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Showing results for "processes and techniques by specific type" in Secondary Keywords.
- Title
- Two Cows
- Artist
- Jean-François Millet
- Physical Description
- A shepherdess stands between two cows who are grazing at the center of the image. In the foreground is the indication of a rough track leading towards the distance at left. At the right is a woman bending over beneath a tree.
- Artist Life Dates
- 1814-1875
- Century
- 19th century
- Object Creation Date
- 1814-1875
- Accession Number
- 1930.18
- Medium and Support
- drypoint and roulette on pale blue laid paper
- Secondary Keywords
- animals
- descriptors
- engraving (printing process)
- figures
- grasses
- image-making processes and techniques
- inorganic material
- intaglio printing processes
- mammals
- materials
- materials by composition
- people and occupations
- plants
- printing
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the natural world
- trails
- Title
- Textile Panel
- Artist
- Artist Unknown, African, Congo (Zaire)?
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1930.29
- Medium and Support
- woven palm fiber
- Secondary Keywords
- descriptors
- needleworking
- needleworking and needleworking techniques
- object genres
- object genres by material
- objects we use
- panels
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Textile
- Artist
- African, Morocco
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1930.47
- Medium and Support
- embroidery
- Secondary Keywords
- descriptors
- needleworking
- needleworking and needleworking techniques
- object genres
- object genres by material
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Dressmaker
- Artist
- Peggy Bacon
- Artist Life Dates
- 1895-1989
- Century
- 20th century
- Object Creation Date
- 1895-1931
- Accession Number
- 1931.7
- Medium and Support
- etching on paper
- Secondary Keywords
- descriptors
- forming
- modern and contemporary art
- objects
- people and occupations
- processes and techniques
- processes and techniques by specific type
- standing
- Title
- Construction Work Boulder Dam #5
- Artist
- Adrian Clem
- Century
- 20th century
- Object Creation Date
- circa 1935
- Accession Number
- 1935.2
- Medium and Support
- lithograph on paper
- Secondary Keywords
- additive and joining processes and techniques
- assembling
- descriptors
- geography
- how we live
- inorganic material
- materials
- materials by composition
- modern and contemporary art
- organizations
- processes and techniques
- processes and techniques by specific type
- Title
- The Hero (Der Held)
- Artist
- George Grosz
- Physical Description
- Seated man with disfigured face and amputated lower legs, shabbily dressed, holding a crutch along with a bunch of flowers in his right hand
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1933
- Accession Number
- 1935.20
- Medium and Support
- lithograph on paper
- Secondary Keywords
- descriptors
- equipment
- equipment by context
- equipment for personal use
- figures
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by state or condition
- planographic printing processes
- plants
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the natural world
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- Ship Building
- Artist
- Alice Stoddard
- Object Creation Date
- n.d.
- Accession Number
- 1940.241
- Medium and Support
- etching on paper
- Secondary Keywords
- additive and joining processes and techniques
- architecture
- assembling
- descriptors
- plants
- processes and techniques
- processes and techniques by specific type
- ships
- the natural world
- Title
- Portrait of a Woman
- Artist
- Anonymous American
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1940.385
- Medium and Support
- oil on canvas, mounted on panel
- Secondary Keywords
- descriptors
- figures
- image-making processes and techniques
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by subject type
- Title
- Portrait of a Young Man
- Artist
- Anonymous American
- Century
- 19th century
- Object Creation Date
- 2nd half of 19th century
- Accession Number
- 1940.398
- Medium and Support
- tintype on small gilted frame
- Secondary Keywords
- descriptors
- direct positive processes
- figures (representations)
- image-making processes and techniques
- man
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- vessels
- visual works
- visual works by subject type
- Title
- Spring in Connecticut, or, Joe Knoche Builds a New Stone Wall
- Artist
- Mahonri MacIntosh Young
- Artist Life Dates
- 1877 - 1957
- Century
- 20th century
- Object Creation Date
- 1877-1942
- Accession Number
- 1942.1
- Medium and Support
- etching on paper
- Secondary Keywords
- additive and joining processes and techniques
- assembling
- atmospheric effects
- descriptors
- figures
- houses
- inorganic material
- materials
- materials by composition
- modern and contemporary art
- people and occupations
- plants
- processes and techniques
- processes and techniques by specific type
- rock
- rock by form
- seasons
- the natural world
- Title
- Near Kingston
- Artist
- John Taylor
- Artist Life Dates
- 1897-1983
- Century
- 20th century
- Object Creation Date
- 1938
- Accession Number
- 1943.136
- Medium and Support
- etching on paper
- Secondary Keywords
- additive and joining processes and techniques
- architecture
- assembling
- descriptors
- figures
- geography
- how we live
- modern and contemporary art
- objects
- organizations
- people and occupations
- processes and techniques
- processes and techniques by specific type
- the natural world
- transportation
- vehicles
- waterscapes
- Title
- Paving
- Artist
- Joseph LeBoit
- Artist Life Dates
- Born 1907
- Century
- 20th century
- Object Creation Date
- 1937
- Accession Number
- 1943.75
- Medium and Support
- lithograph on paper
- Secondary Keywords
- additive and joining processes and techniques
- assembling
- cityscapes
- descriptors
- how we live
- modern and contemporary art
- organizations
- people and occupations
- processes and techniques
- processes and techniques by specific type
- streets
- Title
- Surimono: The Lover in the Snow
- Artist
- Katsushika Hokusai
- Physical Description
- The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.
- Artist Life Dates
- 1760-1849
- Century
- 19th century
- Object Creation Date
- circa 1817-1849
- Accession Number
- 1948/1.152
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- descriptors
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- image-making processes and techniques
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- seasons
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- woody plants
- writing (processes)
- Title
- Ants (Ameisen), from "In the Shadows" ("Im Schatten")
- Artist
- George Grosz
- Physical Description
- A group of laborers, wearing hats and jackets, walks from viewer's right to left along a street littered with garbage. The two in the front carry shovels. In the background is an industrial landscape, dirty and in disrepair.
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1920
- Accession Number
- 1948/1.22
- Medium and Support
- photolithograph on paper
- Secondary Keywords
- buildings and the land
- clothing
- descriptors
- europe (continent)
- figures
- geographic and political locations
- germany (nation)
- image-making processes and techniques
- industrial buildings
- industrial structures
- lithography
- modern and contemporary art
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- Title
- Pine and Bamboo
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts bamboo plants and pine trees, with a calligraphic inscription on the right bottom.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1949/1.191
- Medium and Support
- ink on paper
- Secondary Keywords
- buildings and the land
- descriptors
- evergreens
- grass (plant material)
- image-making processes and techniques
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- plant material
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- Plum Blossoms and Bird
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- A black crow is seated on a plum branch above calligraphic text and cascades of open blossoms.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1949/1.192
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- buildings and the land
- deciduous trees
- descriptors
- herbaceous plants
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- Fish
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts three fishes below a calligraphic poem. The poem goes: "I once painted Three Fish and inscribed it: painting is what I did in the time remaining after work, poetry in the time remaining after sleep, and calligraphy in the time remaining after carving. This is what I call the three remaining." (in Chinese, "fish" and "remaining" are pronounced the same)
- Artist Life Dates
- 1864-1957
- Century
- 20th century
- Object Creation Date
- 1920-1949
- Accession Number
- 1949/1.194
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Frog
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- There is a frog on the left bottom of the painting, and on the right the artist inscribed "to make a voice" with his signature and seal.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- 1927
- Accession Number
- 1949/1.195
- Medium and Support
- ink on paper
- Secondary Keywords
- amphibians
- animals and creatures
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Crabs
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts two crabs with aquatic plants. The artist signed his pen name, Qi Huang, and sealed another pen name, Wood Hermit.
- Artist Life Dates
- 1864-1957
- Century
- 20th century
- Object Creation Date
- 1864-1949
- Accession Number
- 1949/1.199
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- arthropods
- crustaceans
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Shrimps
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- Blank background. The painting depicts four lobsters, with calligraphic texts and seal on the right edge of the painting.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- 1931
- Accession Number
- 1949/1.200
- Medium and Support
- ink on rice paper
- Secondary Keywords
- animals and creatures
- arthropods
- crustaceans
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Duck
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- Blank background. On the right half of the painting, there is a duck and a few plant leaves. The artist signed his pen name, "Host of the Eight-inkstone Mansion," with seal on the right edge of the painting.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1949/1.202
- Medium and Support
- ink on rice paper
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- descriptors
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- writing (processes)
- Title
- Northern Summer Window
- Artist
- Marsden Hartley
- Physical Description
- A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
- Artist Life Dates
- 1877 - 1943
- Century
- 20th century
- Object Creation Date
- 1936
- Accession Number
- 1949/2.89
- Medium and Support
- oil on canvas
- Secondary Keywords
- animals
- architecture
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- containers
- containers by form
- descriptors
- genres
- geographic and political locations
- herbaceous plants
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- marine bodies
- modern and contemporary art
- natural landscapes
- north and central america (continent)
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- plants
- processes and techniques
- processes and techniques by specific type
- seasons
- settlements and landscapes
- the natural world
- united states (nation)
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- Still Life
- Artist
- Ben Nicholson
- Physical Description
- An angular bottle executed in two tones of white stands tall just to the (viewer's) right of center. To its left is a stack of gray drinking cups. Irregular blocks of various sizes and colors make up the rest of the field.
- Artist Life Dates
- 1894-1982
- Century
- 20th century
- Object Creation Date
- 1945
- Accession Number
- 1951/2.25
- Medium and Support
- oil on board
- Secondary Keywords
- bottles
- bottles by form
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- genres
- image-making processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- vessels
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Embroidery, perhaps a sleeve hand
- Artist
- Artist Unknown, China
- Century
- 19th century
- Object Creation Date
- 2nd quarter of 19th century
- Accession Number
- 1952/2.1
- Medium and Support
- silk embroidery
- Secondary Keywords
- descriptors
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Fourteen Fruit and Flower Sketches
- Artist
- Yong-chin Kim
- Physical Description
- Various sketches of fruits and flowers each with accompanying calligraphy.
- Image 1: Large white flower in the upper left balanced by a large gray rock in the lower right. A smaller pink flower completes the visual triangle.
- Image 2: A branch bearing two clusters of small orange fruits begins in the upper left and ends lower, center.
- Image 3: A branch of white and pink flowers starts center right and moves off the page at upper center.
- Image 4: A branch bearing three large green fruits starts and the upper left corner and ends just right of center. Two fruits centrally located and the third is in the upper left.
- Image 5: Rock-mass in the upper right with green grass-like plants and light green orchids.
- Image 6: Fruit-bearing vine moves across the top of the page and crosses over the lower right corner.
- Image 7: Two large orange blooms are located slightly left of center and near the top. Opposite those the lower right half is dominated by a large rock formation.
- Image 8: Two large orange-ish red fruits are located slightly below the center of the paper.
- Image 9: Green leaves move from the upper right corner towards the lower left. In the lower left is a rock formation.
- Image 10: Two large orange fruits are slighly off center and a small branch is in the upper right corner.
- Image 11: A plant with red leaves moves from the upper right to the lower left. It is visually divided by a rock formation.
- Image 12: One cluster of red fruits is slight below the center of the page, while another cluster is located more towards the upper right corner.
- Image 13: Blooms of flowers curve up the page from the lower left to the center. There are three white blooms near the bottom left and two yellow ones near the top of the page.
- Image 14: Three large blooming flowers are centrally located on the page. Two are slightly toward the left while the third is slightly toward the right.
- Artist Life Dates
- born 1881
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1952/2.5
- Medium and Support
- watercolor on paper
- Secondary Keywords
- biological components
- components
- components and systems
- components by specific context
- descriptors
- food
- image-making processes and techniques
- materials
- materials by function
- materials by origin
- plant components
- plant material
- processes and techniques
- processes and techniques by specific type
- trees (components)
- writing (processes)
- Title
- Faneuses (Haymakers)
- Artist
- Camille Pissarro
- Physical Description
- A group of women can be seen in a field raking hay. The central woman faces the viewer in the foreground; she wears a hat that shades her face. Behind her are two other women, also raking hay, shown from behind.
- Artist Life Dates
- 1830-1903
- Century
- 19th Century
- Object Creation Date
- 1890
- Accession Number
- 1953/2.48
- Medium and Support
- etching on Holland paper
- Secondary Keywords
- descriptors
- hay
- image-making processes and techniques
- landscapes
- lithography
- objects
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the natural world
- Title
- Spring Landscape
- Artist
- Arthur Wesley Dow
- Physical Description
- Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.
- Artist Life Dates
- 1857 - 1922
- Century
- 19th century
- Object Creation Date
- 1892
- Accession Number
- 1954/1.168
- Medium and Support
- oil on canvas
- Secondary Keywords
- associated concepts
- atmospheric effects
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- image-making processes and techniques
- materials
- materials by origin
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- plant communities
- plant material
- plants
- processes and techniques
- processes and techniques by specific type
- residential structures
- roads
- scientific concepts
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- vegetation and vegetation components
- vegetation components
- walkways
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Street at Saverne, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- In this nighttime view down a street, buildings along the left-hand side of the street are shown in with sharp recession into space. A solitary figure is seen in the shadows on the left-hand side half way down the street. The sky is darkened with parallel horizontal hatching lines. The only source of light is a lantern on the wall of the right side of the street. Dark shadows fall across the buildings on the left side.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.325
- Medium and Support
- etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper
- Secondary Keywords
- additive and joining processes and techniques
- architectural elements
- architecture
- assembling
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- figures
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- windows and window components
- Title
- Sunrise at Benten Shrine, Suzaki Cape
- Artist
- Katsushika Hokusai
- Physical Description
- Two geisha (itinerant musicians) are shown strolling in the countryside, with the roof of Benten Shintô shrine in the distance. The backdrop is the rising sun—the give-away that this is a New Year’s print—seen over distant mountains and a calm bay. One woman stoops to empty the ashes from her pipe, while the other draws her kimono closely about her. A poem lies just above the rising sun in the top left register of the morning sky.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1800-1820
- Accession Number
- 1954/1.471
- Medium and Support
- koban surimono (privately published) color woodblock print (nishiki e) on paper
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- costume
- costume by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- image-making processes and techniques
- information forms
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- riverine bodies
- scientific concepts
- settlements and landscapes
- writing (processes)
- Title
- Sunrise at Susaki Point (New Year's Print)
- Artist
- Katsushika Hokusai
- Physical Description
- A geisha is shown strolling in the countryside, with her right hand over her forehead--as if looking into the distance--and a basket in her left hand. The backdrop is the rising sun-the give-away that this is a New Year’s print—seen over distant mountains. A poem lies on the left-hand side of the print.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- circa 1800-1820
- Accession Number
- 1954/1.472
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- animal material
- animal material by form or function
- associated concepts
- buildings and the land
- containers
- containers by form
- costume
- costume by form
- descriptors
- earth sciences concepts
- egg and egg components
- image-making processes and techniques
- landscapes (environments)
- main garments
- materials
- materials by origin
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- physical sciences concepts
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- Cactus
- Artist
- Graham Sutherland
- Physical Description
- Three forms that are simulatenously organic and sculptural stand in a line. At their base they appear sculptural or vessel-like, but further up they become more organic and cactus-like in their form. The table and background are yellow. The forms are executed mostly with white, off-white, and gray.
- Artist Life Dates
- 1903 - 1980
- Century
- 20th century
- Object Creation Date
- 1950
- Accession Number
- 1954/2.39
- Medium and Support
- oil on canvas
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- biological concepts
- buildings and the land
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- image-making processes and techniques
- landscapes (environments)
- life
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- natural landscapes
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- Title
- Rectangular Bronze Form No. 2
- Artist
- Robert Adams
- Physical Description
- Thin, double-side, H-shaped bronze sculpture. Each side is made up of a collection of rough rectangle shapes overlapping and butting up against one another. Two rectangle-shaped openings penetrate the piece.
- Artist Life Dates
- 1917-1984
- Century
- 20th century
- Object Creation Date
- circa 1953
- Accession Number
- 1954/2.40
- Medium and Support
- bronze with wood base
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- geometric shapes
- inorganic material
- materials
- materials by composition
- mathematical concepts
- metal
- metal and metal products
- metal by composition or origin
- metalworking and metalworking processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- non-representational art
- nonferrous metal
- objects we use
- people and culture
- plane figures
- polygons
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- quadrilaterals
- scientific concepts
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- Study of a Male Nude with Floating Drapery
- Artist
- Isaac Claesz van Swanenburg
- Physical Description
- This study of a male nude set within a niche combines a skilled portrayal of anatomy with a powerful evocation of movement and emotional intensity. Through the carefully rendered arms and swirling draperies the artist expands and animates the space around the figure, who seems to surge forward even as he turns his head back in a gesture of despair.
- Artist Life Dates
- 1537-1614
- Century
- 16th century
- Object Creation Date
- 1562-1638
- Accession Number
- 1954/2.54
- Medium and Support
- pen, brown ink and gray wash on laid paper
- Secondary Keywords
- descriptors
- drawing and drawing techniques
- drawings
- drawings by function
- european
- european styles and periods
- figures (representations)
- image-making processes and techniques
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- renaissance-baroque styles
- renaissance-baroque styles and periods
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- La Cardeuse (The Wool Carder)
- Artist
- Jean-François Millet
- Physical Description
- A woman is shown seated in a simple interior. She is holding carding combs and is seated next to a pile of uncarded wool on one side and skeins of yarn on the other. Behind her is the wheel of a spinning wheel.
- Artist Life Dates
- 1814-1875
- Century
- 19th Century
- Object Creation Date
- 1855-1856
- Accession Number
- 1955/1.120
- Medium and Support
- etching and drypoint on laid paper
- Secondary Keywords
- descriptors
- fabric
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- image-making processes and techniques
- intaglio printing processes
- objects
- objects we use
- people and occupations
- printing
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- seating furniture
- single seating furniture
- textiles
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.187
- Medium and Support
- tan, green and gold satin brocade with purple insets
- Secondary Keywords
- animals
- asia
- clergy
- descriptors
- drapery
- locality
- needleworking
- needleworking and needleworking techniques
- people and occupations
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.188
- Medium and Support
- tan, green, gold and silver satin brocade
- Secondary Keywords
- allegory and literature
- asia
- clergy
- creatures
- descriptors
- drapery
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.189
- Medium and Support
- tan, blue and gold satine brocade with six insets
- Secondary Keywords
- asia
- clergy
- descriptors
- drapery
- locality
- medium
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.190
- Medium and Support
- tan, blue, gold and silver satin brocade with six white and gold insets
- Secondary Keywords
- allegory and literature
- asia
- atmospheric effects
- clergy
- colors
- creatures
- descriptors
- drapery
- geometric shapes
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rectangles
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- visual and tactile
- Title
- Priest's Robe
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.191
- Medium and Support
- tan, green and red cotton brocade and silk with salmon inset
- Secondary Keywords
- asia
- clergy
- descriptors
- fabric
- locality
- medium
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- textiles
- the natural world
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.192
- Medium and Support
- blue, green, red, yellow and gold satin brocade with six insets
- Secondary Keywords
- allegory and literature
- asia
- clergy
- creatures
- descriptors
- drapery
- geometric shapes
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rectangles
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- visual and tactile
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.193
- Medium and Support
- tan, green, silver and dark blue satin brocade
- Secondary Keywords
- descriptors
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.194
- Medium and Support
- tan, green, orange, blue and silver satin brocade
- Secondary Keywords
- descriptors
- drapery
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.195
- Medium and Support
- tan, green, silver and dark blue satin brocade
- Secondary Keywords
- animals
- descriptors
- drapery
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.196
- Medium and Support
- tan, green, brown, and gold brocade
- Secondary Keywords
- animals
- descriptors
- drapery
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.197
- Medium and Support
- green, blue, gold and silver satin brocade
- Secondary Keywords
- animals
- descriptors
- drapery
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.198
- Medium and Support
- lined tan and cream satin brocade
- Secondary Keywords
- descriptors
- drapery
- fabric
- needleworking
- needleworking and needleworking techniques
- objects we use
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Priest's Stole?, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.199
- Medium and Support
- tan, red, green and gold satin brocade with four tan and green insets
- Secondary Keywords
- clergy
- descriptors
- drapery
- fabric
- geometric shapes
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rectangles
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- visual and tactile
- Title
- Priest's Stole?
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.201
- Medium and Support
- lined tan, green and gold fabric with insets
- Secondary Keywords
- clergy
- descriptors
- drapery
- needleworking
- needleworking and needleworking techniques
- people and occupations
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- Title
- Silk (or Satin?) Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.202
- Medium and Support
- salmon, blue, green and purple satin or silk brocade with four dark blue insets
- Secondary Keywords
- allegory and literature
- creatures
- descriptors
- drapery
- fabric
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Silk Brocade (Obi?)
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.203
- Medium and Support
- padded and double folded tan, dark blue, brown and gold silk brocade
- Secondary Keywords
- descriptors
- drapery
- medium
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques