etching and drypoint on paper | 1-50 | Search Results | University of Michigan Museum of Art | University of Michigan Library Digital Collections

Title: Little Girl, Jumping Rope, Women, Birds (Fillette, sautant à la corde, femmes, oiseaux), Plate VII from "The Brunidor Portfolio No. One"
Artist: Joan Miró
Artist Life Dates: 1893-1983
Century: 20th century
Object Creation Date: 1947
Accession Number: 1947/2.14
Medium and Support: etching with drypoint, lift ground and retroussage on paper

Soldatengrab zwischen den Linien (Soldier's Grave between the Lines), from "Der Krieg"; Otto Dix

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Title: Soldatengrab zwischen den Linien (Soldier's Grave between the Lines), from "Der Krieg"
Artist: Otto Dix
Artist Life Dates: 1891 - 1969
Century: 20th century
Object Creation Date: 1924
Accession Number: 1948/1.100
Medium and Support: etching, drypoint and aquatint on paper

Abandoned Position near Vis-en-Artois, from 'Der Krieg'; Otto Dix

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Title: Abandoned Position near Vis-en-Artois, from 'Der Krieg'
Artist: Otto Dix
Artist Life Dates: 1891 - 1969
Century: 20th century
Object Creation Date: 1924
Accession Number: 1948/1.57
Medium and Support: etching, drypoint and aquatint on paper

Les Joueurs en Querelle; Le Coup de Couteau (The Quarrel); Adriaen Jansz van Ostade

Title: Les Joueurs en Querelle; Le Coup de Couteau (The Quarrel)
Artist: Adriaen Jansz van Ostade
Artist Life Dates: 1610-1685
Century: 17th century
Object Creation Date: 1653
Accession Number: 1949/1.109
Medium and Support: etching, drypoint and engraving on paper

The Spectacle Seller; Adriaen Jansz van Ostade

Title: The Spectacle Seller
Artist: Adriaen Jansz van Ostade
Artist Life Dates: 1610-1685
Century: 17th century
Object Creation Date: circa 1647-1652
Accession Number: 1949/1.110
Medium and Support: etching, drypoint and engraving on paper

The Peasant Paying his Reckoning; Adriaen Jansz van Ostade

Title: The Peasant Paying his Reckoning
Artist: Adriaen Jansz van Ostade
Artist Life Dates: 1610-1685
Century: 17th century
Object Creation Date: circa 1647-1653
Accession Number: 1949/1.113
Medium and Support: etching, engraving and drypoint on paper

Le Ménétrier et le Petit Vielleur; Le Violon et le Petit Vielleur ; (The Fiddler and Hurdy-gurdy Boy); Adriaen Jansz van Ostade

Title: Le Ménétrier et le Petit Vielleur; Le Violon et le Petit Vielleur; (The Fiddler and Hurdy-gurdy Boy)
Artist: Adriaen Jansz van Ostade
Artist Life Dates: 1610-1685
Century: 17th century
Object Creation Date: 1660
Accession Number: 1949/1.114
Medium and Support: etching, engraving and drypoint on paper

La Danse au Cabaret (Villagers Merrymaking at an Inn); Adriaen Jansz van Ostade

Title: La Danse au Cabaret (Villagers Merrymaking at an Inn)
Artist: Adriaen Jansz van Ostade
Physical Description: This print portrays a lively interior scene in the 17th century Dutch Republic. There are many figures around the large room, including men, women, and children. At the far right a man tries to embrace a resisting woman. Beside them, a man and a woman dance while a fiddler plays and others look on. On the left, a woman tends to a child as behind her a couple descend a wooden stairway from an upper floor. There are items such as cured meat, a lantern, a chair and laundry, hanging around this room.
Artist Life Dates: 1610-1685
Century: 17th century
Object Creation Date: 1652
Accession Number: 1949/1.115
Medium and Support: etching, engraving and drypoint on laid paper

Fox; Georges Braque

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Title: Fox
Artist: Georges Braque
Physical Description: This early Cubist print has numerous abstract lines reminiscent of letters and objects. The word "fox" appears to the right, with various textures accompanying it.
Artist Life Dates: 1882-1963
Century: 20th century
Object Creation Date: 1911; edition 1912
Accession Number: 1949/1.169
Medium and Support: etching and drypoint on Arches paper

Six Ways to Draw on Copper; Reynold Weidenaar

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Title: Six Ways to Draw on Copper
Artist: Reynold Weidenaar
Artist Life Dates: 1915 - 1985
Century: 20th century
Object Creation Date: 1915-1949
Accession Number: 1949/1.52
Medium and Support: softground, engraving, mezzotint, etching, aquatint and drypoint on paper

Ville d'Avray: Boatman's Pond (Evening) [Ville d'Avray: L'Etang du Batelier (Effet du Soir)]; Jean-Baptiste-Camille Corot

Title: Ville d'Avray: Boatman's Pond (Evening) [Ville d'Avray: L'Etang du Batelier (Effet du Soir)]
Artist: Jean-Baptiste-Camille Corot
Physical Description: The upper half of the picture is the sky, Corot's signature mark in the upper right corner. There are two trees with little foliage extending from the lower left corner up to the top of the image. To the right of those trees is the boat with a hunched figure sitting on the left side. A cow is on the other side of the boat, facing the right side of the image. There are trees with a lot of foliage in the center of the right half of the image just above the cow. There is grass all along the bottom edge of the image.
Artist Life Dates: 1796-1875
Century: 19th century
Object Creation Date: 1862
Accession Number: 1949/1.86
Medium and Support: etching and drypoint on paper

Old Man Gathering Fodder (L'Homme au Fourrage); Alphonse Legros

Title: Old Man Gathering Fodder (L'Homme au Fourrage)
Artist: Alphonse Legros
Artist Life Dates: 1837-1911
Century: 19th Century
Object Creation Date: circa 1880
Accession Number: 1949/1.89
Medium and Support: etching and drypoint on paper

"Los Proverbios" (also known as "Los Disparates"), plate 10: La mujery el potro, que los dome otro ("A woman and a horse, let someone else master them") or El caballo raptor (The horse-abductor); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 10: La mujery el potro, que los dome otro ("A woman and a horse, let someone else master them") or El caballo raptor (The horse-abductor)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.12
Medium and Support: etching, burnished aquatint and drypoint on paper

"Los Proverbios" (also known as "Los Disparates"), plate 11: "Two heads are better than one" or Disparate pobre (Poor folly); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 11: "Two heads are better than one" or Disparate pobre (Poor folly)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.13
Medium and Support: etching, burnished aquatint, drypoint and burin on paper

"Los Proverbios" (also known as "Los Disparates"), plate 12: Si marina bayló, tome lo que halló ("If Marion will dance, then she has to take the consequences"); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 12: Si marina bayló, tome lo que halló ("If Marion will dance, then she has to take the consequences")
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.14
Medium and Support: etching, burnished aquatint and drypoint on paper

"Los Proverbios" (also known as "Los Disparates"), plate 13: Donde hay ganas hay maña ("Where there's a will there's a way") or Modo de volar (A way of flying); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 13: Donde hay ganas hay maña ("Where there's a will there's a way") or Modo de volar (A way of flying)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.15
Medium and Support: etching, aquatint and drypoint? on paper

"Los Proverbios" (also known as "Los Disparates"), plate 1: Pesa mas que un burro muerto ("Heavier than a dead donkey") or Disparate femenino (Feminine folly); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 1: Pesa mas que un burro muerto ("Heavier than a dead donkey") or Disparate femenino (Feminine folly)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.3
Medium and Support: etching and aquatint with drypoint on paper

"Los Proverbios" (also known as "Los Disparates"), plate 2: Por temor no pierdas honor ("Do not lose honour through fear") or Disparate de miedo (Folly of Fear); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 2: Por temor no pierdas honor ("Do not lose honour through fear") or Disparate de miedo (Folly of Fear)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.4
Medium and Support: etching, burnished aquatint and drypoint? on paper

"Los Proverbios" (also known as "Los Disparates"), plate 3: Andarse por las ramas ("To go amongst the branches," i.e. "to talk through one's hat") or Disparate ridiculo (Ridiculous folly); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 3: Andarse por las ramas ("To go amongst the branches," i.e. "to talk through one's hat") or Disparate ridiculo (Ridiculous folly)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.5
Medium and Support: etching, aquatint and drypoint on paper

"Los Proverbios" (also known as "Los Disparates"), plate 4: Tras el vicio viene el fornico ("After vice comes fornication") or Bobalicón (Simpleton); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 4: Tras el vicio viene el fornico ("After vice comes fornication") or Bobalicón (Simpleton)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th Century
Object Creation Date: 1815-1828
Accession Number: 1949/2.6
Medium and Support: etching, burnished aquatint, burin and drypoint? on paper

"Los Proverbios" (also known as "Los Disparates"), plate 7: La que mal marida nunca le falta que diga ("She who is ill wed never misses a chance to say no") or Disparate matrimonial (Matrimonial folly); Francisco José de Goya y Lucientes

Title: "Los Proverbios" (also known as "Los Disparates"), plate 7: La que mal marida nunca le falta que diga ("She who is ill wed never misses a chance to say no") or Disparate matrimonial (Matrimonial folly)
Artist: Francisco José de Goya y Lucientes
Artist Life Dates: 1746-1828
Century: 19th century
Object Creation Date: circa 1864-1900
Accession Number: 1949/2.9
Medium and Support: etching, aquatint and drypoint on paper

The Fables: the Cobbler and the Business Man (VIII:2); Marc Chagall

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Title: The Fables: the Cobbler and the Business Man (VIII:2)
Artist: Marc Chagall
Artist Life Dates: Russia, 1889-1985
Century: 20th century
Object Creation Date: 1928-1931
Accession Number: 1953/1.39
Medium and Support: etching and drypoint on paper

Reiter (Horseman), from "Schwarze Szenen: portfolio of 7 prints published by Brun"; Max Slevogt

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Title: Reiter (Horseman), from "Schwarze Szenen: portfolio of 7 prints published by Brun"
Artist: Max Slevogt
Artist Life Dates: 1868-1932
Century: 20th century
Object Creation Date: 1904
Accession Number: 1953/2.19
Medium and Support: etching and drypoint on paper

Tänzerin (The Dancer Marietta di Rigardo), from "Schwarze Szenen: portfolio of 7 prints published by Brun"; Max Slevogt

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Title: Tänzerin (The Dancer Marietta di Rigardo), from "Schwarze Szenen: portfolio of 7 prints published by Brun"
Artist: Max Slevogt
Artist Life Dates: 1868-1932
Century: 20th century
Object Creation Date: 1904
Accession Number: 1953/2.20
Medium and Support: etching and drypoint on paper

Seelenmesse der Georgiritter (Mass for the Dead of the Knights of St. George in; Max Slevogt

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Title: Seelenmesse der Georgiritter (Mass for the Dead of the Knights of St. George in
Artist: Max Slevogt
Artist Life Dates: 1868-1932
Century: 20th century
Object Creation Date: 1911
Accession Number: 1953/2.21
Medium and Support: etching and drypoint on paper

Arabes d'Oran; Eugène Delacroix

Title: Arabes d'Oran
Artist: Eugène Delacroix
Physical Description: This black and white print shows an outdoor setting with two men, one reclining and facing the viewer, the other seated with his legs drawn into his chest and gazing out to the right. They are dressed in robes and wear Arabic headdresses ("Guhtra"). There are rifles at their sides. In the background on the right are two men, one riding a horse, who walk toward a group of buildings in the distance. There is a French inscription below this scene that identifies the artist, title and publisher of the print.
Artist Life Dates: 1798-1863
Century: 19th century
Object Creation Date: 1833
Accession Number: 1953/2.25
Medium and Support: etching, drypoint and roulette laid down on woven plate paper