by form
people and occupations
rooms and spaces
rooms and spaces by location or context
the natural world
Title
Ecce Homo (Passion Series)
Artist
Martin Schongauer
Physical Description
A bearded man, wearing only a crown of thorns, a loincloth, and a long robe, stands stooped and sorrowful at the top of a short flight of steps. A man wearing a pointed cap and holding a scepter in his left hand emerges from the doorway behind him and points toward him with his right hand. A riotous crowd, full of grimacing and leering faces, stands on the steps and ground below. A column and a bundle of switches appear through the window behind the crowned figure. A small snarling dog appears in the foreground next to the steps where the artist's initials "M + S" are inscribed.
Artist Life Dates
c. 1430-1491
Century
15th century
Object Creation Date
circa 1480
Accession Number
1961/1.169
Medium and Support
engraving on paper
relevance
rank 1.98605
Secondary Keywords
animals and creatures
architectural elements
associated concepts
circulation elements
components
components and systems
components by specific context
descriptors
groups of people
groups of people by activity
image-making processes and techniques
intaglio printing processes
mammals
narrative cycles
object groupings
object groupings and systems
object groupings by specific context
people
people (agents)
people and culture
printing and printing processes and techniques
printing processes
processes and techniques
processes and techniques by specific type
religions
religions and religious concepts
stairs and stair components
visual works groupings
Access to media is restricted to U-M users.
Title
Ga no Tokyo: Shiroi kura [Pictures of Tokyo: Kikuzaka Street, White Storehouse]
Artist
Yoshida Toshi
Physical Description
This print depicts a street scene in Tokyo, in which women, a child and a dog are portrayed.
Artist Life Dates
1911-1995
Century
20th century
Object Creation Date
1939
Accession Number
2005/1.420
Medium and Support
color woodblock print on paper
relevance
rank 1.98470
Secondary Keywords
animals and creatures
asia (continent)
buildings and the land
geographic and political locations
japan (nation)
kanto (region)
landscapes (environments)
mammals
natural landscapes
objects we use
open spaces
open spaces and site elements
open spaces by function
people
people (agents)
people and culture
people by age group
people by gender
plants
roads
roads by form
settlements and landscapes
single built works
single built works by function
single built works by specific type
storage facilities
tokyo (metropolis)
transportation spaces
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
woody plants
youth
Title
The Highlander's Home (Sunshine in the Cottage)
Artist
John Phillip
Physical Description
This painting shows the interior of a rustic house with a stone floor and rough rock walls. In the center foreground, a woman is crouched beside a wooden cradle. She has her arms around a sleeping baby whose face is highlighted by a ray of sunshine coming from an open window. Household items hang from the rafters and there is a spinning wheel beside her. A dog sits by an open hearth on the left. The color scheme is predominantly tones of brown, except for her red scarf, green shirt and the bluish purple of the hills seen outside the window.
Artist Life Dates
1817-1867
Century
19th century
Object Creation Date
1855
Accession Number
1986/1.188
Medium and Support
oil on canvas
relevance
rank 1.98193
Secondary Keywords
image form
animals
animals and creatures
architectural elements
architecture
components
components and systems
components by specific context
family
furnishings
furnishings by form or function
furniture
furniture by form or function
genres
how we live
mammals
objects
objects we use
offspring
openings (architectural elements)
openings and opening components
openings by form
parents
people
people (agents)
people and culture
people and occupations
people by family relationship
plants
relationships
seating furniture
single seating furniture
the natural world
tools
vessels
views
views by vantage point or orientation
visual works
visual works by form
windows and window components
women
Access to media is restricted to U-M users.
Title
Landscape with Peasants in a Cart
Artist
Allart van Everdingen
Physical Description
This work is horizontally oriented. The lower left quadrant shows a horse-pulled cart with peasants resting in it. In front of the cart, a man and a dog walk in a field. The sky occupies the upper half of the work, and the horizon line is dominated by a church steeple as well as buildings and trees. Birds circle in the sky.
Artist Life Dates
1621-1675
Century
17th century
Object Creation Date
1650-1675
Accession Number
2009/1.499
Medium and Support
brown ink and wash on cream laid paper
relevance
rank 1.96558
Secondary Keywords
scale
animals and creatures
building divisions
buildings and the land
cargo vehicles
cargo vehicles by form
components
components and systems
components by specific context
cook (county)
freewheeled vehicles
freewheeled vehicles by form or function
geographic and political locations
illinois (state)
land vehicles
land vehicles by form
mammals
merchant vessels
merchant vessels by cargo type
north and central america (continent)
objects we use
service and utility vehicles
settlements
settlements and landscapes
settlements by form
steeples and steeple components
transportation vehicles
united states (nation)
vehicles
visual works
visual works by subject type
watercraft
watercraft by function
watercraft by specific type
Title
Monkey in a persimmon tree
Artist
Ohara Shôson (Koson)
Physical Description
Boldly colored monkey in a persimmon tree. A wasp hovers near its nest hanging from a branch.
Artist Life Dates
1877-1945
Century
20th century
Object Creation Date
1935
Accession Number
1982/1.204
Medium and Support
Color woodblock print on paper
relevance
rank 1.96228
Secondary Keywords
agricultural structures
animal housing
animals and creatures
apiaries
asian
buildings and the land
descriptors
east asian
food
gold and gold alloy
inorganic material
japanese
japanese printmaking styles
japanese styles
landscapes (environments)
mammals
materials
materials by composition
materials by function
metal
metal and metal products
metal by composition or origin
natural landscapes
nonferrous metal
people and culture
plants
settlements and landscapes
single built works
single built works by function
single built works by specific type
styles and periods
styles and periods by region
vegetation and vegetation components
vegetation components
woody plants
Title
Mountain village among pines and white clouds
Artist
Artist Unknown, China
Physical Description
This fan painting shows a mountain village teeming with activity. The peaceful scene provides a glimpse at daily life, depicting villagers pushing carts of goods and traveling into and out of town, sometimes on horseback. The eye follows this lively village of white buildings and tan roofs as it weaves its way up the mountain slope to what appears to be a royal dwelling or city center capped with emerald green rooftops and enveloped by rolling white clouds.
Object Creation Date
1368-1644
Accession Number
1965/2.59
Medium and Support
fan mounted as hanging scroll, ink and color on silk
relevance
rank 1.95456
Secondary Keywords
scale
upward
animals and creatures
attributes and properties
attributes and properties by specific type
buildings and the land
descriptors
form attributes
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
natural landscapes
plants
settlements
settlements and landscapes
settlements by form
shape
single built works
single built works by function
single built works by specific type
transportation structures
transportation structures by form
vegetation and vegetation components
vegetation components
woody plants
Access to media is restricted to U-M users.
Title
The Detraction of Good Things [Detractio Bonorum] from Sebastian Brant's "Stultifera navis [The Ship of Fools]" published by Johann Bergmann
Artist
Anonymous
Physical Description
Text on both sides. One side has the image of a man with dogs at his feet. There is also a jester at his feet, kneeling down.
Century
15th century
Accession Number
2013/2.550.1-2
Medium and Support
woodcut on paper
relevance
rank 1.94382
Secondary Keywords
animals and creatures
artistic concepts
artistic devices
associated concepts
biological components
buildings and the land
components
components and systems
components by specific context
concepts in the arts
descriptors
equipment
equipment by context
equipment for personal use
heads
hydraulic structures
hydraulic structures by function
information artifacts
information artifacts by physical form
information forms
mammals
object genres
object genres by form
objects we use
people and culture
single built works
single built works by function
single built works by specific type
the human body
tools and equipment
upper body
walking sticks
water distribution structures
Title
A Han Dynasty Envoy Navigating on a Tree-Raft
Artist
Yu Zhiding (Yü Chih-ting)
Physical Description
This is a dense but muted landscape painting. The lines are very well defined. The colors consit of muted greens and browns, with a bid of red in some places. There is a river flowing through the center of the painting, running down the landscape and toward the viewer. There is a figure sitting on a gnarled tree-raft towards the bottom left of the painting, with another figure looking upon the scene from the opposite bank of the river. There are ornate buildings present toward the top of the panting. The viewer can see a lone figure in an interior covered by stylized clouds.
Artist Life Dates
1647 - circa 1705
Century
17th century
Object Creation Date
1696
Accession Number
1985/2.30
Medium and Support
hanging scroll, ink and light color on silk
relevance
rank 1.87590
Secondary Keywords
upward
animals and creatures
bodies of water and components of bodies of water
buildings and the land
components of bodies of water
displacement vessels
dwellings
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
natural landscapes
objects we use
people
people (agents)
people and culture
people by state or condition
plants
residential structures
settlements and landscapes
single built works
single built works by function
single built works by specific type
surface craft
transportation vehicles
vegetation and vegetation components
vegetation components
vehicles
visual works
visual works by subject type
watercraft
watercraft by displacement
watercraft by operating environment
watercraft by specific type
woody plants
Title
Descent of the River Ganges
Artist
Artist Unknown, India, Central India, Bundelkhand
Physical Description
In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.
Century
18th century
Object Creation Date
circa 1775
Accession Number
1979/1.148
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 1.85351
Secondary Keywords
animals and creatures
asian
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
components of bodies of water
descriptors
earth sciences concepts
forms
geography
image-making processes and techniques
landscapes (environments)
making art
mammals
natural landscapes
painting and painting techniques
painting techniques
painting techniques by medium
people
people (agents)
people and culture
people and occupations
people by gender
people by occupation
people by state or condition
people in religion
people in religion and related occupations
people in the humanities
physical sciences concepts
processes and techniques
processes and techniques by specific type
religions and religious concepts
religious (people)
religious concepts
religious figures
religious ideologies
riverine bodies
scientific concepts
settlements and landscapes
the natural world
time
Title
The Seven Sages Passing Through a Gate
Artist
Sheng Maojun (Sheng Mao-chün)
Physical Description
A temple lies in the not-so-distant background of tree and mountains. Travellors weave their way along the path, some on horseback. They have their heads covered--some with cloth and some with hats.
Artist Life Dates
act. 1600-1645
Century
17th century
Object Creation Date
early 17th century
Accession Number
1990/2.1
Medium and Support
fan mounted as an album leaf, ink and light color on paper
relevance
rank 1.84212
Secondary Keywords
upward
animals and creatures
attributes and properties
attributes and properties by specific type
buildings and the land
coating (material)
coating by form
costume
costume accessories
costume accessories carried
descriptors
form attributes
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
mammals
materials
materials by function
natural landscapes
objects we use
people
people (agents)
people and culture
people by activity
plants
religious buildings
religious structures
settlements and landscapes
shape
single built works
single built works by function
single built works by specific type
vegetation and vegetation components
vegetation components
woody plants
Title
La Villa Madama
Artist
Jean-François Janinet
Physical Description
This etching, in a pale blue, brown and gray color scheme, depicts an outdoor scene with a large Roman style building and several human figures in the foreground. One giant wall, with two large arches, with semi-circular apses behind, crosses the middle section of the composition from left to right. It intersects a massive building that has a series of vaulted chambers. Both structures have crumbling stonework and overgrown vegetation. There are several groups of women in the foreground on both sides of a river. Some are in the water washing laundry and some are standing with wash hanging on lines. There is a small dog on the shore.
Artist Life Dates
(active 1752 - 1814, )
Century
18th century
Object Creation Date
1778
Accession Number
1973/1.737
Medium and Support
etching and lavis-manner engraving printed in color on paper
relevance
rank 1.83940
Secondary Keywords
animals
animals and creatures
arches and arch components
architectural elements
architecture
bridges by form
buildings and the land
commercial buildings
components
components and systems
components by specific context
landscapes (environments)
laundry
mammals
natural landscapes
objects
objects we use
people and occupations
plants
sculpture
sculpture by subject type
service industry buildings
settlements and landscapes
single built works
single built works by function
single built works by specific type
spanning and projecting structural elements
structural elements
structural elements and structural element components
the natural world
transportation structures
transportation structures by form
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
woody plants
Access to media is restricted to U-M users.
Title
Manet's Olympia
Artist
Mel Ramos
Physical Description
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
Artist Life Dates
born 1935
Century
20th century
Object Creation Date
1974
Accession Number
1991/2.102.1
Medium and Support
collotype on wove paper
relevance
rank 1.83183
Secondary Keywords
aesthetic concepts
animals and creatures
artistic concepts
associated concepts
buildings and the land
child
concepts in the arts
family
forms of expression
herbaceous plants
historical, theoretical and critical concepts
how we live
international post-1945 styles and movements
landscapes (environments)
mammals
modern american styles and periods
modern and contemporary art
modern north american styles and movements
natural landscapes
objects we use
people
people (agents)
people and culture
people and occupations
people by activity
people by gender
people by occupation
people in service occupations
philosophical concepts
plants
post-1945 fine arts styles and movements
psychological concepts
relationships
settlements and landscapes
social science concepts
styles and periods
styles and periods by region
the americas
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
woody plants
Title
Battle of the Genji and Heike Forces
Artist
Artist Unknown, Japan
Physical Description
This 6-fold screen is a depiction of the Battle of Genji and Heike. In samurai armor, the Heike forces approach by ship from the left, while Genji forces rush to the shore on horseback and on foot—drawing the viewer’s attention to the center of the screens, where their confrontation will finally take place. The Heike forces can be identified by the red banners on their ships, while the Genji clan carries white banners.
Century
16th century
Object Creation Date
1573-1650
Accession Number
1964/2.64
Medium and Support
6-fold screen, ink and color on paper
relevance
rank 1.77765
Secondary Keywords
animals and creatures
armed conflicts
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
earth sciences concepts
events
evergreens
furnishings
furnishings by form or function
furniture
furniture by form or function
landscapes (environments)
mammals
marine bodies
natural landscapes
objects we use
people
people (agents)
people and culture
people by occupation
people in military occupations
physical sciences concepts
plants
projectile weapons
projectile weapons with nonexplosive propellant
projectiles with nonexplosive propellant
scientific concepts
settlements and landscapes
transportation vehicles
trees
trees by leaf life
vegetation and vegetation components
vegetation components
vehicles
watercraft
watercraft by general type
weapons
weapons and ammunition
weather and related phenomena
weather-related phenomena
woody plants
Access to media is restricted to U-M users.
Title
scripted
Artist
Ann Hamilton
Physical Description
A long wooden box divided into two compartments, one small and one large. The small compartment contains an intricately worked gold thimble inscribed with a poem. The long compartment contains a silver thimble in which horse hairs have been threaded. The tuft of horse hair runs the length of the long compartment.
Artist Life Dates
born 1956
Century
20th century
Object Creation Date
1997
Accession Number
1999/2.15
Medium and Support
gold thimble, silver thimble, horsehair, wood and glass
relevance
rank 1.77161
Secondary Keywords
animal material
animals and creatures
components
components and systems
components by specific context
constructions (sculpture)
containers
containers by form
descriptors
document genres
document genres by form
document genres for literary works
hair and hair components
information form components
information forms
international post-1945 styles and movements
keratinous material
mammals
materials
materials by origin
metalworking and metalworking processes and techniques
objects we use
people and culture
post-1945 fine arts styles and movements
processes and techniques
processes and techniques by material
processes and techniques by specific type
script and type forms
sculpture
sculpture by technique
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
The Bullfight (Courses de taureaux)
Artist
Pablo Picasso
Physical Description
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Artist Life Dates
1881 - 1973
Century
20th century
Object Creation Date
1934
Accession Number
1994/1.70
Medium and Support
oil on canvas
relevance
rank 1.74455
Secondary Keywords
animals and creatures
buildings and the land
descriptors
european
european styles and periods
genres
image-making processes and techniques
mammals
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
objects we use
painting and painting techniques
painting techniques
painting techniques by medium
paintings
paintings by material or technique
people
people (agents)
people and culture
people by activity
processes and techniques
processes and techniques by specific type
recreation buildings
recreation structures
single built works
single built works by function
single built works by specific type
sports buildings
sports buildings by function
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
Artist
Max Pechstein
Physical Description
A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.432
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 1.73501
Secondary Keywords
transfer method
animals
animals and creatures
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
emotion
european
european styles and periods
figures
groups of people
information forms
kinship groups
mammals
mental activities
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people and occupations
prints
prints by process
prints by process or technique
psychological concepts
relief prints
religions and religious concepts
religious concepts
social groups
social science concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Title
White Mountains in September, North Conway, New Hampshire
Artist
Sylvester Phelps Hodgdon
Physical Description
Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
Artist Life Dates
1830 - 1906
Century
19th century
Object Creation Date
1853
Accession Number
1895.57
Medium and Support
oil on canvas
relevance
rank 1.70341
Secondary Keywords
downward
upward
americas
animals and creatures
associated concepts
buildings and the land
descriptors
design elements
earth sciences concepts
freewheeled vehicles
freewheeled vehicles by form or function
geographic and political locations
grass (plant material)
land vehicles
land vehicles by form
landforms
landforms and landform components
landforms by shape or position
locality
mammals
materials
materials by origin
natural landscapes
north & central america
north and central america (continent)
objects we use
ornament areas
people
people (agents)
people and culture
people and occupations
people by occupation
people in agriculture
people in agriculture or natural resource occupations
people in science-related occupations
physical sciences concepts
plant material
plants
scientific concepts
scientists and people in science-related occupations
service and utility vehicles
settlements and landscapes
the natural world
transportation vehicles
united states
united states (nation)
vehicles
visual works
visual works by subject type
Title
Journey of the Soul to the Paradise of the Queen Mother of the West
Artist
Artist Unknown, China
Physical Description
Limestone slab carved bas-relief with six registers. The lower register depicts a chariot procession above fish-inhabited waters. The central three registers depict figures carrying out funerary rites. The top register shows a winged creature with a human face flanked by two writhing dragons and other animals, including two rabbits and a nine-tailed fox.
Century
2nd century
Object Creation Date
2nd century
Accession Number
2000/2.1
Medium and Support
carved limestone slab
relevance
rank 1.64976
Secondary Keywords
agricultural equipment
animals and creatures
associated concepts
buildings and the land
ceremonial objects
death
descriptors
earth sciences concepts
equipment
equipment by process
freewheeled vehicles
freewheeled vehicles by form or function
funerary structures
great lake and central woodland native american styles
how we live
inorganic material
land vehicles
land vehicles by form
legendary creatures
mammals
materials
materials by composition
native american
native north american styles
object genres
object genres by function
object-making processes and techniques
objects we use
people and culture
physical sciences concepts
processes and techniques
processes and techniques by specific type
religious structures
rites of passage
scientific concepts
sculpture techniques
single built works
single built works by function
single built works by specific type
styles and periods
styles and periods by region
the americas
tools and equipment
transportation vehicles
vehicles
visual works
visual works by medium or technique
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Title
Farm Landscape
Artist
Jacques Callot
Physical Description
Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
Accession Number
2008/2.381
Medium and Support
etching on beige laid paper
relevance
rank 1.63573
Secondary Keywords
transfer method
agricultural complexes
agricultural functions
animals and creatures
buildings and the land
built complexes and districts
complexes
complexes by function
descriptors
functions
functions (activities)
functions by specific context
image-making processes and techniques
intaglio printing processes
intaglio prints
mammals
objects we use
open spaces
open spaces and site elements
open spaces by form
people
people (agents)
people and culture
people by gender
people by occupation
people in agriculture
people in agriculture or natural resource occupations
people in science-related occupations
printing and printing processes and techniques
printing processes
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
religious buildings
religious structures
scientists and people in science-related occupations
single built works
single built works by function
single built works by specific type
visual works
visual works by medium or technique
Title
The Attack on an Emigrant Train
Artist
Charles Ferdinand Wimar
Physical Description
The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
Artist Life Dates
1828-1862
Century
19th century
Object Creation Date
1856
Accession Number
1895.80
Medium and Support
oil on canvas
relevance
rank 1.57095
Secondary Keywords
american regions
americas
animals
animals and creatures
armed conflicts
associated concepts
atmospheric effects
buildings and the land
cargo vehicles
cargo vehicles by form
cutting equipment
cutting tools
earth sciences concepts
edged weapons
equipment
equipment by process
events
fights
firearms
freewheeled vehicles
freewheeled vehicles by form or function
grassland
how we live
land vehicles
land vehicles by form
landscapes (environments)
locality
long guns
mammals
natural landscapes
north & central america
north american
objects
objects we use
passenger vehicles
people
people (agents)
people and culture
people by activity
physical activities
physical activities by general context
physical sciences concepts
plant communities
projectile launchers with nonexplosive propellant
projectile weapons
projectile weapons with explosive propellant
projectile weapons with nonexplosive propellant
projectiles with nonexplosive propellant
scientific concepts
settlements and landscapes
small arms by form
styles and periods
styles and periods by region
the americas
the natural world
tools and equipment
transportation vehicles
vegetation and vegetation components
vegetation components
vehicles
war
weaponry
weapons
weapons and ammunition
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