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Showing results for "mammals" in Secondary Keywords.
- Title
- Copy of a Print by Gilray
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- 1782-1878
- Accession Number
- 1983/1.128
- Medium and Support
- graphite on paper
- relevance
- rank 2.13695
- Secondary Keywords
- animals
- atmospheric effects
- european
- european styles and periods
- geography
- houses
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- plants
- projectile weapons
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- styles and periods
- styles and periods by region
- the natural world
- waterscapes
- weapons
- weapons and ammunition
- Title
- Scene from the Ramayana (?)
- Artist
- Indonesia, Bali
- Century
- 20th century
- Object Creation Date
- 1st half of 20th century
- Accession Number
- 1991/2.31
- Medium and Support
- ink and opaque watercolor on hand-woven cotton
- relevance
- rank 2.12048
- Secondary Keywords
- animals and creatures
- associated concepts
- ceremonial chairs
- chairs
- chairs by function
- components and systems
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- religions
- religions and religious concepts
- rulers (people)
- seating furniture
- single seating furniture
- visual works groupings
- Title
- The Fifty-Three Stations of the Tokaido (Kichizo Edition): #34 Futagawa
- Artist
- Andô Hiroshige
- Physical Description
- Group of people carrying parcels and leading horses in front of a shop. Other travelers can be seen crossing in the distance. There is a tall tree by the store, and across the water is a smal hill with trees on it. The skyline is edged in pink, suggesting dawn or dusk. Writing in upper right and left corners. Title in red box in upper right corner.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1850
- Accession Number
- 2008/2.316
- Medium and Support
- woodblock print on paper
- relevance
- rank 2.11887
- Secondary Keywords
- upward
- animals and creatures
- buildings and the land
- commercial buildings
- descriptors
- dwellings
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- materials
- materials by composition
- mercantile buildings
- natural landscapes
- objects we use
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Ivory snuff bottle
- Artist
- Artist Unknown, China
- Century
- 20th century
- Object Creation Date
- circa 1825-1900
- Accession Number
- 1980/2.62
- Medium and Support
- ivory
- relevance
- rank 2.08646
- Secondary Keywords
- animals and creatures
- associated concepts
- bone
- bone by form
- combination inorganic/organic animal material
- combination inorganic/organic material
- containers
- containers by function or context
- containers for personal use
- containers for smoking and tobacco use
- dentin
- descriptors
- earth sciences concepts
- mammals
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical sciences concepts
- scientific concepts
- tooth and tooth components
- tooth components
- weather and related phenomena
- weather-related phenomena
- Title
- Warriors
- Artist
- Utagawa Kuniyoshi
- Physical Description
- A woodblock print of two men entangled in combat at the base of a tree. Tree trunk takes up left side of print, in the distance are two green mountain peaks. A brown horse and rider are in the background (center right).
- Artist Life Dates
- 1797 - 1861
- Object Creation Date
- 1849-1853
- Accession Number
- 2011/2.194
- Medium and Support
- woodblock print on paper
- relevance
- rank 2.08574
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- buildings and the land
- entertainment events
- events
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- performances
- physical activities
- physical activities by general context
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- The Fifty-Three Stations of the Tokaido (Gyosho Edition): #8 Hiratsuka
- Artist
- Andô Hiroshige
- Physical Description
- A woodblock print of three men and a horse ladened with packages in the foreground. They are beside a river and two grey mountain peaks and one central white mountain peak are set in the background. A small boat with men wearing large white hats is to the viewer's left.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1841-1842
- Accession Number
- 2011/2.196
- Medium and Support
- woodblock print on paper
- relevance
- rank 2.08458
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- riverine bodies
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- Title
- Conch trumpet, in an embossed silver mount, inlaid with lapis lazuli, turquoise and coral
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- An elaborately decorated conch shell trumpet, with extensions and a side chamber made from silver, inlaid with other precious metals and semi-precious stones of turquoise, lapiz lazuli, and mountain coral.
- Century
- 9th-20th century
- Object Creation Date
- 800-1900
- Accession Number
- 1982/2.42A
- Medium and Support
- conch shell, silver, vermeil, lapis lazuli, and coral
- relevance
- rank 2.08367
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- legendary creatures
- mammals
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- shell (animal material)
- shell and shell material
- sound devices
- sound devices by function
- south asian
- styles and periods
- styles and periods by region
- Title
- Royal Elephant Mask (Bajoun)
- Artist
- Artist Unknown, African, Cameroon, Bamileke
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.305
- Medium and Support
- cloth with multi-colored beadwork
- relevance
- rank 2.07786
- Secondary Keywords
- african
- african styles by region
- animals
- animals and creatures
- aristocracy
- beads and sets of beads
- beadwork
- cameroon grassfields
- cameroon styles
- costume
- costume by function
- descriptors
- groups of people
- mammals
- nobility
- object genres
- object genres by form
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- social classes
- social classes by specific type
- social groups
- styles and periods
- styles and periods by region
- the natural world
- upper class
- west african styles
- Title
- Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
- Artist
- Samson Carver, Pricked-Ivories Workshop, Cologne, Germany
- Physical Description
- Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
- Century
- 12th century
- Object Creation Date
- circa 1150
- Accession Number
- 1987/1.262
- Medium and Support
- elephant ivory
- relevance
- rank 2.07362
- Secondary Keywords
- animals and creatures
- bone
- bone by form
- card, table and board game elements
- combination inorganic/organic animal material
- combination inorganic/organic material
- dentin
- descriptors
- edged weapons
- mammals
- materials
- materials by composition
- object-making processes and techniques
- objects we use
- people and culture
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- recreational artifacts
- recreational artifacts for competitive activities
- relief
- sculpture techniques
- tooth and tooth components
- tooth components
- weapons
- weapons and ammunition
- Title
- The Butcher's Dog
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a butcher's shop is seen frontally from across the road. To the left is an arched doorway within a pedimented entryway; a woman holding a baby stands silhouetted against the doorway while a little girl sits on the stoop. To the right is an arched shopfront that comprises both the doorway and the window in which hangs two large cuts of meat. The window of the shop is partially screened by an awning the extends before the facade of the building. A dog is seen sitting in front of the shop window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.464
- Medium and Support
- transfer lithograph on wove paper
- relevance
- rank 2.07350
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- figures
- mammals
- materials
- materials by function
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- roads
- roads by form
- the natural world
- transportation spaces
- windows and window components
- Title
- St. Jerome in His Study
- Artist
- Albrecht Dürer
- Physical Description
- This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.
- Artist Life Dates
- Nüremberg, 1471-1528
- Century
- 16th century
- Object Creation Date
- 1514
- Accession Number
- 1993/2.1
- Medium and Support
- engraving on laid paper
- relevance
- rank 2.06885
- Secondary Keywords
- image form
- transfer method
- animal material
- animal material by form or function
- animals and creatures
- bavaria (state)
- descriptors
- europe (continent)
- geographic and political locations
- germany (nation)
- information artifacts
- information artifacts by physical form
- information forms
- intaglio prints
- mammals
- materials
- materials by origin
- mittelfranken (national district)
- objects we use
- prints
- prints by process
- prints by process or technique
- skeleton and skeleton components
- skeleton components
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Les Voisins de Campagne
- Artist
- Félix Hilaire Buhot
- Physical Description
- Paper size: lh 24cm & rh 23 4/5cm x tw 29cm & bw 29 1/5cm. Image size: h 13 1/2cm x w 18cm.
- Artist Life Dates
- 1847-1898
- Accession Number
- 2008/2.458
- Medium and Support
- etching, drypoint and soft-ground etching on beige laid paper
- relevance
- rank 2.06793
- Secondary Keywords
- settlement area
- animals and creatures
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- descriptors
- dwellings
- engraving (printing process)
- houses
- houses by location
- houses by location or context
- image-making processes and techniques
- intaglio printing processes
- mammals
- objects we use
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- residential structures
- rural houses
- single built works
- single built works by function
- single built works by specific type
- Title
- Jain Tirthankara and a monk with animal forest scene, no. 12 from a Digambara series
- Artist
- Artist Unknown, India, Sirohi School
- Physical Description
- Two distinct registers divide a page in half. At the top, a yellow-orange colored nude jina sits in lotus position upon a three tiered throne [a patterned blue level at the bottom on feet, with an orange section with gold and red decoration and a green level at the top with gold vertical stripes]. He sits against a red background adorned with a pattern of three white dots. The background takes the shape of an elegant cusped arch with a green and white pattern along its outside with a gold pattern at its sides. To the right of the seated figure a nude Digambara monk sits with his legs folded and one knee up on a less elaborate throne with a lota or pot at the corner and a crossed bookstand to the side holding a book with some devanagari writing on it. He raises his right arm and holds his left to his ear.
- Placed under a band of curving yellow stripes, the bottom register represents animals in a landscape. At the bottom are clumps of grass with four stylized mountain forms in blue at the right. Above the mountains stands a tiger facing a family of antelope striding towards him. The family consists of the blue male with his long spiraling horns and a yellow doe below him with a flesh-colored in front of her. Another small yellow fawn takes up the rear. Clumps of light blue and green grasses fill in the background.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1975/2.178
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 2.06717
- Secondary Keywords
- upward
- animals and creatures
- associated concepts
- buildings and the land
- containers
- containers by form
- descriptors
- figures (representations)
- information artifacts
- information artifacts by physical form
- information forms
- landforms
- landforms and landform components
- landforms by shape or position
- mammals
- materials
- materials by origin
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- plant material
- religions
- religions and religious concepts
- religious (people)
- settlements and landscapes
- vessels
- visual works
- visual works by subject type
- Title
- The Fifty-Three Stations of the Tokaido (Kyoka Edition): #30 Hamamatsu
- Artist
- Andô Hiroshige
- Physical Description
- A procession on horseback travels through the village of Homatsu with castles in the background. Red tones in the sky indicate a setting sun, and a distant mountain is visible. It is accompanied by text.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- late 1830s
- Accession Number
- 2008/2.323
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.06654
- Secondary Keywords
- scale
- upward
- animals and creatures
- associated concepts
- buildings and the land
- ceremonies
- cultural ceremonies
- culture and related concepts
- culture-related concepts
- events
- fortifications
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- people and culture
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation spaces
- Title
- Hyena Puppet Head (Nama, Sogu kun)
- Artist
- Artist Unknown, African, Bamana Peoples, Mali
- Physical Description
- Stylized wood carving of hyena head; two pieces of wood joined to form articulating jaw. edged with prominent teeth. short upright ears, long triangular nose or snout; eyes, teeth, nose and crown of head overlaid with sheet metal. Wood is unpainted.
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1971/2.23
- Medium and Support
- wood, sheet metal
- relevance
- rank 2.05653
- Secondary Keywords
- animals and creatures
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- inorganic material
- mammals
- materials
- materials by composition
- metal and metal products
- objects we use
- performing arts buildings
- performing arts structures
- puppets
- recreational artifacts
- recreational artifacts for noncompetitive activities
- sculpture
- sculpture by material
- single built works
- single built works by function
- single built works by specific type
- the human body
- upper body
- visual works
- visual works by medium or technique
- Title
- Transport Braila, Rumania, from "Hungarian Memories"
- Artist
- André Kertész
- Physical Description
- A man sits in the street with legs crossed and hands clasp, leaning against his wagon. The wagon is filled to the brim with various wooden objects. The man's gaze is transfixed on two dogs sitting beside wooden crates.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- October 19, 1918; printed 1981
- Accession Number
- 1985/1.125.8
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 2.05463
- Secondary Keywords
- animals and creatures
- associated concepts
- cargo vehicles
- cargo vehicles by form
- components and systems
- containers
- containers by form
- environments (object groupings)
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- transportation vehicles
- vehicles
- Title
- Thinks I to Myself, Thinks I
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 1983/1.125
- Medium and Support
- color etching on paper
- relevance
- rank 2.05451
- Secondary Keywords
- image form
- animals
- architecture
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- text-based art
- the natural world
- visual works
- visual works by form
- Title
- Ram Rod Puppet Head (Bakòrò, Sogokun)
- Artist
- Artist Unknown, African, Bamana Peoples, Mali
- Physical Description
- A naturalistic rendering of a ram, with striations incised into the top of the head and down the first third of the horns which sweep forward in a natural curve toward the nose. Eyes inlaid with green glass, and muzzle is overlaid with strip of metal. Jaw articulates, tied with cord. Cloth ears are attached and dangle on either side of head. Wood is unpainted.
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1971/2.22
- Medium and Support
- wood, sheet metal, glass and cloth
- relevance
- rank 2.05402
- Secondary Keywords
- animals and creatures
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- inorganic material
- mammals
- materials
- materials by composition
- metal and metal products
- objects we use
- performing arts buildings
- performing arts structures
- puppets
- recreational artifacts
- recreational artifacts for noncompetitive activities
- sculpture
- sculpture by material
- sheep
- single built works
- single built works by function
- single built works by specific type
- the human body
- upper body
- visual works
- visual works by medium or technique
- Title
- The Four Times of Day: Evening
- Artist
- William Hogarth
- Physical Description
- This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.
- Artist Life Dates
- 1697-1764
- Century
- 18th century
- Object Creation Date
- 1738
- Accession Number
- 1971/2.58
- Medium and Support
- etching and engraving on laid paper
- relevance
- rank 2.05021
- Secondary Keywords
- animals and creatures
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- commercial buildings
- earth sciences concepts
- eating and drinking buildings
- landscapes (environments)
- mammals
- natural landscapes
- people (agents)
- people and culture
- people by family relationship
- physical sciences concepts
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- weather and related phenomena
- weather-related phenomena
- Title
- The Fifty-Three Stations of the Tokaido (Kichizo Edition): #13 Numazu
- Artist
- Andô Hiroshige
- Physical Description
- Small group of figures with a palanquin and horse along with shops and a rounded hill in the distance.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1850
- Accession Number
- 2008/2.319
- Medium and Support
- woodblock print on paper
- relevance
- rank 2.04701
- Secondary Keywords
- layout features
- upward
- animals and creatures
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- houses
- houses by form
- illustrations
- illustrations by form
- images and ornament
- information form components
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- layout features
- mammals
- natural landscapes
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Temple bell with handle of a pair of addorsed lions and a dragon
- Artist
- Artist Unknown, Burma
- Physical Description
- Bronze temple bell with traces of polychrome, text, and lowermost handle in shape of a pair of addorsed lions. A decorated post threads through the space created by the back-to-back lions, on which an additional handle decorated with addorsed dragons is thread. The open space created between the dragons' connecting tails is where part of a frame would pass through, suspending the bell above the ground. This type of bell does not have a metal clapper, and is rung by striking with a wooden stick.
- Century
- Early 20th century
- Object Creation Date
- 1907
- Accession Number
- 2002/2.237A-C
- Medium and Support
- bronze with traces of polychrome
- relevance
- rank 2.03375
- Secondary Keywords
- hollow-bodied
- animals and creatures
- bells and sets of bells
- buildings and the land
- chordophones
- copper alloy
- copper and copper alloy
- descriptors
- directly struck idiophones
- inorganic material
- legendary creatures
- mammals
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- percussion idiophones
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- Title
- The Road to Shu
- Artist
- Matsumura Goshun
- Physical Description
- Travelers are seen on a winding mountain pathway, among overlapping layers of mountains.
- Artist Life Dates
- 1752-1811
- Century
- 18th century
- Object Creation Date
- late 18th century - early 19th century
- Accession Number
- 1970/2.152
- Medium and Support
- hanging scroll, ink and color on silk
- relevance
- rank 2.02694
- Secondary Keywords
- upward
- animals
- animals and creatures
- architecture
- army
- atmospheric effects
- buildings and the land
- geography
- history
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- military
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- plants
- religious figures
- roads
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation spaces
- transportation structures
- transportation structures by form
- Title
- Upright Ornament with Bull and Satyrs
- Artist
- Agostino Musi
- Physical Description
- This decorative image is organized along a vertical axis wtih fanciful creatures, grotesque heads, depictions of carved gems and harpies.
- Artist Life Dates
- Active 1514-1536
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1960/2.133
- Medium and Support
- engraving on paper
- relevance
- rank 2.02240
- Secondary Keywords
- transfer method
- animal material
- animals and creatures
- associated concepts
- concepts in the arts
- descriptors
- genres in the arts
- image-making processes and techniques
- intaglio prints
- keratinous material
- literary, oral and motion picture genres
- mammals
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- visual works
- visual works by medium or technique
- Title
- Battle of the Sea Gods
- Artist
- Daniel Hopfer
- Physical Description
- This black and white print depicts an animated and detailed scene of nude figures and mythical beasts on the surface of the sea.Two men, with seaweed hair and riding half horse/half fish creatures, strike out at each other. A man and a woman ride a beast with a scaly body and the head of a fierce dog. In the background, a man holding a trident stands with his back to the viewer. Action and motion are expressed with billowing drapery, flowing hair and moving waves. The wide mouthed expressions of the figures and animals suggest yelling and noise in this chaotic scene. Among the many details depicted by the artist is a plaque held by the woman that has his initials.
- Artist Life Dates
- ca. 1470-1536
- Century
- 16th century
- Object Creation Date
- early 16th century
- Accession Number
- 1996/2.1
- Medium and Support
- etching on iron on medium, slightly textured light beige laid paper
- relevance
- rank 2.02091
- Secondary Keywords
- animals and creatures
- armed conflicts
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- creature
- descriptors
- edged weapons
- events
- image-making processes and techniques
- intaglio printing processes
- landscapes (environments)
- mammals
- marine bodies
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- settlements and landscapes
- spears (weapons)
- spears by form
- staff weapons
- weapons
- weapons and ammunition
- Title
- Four-armed Vishnu
- Artist
- Artist Unknown, India, Rajasthan
- Physical Description
- Vishnu stands with his legs apart holding his four attributes in his hands. Reading in clockwise direction from his right front hand he holds: his club, discus, conch and lotus, here a rather flat object cupped in his palm. His back two arms are extremely short. The figure is encircled with a decorated arch with a line of beads and triangular shaped openings around them. A stylized sun and moon are to either side of Vishnu’s head. He wears a variety of simple, lumpy jewelry at his feet are a horse to his right and a bull or cow to his left and between them are three rings lying flat on the base. At the front of the base are seven stylized horses, identifying this as a combination figure: Vishnu and the sun god Surya, whose chariot is pulled by seven horses.
- Century
- 18th-19th century
- Object Creation Date
- 18th century - 19th century
- Accession Number
- 1977/2.49
- Medium and Support
- bronze
- relevance
- rank 2.01374
- Secondary Keywords
- animals and creatures
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- design elements
- hindu
- mammals
- materials
- materials by composition
- motifs
- named gods and goddesses
- natural element motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- percussive weapons
- plant-derived motifs
- recreational artifacts
- recreational artifacts for competitive activities
- religion
- religions
- religions and religious concepts
- shell (animal material)
- shell and shell material
- sports and athletic equipment
- subject matter
- track and field sports equipment
- weapons
- weapons and ammunition
- Title
- The Arrival of Grandfather and Grandmother
- Artist
- Anton Heinrich Dieffenbach
- Physical Description
- A painting of a rural, rather secluded homestead. The property is surrounded by woods. There is a woman who is pulling water from a well and child awaiting the arrival of her grandparents. The elder couple has just arrived onto the property of their family, still standing at the threshold of the forest path and the grounds of the home, and are greeted by a small dog. To the right is a simple barn with a thatched roof where a horse and presumably other animals are kept. The yard is full of activity - a group of chicken and a rooster pick at food from the ground while nearby a chicken looks after a group of chicks. To the right of the scene, between the edge of the house and the well are a few duks looking around.
- Artist Life Dates
- 1831 - 1914
- Object Creation Date
- 1862
- Accession Number
- 2009/2.91
- Medium and Support
- oil on canvas
- relevance
- rank 2.01038
- Secondary Keywords
- settlement area
- agricultural buildings
- agricultural complexes
- agricultural structures
- animals and creatures
- birds
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- cultural landscapes
- cultural landscapes by location or context
- dwellings
- houses
- houses by location
- houses by location or context
- landscapes (environments)
- mammals
- people
- people (agents)
- people and culture
- people by age group
- people by gender
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- wilderness
- youth
- Title
- Thinks I to Myself, Thinks I
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 1983/1.124
- Medium and Support
- watercolor on paper
- relevance
- rank 2.00807
- Secondary Keywords
- image form
- animals
- architecture
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- objects we use
- people and culture
- people and occupations
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by form
- Title
- Hide and Seek (Cache-Cache)
- Artist
- Alfred Stevens
- Physical Description
- Panel painting depicting a young woman of high society in an interior setting filled with Asian accessories. She stands behind a door, which she holds partly open revealing a small white dog sitting in front of an armchair.
- Artist Life Dates
- 1823-1906
- Century
- 19th century
- Object Creation Date
- circa 1878
- Accession Number
- 1955/1.85
- Medium and Support
- oil on panel
- relevance
- rank 1.99903
- Secondary Keywords
- accessories worn on arms or hands
- animals
- animals and creatures
- architectural elements
- architecture
- building divisions
- candles and candleholders
- clothing
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- doors and door components
- doorway components
- doorways and doorway components
- figures
- furnishings
- furnishings by form or function
- genres
- handwear
- how we live
- lighting devices
- lighting devices by form
- mammals
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and occupations
- rooms and spaces
- rooms and spaces by location or context
- the natural world
- Title
- Ecce Homo (Passion Series)
- Artist
- Martin Schongauer
- Physical Description
- A bearded man, wearing only a crown of thorns, a loincloth, and a long robe, stands stooped and sorrowful at the top of a short flight of steps. A man wearing a pointed cap and holding a scepter in his left hand emerges from the doorway behind him and points toward him with his right hand. A riotous crowd, full of grimacing and leering faces, stands on the steps and ground below. A column and a bundle of switches appear through the window behind the crowned figure. A small snarling dog appears in the foreground next to the steps where the artist's initials "M + S" are inscribed.
- Artist Life Dates
- c. 1430-1491
- Century
- 15th century
- Object Creation Date
- circa 1480
- Accession Number
- 1961/1.169
- Medium and Support
- engraving on paper
- relevance
- rank 1.98605
- Secondary Keywords
- animals and creatures
- architectural elements
- associated concepts
- circulation elements
- components
- components and systems
- components by specific context
- descriptors
- groups of people
- groups of people by activity
- image-making processes and techniques
- intaglio printing processes
- mammals
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- people
- people (agents)
- people and culture
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- stairs and stair components
- visual works groupings
- Title
- Ga no Tokyo: Shiroi kura [Pictures of Tokyo: Kikuzaka Street, White Storehouse]
- Artist
- Yoshida Toshi
- Physical Description
- This print depicts a street scene in Tokyo, in which women, a child and a dog are portrayed.
- Artist Life Dates
- 1911-1995
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 2005/1.420
- Medium and Support
- color woodblock print on paper
- relevance
- rank 1.98470
- Secondary Keywords
- animals and creatures
- asia (continent)
- buildings and the land
- geographic and political locations
- japan (nation)
- kanto (region)
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people by age group
- people by gender
- plants
- roads
- roads by form
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- storage facilities
- tokyo (metropolis)
- transportation spaces
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- youth
- Title
- The Highlander's Home (Sunshine in the Cottage)
- Artist
- John Phillip
- Physical Description
- This painting shows the interior of a rustic house with a stone floor and rough rock walls. In the center foreground, a woman is crouched beside a wooden cradle. She has her arms around a sleeping baby whose face is highlighted by a ray of sunshine coming from an open window. Household items hang from the rafters and there is a spinning wheel beside her. A dog sits by an open hearth on the left. The color scheme is predominantly tones of brown, except for her red scarf, green shirt and the bluish purple of the hills seen outside the window.
- Artist Life Dates
- 1817-1867
- Century
- 19th century
- Object Creation Date
- 1855
- Accession Number
- 1986/1.188
- Medium and Support
- oil on canvas
- relevance
- rank 1.98193
- Secondary Keywords
- image form
- animals
- animals and creatures
- architectural elements
- architecture
- components
- components and systems
- components by specific context
- family
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- how we live
- mammals
- objects
- objects we use
- offspring
- openings (architectural elements)
- openings and opening components
- openings by form
- parents
- people
- people (agents)
- people and culture
- people and occupations
- people by family relationship
- plants
- relationships
- seating furniture
- single seating furniture
- the natural world
- tools
- vessels
- views
- views by vantage point or orientation
- visual works
- visual works by form
- windows and window components
- women
- Title
- Landscape with Peasants in a Cart
- Artist
- Allart van Everdingen
- Physical Description
- This work is horizontally oriented. The lower left quadrant shows a horse-pulled cart with peasants resting in it. In front of the cart, a man and a dog walk in a field. The sky occupies the upper half of the work, and the horizon line is dominated by a church steeple as well as buildings and trees. Birds circle in the sky.
- Artist Life Dates
- 1621-1675
- Century
- 17th century
- Object Creation Date
- 1650-1675
- Accession Number
- 2009/1.499
- Medium and Support
- brown ink and wash on cream laid paper
- relevance
- rank 1.96558
- Secondary Keywords
- scale
- animals and creatures
- building divisions
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- components
- components and systems
- components by specific context
- cook (county)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- illinois (state)
- land vehicles
- land vehicles by form
- mammals
- merchant vessels
- merchant vessels by cargo type
- north and central america (continent)
- objects we use
- service and utility vehicles
- settlements
- settlements and landscapes
- settlements by form
- steeples and steeple components
- transportation vehicles
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by function
- watercraft by specific type
- Title
- Monkey in a persimmon tree
- Artist
- Ohara Shôson (Koson)
- Physical Description
- Boldly colored monkey in a persimmon tree. A wasp hovers near its nest hanging from a branch.
- Artist Life Dates
- 1877-1945
- Century
- 20th century
- Object Creation Date
- 1935
- Accession Number
- 1982/1.204
- Medium and Support
- Color woodblock print on paper
- relevance
- rank 1.96228
- Secondary Keywords
- agricultural structures
- animal housing
- animals and creatures
- apiaries
- asian
- buildings and the land
- descriptors
- east asian
- food
- gold and gold alloy
- inorganic material
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- mammals
- materials
- materials by composition
- materials by function
- metal
- metal and metal products
- metal by composition or origin
- natural landscapes
- nonferrous metal
- people and culture
- plants
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Mountain village among pines and white clouds
- Artist
- Artist Unknown, China
- Physical Description
- This fan painting shows a mountain village teeming with activity. The peaceful scene provides a glimpse at daily life, depicting villagers pushing carts of goods and traveling into and out of town, sometimes on horseback. The eye follows this lively village of white buildings and tan roofs as it weaves its way up the mountain slope to what appears to be a royal dwelling or city center capped with emerald green rooftops and enveloped by rolling white clouds.
- Object Creation Date
- 1368-1644
- Accession Number
- 1965/2.59
- Medium and Support
- fan mounted as hanging scroll, ink and color on silk
- relevance
- rank 1.95456
- Secondary Keywords
- scale
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- plants
- settlements
- settlements and landscapes
- settlements by form
- shape
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- The Detraction of Good Things [Detractio Bonorum] from Sebastian Brant's "Stultifera navis [The Ship of Fools]" published by Johann Bergmann
- Artist
- Anonymous
- Physical Description
- Text on both sides. One side has the image of a man with dogs at his feet. There is also a jester at his feet, kneeling down.
- Century
- 15th century
- Accession Number
- 2013/2.550.1-2
- Medium and Support
- woodcut on paper
- relevance
- rank 1.94382
- Secondary Keywords
- animals and creatures
- artistic concepts
- artistic devices
- associated concepts
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- concepts in the arts
- descriptors
- equipment
- equipment by context
- equipment for personal use
- heads
- hydraulic structures
- hydraulic structures by function
- information artifacts
- information artifacts by physical form
- information forms
- mammals
- object genres
- object genres by form
- objects we use
- people and culture
- single built works
- single built works by function
- single built works by specific type
- the human body
- tools and equipment
- upper body
- walking sticks
- water distribution structures
- Title
- A Han Dynasty Envoy Navigating on a Tree-Raft
- Artist
- Yu Zhiding (Yü Chih-ting)
- Physical Description
- This is a dense but muted landscape painting. The lines are very well defined. The colors consit of muted greens and browns, with a bid of red in some places. There is a river flowing through the center of the painting, running down the landscape and toward the viewer. There is a figure sitting on a gnarled tree-raft towards the bottom left of the painting, with another figure looking upon the scene from the opposite bank of the river. There are ornate buildings present toward the top of the panting. The viewer can see a lone figure in an interior covered by stylized clouds.
- Artist Life Dates
- 1647 - circa 1705
- Century
- 17th century
- Object Creation Date
- 1696
- Accession Number
- 1985/2.30
- Medium and Support
- hanging scroll, ink and light color on silk
- relevance
- rank 1.87590
- Secondary Keywords
- upward
- animals and creatures
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- displacement vessels
- dwellings
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- surface craft
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by displacement
- watercraft by operating environment
- watercraft by specific type
- woody plants
- Title
- Descent of the River Ganges
- Artist
- Artist Unknown, India, Central India, Bundelkhand
- Physical Description
- In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.
- Century
- 18th century
- Object Creation Date
- circa 1775
- Accession Number
- 1979/1.148
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 1.85351
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- descriptors
- earth sciences concepts
- forms
- geography
- image-making processes and techniques
- landscapes (environments)
- making art
- mammals
- natural landscapes
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious (people)
- religious concepts
- religious figures
- religious ideologies
- riverine bodies
- scientific concepts
- settlements and landscapes
- the natural world
- time
- Title
- The Seven Sages Passing Through a Gate
- Artist
- Sheng Maojun (Sheng Mao-chün)
- Physical Description
- A temple lies in the not-so-distant background of tree and mountains. Travellors weave their way along the path, some on horseback. They have their heads covered--some with cloth and some with hats.
- Artist Life Dates
- act. 1600-1645
- Century
- 17th century
- Object Creation Date
- early 17th century
- Accession Number
- 1990/2.1
- Medium and Support
- fan mounted as an album leaf, ink and light color on paper
- relevance
- rank 1.84212
- Secondary Keywords
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- materials
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plants
- religious buildings
- religious structures
- settlements and landscapes
- shape
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- La Villa Madama
- Artist
- Jean-François Janinet
- Physical Description
- This etching, in a pale blue, brown and gray color scheme, depicts an outdoor scene with a large Roman style building and several human figures in the foreground. One giant wall, with two large arches, with semi-circular apses behind, crosses the middle section of the composition from left to right. It intersects a massive building that has a series of vaulted chambers. Both structures have crumbling stonework and overgrown vegetation. There are several groups of women in the foreground on both sides of a river. Some are in the water washing laundry and some are standing with wash hanging on lines. There is a small dog on the shore.
- Artist Life Dates
- (active 1752 - 1814, )
- Century
- 18th century
- Object Creation Date
- 1778
- Accession Number
- 1973/1.737
- Medium and Support
- etching and lavis-manner engraving printed in color on paper
- relevance
- rank 1.83940
- Secondary Keywords
- animals
- animals and creatures
- arches and arch components
- architectural elements
- architecture
- bridges by form
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- landscapes (environments)
- laundry
- mammals
- natural landscapes
- objects
- objects we use
- people and occupations
- plants
- sculpture
- sculpture by subject type
- service industry buildings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Manet's Olympia
- Artist
- Mel Ramos
- Physical Description
- A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
- Artist Life Dates
- born 1935
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 1991/2.102.1
- Medium and Support
- collotype on wove paper
- relevance
- rank 1.83183
- Secondary Keywords
- aesthetic concepts
- animals and creatures
- artistic concepts
- associated concepts
- buildings and the land
- child
- concepts in the arts
- family
- forms of expression
- herbaceous plants
- historical, theoretical and critical concepts
- how we live
- international post-1945 styles and movements
- landscapes (environments)
- mammals
- modern american styles and periods
- modern and contemporary art
- modern north american styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- post-1945 fine arts styles and movements
- psychological concepts
- relationships
- settlements and landscapes
- social science concepts
- styles and periods
- styles and periods by region
- the americas
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Battle of the Genji and Heike Forces
- Artist
- Artist Unknown, Japan
- Physical Description
- This 6-fold screen is a depiction of the Battle of Genji and Heike. In samurai armor, the Heike forces approach by ship from the left, while Genji forces rush to the shore on horseback and on foot—drawing the viewer’s attention to the center of the screens, where their confrontation will finally take place. The Heike forces can be identified by the red banners on their ships, while the Genji clan carries white banners.
- Century
- 16th century
- Object Creation Date
- 1573-1650
- Accession Number
- 1964/2.64
- Medium and Support
- 6-fold screen, ink and color on paper
- relevance
- rank 1.77765
- Secondary Keywords
- animals and creatures
- armed conflicts
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- earth sciences concepts
- events
- evergreens
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- landscapes (environments)
- mammals
- marine bodies
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- physical sciences concepts
- plants
- projectile weapons
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- transportation vehicles
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- weapons
- weapons and ammunition
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- scripted
- Artist
- Ann Hamilton
- Physical Description
- A long wooden box divided into two compartments, one small and one large. The small compartment contains an intricately worked gold thimble inscribed with a poem. The long compartment contains a silver thimble in which horse hairs have been threaded. The tuft of horse hair runs the length of the long compartment.
- Artist Life Dates
- born 1956
- Century
- 20th century
- Object Creation Date
- 1997
- Accession Number
- 1999/2.15
- Medium and Support
- gold thimble, silver thimble, horsehair, wood and glass
- relevance
- rank 1.77161
- Secondary Keywords
- animal material
- animals and creatures
- components
- components and systems
- components by specific context
- constructions (sculpture)
- containers
- containers by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- hair and hair components
- information form components
- information forms
- international post-1945 styles and movements
- keratinous material
- mammals
- materials
- materials by origin
- metalworking and metalworking processes and techniques
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- script and type forms
- sculpture
- sculpture by technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Bullfight (Courses de taureaux)
- Artist
- Pablo Picasso
- Physical Description
- A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1994/1.70
- Medium and Support
- oil on canvas
- relevance
- rank 1.74455
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- european
- european styles and periods
- genres
- image-making processes and techniques
- mammals
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- recreation buildings
- recreation structures
- single built works
- single built works by function
- single built works by specific type
- sports buildings
- sports buildings by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.73501
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- White Mountains in September, North Conway, New Hampshire
- Artist
- Sylvester Phelps Hodgdon
- Physical Description
- Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
- Artist Life Dates
- 1830 - 1906
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1895.57
- Medium and Support
- oil on canvas
- relevance
- rank 1.70341
- Secondary Keywords
- downward
- upward
- americas
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- grass (plant material)
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- mammals
- materials
- materials by origin
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- plant material
- plants
- scientific concepts
- scientists and people in science-related occupations
- service and utility vehicles
- settlements and landscapes
- the natural world
- transportation vehicles
- united states
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- Title
- Journey of the Soul to the Paradise of the Queen Mother of the West
- Artist
- Artist Unknown, China
- Physical Description
- Limestone slab carved bas-relief with six registers. The lower register depicts a chariot procession above fish-inhabited waters. The central three registers depict figures carrying out funerary rites. The top register shows a winged creature with a human face flanked by two writhing dragons and other animals, including two rabbits and a nine-tailed fox.
- Century
- 2nd century
- Object Creation Date
- 2nd century
- Accession Number
- 2000/2.1
- Medium and Support
- carved limestone slab
- relevance
- rank 1.64976
- Secondary Keywords
- agricultural equipment
- animals and creatures
- associated concepts
- buildings and the land
- ceremonial objects
- death
- descriptors
- earth sciences concepts
- equipment
- equipment by process
- freewheeled vehicles
- freewheeled vehicles by form or function
- funerary structures
- great lake and central woodland native american styles
- how we live
- inorganic material
- land vehicles
- land vehicles by form
- legendary creatures
- mammals
- materials
- materials by composition
- native american
- native north american styles
- object genres
- object genres by function
- object-making processes and techniques
- objects we use
- people and culture
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- religious structures
- rites of passage
- scientific concepts
- sculpture techniques
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the americas
- tools and equipment
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- Title
- Farm Landscape
- Artist
- Jacques Callot
- Physical Description
- Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
- Accession Number
- 2008/2.381
- Medium and Support
- etching on beige laid paper
- relevance
- rank 1.63573
- Secondary Keywords
- transfer method
- agricultural complexes
- agricultural functions
- animals and creatures
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- scientists and people in science-related occupations
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- relevance
- rank 1.57095
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition