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Showing results for "1879" in Object Creation Date.
- Title
- "Nocturne, from The First Venice Set"
- Artist
- Artist Unknown
- Object Creation Date
- 1879-1880
- Accession Number
- UMMA-002
- Medium and Support
- etching and drypoint on paper
- Artist
- Artist Unknown
- Title
- Fisherman
- Artist
- Gifford Beal
- Artist Life Dates
- 1879-1956
- Century
- 20th century
- Object Creation Date
- 1879-1956
- Accession Number
- 1973/1.725
- Medium and Support
- etching on paper
- Artist
- Beal, Gifford
- Title
- Woman with a Parasol
- Artist
- Gifford Beal
- Artist Life Dates
- 1879-1956
- Century
- 20th century
- Object Creation Date
- 1879-1956
- Accession Number
- 1973/1.726
- Medium and Support
- etching on paper
- Artist
- Beal, Gifford
- Title
- Winter in Paris (or Snow in Paris), (L'Hiver à Paris or La Neige à Paris)
- Artist
- Félix Hilaire Buhot
- Artist Life Dates
- 1847-1898
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1983/1.247
- Medium and Support
- etching and aquatint on paper
- Artist
- Buhot, Félix Hilaire
- Title
- La Mare (after a painting by Jules Dupré)
- Artist
- Theophile Chauvel
- Artist Life Dates
- 1831-1909
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1973/1.753
- Medium and Support
- etching on paper
- Artist
- Chauvel, Theophile
- Title
- Mary Cassatt at the Louvre: The Etruscan Gallery
- Artist
- Edgar Degas
- Artist Life Dates
- 1834-1917
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1960/1.108
- Medium and Support
- softground etching, drypoint, aquatint, and etching on paper
- Artist
- Degas, Edgar
- Title
- Loges D'Actrices (Actresses in Their Dressing Rooms)
- Artist
- Edgar Degas
- Artist Life Dates
- 1834-1917
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1971/2.7
- Medium and Support
- aquatint and etching on paper
- Artist
- Degas, Edgar
- Title
- Mary Cassatt at the Louvre: The Paintings Gallery
- Artist
- Edgar Degas
- Artist Life Dates
- 1834-1917
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1996/1.65
- Medium and Support
- etching, softground etching on heavy grey laid paper
- Artist
- Degas, Edgar
- Title
- Environs de Southhampton (after a painting by Jules Dupré)
- Artist
- Léon Gaucherel
- Artist Life Dates
- 1816-1885/6
- Century
- 19th century
- Object Creation Date
- 1879?
- Accession Number
- 1973/1.764
- Medium and Support
- etching on paper
- Artist
- Gaucherel, Léon
- Title
- Tea Bowl
- Artist
- Henry Jewett Greene
- Artist Life Dates
- 1879 - 1970
- Century
- 20th century
- Object Creation Date
- 1879-1970
- Accession Number
- 1971/2.95
- Medium and Support
- black "oil spot" glaze on stoneware
- Artist
- Greene, Henry Jewett
- Title
- Venice from the Lido
- Artist
- John Postle Heseltine
- Artist Life Dates
- (active 1843 - 1929)
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1973/1.769
- Medium and Support
- etching on paper
- Artist
- Heseltine, John Postle
- Title
- Zuni Watching
- Artist
- John Hillers
- Artist Life Dates
- 1843-1925
- Century
- 19th century
- Object Creation Date
- circa 1879
- Accession Number
- 1980/1.145
- Medium and Support
- albumen print on paper
- Artist
- Hillers, John
- Title
- Girl (Adelaide Cole)
- Artist
- Winslow Homer
- Artist Life Dates
- 1836-1910
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1955/1.104
- Medium and Support
- graphite on illustration board
- Artist
- Homer, Winslow
- Title
- After the Buffalo Run, North Montana
- Artist
- Laton Alton Huffman
- Artist Life Dates
- 1854-1931
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1983/2.70
- Medium and Support
- colotype print on paper
- Artist
- Huffman, Laton Alton
- Title
- The Father's Leave-Taking
- Artist
- William Holman Hunt
- Artist Life Dates
- (1827 - 1910)
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1977/2.7
- Medium and Support
- etching on paper
- Artist
- Hunt, William Holman
- Title
- Wounded Lioness
- Artist
- Edward Kemeys
- Artist Life Dates
- 1843-1907
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.475
- Medium and Support
- bronze
- Artist
- Kemeys, Edward
- Title
- Apollo and Daphne, Plate X from 'Rettungen Ovidischer Opfer, Opus II
- Artist
- Max Klinger
- Artist Life Dates
- 1857-1920
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1974/2.34
- Medium and Support
- aquatint and etching on paper
- Artist
- Klinger, Max
- Title
- Bordeaux, Vue de la Cote de Cénon
- Artist
- Maxime Lalanne
- Artist Life Dates
- 1827-1886
- Century
- 19th century
- Object Creation Date
- 1879?
- Accession Number
- 1973/1.772
- Medium and Support
- etching and drypoint on paper
- Artist
- Lalanne, Maxime
- Title
- The Dead Sea, from Masada
- Artist
- Edward Lear
- Artist Life Dates
- 1812-1888
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1968/2.34
- Medium and Support
- oil on canvas
- Artist
- Lear, Edward
- Title
- Passaic Meadows
- Artist
- Thomas Moran
- Artist Life Dates
- 1837-1926
- Century
- 19th century
- Object Creation Date
- circa 1878-1879
- Accession Number
- 1969/2.136
- Medium and Support
- etching on paper
- Artist
- Moran, Thomas
- Title
- Venice - Church of the Gesuati on the Zattere
- Artist
- Riccardo Nobili
- Artist Life Dates
- 1859-1939
- Century
- 19th- or 20th-century
- Object Creation Date
- circa 1879-1939
- Accession Number
- 1952/1.77
- Medium and Support
- oil on panel
- Artist
- Nobili, Riccardo
- Title
- Snow Landscape
- Artist
- Okuhara Seiko
- Physical Description
- A mountain scene with men riding up winding roads on horseback. There are only two colors used, black and red.
- Artist Life Dates
- (Koga, Ibaraki prefecture, 1837 - 1913, Edo)
- Object Creation Date
- October 1879
- Accession Number
- 2012/2.107
- Medium and Support
- hanging scroll
- Artist
- Okuhara, Seiko
- Title
- Street in Avignon
- Artist
- Louis Orr
- Artist Life Dates
- 1879 - 1966
- Century
- 20th century
- Object Creation Date
- 1879-1966
- Accession Number
- 1992/1.164
- Medium and Support
- etching on paper
- Artist
- Orr, Louis
- Title
- Plate with Floral Design, one of five
- Artist
- Shibata Zeshin
- Physical Description
- Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
- Artist Life Dates
- 1807-1891
- Century
- 19th century
- Object Creation Date
- circa 1879-1890
- Accession Number
- 1968/2.56
- Medium and Support
- clear lacquer over gold leaf and polychrome lacquer painting on paper
- Artist
- Shibata, Zeshin
- Title
- Plate with Floral Design, one of five
- Artist
- Shibata Zeshin
- Physical Description
- Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
- Artist Life Dates
- 1807-1891
- Century
- 19th century
- Object Creation Date
- circa 1879-1890
- Accession Number
- 1968/2.57
- Medium and Support
- clear lacquer over gold leaf and polychrome lacquer painting on paper
- Artist
- Shibata, Zeshin
- Title
- Plate with Floral Design, one of five
- Artist
- Shibata Zeshin
- Physical Description
- Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
- Artist Life Dates
- 1807-1891
- Century
- 19th century
- Object Creation Date
- circa 1879-1890
- Accession Number
- 1968/2.58
- Medium and Support
- clear lacquer over gold leaf and polychrome lacquer painting on paper
- Artist
- Shibata, Zeshin
- Title
- Plate with Floral Design, one of five
- Artist
- Shibata Zeshin
- Physical Description
- Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
- Artist Life Dates
- 1807-1891
- Century
- 19th century
- Object Creation Date
- circa 1879-1890
- Accession Number
- 1968/2.59
- Medium and Support
- clear lacquer over gold leaf and polychrome lacquer painting on paper
- Artist
- Shibata, Zeshin
- Title
- Plate with Floral Design, one of five
- Artist
- Shibata Zeshin
- Physical Description
- Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
- Artist Life Dates
- 1807-1891
- Century
- 19th century
- Object Creation Date
- circa 1879-1890
- Accession Number
- 1968/2.60
- Medium and Support
- clear lacquer over gold leaf and polychrome lacquer painting on paper
- Artist
- Shibata, Zeshin
- Title
- A Montenegrin Chieftain
- Artist
- Théodore Valério
- Artist Life Dates
- 1819-1879
- Century
- 19th century
- Object Creation Date
- circa 1839-1879
- Accession Number
- 1895.102
- Medium and Support
- oil on canvas mounted on board
- Artist
- Valério, Théodore
- Title
- Old Battersea Bridge
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the surface of a river, a segment of a wooden bridge carries both carriages and pedestrians across the span. The piers of the bridge are reinforced with horizontal boards to protect against collision. Between the piers the distant shore shows numerous buildings and dry-dock cranes. In the center span, a low boat with a sail is about to pass under the bridge, moving towards the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.371
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- Nocturne, from the "Twelve Etchings" or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.372
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Artist
- Whistler, James McNeill
- Title
- The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.374
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- The Doorway, from the "Twelve Etchings", or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.375
- Medium and Support
- etching, drypoint, and roulette on laid paper on laid paper
- Artist
- Whistler, James McNeill
- Title
- The Traghetto, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- An empty covered passageway dominates this image. In the foreground are three young saplings. At the far end of the passageway a man can be seen sitting in the sunlight alongside the edge of the canal. On either side of the passageway in the foreground are windows and indications of cornices, etc. of the architecture.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.376
- Medium and Support
- etching, printed in warm black ink on laid Japan paper
- Artist
- Whistler, James McNeill
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.378
- Medium and Support
- etching, printed in black ink on wove paper
- Artist
- Whistler, James McNeill
- Title
- Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.380
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Artist
- Whistler, James McNeill
- Title
- The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A deep covered passageway dominates the composition. At the near end of the passage, to the right side stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.382
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Title
- The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A long street receds at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.383
- Medium and Support
- etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- Doorway and Vine, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway through a building reveals a distant view of figures on both sides of a canal. In the foreground, the building is sketched in to show a vine growing up and over the passageway at the left, and an arched window at the right side; above the passage on the second floor two figures are seen silhouetted in an open window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.384
- Medium and Support
- etching on paper
- Artist
- Whistler, James McNeill
- Title
- San Giorgio, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Ships at anchor in a lagoon is the focus of this image. Smaller boats are tied to the quay in the foreground and along the horizon line is a cityscape, leading to a large church at the left, with an impressive facade, dome and bell tower behind. A large ship is moored between the viewer and the church. Much of the foreground is occupied by water without boats, leaving the elements of the composition largely in the middle distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.386
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- Nocturne: Palaces, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A nighttime view of canals in Venice. Walls of buildings at rough right angles to one another, connected by a footbridge in the distance, are lit to reveal massings of the architecture--balconies, doorways, windows. There are not people apparent; the sky and water are both very dark.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.387
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Artist
- Whistler, James McNeill
- Title
- Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from an elevated vantage point, a quay in the foreground with boats anchored nearby and figures talking is balanced in the upper part of the image by a view of buildings along the canals, gondolas, shipping and, just left of center a large domed church.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.388
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- The Riva, No. 2, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.389
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Title
- Ponte del Piovan, One of the "Twenty-six Etchings," or the "Second Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A brick and stone bridge crosses a canal at the center of the image. On both sides as well as behind the bridge are tall buildings that surround the bridge, creating shallow space. Several figures stand and sit on the bridge. Windows, balconies,
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.390
- Medium and Support
- etching and drypoint on laid paper
- Artist
- Whistler, James McNeill
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Title
- Nocturne: Furnace, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Viewed at night from the water, a man works deep inside an interior that is brightly lit from an unseen light source. Surrounding the threshold are dark lines indicating the shadowy exterior space. To the left of the doorway is a window that is partly open to reveal a figure standing facing outward towards the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.392
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Title
- Nocturne: Salute
- Artist
- James McNeill Whistler
- Physical Description
- This image shows structures and their reflections in the water, drawn largely through clusters of vertical lines. To the right in the distance are the masts of ships; at the right center is a small boat. More sketchily rendered are buildings or perhaps piers at the left of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.393
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Title
- Whistler with the White Lock
- Artist
- James McNeill Whistler
- Physical Description
- Very loosely drawn image of a man's head and shoulders, the rest of the body is left undescribed. The man has a moustache and curly dark hair, wth the exception of a white patch right at the hairline at his forehead.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.369
- Medium and Support
- etching and drypoint, printed in black ink on pale green laid paper
- Artist
- Whistler, James McNeill
- Title
- The Little Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- An open piazza the borders the water is dominated by a mast just to the right of center. In the foreground there is a group of figures, as well as in front of the buildings that form the perimeter of the square. In the distance is a pedestrian bridge as well as the masts of shipsin the water.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.373
- Medium and Support
- etching, printed in brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill