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Showing results for "objects" in Secondary Keywords.
- Title
- Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1955/1.121
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Secondary Keywords
- architecture
- bridges
- cityscapes
- geography
- machine
- objects
- objects we use
- people and occupations
- reflections
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Courtesan in an iris-patterned robe: "June" in a series of Twelve Months
- Artist
- Kaigetsudô Dohan
- Physical Description
- This is a large monochrome print of a courtesan wearing kimono with iris design. The courtesan is standing with her right hand in the sleeve that she raises to her chin and left hand gathering up her kimono; Her cloak with bamboo leaf and gentian flower design is slipping off her shoulder and revealing her dark kimono with iris roundels. She has long hair; her hair is tied and draped on the back. She is looking toward the right side. There is the artist’s signature and seal, and publisher’s seal on the right.
- Artist Life Dates
- active 1710 - 1716
- Century
- 18th century
- Object Creation Date
- circa 1714
- Accession Number
- 1955/1.128
- Medium and Support
- Kakemono-e (oversize) sumizurii-e (monochrome woodblock print) on paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Secondary Keywords
- costume
- costume by form
- descriptors
- grass (plant material)
- main garments
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- physical activities
- physical activities by general context
- plant material
- prostitutes
- Title
- Tea cup (one of four; with 1954/1.490-492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th to early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.489
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Secondary Keywords
- objects we use
- vessels
- Title
- Tea cup (one of four; with 1954/1.489-491)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.492
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Secondary Keywords
- objects we use
- vessels
- Title
- Tea cup (one of four; with 1954/1.489-490 & 492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.491
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Secondary Keywords
- objects we use
- vessels
- Title
- Tea cup (one of four; with 1954/1.489 & 491-492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.490
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Secondary Keywords
- objects we use
- vessels
- Title
- Nocturne
- Artist
- James McNeill Whistler
- Physical Description
- Set at night, a man in a lighter or small boat is seen in the foreground; in the distance stands the silhouettes of various buildings, including smokestacks, a clock tower, and a church spire, all of which are reflected in the water's surface, as well as reflections of lights and smoke.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.413
- Medium and Support
- lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,
- Date Added/Updated
- 2013-12-20 16:38:21
- Secondary Keywords
- architecture
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- earth sciences concepts
- geography
- landscapes (environments)
- natural landscapes
- objects
- objects we use
- people and culture
- physical sciences concepts
- riverine bodies
- scientific concepts
- settlements and landscapes
- streams
- time
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- Title
- Trixie (Mrs. Beatrice Whistler)
- Artist
- James McNeill Whistler
- Physical Description
- A seated woman in late 19th c. dress is shown against an undescribed dark background; she looks directly at the viewer and rests her chin on her right hand. At the lower left is a flower-like form that is the artist's "butterfly" signature.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1892-1894
- Accession Number
- 1954/1.411
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:21
- Secondary Keywords
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- portraits
- visual works
- visual works by subject type
- Title
- The Square House, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.404
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:20
- Secondary Keywords
- height
- architectural elements
- associated concepts
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- light-related concepts
- netherlands (nation)
- north holland (province)
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- rooms and spaces
- rooms and spaces by form
- scientific concepts
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- windows and window components
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:19
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- objects
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.381
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- europe
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- study
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- Title
- Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.380
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- europe
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- study
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.378
- Medium and Support
- etching, printed in black ink on wove paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.374
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:17
- Secondary Keywords
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Nocturne, from the "Twelve Etchings" or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.372
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Secondary Keywords
- scale
- architecture
- associated concepts
- buildings
- buildings and the land
- churches
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- italy (nation)
- light-related concepts
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- places of worship
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- study
- transportation vehicles
- vehicles
- veneto (region)
- venezia (province)
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Irving as Philip of Spain, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in a full-length portrait, turned slightly to the left, but looking directly at the viewer. He is in historical costume with a short cape, high dark hat with a white feather and fitted vest and pants. The dark background is not described.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1876-1877
- Accession Number
- 1954/1.368
- Medium and Support
- drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- clothing
- figures
- objects
- people and occupations
- Title
- Sir Garnet Wolseley
- Artist
- James McNeill Whistler
- Physical Description
- A distinguished looking man sits in a bust-length, three-quarter view, his face turned to straight profile, facing to the left. He has a moustache and goatee and a high collared shirt.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 1954/1.365
- Medium and Support
- drypoint, printed in black ink with grey wash on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- image form
- figures
- objects we use
- people and occupations
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Wapping--The Pool
- Artist
- James McNeill Whistler
- Physical Description
- A river stretches before the viewer. In the foreground are a several rows of flat, mast-less boats tied to the quay. A group of ships with sails furled are at anchor in the middle of the river. On either side and extending into the distance can be seen buildings that hug either bank of the river.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1879
- Accession Number
- 1954/1.370
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- architecture
- buildings and the land
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- ships
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- Title
- Free Trade Wharf
- Artist
- James McNeill Whistler
- Physical Description
- The curving bank of a river begins at the lower left of the image and sweeps around towards the left. Hugging the water's edge are many wooden buildings of two to five stories in height. At the far left, in the distance, are numerous two- and three-masted ships at anchor. The water at the lower left is open and quiet; a few small boats can be seen; the sky indicates that it is an overcast day.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 1954/1.364
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:15
- Secondary Keywords
- architecture
- objects
- people and occupations
- ships
- the natural world
- waterscapes
- Title
- Weary
- Artist
- James McNeill Whistler
- Physical Description
- A woman, leaning back in a curved armchair, sits at an angle to the viewer. Her face is presented in nearly strict profile, looking to the right; her long, waving hair cascades around her, framing her face. Her right arm is in her lap and her skirt is only lightly sketched in. At the lower left corner, another sketch of a woman's head (seen upside down) is visible.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1863
- Accession Number
- 1954/1.353
- Medium and Support
- drypoint and roulette, printed in warm black ink on laid Japan tissue, tipped down
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Agnes
- Artist
- James McNeill Whistler
- Physical Description
- A woman sits facing the viewer, looking slightly to the right. Her hands are in her lap and she is holding a piece of fabric. The background is undescribed and her skirt is loosely drawn.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1873-1875
- Accession Number
- 1954/1.357
- Medium and Support
- drypoint, printed in warm black ink on laid Japan tissue
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Florence Leyland
- Artist
- James McNeill Whistler
- Physical Description
- An adolescent girl stand facing the viewer; her left leg is behind her and she holds a hoop in her right hand, her right leg steps through the hoop. Her long hair falls to her shoulders and she has bangs. To the right are the words, "I am Flo".
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1873
- Accession Number
- 1954/1.356
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- objects
- people and occupations
- tools
- Title
- Jo's Bent Head
- Artist
- James McNeill Whistler
- Physical Description
- A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1954/1.350
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:12
- Secondary Keywords
- image form
- figures
- objects we use
- people and occupations
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Arthur Haden
- Artist
- James McNeill Whistler
- Physical Description
- A young boy sits sideways on a chair and looks at the viewer. The chair faces the viewer; the boy sits facing to the right, his left leg crossed over the right. He his left hand is on the back of the chair, and his right hand holds his left foot. He has thick waving hair and is dressed in a short black velvet coat and striped pants. Behind him is a curtain and on the floor at lower right is a dark straw hat.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.343
- Medium and Support
- drypoint on paper
- Date Added/Updated
- 2013-12-20 16:38:11
- Secondary Keywords
- clothing
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Thames Warehouses, One of the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- A horizontal view of a riverside congested with buildings and shipping on both sides. The river recedes to the center right; at the far distance is the billowing smoke of a steam tug and the dome of a distant church. In the foreground are low barges with figures standing or working. Along the lefthand bank are warehouses and other buildings, many with signs indicating that the proprietor makes sails, rope, etc.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.335
- Medium and Support
- etching on laid paper
- Date Added/Updated
- 2013-12-20 16:38:10
- Secondary Keywords
- architecture
- objects we use
- ships
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- The Title Page for "Douze Eaux Fortes d'après Nature" or the French Set
- Artist
- James McNeill Whistler
- Physical Description
- A man in a broad-brimmed hat and a moustache sits sketching, his face largely in shadow. Around him are clustered groups of children absorbed in watching him drawing. A single figure of a boy, standing slightly apart at the right, gazes out at the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1856-1858
- Accession Number
- 1954/1.332
- Medium and Support
- etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:10
- Secondary Keywords
- audiences
- clothing
- figures
- objects
- people and occupations
- sketches
- Title
- The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on hte left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.330
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architecture
- building divisions
- components
- components and systems
- components by specific context
- objects
- people and occupations
- rooms and spaces
- rooms and spaces by function
- work and instructional spaces
- Title
- La Vieille aux Loques
- Artist
- James McNeill Whistler
- Physical Description
- An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.328
- Medium and Support
- etching and drypoint, printed in dark brown ink on green laid paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architecture
- figures
- objects
- people and occupations
- Title
- La Vieille aux Loques
- Artist
- James McNeill Whistler
- Physical Description
- An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.327
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architectural elements
- components
- components and systems
- components by specific context
- containers
- containers by form
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- Title
- La Marchande de Moutarde, one of the "Twelve Etchings from Nature," or the "French Set"
- Artist
- James McNeill Whistler
- Physical Description
- A young woman at the left stands at the threshold of a stone doorway; in the interior beyond her, a woman in a white cap is preparing a jar at a desk or counter. Above the desk is a row of jars on a shelf.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.329
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architectural elements
- architecture
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- figures
- genres
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- rooms and spaces
- rooms and spaces by location or context
- Title
- En Plein Soleil, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen slightly from below, a woman is seated in a landscape on a hillock. She is holding a dark, fringed parasol and has a shawl wrapped around her shoulders. Her face is partly shaded by the parasol; beside her to the left is a pot or container of some kind. Behind her to the right is a lone poplar tree and behind her to the left are some low buildings and indication of a stand of trees. The foreground is uneven, with tufts of grass standing up between the figure and the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.322
- Medium and Support
- etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- costume
- costume accessories
- costume accessories carried
- grasses
- landscapes
- objects we use
- people and occupations
- plants
- the natural world
- women
- Title
- La Rétameuse, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A woman is seated with her hands in her lap looking directly at the viewer. She has a high, dark hat on her head with long ribbons that hang to her waist.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.321
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white laid plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- clothing
- figures
- objects
- people and occupations
- Title
- The Banker and his Wife
- Artist
- Anonymous Flemish
- Physical Description
- A husband and wife, looking at books and coins on a wood table. She has a red dress and a white head covering, he is wearing all dark colors and a dark hat.
- Accession Number
- 1954/1.166
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:38:04
- Secondary Keywords
- family
- household objects
- how we live
- mirrors
- objects
- reflections
- relationships
- Title
- Faneuses (Haymakers)
- Artist
- Camille Pissarro
- Physical Description
- A group of women can be seen in a field raking hay. The central woman faces the viewer in the foreground; she wears a hat that shades her face. Behind her are two other women, also raking hay, shown from behind.
- Artist Life Dates
- 1830-1903
- Century
- 19th Century
- Object Creation Date
- 1890
- Accession Number
- 1953/2.48
- Medium and Support
- etching on Holland paper
- Date Added/Updated
- 2013-12-20 16:38:02
- Secondary Keywords
- descriptors
- hay
- image-making processes and techniques
- landscapes
- lithography
- objects
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the natural world
- Title
- Yaozhou ware bowl with incised design of three fish in a pond
- Artist
- Artist Unknown, China
- Physical Description
- a northern celadon bowl of conical shape, incised with abstract depictions of fish and waves on interior, small ring foot
- Century
- 12th century
- Object Creation Date
- 12th century - 13th century
- Accession Number
- 1950/2.16
- Medium and Support
- stoneware with incised and combed decoration under celadon glaze
- Date Added/Updated
- 2013-12-20 16:37:57
- Secondary Keywords
- animals and creatures
- containers
- containers by form
- objects we use
- vessels
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.187
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by form
- visual works by medium or technique
- Title
- 36 Views of Mt. Fuji: The Great Wave off Kanagawa (Kanagawa oki nami ura)
- Artist
- Katsushika Hokusai
- Physical Description
- A great, claw-shaped wave which almost swampes the boats dominates the scene, . The Mount Fuji appears in the distance and seems much smaller compared to the waves. In the upper left-hand corner, the artist inscribed the title of the work along with his signature.
- Artist Life Dates
- 1760-1849
- Century
- 19th century
- Object Creation Date
- circa 1829-1833
- Accession Number
- 1948/1.149
- Medium and Support
- color woodblock print on paper
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- asia (continent)
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- chubu (region)
- descriptors
- design elements
- geographic and political locations
- landscapes (environments)
- marine bodies
- natural landscapes
- objects we use
- patterns (design elements)
- patterns by specific type
- physical features
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.186
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.185
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Miss Louise Renville (later Mrs. William Fleming Breakey)
- Artist
- Anonymous American
- Physical Description
- Portrait of a woman, flowers in hair, blue dress and straw hat. There is a sailboat in the background.
- Century
- 19th century
- Object Creation Date
- circa 1855
- Accession Number
- 1946/2.1
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:37:28
- Secondary Keywords
- clothing
- objects
- people and occupations
- women
- Title
- The Punt (The Angler); an illustration for "Passages from Modern English Poets"
- Artist
- James McNeill Whistler
- Physical Description
- In a tranquil pastoral setting, a man stands in a punt (or shallow-bottomed open boat) with a pipe in his mouth and holding a pole to help propel himself through the shallow river.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1938.10
- Medium and Support
- etching on paper
- Date Added/Updated
- 2013-12-20 16:37:23
- Secondary Keywords
- clothing
- objects
- plants
- the natural world
- waterscapes
- Title
- Tanuki (raccoon dog) and Bamboo in the Snow
- Artist
- Konoshima Ôkoku
- Physical Description
- A tanuki, or racoon dog, is seen peering over its shoulder on a snowy hill. Its footprints disappear in the snow behind it. Bamboo rise from out of view on the bottom right, and dominate the upper register of the image. This painting mounted on a hanging scroll also includes elaborate gold fabric with repeating designs.
- Artist Life Dates
- 1877-1938
- Century
- 20th century
- Object Creation Date
- early 20th century
- Accession Number
- 2003/1.402
- Medium and Support
- Hanging scroll, ink on silk
- Date Added/Updated
- 2013-12-20 16:35:58
- Secondary Keywords
- animal
- associated concepts
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- grass (plant material)
- materials
- materials by function
- materials by origin
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- plant material
- precipitation
- scientific concepts
- scroll paintings
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- The Deva Idaten
- Artist
- Yamawaki Tôki
- Physical Description
- Idaten is depicted here, fierce, standing on clouds. His garments blow in the breeze, and a halo showing his power and godliness encircles his head.
- Artist Life Dates
- 1777-1839
- Century
- 19th century
- Object Creation Date
- circa 1800-1839
- Accession Number
- 2003/1.391
- Medium and Support
- ink, color and gold on silk
- Date Added/Updated
- 2013-12-20 16:35:54
- Secondary Keywords
- associated concepts
- earth sciences concepts
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by state or condition
- physical sciences concepts
- scientific concepts
- scroll paintings
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Untitled
- Artist
- Brigitte Matschinsky-Denninghoff
- Artist Life Dates
- (active Berlin, Germany, 1923 - )
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 2002/2.100
- Medium and Support
- bronze
- Date Added/Updated
- 2013-12-20 16:34:59
- Secondary Keywords
- european
- european styles and periods
- genres
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
- Artist
- Kanô Tsunenobu
- Physical Description
- Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
- Artist Life Dates
- active 1636-1713
- Century
- 17th century
- Object Creation Date
- circa 1670-1680
- Accession Number
- 2002/1.168
- Medium and Support
- ink, color, and gold pigment and foil on paper
- Date Added/Updated
- 2013-12-20 16:34:58
- Secondary Keywords
- upward
- allegory and literature
- architecture
- artistic concepts
- artistic devices
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- business and industry
- concepts in the arts
- deciduous trees
- descriptors
- document genres
- gold and gold alloy
- houses
- information forms
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- mine
- natural landscapes
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- plants
- riverine bodies
- settlements and landscapes
- symbolism
- the natural world
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Orange Bowl, Two Apples
- Artist
- Pierre Daura
- Artist Life Dates
- 1896 - 1976
- Century
- 20th century
- Object Creation Date
- circa 1931-1939
- Accession Number
- 2001/2.95
- Medium and Support
- oil on plywood
- Date Added/Updated
- 2013-12-20 16:34:56
- Secondary Keywords
- genres
- objects
- plants
- the natural world
- Title
- Fruit
- Artist
- Pierre Daura
- Artist Life Dates
- 1896 - 1976
- Century
- 20th century
- Object Creation Date
- circa 1955-1974
- Accession Number
- 2001/2.97
- Medium and Support
- watercolor on paper
- Date Added/Updated
- 2013-12-20 16:34:56
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for furniture
- coverings and hangings for storage and support furniture
- culinary containers
- dishes
- furnishings
- furnishings by form or function
- genres
- objects we use
- plants
- table coverings
- the natural world
- vessels for serving and consuming food
- Title
- Woman with Summer Hat
- Artist
- Pierre Daura
- Artist Life Dates
- 1896 - 1976
- Century
- 20th century
- Object Creation Date
- circa 1946-1953
- Accession Number
- 2001/2.91
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:34:55
- Secondary Keywords
- clothing
- figures
- how we live
- leisure
- objects
- people and occupations
- women
- Title
- Staff
- Artist
- Artist Unknown, African
- Accession Number
- 2001/2.9
- Medium and Support
- wood
- Date Added/Updated
- 2013-12-20 16:34:54
- Secondary Keywords
- objects
- people and occupations