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Showing results for "single built works" in Secondary Keywords.
- Title
- The Fifty-Three Stations of the Tokaido (Kyoka Edition): #52 Ishibe
- Artist
- Andô Hiroshige
- Physical Description
- View of an interior of an inn, with tatami-matted rooms and sliding doors. The rooms have doors open. Men and women wearing yukata are resting in one of the rooms. The other room seems to be a public bathroom, with one man taking a bath in the deep soaking tubs, and the other sitting on the stool to put on his clothes.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- late 1830s
- Accession Number
- 2008/2.330
- Medium and Support
- woodblock print on paper
- relevance
- rank 12.08305
- Secondary Keywords
- architectural elements
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- doors and door components
- doorway components
- doorways and doorway components
- herbaceous plants
- landscapes (environments)
- natural landscapes
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people by activity
- plants
- public accommodations
- rooms and spaces
- rooms and spaces by location or context
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Mountain village among pines and white clouds
- Artist
- Artist Unknown, China
- Physical Description
- This fan painting shows a mountain village teeming with activity. The peaceful scene provides a glimpse at daily life, depicting villagers pushing carts of goods and traveling into and out of town, sometimes on horseback. The eye follows this lively village of white buildings and tan roofs as it weaves its way up the mountain slope to what appears to be a royal dwelling or city center capped with emerald green rooftops and enveloped by rolling white clouds.
- Object Creation Date
- 1368-1644
- Accession Number
- 1965/2.59
- Medium and Support
- fan mounted as hanging scroll, ink and color on silk
- relevance
- rank 12.07057
- Secondary Keywords
- scale
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- plants
- settlements
- settlements and landscapes
- settlements by form
- shape
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Edo Meisho: View of the Kameido Temple in Snow, Tokyo
- Artist
- Andô Hiroshige
- Physical Description
- Night scene of bridges over the lake leading to the temple complex. The snow falls down from the sky and covers the bridges, roofs, and trees. There are several travelers walking with parasols.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1853
- Accession Number
- 1969/2.17
- Medium and Support
- color woodblock print on paper
- relevance
- rank 12.06876
- Secondary Keywords
- transfer method
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- scientific concepts
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- View of the Bridge of Serignano
- Artist
- Victor Jean Nicolle
- Physical Description
- This ink, gouache, and watercolor painting depicts a stone bridge with three rounded arches standing over a meandering river. Five figures stand in a group on the bridge’s right side. There is a sort, shrubby tree in the lower right corner and a small protruding structure in right center.
- Artist Life Dates
- (1754 - 1826)
- Object Creation Date
- 1775-1826
- Accession Number
- 2009/1.508
- Medium and Support
- ink, gouache and watercolor on paper
- relevance
- rank 12.04974
- Secondary Keywords
- arches and arch components
- architectural elements
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components
- components and systems
- components by specific context
- landscapes (environments)
- natural landscapes
- plants
- riverine bodies
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- As Long as I Don't Have to Get Up Before 11:00
- Artist
- Mark Kostabi
- Physical Description
- Ink drawing on paper. Black wash ground, with two figures drawn in opaque black ink. A comic figure who is shirtless and in boxers, with his beer belly hanging out, and whose pointy rimmed hat is reminiscent of the scarecrow in the Wizard of Oz, dances at the center of an ominous scene. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, but no cradle. The scene is possibly set in a graveyard; the edifice silhouetting behind the scarecrow figure is shaped like a headstone.
- Artist Life Dates
- born 1960
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2008/2.240
- Medium and Support
- ink on paper
- relevance
- rank 12.04383
- Secondary Keywords
- layout features
- animals and creatures
- architectural elements
- architectural elements by building type
- buildings and the land
- built complexes and districts
- business and related functions
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- drawings
- drawings by technique
- functions
- functions (activities)
- functions by specific context
- funerary structures
- images and ornament
- information form components
- layout features
- legendary creatures
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- sepulchral monuments
- single built works
- single built works by function
- single built works by specific type
- system components
- telecommunication systems components
- visual works
- visual works by medium or technique
- Title
- La Char Passant Sur Un Pont (The Wagon Passing over a Bridge)
- Artist
- Canaletto
- Physical Description
- Print offset to left on paper; possibly cut. Paper size: lh 23 1/2cm & rh 23 3/5cm x tw 19 1/10cm & bw 19 1/5cm. Plate size: lh 14 2/5cm & rh 14 1/2cm x tw 12 4/5cm & bw 12 1/2cm. Image size: h 14 1/10cm x tw 12 3/5cm & bw 12 1/2cm.
- Artist Life Dates
- 1697-1768
- Object Creation Date
- 1741-1744
- Accession Number
- 2008/2.371
- Medium and Support
- etching on cream laid paper
- relevance
- rank 12.03930
- Secondary Keywords
- bridges (built works)
- bridges by function
- buildings and the land
- descriptors
- freewheeled vehicles
- freewheeled vehicles by form or function
- image-making processes and techniques
- intaglio printing processes
- land vehicles
- land vehicles by form
- landscapes (environments)
- objects we use
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- service and utility vehicles
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- Title
- Mt. Hua
- Artist
- Junbi Huang
- Physical Description
- A person mounted on a horse can be seen crossing a bridge over a river among mountains. Mountains among clouds seem to fade away far in the distance.
- Inscription:
- At the place where mountain chains converge, I am reminded of a landscape I have visited in the past. [Painted on the occasion of] recalling an earlier visit to Mt. Hua, in winter of the Guichou year. [Signed] Junbi.
- Artist Life Dates
- 1899-1991
- Century
- 20th century
- Object Creation Date
- 1953
- Accession Number
- 1984/2.46
- Medium and Support
- Hanging scroll, ink and color on paper
- relevance
- rank 12.02091
- Secondary Keywords
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- image-making processes and techniques
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- plants
- processes and techniques
- processes and techniques by specific type
- riverine bodies
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- La Cabane du Chiffonnier
- Artist
- Jean François Raffaëlli
- Physical Description
- Paper size: lh 21 3/5cm & rh 21 1/2cm x tw 27 1/2cm & bw 27 7/5cm. Image size: h 11 1/2cm x w 15cm.
- Artist Life Dates
- 1850-1924
- Accession Number
- 2008/2.380
- Medium and Support
- color etching and drypoint on beige wove paper
- relevance
- rank 12.00586
- Secondary Keywords
- buildings and the land
- cloth
- descriptors
- dwellings
- engraving (printing process)
- fiber and fiber products
- fiber products
- houses
- houses by form
- image-making processes and techniques
- intaglio printing processes
- materials
- materials by form
- materials by physical form
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- residential structures
- single built works
- single built works by function
- single built works by specific type
- textile materials
- textile materials by form
- Title
- The Detraction of Good Things [Detractio Bonorum] from Sebastian Brant's "Stultifera navis [The Ship of Fools]" published by Johann Bergmann
- Artist
- Anonymous
- Physical Description
- Text on both sides. One side has the image of a man with dogs at his feet. There is also a jester at his feet, kneeling down.
- Century
- 15th century
- Accession Number
- 2013/2.550.1-2
- Medium and Support
- woodcut on paper
- relevance
- rank 12.00424
- Secondary Keywords
- animals and creatures
- artistic concepts
- artistic devices
- associated concepts
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- concepts in the arts
- descriptors
- equipment
- equipment by context
- equipment for personal use
- heads
- hydraulic structures
- hydraulic structures by function
- information artifacts
- information artifacts by physical form
- information forms
- mammals
- object genres
- object genres by form
- objects we use
- people and culture
- single built works
- single built works by function
- single built works by specific type
- the human body
- tools and equipment
- upper body
- walking sticks
- water distribution structures
- Title
- Commemorative Head of an Oba of the Benin kingdom
- Artist
- Artist Unknown, African, Nigeria, Benin
- Physical Description
- Cast brass head of a human. An opening at the top would have supported a carved elephant tusk. The heads wears elaborate "winged" headgear.
- Accession Number
- 2005/1.260
- Medium and Support
- bronze
- relevance
- rank 12.00093
- Secondary Keywords
- aristocracy
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- figures
- figures (representations)
- groups of people
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nobility
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- religious structures
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- the human body
- upper body
- upper class
- visual works
- visual works by subject type
- Title
- Mille Lender en Buste
- Artist
- Henri de Toulouse-Lautrec
- Physical Description
- Paper size: h 37cm x tw 27 4/5cm & bw 28 1/5cm. Image size: (approximately) w 32cm x h 24cm.
- Artist Life Dates
- 1864-1901
- Object Creation Date
- 1895
- Accession Number
- 2008/2.389
- Medium and Support
- color lithograph on cream wove paper
- relevance
- rank 11.97285
- Secondary Keywords
- buildings and the land
- concert halls
- descriptors
- europe (continent)
- france (nation)
- geographic and political locations
- image-making processes and techniques
- lithography
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing arts buildings
- performing arts structures
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- La Villa Madama
- Artist
- Jean-François Janinet
- Physical Description
- This etching, in a pale blue, brown and gray color scheme, depicts an outdoor scene with a large Roman style building and several human figures in the foreground. One giant wall, with two large arches, with semi-circular apses behind, crosses the middle section of the composition from left to right. It intersects a massive building that has a series of vaulted chambers. Both structures have crumbling stonework and overgrown vegetation. There are several groups of women in the foreground on both sides of a river. Some are in the water washing laundry and some are standing with wash hanging on lines. There is a small dog on the shore.
- Artist Life Dates
- (active 1752 - 1814, )
- Century
- 18th century
- Object Creation Date
- 1778
- Accession Number
- 1973/1.737
- Medium and Support
- etching and lavis-manner engraving printed in color on paper
- relevance
- rank 11.96711
- Secondary Keywords
- animals
- animals and creatures
- arches and arch components
- architectural elements
- architecture
- bridges by form
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- landscapes (environments)
- laundry
- mammals
- natural landscapes
- objects
- objects we use
- people and occupations
- plants
- sculpture
- sculpture by subject type
- service industry buildings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Kronborg Slot
- Artist
- Luigi Kasimir
- Physical Description
- Print depicting a grey and brown seashore with waves hitting the shore from the left side of the sheet. Grey sky with grey and white clouds take up half of the sky. A black and grey structure with towers and spires is in the top right half.
- Artist Life Dates
- b. 1881, active 1905-1925
- Object Creation Date
- 1919
- Accession Number
- 2009/2.95
- Medium and Support
- etching on paper
- relevance
- rank 11.95564
- Secondary Keywords
- relation to water
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- fortifications
- image-making processes and techniques
- intaglio printing processes
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- marine bodies
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- shores (landforms)
- single built works
- single built works by function
- single built works by specific type
- Title
- From "Souvenirs of Travels," third series
- Artist
- Kawase Hasui
- Physical Description
- A man stewards a narrow boat carrying a passenger along a river. The houses and walls alongside reflect on the river's surface. The sky is nearly covered by gray clouds, but small patches of blue sky shine through.
- Artist Life Dates
- 1883-1957
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1987/1.267
- Medium and Support
- color woodblock print on paper
- relevance
- rank 11.93810
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- inorganic material
- landscapes (environments)
- light-related concepts
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- The Four Times of Day: Noon
- Artist
- William Hogarth
- Physical Description
- This print is vertically oriented with gray markings. A cream border surrounds it and it has “NOON” written below it. The lower half of the print has a busy street scene with lots of adults and children in 18th century garb. The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.
- Artist Life Dates
- 1697-1764
- Century
- 18th century
- Object Creation Date
- 1738
- Accession Number
- 1971/2.57
- Medium and Support
- etching and engraving on laid paper
- relevance
- rank 11.92271
- Secondary Keywords
- scale
- architectural elements
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- eating and drinking buildings
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- religious buildings
- religious structures
- roads
- roads by form
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation spaces
- windows and window components
- Title
- Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.
- Century
- 17th century
- Object Creation Date
- late 16th century - early 17th century
- Accession Number
- 1967/2.5
- Medium and Support
- hanging scroll, ink and light color on paper
- relevance
- rank 11.91389
- Secondary Keywords
- scale
- upward
- architecture
- asia
- asia (continent)
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- dwellings
- figures
- forms
- geographic and political locations
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- residential structures
- riverine bodies
- scroll paintings
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- waterscapes
- woody plants
- Title
- The Fifty-Three Stations of the Tokaido (Hoeido Edition): #48 Seki
- Artist
- Andô Hiroshige
- Physical Description
- A woodblock print depicting a post town in the Edo period of Japan. There is a wooden structure to the left. It looks like a store, with a list of products hanging on the frame of the door. White flags with a blue circular design hang from the roof to the left and to right near a grouping of trees. Two groups of five men are in front of the structure, five to the left, five towards the center of the image. A thin vertical stick structure is right of center in the foreground.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- 1831-1834
- Accession Number
- 2011/2.197
- Medium and Support
- woodblock print on paper
- relevance
- rank 11.90528
- Secondary Keywords
- transfer method
- accessories worn on the head
- asian
- buildings and the land
- built complexes and districts
- commercial buildings
- commercial complexes
- complexes
- complexes by function
- costume
- costume accessories
- costume accessories worn
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for openings
- east asian
- furnishings
- furnishings by form or function
- headgear
- mercantile buildings
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Le Concert / Au Madame la Comtesse de Saint Brisson
- Artist
- Antoine Duclos
- Physical Description
- An Eighteenth Century audience attending a musical event in a grand salon.
- Artist Life Dates
- 1742-1795
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 2011/2.210
- Medium and Support
- etching on paper
- relevance
- rank 11.82888
- Secondary Keywords
- transfer method
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- performing arts buildings
- performing arts structures
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- rooms and spaces
- rooms and spaces by function
- single built works
- single built works by function
- single built works by specific type
- social and sitting spaces
- visual works
- visual works by medium or technique
- Title
- The Fifty-Three Stations of the Tokaido (Kyoka Edition): #7 Fujisawa
- Artist
- Andô Hiroshige
- Physical Description
- A view of a village by the water, with many shops and travellers in the street. On the right foreground there is an arched bridge with figures crossing. A gate that looks like the entrance of a shrine appears by the end of the bridge.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- late 1830s
- Accession Number
- 2008/2.324
- Medium and Support
- woodblock print on paper
- relevance
- rank 11.73955
- Secondary Keywords
- scale
- upward
- architectural elements
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- gates and gate components
- gateway components
- gateways and gateway components
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- openings (architectural elements)
- openings and opening components
- openings by form
- plants
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Scene in the Catskills
- Artist
- Thomas Cole
- Physical Description
- This landscape painting depicts a rocky hillside beneath a blue sky and towering cloud formations. In the foreground area, a stream flows between boulders and cascades over rocks. There is a large square boulder with the roots and stump of a dead tree. The right side of the painting has green vegetation along the edege of the stream and tall green-leafed trees further back on the side of the hill. On the left, beyond the hill, there is a glimpse of far distant mountains. This scene is painted in warm tones of green and brown in a realistic manner. Patches of sunlight highlight areas of the hillside, boulders and the stream.
- Artist Life Dates
- American, born England, 1801-1848
- Century
- 19th century
- Object Creation Date
- 1801-1848
- Accession Number
- 1919.2
- Medium and Support
- oil on board
- relevance
- rank 11.72125
- Secondary Keywords
- settlement area
- associated concepts
- atmospheric effects
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- descriptors
- dwellings
- earth sciences concepts
- geography
- houses
- houses by location
- houses by location or context
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- residential structures
- rural houses
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- vegetation and vegetation components
- vegetation components
- waterscapes
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Untitled, Bronx Storefronts
- Artist
- Emilio Sanchez
- Physical Description
- An oil painting of two storefronts. The first store is brightly painted, while the second one is in more neutral shades.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1985-1990
- Accession Number
- 2011/2.135
- Medium and Support
- oil on board
- relevance
- rank 11.66493
- Secondary Keywords
- image form
- architectural elements
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- descriptors
- enclosing structural elements
- exterior walls
- facades
- facades and facade components
- image-making processes and techniques
- mercantile buildings
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- structural elements
- structural elements and structural element components
- views
- views by vantage point or orientation
- visual works
- visual works by form
- walls
- walls and wall components
- walls by location or context
- Title
- Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)
- Artist
- Nicolas-François Chéron
- Physical Description
- The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.
- Artist Life Dates
- died 1746
- Century
- 17th-18th century
- Object Creation Date
- 1669
- Accession Number
- 1984/1.284
- Medium and Support
- cast bronze
- relevance
- rank 11.66090
- Secondary Keywords
- image form
- biological components
- buildings and the land
- christian clergy
- clergy
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- the human body
- transportation structures
- transportation structures by form
- upper body
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Views of Edo: Tenmangu Shrine in Kameido
- Artist
- Andô Hiroshige
- Physical Description
- A woodblock print depicting men and women in traditional japanese clothing crossing three red bridges in the central foreground that lead to a red temple in the central background. An island with trees is in the center of the scene. There are white clouds covering the horizon and surrounding the temple.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1851-1853
- Accession Number
- 2011/2.198
- Medium and Support
- woodblock print on paper
- relevance
- rank 11.58139
- Secondary Keywords
- transfer method
- asian
- associated concepts
- buildings and the land
- costume
- costume by form
- earth sciences concepts
- east asian
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Landscape in Ni Tsan Style
- Artist
- Hine Taizan
- Physical Description
- A lone pavilion sits among trees in the foreground. Birds flock nearby, and in the background are more trees and rocky formations. Calligraphic texts in in the upper right corner.
- Artist Life Dates
- 1813-1869
- Century
- 19th century
- Object Creation Date
- 1867
- Accession Number
- 1983/2.247
- Medium and Support
- hanging scroll, ink on silk
- relevance
- rank 11.58114
- Secondary Keywords
- upward
- animals
- animals and creatures
- architecture
- asia
- asian
- buildings and the land
- descriptors
- forms
- garden structures
- geography
- image-making processes and techniques
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by location or context
- single built works by specific type
- text-based art
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- woody plants
- writing (processes)
- Title
- Construction (Konstruktion)
- Artist
- László Moholy-Nagy
- Physical Description
- Two tall, rectangular intersecting planes, one black and one white, create the appearance of a tall, minimal structure. Vertical lines of black and white add to the structure, which at its base projects slightly into a rough square shape that seems to delineate a kind of ground or base. The space around the structure is ochre.
- Artist Life Dates
- Hungary, 1895-1946
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1957/1.30
- Medium and Support
- color lithograph on paper
- relevance
- rank 11.57043
- Secondary Keywords
- height
- transfer method
- visual arts
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- international post-1945 styles and movements
- lithographs
- mathematical concepts
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern german styles and movements
- multistory buildings
- objects we use
- people and culture
- plane figures
- planographic prints
- polygons
- post-1945 fine arts styles and movements
- prints
- prints by process
- prints by process or technique
- quadrilaterals
- scientific concepts
- single built works
- single built works by form
- single built works by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Hunger
- Artist
- George Grosz
- Physical Description
- This sparely executed lithograph depicts, from left to right, a young boy, an aged man in a hat, and an aged woman in a shawl looking at the food on display in a shop window, bananas, cheese, sausage, and wine, among other items.
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1957/1.105
- Medium and Support
- lithograph on paper
- relevance
- rank 11.56763
- Secondary Keywords
- architectural elements
- architecture
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- descriptors
- figures
- image-making processes and techniques
- lithography
- materials
- materials by function
- mercantile buildings
- modern and contemporary art
- movement
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- stores
- stores by commodity sold
- windows and window components
- Title
- Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)
- Artist
- George Grosz
- Physical Description
- In the top left corner a house lies on top of a hill of sand dunes covered with grasses, with the ocean to the right and storm clouds swirling overhead
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1949
- Accession Number
- 1954/1.112
- Medium and Support
- lithograph on paper
- relevance
- rank 11.49094
- Secondary Keywords
- relation to water
- associated concepts
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- eolian landforms
- european
- european styles and periods
- events
- geography
- landforms
- landforms and landform components
- landforms by formation process
- landforms by position
- landforms by shape or position
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- natural events
- natural landscapes
- people and culture
- physical sciences concepts
- plant material
- residential structures
- scientific concepts
- settlements and landscapes
- shores (landforms)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- weather and related phenomena
- weather-related phenomena
- Title
- Portrait of Princess Amelia, part of a series of portraits of King George III's Family
- Artist
- Anonymous
- Physical Description
- The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.
- Century
- 19th century
- Object Creation Date
- circa 1810
- Accession Number
- 2013/2.564.1
- Medium and Support
- pencil and wash on wove paper
- relevance
- rank 11.47505
- Secondary Keywords
- layout features
- aristocracy
- buildings and the land
- case furniture
- components
- components and systems
- components by specific context
- fortifications
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- groups of people
- illustrations
- illustrations by subject type
- images and ornament
- information artifacts
- information artifacts by physical form
- information form components
- information forms
- layout features
- nobility
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- rulers (people)
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- storage and display furniture
- upper class
- visual works
- visual works by subject type
- Title
- The Edwards Family on a Terrace
- Artist
- Charles Philips
- Physical Description
- Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.
- Artist Life Dates
- 1708 - 1747
- Century
- 18th century
- Object Creation Date
- 1732
- Accession Number
- 2000/2.3
- Medium and Support
- oil on canvas
- relevance
- rank 11.44306
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- england (country)
- europe (continent)
- geographic and political locations
- greater london (metropolitan area)
- group portraits
- groups of people
- hydraulic structures
- hydraulic structures by function
- kinship groups
- materials
- materials by composition
- monumental pillars
- monuments
- monuments by form
- objects we use
- offspring
- open spaces
- open spaces and site elements
- open spaces by form
- paintings
- paintings by material or technique
- parents
- people
- people (agents)
- people and culture
- people by family relationship
- portraits
- shell and shell material
- single built works
- single built works by function
- single built works by specific type
- social groups
- united kingdom (nation)
- visual works
- visual works by medium or technique
- visual works by subject type
- water distribution structures
- Title
- The Fifty-Three Stations of the Tokaido (Kichizo Edition): #3 Kawasaki
- Artist
- Andô Hiroshige
- Physical Description
- A group of figures with parasols and hats wait on shore for two approaching boats filled with passengers. Trees and a village are seen on the opposite shore. Writing in the upper left corner. Title in red box in upper right corner.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1850
- Accession Number
- 2008/2.314
- Medium and Support
- woodblock print on paper
- relevance
- rank 11.42953
- Secondary Keywords
- layout features
- scale
- accessories worn on the head
- buildings and the land
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories carried
- costume accessories worn
- descriptors
- dwellings
- headgear
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- landscapes (environments)
- layout features
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- residential structures
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- woody plants
- Title
- Beauvais Cathedral
- Artist
- John Coney
- Physical Description
- This highly detailed drawing in a vertical format depicts the interior of a gothic cathedral looking up at the soaring rib-vaulted ceiling. It appears as though every brick and architectural detail is rendered. The image provides a view into the choir and a transept to the right, which is decorated with a very ornate rose window.
- Artist Life Dates
- 1786-1833
- Object Creation Date
- 1823
- Accession Number
- 2012/2.192
- Medium and Support
- pen and brown ink on extremely fine paper laid down on heavy cream wove paper
- relevance
- rank 11.42246
- Secondary Keywords
- architectural elements
- building divisions
- buildings and the land
- ceilings
- christian religious building spaces
- churches
- churches by location or context
- components
- components and systems
- components by specific context
- european
- european styles and periods
- medieval styles and periods
- people and culture
- religious building spaces
- religious buildings
- religious structures
- rooms and spaces
- rooms and spaces by building type
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- surface elements
- surface elements and surface element components
- Title
- The Pierrot
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.406
- Medium and Support
- etching and drypoint, printed in dark brown ink on wove paper
- relevance
- rank 11.41089
- Secondary Keywords
- architectural elements
- associated concepts
- bodies of water and components of bodies of water
- buildings and the land
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- landscapes (environments)
- light-related concepts
- natural landscapes
- netherlands (nation)
- north holland (province)
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- windows and window components
- Title
- The Sea Monster
- Artist
- Albrecht Dürer
- Physical Description
- Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water's edge.
- Artist Life Dates
- 1471-1528
- Century
- Late 15th century
- Object Creation Date
- circa 1498
- Accession Number
- 1956/1.74
- Medium and Support
- engraving on paper
- relevance
- rank 11.39451
- Secondary Keywords
- transfer method
- animals and creatures
- buildings and the land
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- fortifications
- image-making processes and techniques
- inorganic material
- intaglio prints
- legendary creatures
- materials
- materials by composition
- objects we use
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- reptiles
- sailing vessels
- sailing vessels by size
- shell and shell material
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- visual works by subject type
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- Title
- The Seven Sages Passing Through a Gate
- Artist
- Sheng Maojun (Sheng Mao-chün)
- Physical Description
- A temple lies in the not-so-distant background of tree and mountains. Travellors weave their way along the path, some on horseback. They have their heads covered--some with cloth and some with hats.
- Artist Life Dates
- act. 1600-1645
- Century
- 17th century
- Object Creation Date
- early 17th century
- Accession Number
- 1990/2.1
- Medium and Support
- fan mounted as an album leaf, ink and light color on paper
- relevance
- rank 11.37619
- Secondary Keywords
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- materials
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plants
- religious buildings
- religious structures
- settlements and landscapes
- shape
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- The Fifty-Three Stations of the Tôkaidô (Kichizo Edition): #54 Otsu
- Artist
- Andô Hiroshige
- Physical Description
- A view of bearers and attendants and four sailboats moored at a stone pier. A small lighthouse is located near the pier, and in the distance is a mountain range. The sky is tinged red, and writing is located in the upper right corner and lower left side. Title in red box in upper right corner.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 2008/2.326
- Medium and Support
- color woodblock print on paper
- relevance
- rank 11.35913
- Secondary Keywords
- transfer method
- upward
- asian
- buildings and the land
- descriptors
- east asian
- inorganic material
- japanese
- japanese printmaking styles
- japanese styles
- landforms
- landforms and landform components
- landforms by shape or position
- landings (marine structures)
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by function
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- water transportation structures
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- Title
- The Bullfight (Courses de taureaux)
- Artist
- Pablo Picasso
- Physical Description
- A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1994/1.70
- Medium and Support
- oil on canvas
- relevance
- rank 11.35002
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- european
- european styles and periods
- genres
- image-making processes and techniques
- mammals
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- recreation buildings
- recreation structures
- single built works
- single built works by function
- single built works by specific type
- sports buildings
- sports buildings by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- relevance
- rank 11.31485
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- Cottage with White Paling
- Artist
- Rembrandt van Rijn
- Physical Description
- Etching is tipped on cream woven paper. Print is trimmed to the frame. Size: h 12 2/5cm x tw 15 4/5cm & bw 16cm.
- Artist Life Dates
- 1606-1669
- Object Creation Date
- 1648
- Accession Number
- 2008/2.396
- Medium and Support
- etching and drypoint on beige laid paper
- relevance
- rank 11.27735
- Secondary Keywords
- buildings and the land
- descriptors
- dwellings
- engraving (printing process)
- factories
- factories by power source
- freewheeled vehicles
- freewheeled vehicles by form or function
- houses
- houses by form
- image-making processes and techniques
- industrial buildings
- industrial structures
- intaglio printing processes
- land vehicles
- land vehicles by form
- objects we use
- open spaces and site elements
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- residential structures
- service and utility vehicles
- single built works
- single built works by function
- single built works by specific type
- site elements
- transportation vehicles
- vehicles
- Title
- Pope Alexander VII (obverse), and the Piazzo del Popolo (reverse)
- Artist
- Gioacchino Travani
- Physical Description
- The front (obverse) of this medal represents a portrait of a man in profile wearing a papal tiara and a cope. The reverse depicts a city square dominated by an obelisk with a pair of identical domed churches in the background. Inscriptions run around the edge of the medal on both sides.
- Artist Life Dates
- Active 1634-1674
- Century
- 17th-18th century
- Object Creation Date
- 1662
- Accession Number
- 1984/1.282
- Medium and Support
- bronze
- relevance
- rank 11.25956
- Secondary Keywords
- image form
- biological components
- buildings and the land
- christian clergy
- clergy
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- monumental pillars
- monuments
- monuments by form
- nonferrous metal
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- the human body
- upper body
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Under the Bridges on the Schuylkill
- Artist
- Joseph Pennell
- Physical Description
- The print displays a scene from a perspective on the water, underneath the bridges. Three bridges can be seen. The first bridge is closer to the viewer, with a pier in the center left of the scene, and the truss barely visible, cutting through the top of the image at an angle. Behind the first bridge, more of the second bridge can be seen, with two piers and an arched truss. The thrid bridge is in the background, right-hand section of the scene. The bridge piers cast six shadows into the rippling water.
- Artist Life Dates
- 1857-1926
- Century
- 19th century
- Object Creation Date
- 1884
- Accession Number
- 1954/1.306
- Medium and Support
- etching and drypoint on paper
- relevance
- rank 11.23924
- Secondary Keywords
- associated concepts
- bodies of water and components of bodies of water
- bodies of water by size
- bridges by form
- buildings and the land
- energy and related concepts
- energy-related concepts
- european
- european styles and periods
- landscapes (environments)
- light-related concepts
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- natural landscapes
- people and culture
- physical sciences concepts
- physics concepts
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by form
- Title
- Farm Landscape
- Artist
- Jacques Callot
- Physical Description
- Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
- Accession Number
- 2008/2.381
- Medium and Support
- etching on beige laid paper
- relevance
- rank 11.19638
- Secondary Keywords
- transfer method
- agricultural complexes
- agricultural functions
- animals and creatures
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- scientists and people in science-related occupations
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Oiso Station, tora-ga-ame (Tora's Rain), Plate 9 from Tokaido Gojusan-tsugi (Fifty-three Stations of the Eastern Road)
- Artist
- Andô Hiroshige
- Physical Description
- A landscape of the bank by the river with mountains in the distance. There are trees, huts, and several tombstones in the foreground. Two figures are walking toward a hut.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1855
- Accession Number
- 1974/1.102
- Medium and Support
- color woodblock print on paper, ôban yoko-e size
- relevance
- rank 11.15754
- Secondary Keywords
- layout features
- upward
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- dwellings
- funerary structures
- houses
- houses by form
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- layout features
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- residential structures
- sailing vessels
- sailing vessels by size
- sepulchral monuments
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- watercraft by method of propulsion
- watercraft by specific type
- woody plants
- Title
- The Famous Picnic at Val Kill
- Artist
- Ann Murfee Allen
- Physical Description
- Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.
- Artist Life Dates
- 1923 - 1995
- Century
- late 20th century
- Object Creation Date
- 1975
- Accession Number
- 2002/1.178
- Medium and Support
- oil on canvas
- relevance
- rank 11.14695
- Secondary Keywords
- american regions
- art genres
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- descriptors
- dwellings
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- how we live
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- north american
- objects we use
- people and culture
- people and occupations
- plants
- political and social issues
- residential structures
- sailing vessels by size
- seating furniture
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- single seating furniture
- standing
- styles and periods
- styles and periods by region
- support furniture
- tables (support furniture)
- tables by function
- the americas
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- woody plants
- Title
- The Doorway, from the "Twelve Etchings", or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.375
- Medium and Support
- etching, drypoint, and roulette on laid paper on laid paper
- relevance
- rank 11.09843
- Secondary Keywords
- arches and arch components
- architectural elements
- associated concepts
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- italy (nation)
- light-related concepts
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- stair components
- stairs and stair components
- steps and step components
- structural elements
- structural elements and structural element components
- veneto (region)
- venezia (province)
- windows and window components
- Title
- The Thirty-Six Views of the Eastern Capital: Imado Bridge and Matsuchi Hill
- Artist
- Andô Hiroshige
- Physical Description
- A snow scene of a village with falling snowflakes in the sky. The roofs of houses, the trees, the bridge, the boat decks, and the island in the center of the lake are all covered by snow.
- Trimmed just outside print frame. Colors: black, blue, green, red, pink-orange. Paper size: lh 34 3/5cm & rh 34 1/2cm x tw 23 9/10cm & bw 24 1/5cm. Image size: lh 33 9/10cm & rh 34cm x tw 22 4/5cm & bw 22 3/5cm.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- 1862
- Accession Number
- 2008/2.394
- Medium and Support
- color woodcut on beige laid paper
- relevance
- rank 11.07803
- Secondary Keywords
- transfer method
- asian
- associated concepts
- buildings and the land
- descriptors
- dwellings
- early modern japanese periods
- earth sciences concepts
- east asian
- inorganic material
- japanese
- japanese periods
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by form
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- Spring Landscape
- Artist
- Arthur Wesley Dow
- Physical Description
- Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.
- Artist Life Dates
- 1857 - 1922
- Century
- 19th century
- Object Creation Date
- 1892
- Accession Number
- 1954/1.168
- Medium and Support
- oil on canvas
- relevance
- rank 11.02035
- Secondary Keywords
- associated concepts
- atmospheric effects
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- image-making processes and techniques
- materials
- materials by origin
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- plant communities
- plant material
- plants
- processes and techniques
- processes and techniques by specific type
- residential structures
- roads
- scientific concepts
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- vegetation and vegetation components
- vegetation components
- walkways
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Hercules
- Artist
- Albrecht Dürer
- Physical Description
- A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- circa 1498
- Accession Number
- 1956/1.78
- Medium and Support
- engraving on paper
- relevance
- rank 10.95489
- Secondary Keywords
- settlement area
- transfer method
- buildings and the land
- country houses
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- document genres
- document genres by form
- document genres for literary works
- dwellings
- houses
- houses by location
- houses by location or context
- image-making processes and techniques
- information forms
- intaglio prints
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- physical activities
- physical activities by general context
- plants
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- residential structures
- rural houses
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- wilderness
- woody plants
- youth
- Title
- Sunrise at Susaki Point (New Year's Print)
- Artist
- Katsushika Hokusai
- Physical Description
- A geisha is shown strolling in the countryside, with her right hand over her forehead--as if looking into the distance--and a basket in her left hand. The backdrop is the rising sun-the give-away that this is a New Year’s print—seen over distant mountains. A poem lies on the left-hand side of the print.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- circa 1800-1820
- Accession Number
- 1954/1.472
- Medium and Support
- color woodblock print on paper
- relevance
- rank 10.83650
- Secondary Keywords
- animal material
- animal material by form or function
- associated concepts
- buildings and the land
- containers
- containers by form
- costume
- costume by form
- descriptors
- earth sciences concepts
- egg and egg components
- image-making processes and techniques
- landscapes (environments)
- main garments
- materials
- materials by origin
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- physical sciences concepts
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- A celebration of the rains
- Artist
- Artist Unknown, India, Rajasthan, Kotah School
- Physical Description
- Fresh greens for the foliage and dark blue clouds sprinkled with lightning set the rain celebration scene. Court ladies have gathered on the lawn, and some swing under a blossoming tree, while the raja and a woman watch the exciement below from a balcony of his white palace.
- Century
- 19th century
- Object Creation Date
- early 19th century
- Accession Number
- 1964/2.114
- Medium and Support
- Ink, opaque watercolor, silver, and gold on paper
- relevance
- rank 10.76247
- Secondary Keywords
- associated concepts
- building divisions
- buildings and the land
- card, table and board game elements
- components
- components and systems
- components by specific context
- culture and related concepts
- culture-related concepts
- descriptors
- dwellings
- events
- game pieces
- houses
- houses by occupants
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- objects we use
- official residences
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by gender
- plants
- processes and techniques
- processes and techniques by specific type
- recreation
- recreational artifacts
- recreational artifacts for competitive activities
- residential structures
- rooms and spaces
- rooms and spaces by form
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)
- Artist
- Andô Hiroshige
- Physical Description
- Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1840-1841
- Accession Number
- 1948/1.139
- Medium and Support
- color woodblock print on paper
- relevance
- rank 10.73519
- Secondary Keywords
- layout features
- transfer method
- upward
- associated concepts
- buildings and the land
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories carried
- descriptors
- dwellings
- earth sciences concepts
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- layout features
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena