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Showing results for "paintings by form" in Secondary Keywords.
- Title
- "Snow": calligraphy scroll
- Artist
- Muan Xingtao (aka (J. Ôbaku Mokuan))
- Physical Description
- The large character for snow in block script is juxtaposed with lines of smaller characters in running script. The large character is drawn with unhurried, thick, even strokes in dense, unbroken black ink with blunt contours, while the smaller characters are brushed rapidly, with strokes of varying thickness, a pronounced diagonal tilt, and sharp edges.
- Artist Life Dates
- 1611-1684
- Century
- 17th century
- Object Creation Date
- circa 1655-1675
- Accession Number
- 1986/1.205
- Medium and Support
- ink on paper
- Secondary Keywords
- associated concepts
- chinese buddhism
- descriptors
- earth sciences concepts
- image-making processes and techniques
- japanese buddhism
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- precipitation
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- scientific concepts
- scroll paintings
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- writing (processes)
- Title
- "The Sound of Rustling Leaves" (Chinese poem, calligraphy)
- Artist
- Rai San'yô
- Physical Description
- This is a hanging scroll. It is mounted on olive green fabric and includes a poem in Chinese calligraphic text about nature. Has three red seals: two in the lower left side, one in the upper right corner.
- Artist Life Dates
- 1780-1832
- Century
- 19th century
- Object Creation Date
- circa 1811-1832
- Accession Number
- 2002/1.164
- Medium and Support
- ink on paper
- Secondary Keywords
- associated concepts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- paintings
- paintings by form
- people and culture
- philosophical concepts
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- A Cottage
- Artist
- Joseph Mallord William Turner
- Physical Description
- A two-story cottage with two chimneys is in the middle of the page. The view of it is obstructed by the large mound that takes up the right half of the image. There is a green tree on the left side of the cottage.
- Artist Life Dates
- 1775-1851
- Century
- 18th-19th century
- Object Creation Date
- 1775-1851
- Accession Number
- 1985/1.100
- Medium and Support
- watercolor and graphite on off-white laid paper
- Secondary Keywords
- buildings and the land
- descriptors
- dwellings
- grass (plant material)
- houses
- houses by form
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- objects we use
- open spaces and site elements
- paintings
- paintings by material or technique
- plant material
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- site elements
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Abstract Composition (Abstrakte Komposition)
- Artist
- László Moholy-Nagy
- Physical Description
- A spare and restrained abstract composition, built up out of layers of mostly translucent basic geometric forms. The grey tones of the background are created with large rectangle shapes. In the upper part of the piece is a light colored circle, with a brighter circle inside it. Both are crossed by an axis of bright, thin orange lines. On the left, the point of a triangle protrudes from the edge. It is covered by a faint gray trapezoidal shape. Three small black semi-circles are also visible: one along the lines inside the circles; the other two along the trapezoidal shape and just beneath the triangle.
- Artist Life Dates
- Hungary, 1895-1946
- Century
- 20th century
- Object Creation Date
- circa 1925
- Accession Number
- 1953/2.9
- Medium and Support
- watercolor, India ink, and collage on off-white wove paper
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- coating (material)
- coating by form
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- international post-1945 styles and movements
- materials
- materials by function
- mathematical concepts
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern german styles and movements
- objects we use
- paintings
- paintings by material or technique
- people and culture
- plane figures
- polygons
- post-1945 fine arts styles and movements
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Ali Mountain Based on Sketches - 1
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.136
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- paintings
- paintings by form
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- transportation spaces
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Ali Mountain Based on Sketches - 2
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.137
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- paintings
- paintings by form
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- transportation spaces
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Ali Mountain Based on Sketches - 3
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.138
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- paintings
- paintings by form
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- transportation spaces
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Ali Mountain Based on Sketches - 4
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.139
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- writing (processes)
- Title
- Ali Mountain Based on Sketches - 5
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.140
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- writing (processes)
- Title
- Ali Mountain Based on Sketches - 6
- Artist
- Chang Ku-nien
- Physical Description
- One of six hanging scrolls in a series depicting the landscape of Ali Mountain, trees and hillside are shown below calligraphic text. The artist uses alternating wet ink washes for the misty clouds and dry flying-brushes for the large pine trees
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965
- Accession Number
- 2006/1.141
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Ancona with a View of the Arch of Trajan
- Artist
- Samuel Prout
- Physical Description
- This small watercolor shows the view of an arch by a city waterfront. A wall closes off the left side of the street leading up to the arch, and creates a powerful sense of recession into space leading from the foreground to the monument in the middle distance. Scattered figures inhabit the street. Beyond the arch may be glimpsed the waters of a bay and a hill rising above the far shore.
- Artist Life Dates
- (1783 - 1852)
- Century
- 19th century
- Object Creation Date
- 1824-1852
- Accession Number
- 2009/1.511.4
- Medium and Support
- watercolor, bodycolor, pen with brown ink on paper
- Secondary Keywords
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- descriptors
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- landscapes (environments)
- memorial arches
- monuments
- monuments by form
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- perspective and shading techniques
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Bamboo
- Artist
- Kobayashe Kanrin
- Physical Description
- A hanging scroll painting of bamboo.
- Artist Life Dates
- (1813 - 1887)
- Century
- 19th century
- Object Creation Date
- 1972-1975
- Accession Number
- 2011/2.165
- Medium and Support
- sumi on paper
- Secondary Keywords
- descriptors
- grass (plant material)
- image-making processes and techniques
- materials
- materials by origin
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques for special effects
- paintings
- paintings by form
- plant material
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- Title
- Bamboo and Rock
- Artist
- Chang Ku-nien, Liu Yantao, Gao Yihong
- Physical Description
- A rock rises above the earth, and branches of bamboo mimic the gentle curve of its shape. Grasses grow below. Two lines of calligraphic text are written verticalley on the left side of the painting.
- Century
- 20th century
- Object Creation Date
- circa 1960-1975
- Accession Number
- 2006/1.134
- Medium and Support
- ink on paper
- Secondary Keywords
- artists
- asian
- chinese
- chinese painting styles
- chinese styles
- chinese styles and periods
- coating (material)
- coating by form
- descriptors
- east asian
- grass (plant material)
- inorganic material
- materials
- materials by composition
- materials by function
- materials by origin
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- plant material
- scroll paintings
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Bamboo and Rock
- Artist
- Chang Ku-nien
- Physical Description
- Bamboo and strangely shaped rock are painted here.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1965-1985
- Accession Number
- 2006/1.123
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- coating (material)
- coating by form
- descriptors
- grass (plant material)
- inorganic material
- materials
- materials by composition
- materials by function
- materials by origin
- objects we use
- paintings
- paintings by form
- plant material
- scroll paintings
- visual works
- visual works by medium or technique
- Title
- Bamboo in snow
- Artist
- Zhu Sheng (Chu Sheng)
- Physical Description
- In this image of bamboo bent under heavy snow the leaves are depicted with vigorous yet controlled strokes of the brush, while the snow is indicated by surrounding areas of blank paper with dark ink, a traditional technique in monochrome ink painting.
- Artist Life Dates
- 1618 - circa 1690
- Century
- 17th century
- Object Creation Date
- 1690
- Accession Number
- 2002/2.351
- Medium and Support
- hanging scroll, ink on satin
- Secondary Keywords
- artists
- associated concepts
- descriptors
- earth sciences concepts
- grass (plant material)
- materials
- materials by origin
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- physical sciences concepts
- plant material
- precipitation
- scientific concepts
- scroll paintings
- seasons
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Bay of Naples
- Artist
- Samuel Prout
- Physical Description
- Three figures stand in a wooded clearing in the foreground of this small watercolor. A view opens out in the middle ground over a bay with a city descending from the adjacent hills to the water. A volcano smolders in the distance on the opposite side of the bay, a thick plume of smoke rising from its peak.
- Artist Life Dates
- (1783 - 1852)
- Century
- 19th century
- Object Creation Date
- 1824-1852
- Accession Number
- 2009/1.511.2
- Medium and Support
- watercolor, bodycolor, pen with brown ink on paper
- Secondary Keywords
- scale
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- europe (continent)
- geographic and political locations
- landforms
- landforms and landform components
- landforms by formation process
- landscapes (environments)
- magmatic landforms
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- settlements
- settlements and landscapes
- settlements by form
- visual works
- visual works by medium or technique
- Title
- Birds in a Tree
- Artist
- Nakabayashi Chikutô
- Physical Description
- A family of birds rest among willow branches. Three chicks rest below, while the larger parents perch above
- Artist Life Dates
- 1776-1853
- Century
- 19th century
- Object Creation Date
- 1840
- Accession Number
- 1976/2.103
- Medium and Support
- Hanging scroll, ink on silk
- Secondary Keywords
- animals and creatures
- buildings and the land
- coating (material)
- coating by form
- descriptors
- grass (plant material)
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by function
- materials by origin
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant material
- plants
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Blossoming Prunus Branch, after Wang Yüan-chang (Wang Mien)
- Artist
- Yamamoto Baiitsu
- Physical Description
- The prunus branch depicted by Baiitsu makes use of the long vertical form provided by the hanging scroll format. The branch enters the visual field from the top right, and curves downward toward the bottom of the scroll. On either side of the branch are sections of calligraphic text.
- Artist Life Dates
- 1783-1856
- Century
- 19th century
- Object Creation Date
- 1847
- Accession Number
- 1970/2.156
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- herbaceous plants
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant components
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- trees (components)
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Calligraphy
- Artist
- Chang Ku-nien
- Physical Description
- The inscription is a famous discussion on the vulgarity and the elegance in painting by Qing Dynasty painter Zou Yigui (or Zou Xiaoshan).
- Artist Life Dates
- 1906 - 1987
- Century
- 20th century
- Object Creation Date
- 1970
- Accession Number
- 2006/1.128
- Medium and Support
- hanging scroll, ink on gold-flecked paper
- Secondary Keywords
- coating (material)
- coating by form
- descriptors
- gold and gold alloy
- image-making processes and techniques
- inorganic material
- materials
- materials by composition
- materials by function
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Calligraphy, One of a Pair
- Artist
- Chen Shu-chen
- Physical Description
- Vertical hanging scroll of calligraphic text consisting of five Chinese characters in black ink. One of a pair.
- Artist Life Dates
- 1908-2000
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.130.1
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- asian
- coating (material)
- coating by form
- descriptors
- forms
- genres
- image-making processes and techniques
- making art
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Calligraphy: "The Ocean of Good Fortune"
- Artist
- Yueshan Daozong (J. Etsuzan Dôshû; Ôbaku Etsuzan)
- Physical Description
- Running script calligraphy
- Artist Life Dates
- 1629 - 1709
- Century
- 17th century
- Object Creation Date
- circa 1660-1709
- Accession Number
- 2003/1.392
- Medium and Support
- ink on paper
- Secondary Keywords
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Clear Water Cliff
- Artist
- Chang Ku-nien
- Physical Description
- The torrential water and the Clear Water Cliff beside the Suhua Highway.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- after 12/1/1973
- Accession Number
- 2006/1.106
- Medium and Support
- hanging scroll, ink and color on paper
- Secondary Keywords
- buildings and the land
- coating (material)
- coating by form
- descriptors
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Cloudy Mountains and Misty Trees, after Dong Yuan
- Artist
- Zha Shibiao (Cha Shih-piao)
- Physical Description
- This vertical composition consists of tall, thin trees in the foreground, with a lone boatman floating beneath and behind them. As the scene stretches upwars, mountains take up a dominant position in the picture, stretching toward the sky. Above them is calligraphic text.
- Artist Life Dates
- (Haiyang, Anhui, 1615 - 1698)
- Century
- 17th century
- Object Creation Date
- 2nd half of 17th century
- Accession Number
- 1975/1.73
- Medium and Support
- hanging scroll, ink and color on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Continuous
- Artist
- Edda Renouf
- Physical Description
- Several thin coats of blue-gray acrylic paint have been applied to primed linen canvas whose weave was altered by removing threads at more or less regular intervals. She then carefully sanded down the paint to highlight the new texture and make “visible the life within the linen material.” (artist’s statement (2009), http://www.eddarenouf.com/Statement.html)
- Artist Life Dates
- born 1943
- Century
- 20th century
- Object Creation Date
- 1976
- Accession Number
- 2008/2.255
- Medium and Support
- acrylic on canvas
- Secondary Keywords
- arts
- arts and related disciplines
- attributes and properties
- attributes and properties by specific type
- descriptors
- disciplines
- document genres
- document genres by form
- european
- european styles and periods
- humanities
- information forms
- international post-1945 styles and movements
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- paintings
- paintings by form
- people and culture
- performing arts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- visual works
- visual works by medium or technique
- Title
- Cross-Island Highway Based on Sketches
- Artist
- Chang Ku-nien
- Physical Description
- Painted and inscribed on the occasion of Veterans’ Day. The artist depicts a view of the narrow, winding roadway cutting through a magnificent rocky mountain.
- In his inscription, Chang claims to use methods of Song masters that were adopted in painting the scene. A small detail on the lower right of the painting represents a couple of tiny figures standing aside the road. One figure is depicted as making life-sketches of the scene.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1980
- Accession Number
- 2006/1.111
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Domodossola
- Artist
- Samuel Prout
- Physical Description
- This small watercolor depicts a city square viewed through the arches of an arcade. A small group clusters next to one of the columns in the foreground, and a few other figures are scattered about the square along with a man leading a horse and cart.
- Artist Life Dates
- (1783 - 1852)
- Century
- 19th century
- Object Creation Date
- 1824-1852
- Accession Number
- 2009/1.511.3
- Medium and Support
- watercolor, bodycolor, pen with brown ink on paper
- Secondary Keywords
- animals and creatures
- buildings and the land
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- paintings
- paintings by material or technique
- service and utility vehicles
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- Title
- Fame and Erato, Muse of Love Poetry
- Artist
- Sebastiano Conca
- Physical Description
- Two women accompanied by a pair of putti appear seated in the foreground of this painting. On the left sits a winged woman crowned with a laurel wreath and wearing a long white robe and a vivid ocher-colored mantle. She leans on a globe while cradling a large book in her right arm to which she points with her left hand. In her right hand she holds a compass. A putto peeks from beneath her mantle, and a viol is visible beneath the globe. The other woman sits on a cloud. She wears a golden crown and a richly colored blue mantle. She grasps a lyre with her left hand and leans toward the woman seated next to her, gesturing in the direction of the book with her right hand. A second putto stands near her left shoulder holding a gold circlet in his left hand. The background is filled with glimpses of neoclassical architecture, including fluted columns and a facade with a row of Ionic columns supporting an entablature.
- Artist Life Dates
- 1680 - 1764
- Century
- 18th century
- Object Creation Date
- circa 1725
- Accession Number
- 1987/1.159
- Medium and Support
- oil on canvas
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- chordophones
- concepts in the arts
- descriptors
- design elements
- drafting, drawing and writing equipment
- drafting, drawing and writing equipment by specific type
- equipment
- equipment by process
- figure- and animal-derived motifs
- image-making equipment
- information artifacts
- information artifacts by physical form
- information forms
- motifs
- objects we use
- paintings
- paintings by material or technique
- people and culture
- sound devices
- sound devices by acoustical characteristics
- symbolism
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- Fire Engine Red
- Artist
- Dorothea Rockburne
- Physical Description
- Two large panels painted red panels of aluminum, situated against one another so that the seam is visible at center. A line of white runs along each panel's outer edge.
- Artist Life Dates
- b. 1932
- Century
- 20th century
- Object Creation Date
- 1967
- Accession Number
- 1997/1.136.1-2
- Medium and Support
- wrinkle finish paint (oil) on aluminum
- Secondary Keywords
- descriptors
- emergency vehicles
- freewheeled vehicles
- freewheeled vehicles by form or function
- genres
- image-making processes and techniques
- international post-1945 styles and movements
- land vehicles
- land vehicles by form
- modern and contemporary art
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- service and utility vehicles
- styles and periods
- styles and periods by region
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- Title
- Flowers and Grasses
- Artist
- Watanabe Shikô
- Physical Description
- Realistic flowers and grasses, painted with vivid colors on a hanging scroll.
- Artist Life Dates
- 1683-1755
- Century
- 18th century
- Object Creation Date
- 1st half of 18th century
- Accession Number
- 1964/2.65
- Medium and Support
- hanging scroll, ink and color on paper
- Secondary Keywords
- asia (continent)
- buildings and the land
- descriptors
- design elements
- geographic and political locations
- herbaceous plants
- landscapes (environments)
- motifs
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant-derived motifs
- plants
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Geese and Reeds (one of a pair)
- Artist
- Ki-hun Yang
- Physical Description
- A grounded and a flying goose is paired in both paintings, creating a contrast of stillness and movement. The goose is the water has its head turned to watch the descent of the goose flying in from the right. The upper left corner contains calligraphic text, and creating ripples in the water in the foreground is a goose with its head below the surface, and bottom in the air. Reeds come in from the right.
- Artist Life Dates
- 1843-1898
- Century
- 19th century
- Object Creation Date
- late 19th century
- Accession Number
- 2009/1.488.1
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- coating (material)
- coating by form
- descriptors
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- Title
- Geese and Reeds (two of a pair)
- Artist
- Ki-hun Yang
- Physical Description
- A grounded and a flying goose is paired in both paintings, creating a contrast of stillness and movement. A goose swoops into the scene from the top left, while the neck of the grounded goose follows a graceful curve to look at the approaching bird. The swaying reeds and grass around the grounded goose add lightness to the composition. Between the two geese are three lines of calligraphy.
- Artist Life Dates
- (1843 - 1898)
- Century
- 19th century
- Object Creation Date
- late 19th century
- Accession Number
- 2009/1.488.2
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- coating (material)
- coating by form
- descriptors
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- Title
- Geese Landing on Sandbars
- Artist
- Chang Ku-nien
- Physical Description
- A scene of geese in pond and on sandbars. The geese are congregated in the lower left hand side of the painting, as are most of the reeds growing from the sand bars. Some geese can also be seen flying in the middle of the painting, though they are not as prominent. Five lines of calligraphy are lcoated in the upper right of the painting.
- Artist Life Dates
- 1906-1987
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.142
- Medium and Support
- ink and color on paper
- Secondary Keywords
- relation to water
- animals and creatures
- birds
- buildings and the land
- coating (material)
- coating by form
- descriptors
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Hawk
- Artist
- Artist Unknown, Japan
- Physical Description
- In this painting, the hawk perches on the base of a tree, gripping the knotted bark with its talons. Its back is presented to the viewer, bringing attention the impressive patterning and feather detail. Arching its head to the right to reveal a keen awareness of its surroundings coupled with a razor sharp glare, it appears ready to take off after unsuspecting prey.
- Century
- 17th century
- Object Creation Date
- 17th century (?)
- Accession Number
- 1964/2.62
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- animals and creatures
- asia (continent)
- buildings and the land
- descriptors
- evergreens
- geographic and political locations
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- paintings
- paintings by form
- plants
- scroll paintings
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Hearing the Sound of a Distant Bell
- Artist
- Chang Ku-nien
- Physical Description
- Ink and wash depicts the tranquility. Temples rest in the middle of the remote mountains. Hearing the bell resonnating in the valley, a monk is returning.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1973
- Accession Number
- 2006/1.122
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- hollow-bodied
- bells and sets of bells
- chordophones
- coating (material)
- coating by form
- descriptors
- directly struck idiophones
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- percussion idiophones
- scroll paintings
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- visual works
- visual works by medium or technique
- Title
- Hirado Ware Mizusashi blue-and-white water covered jar with design of Chinese sages
- Artist
- Artist Unknown Hirado ware, Japan
- Physical Description
- This white porcelain jar has the design of six Chinese sages and an attendant boy with blue underglaze in delicate brushwork. One sage is reading a book, while another is listening. The attendant boy is standing next to the sage with a book. Other four sages are looking at a long hand scroll. Some sages hold staffs on their hands. One sage has a string instrument. The jar has a broad shoulder and an inverted mouth, where the lid is placed. The knob of the lid is in a shape of a reclining boy (unpainted), surrounded by books, hanging scrolls, a cane, and a fan, which are painted with blue underglaze. It also has a shallow foot.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2006/2.51A&B
- Medium and Support
- porcelain with blue underglaze painting
- Secondary Keywords
- artists
- costume
- costume accessories
- costume accessories carried
- equipment
- equipment by context
- equipment for personal use
- information artifacts
- information artifacts by physical form
- information forms
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- tools and equipment
- visual works
- visual works by medium or technique
- walking sticks
- Title
- Hotei
- Artist
- Ogata Kôrin
- Physical Description
- The shape of the circle repeats four times in this painting. It appears in the plump body of Hotei, his head, his large white sack, and the overall shape of the fan.
- Artist Life Dates
- (Kyoto, 1658 - 1716)
- Century
- 18th century
- Object Creation Date
- circa 1700-1716
- Accession Number
- 1965/1.157
- Medium and Support
- ink and light color on paper
- Secondary Keywords
- associated concepts
- buddhism
- chinese buddhism
- concepts in the arts
- costume
- costume accessories
- costume accessories carried
- genres in the arts
- geometric concepts
- geometric figures
- literary, oral and motion picture genres
- mathematical concepts
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by state or condition
- plane figures
- religions
- religions and religious concepts
- scientific concepts
- scroll paintings
- visual works
- visual works by medium or technique
- Title
- In the Spirit of Li Bai's Poetry
- Artist
- Chang Ku-nien
- Physical Description
- Green mountains create the edge of a river. Red flowers grow on the hill framing the scene in the right corner, and two boats sail the waters below. In the upper center of the painting is calligraphic text.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1975
- Accession Number
- 2006/1.120
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- coating (material)
- coating by form
- concepts in the arts
- descriptors
- genres in the arts
- herbaceous plants
- landscapes (environments)
- literary, oral and motion picture genres
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- plants
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Jade Mountain, Auspicious Snow
- Artist
- Chang Ku-nien
- Physical Description
- Though this painting was not dated, it should be most possibly painted after Chang moved to Michigan in 1974. Perhaps it is because of the cold winter, during this time, Chang created many works on landscape of snow. This is a scene of clearing after snow.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.113
- Medium and Support
- unmounted scroll, ink on paper
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- earth sciences concepts
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- precipitation
- scientific concepts
- settlements and landscapes
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Japanese Beauty in a Red Maple Leaf Robe
- Artist
- Yamaguchi Soken (Sojun)
- Physical Description
- This image is of a lone female figure centrally located on the scroll. The dominate color of the image is red. The figure's outer kimono is decorated with red and gold maple leaves.
- Artist Life Dates
- 1759-1818
- Century
- 19th century
- Object Creation Date
- early 19th century
- Accession Number
- 1985/2.7
- Medium and Support
- hanging scroll, ink and color on silk
- Secondary Keywords
- aesthetic concepts
- asia (continent)
- asian
- associated concepts
- buildings and the land
- costume
- costume by form
- deciduous trees
- east asian
- geographic and political locations
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- prostitutes
- scroll paintings
- settlements and landscapes
- styles and periods
- styles and periods by region
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Landscape
- Artist
- Aoki Shukuya
- Artist Life Dates
- 1737-1802
- Century
- 18th century
- Object Creation Date
- circa 1760-1802
- Accession Number
- 1967/2.3
- Medium and Support
- ink on paper
- Secondary Keywords
- architecture
- asia
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- figures
- forms
- geography
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- riverine bodies
- scroll paintings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- Landscape: Illustrating a poem of the T'ang period by Chang Chi (Zhang Ji )
- Artist
- Dong Gao (Tung Kao)
- Physical Description
- Chang Chi's poem lies in the upper right corner, just above a distant castle or other elegant building. In the foreground, mountains and trees arch over a wandering blue river and stretches of wispy clouds.
- Artist Life Dates
- (1740 - 1818)
- Century
- 18th century
- Object Creation Date
- 1780
- Accession Number
- 1967/2.9
- Medium and Support
- hanging scroll, ink and color on silk
- Secondary Keywords
- buildings and the land
- coating (material)
- coating by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- the natural world
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Late Autumn Landscape
- Artist
- Artist Unknown, Japan
- Physical Description
- The entire top portion of this painting is seemingly blank, but represents the air and atmosphere. Below are mountains hugged by clouds and trees and vegetation in the phase of autumn.
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1966/2.1
- Medium and Support
- hanging scroll, ink and light color on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- image-making processes and techniques
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- scroll paintings
- seasons
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Magpies and Hibiscus
- Artist
- Yamamoto Baiitsu
- Physical Description
- Two magpies rest among hibiscus flowers. “Boneless” washes for the hibiscus flowers are contrasted with ink outlines of bamboo.
- Artist Life Dates
- 1783-1856
- Century
- early to mid-19th century
- Object Creation Date
- 1831
- Accession Number
- 1986/1.165
- Medium and Support
- Hanging scroll, ink and light color on paper
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- grass (plant material)
- herbaceous plants
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by origin
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant material
- plants
- scroll paintings
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.
- Century
- 17th century
- Object Creation Date
- late 16th century - early 17th century
- Accession Number
- 1967/2.5
- Medium and Support
- hanging scroll, ink and light color on paper
- Secondary Keywords
- scale
- upward
- architecture
- asia
- asia (continent)
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- dwellings
- figures
- forms
- geographic and political locations
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- residential structures
- riverine bodies
- scroll paintings
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- waterscapes
- woody plants
- Title
- Mountain Light, Cloud Shadow
- Artist
- Chang Ku-nien
- Physical Description
- The use of light ink to depict the hills and remote mountains was to present the misty and dreamlike Dayu Mountain. Chang applied the wash to creat a sense of wet atmosphere.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 2006/1.107
- Medium and Support
- unmounted scroll, ink on paper
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- New York Sunset
- Artist
- Emilio Sanchez
- Physical Description
- New York City skyscrapers seen from a distance. Dark clouds in the sky could be bringing rain.
- Artist Life Dates
- b. 1921
- Object Creation Date
- circa 1980
- Accession Number
- 2011/2.137
- Medium and Support
- oil on canvas
- Secondary Keywords
- height
- buildings and the land
- high-rise buildings
- multistory buildings
- objects we use
- paintings
- paintings by material or technique
- single built works
- single built works by form
- single built works by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Night Rain on the Xiao and Xiang Rivers
- Artist
- Chang Ku-nien
- Physical Description
- In this landscape a misty, meandering river is depicted with two boathouses along its banks. Reeds and other foliage grow lush along the banks, partially obscuring the boathouse in the foreground. Accompanying text is in the upper register.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.127
- Medium and Support
- hanging scroll, ink on paper
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- garden structures
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- precipitation
- riverine bodies
- scientific concepts
- scroll paintings
- settlements and landscapes
- single built works
- single built works by location or context
- single built works by specific type
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- Noh Dancer as Empress Jingû with a Trout
- Artist
- Yamawaki Tôki
- Physical Description
- An masked Noh actor dressed as Empress Jingû is holds a catch of a river trout on a pole. The actor wears a brocade kimono with a floral scroll design, tucked into a stiffly starched pair of brocade trousers. His cloak is a green gauze silk with woven gold phoenix designs.
- Artist Life Dates
- 1777-1839
- Century
- 19th century
- Object Creation Date
- 1831
- Accession Number
- 1983/1.397
- Medium and Support
- Hanging scroll, ink and color on silk
- Secondary Keywords
- animals and creatures
- costume
- costume by function
- descriptors
- edged weapons
- materials
- materials by origin
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- physical activities
- physical activities by general context
- plant material
- scroll paintings
- visual works
- visual works by medium or technique
- weapons
- weapons and ammunition
- wood and wood products
- wood products
- Title
- Northern Summer Window
- Artist
- Marsden Hartley
- Physical Description
- A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
- Artist Life Dates
- 1877 - 1943
- Century
- 20th century
- Object Creation Date
- 1936
- Accession Number
- 1949/2.89
- Medium and Support
- oil on canvas
- Secondary Keywords
- animals
- architecture
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- containers
- containers by form
- descriptors
- genres
- geographic and political locations
- herbaceous plants
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- marine bodies
- modern and contemporary art
- natural landscapes
- north and central america (continent)
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- plants
- processes and techniques
- processes and techniques by specific type
- seasons
- settlements and landscapes
- the natural world
- united states (nation)
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- Ode on a Wanli-era Imperial Brush
- Artist
- Shitao (Shih-t'ao)
- Physical Description
- Calligraphy of a poem written in running script and including three artist's seals and the artist's signature.
- Artist Life Dates
- 1642-1707
- Century
- 18th century
- Object Creation Date
- 1705
- Accession Number
- 1965/2.75
- Medium and Support
- ink on paper
- Secondary Keywords
- artists
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)