Search Results

Title

Standing Monk , holding a rosary (fragment of a Buddhist altar)

Artist

Artist Unknown, China

Century

7th-8th century

Object Creation Date

618-907

Accession Number

1961/2.70

Medium and Support

gilt bronze

relevance

rank 3.11352

Secondary Keywords

associated concepts

attributes and properties

attributes and properties by specific type

beads and sets of beads

descriptors

design elements

form attributes

motifs

object genres

object genres by form

objects we use

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

plant-derived motifs

religions

religions and religious concepts

religious (people)

religious visual works

sets of beads

size (extent)

size by specific type

visual works

visual works by function

Title

Untitled (Dollhouse); from the 2002 Peter Norton Family Christmas Project

Artist

Yinka Shonibare

Physical Description

Dollhouse replica of a two-storey Victorian-style flat in the East End of London. The façade is red brick with white molding. The upper storey has two tall windows that face onto the street; the door into the flat is on the left, and to the right of it is a large bay window. The split-level interior holds a bedroom and parlor, both of which are decorated with wallpaper and furnishings, including cabinets, chairs, tables, fireplaces, and a canopy bed. Reproductions of paintings by Shonibare and Jean-Honoré Fragonard hang on the walls. A seal on the right-facing outside wall reads: “Yinka Shonibare, artist, lives here.”

Artist Life Dates

born 1962

Century

20th century

Object Creation Date

2002

Accession Number

2008/2.256

Medium and Support

resin, plastic, wood, paper and fabric

relevance

rank 3.09140

Secondary Keywords

architectural elements

associated concepts

british

case furniture

components

components and systems

components by specific context

culture and related concepts

culture-related concepts

derivative objects

descriptors

england (country)

europe (continent)

european

european regions

european styles and periods

fireplaces and fireplace components

furnishings

furnishings by form or function

furniture by form or function

geographic and political locations

greater london (metropolitan area)

heating and cooking elements

image-making processes and techniques

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

object genres

object-making processes and techniques

objects we use

originals and derivative objects

paintings

paintings by form

people and culture

processes and techniques

processes and techniques by specific type

recreation

recreational artifacts

recreational artifacts for noncompetitive activities

sculpture techniques

seating furniture

single seating furniture

sleeping and reclining furniture

storage and display furniture

styles and periods

styles and periods by region

support furniture

united kingdom (nation)

visual works

visual works by medium or technique

Title

Standing Buddha in Abhaya-vara mudra

Artist

Artist Unknown, Korea

Physical Description

Gilt bronze standing Buddha on lotus pedestal. He is clothed in monastic robes with cascading U-shaped folds, similar to the gentle folds of his neck. His hands ake the form of two mudras: the abhaya (“have no fear”) mudra with the right hand, and varada (“wishes are granted”) mudra with the left.

It is well proportioned overall and represent Buddha in a standing position; a position quite popular in Unified Shilla Buddhist sculpture. The Ushinisha on the top of Buddha's head is tall, voluminous and black. The face is plump and facial features, including the eyes, nose and the mouth, are all rather small. The earlobes hang are hanging and the three curved lines on the neck are highly distinct.

Century

ca. 8th century

Object Creation Date

late 7th century - early 8th century

Accession Number

1961/2.80

Medium and Support

gilt bronze

relevance

rank 3.08187

Secondary Keywords

additive and joining processes and techniques

associated concepts

attributes and properties

attributes and properties by specific type

copper alloy

copper and copper alloy

descriptors

figures (representations)

form attributes

inorganic material

materials

materials by composition

metal

metal and metal products

metal by composition or origin

metallizing

nonferrous metal

objects we use

people

people (agents)

people and culture

people by state or condition

processes and techniques

processes and techniques by specific type

religions

religions and religious concepts

size (extent)

size by specific type

surface covering processes and techniques

visual works

visual works by subject type

Title

Buddha, seated in the padmasana pose, in dhyana mudra, attended by Indra

Artist

Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)

Physical Description

A fragment of a stucco relief sculpture.

Century

2nd-4th century

Object Creation Date

100-399

Accession Number

1961/2.83

Medium and Support

stucco relief with traces of polychromy

relevance

rank 3.07055

Secondary Keywords

asian

associated concepts

buildings and the land

descriptors

figures (representations)

indian

indian dynastic styles and periods

indian styles and periods

kushan

object-making processes and techniques

objects we use

people

people (agents)

people and culture

people by activity

processes and techniques

processes and techniques by specific type

religions

religions and religious concepts

religious structures

sculpture techniques

single built works

single built works by function

single built works by specific type

south asian

styles and periods

styles and periods by region

visual works

visual works by subject type

Title

The Flagellation (Large Passion Series)

Artist

Albrecht Dürer

Physical Description

At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.

Artist Life Dates

(Nüremberg, 1471 - 1528)

Century

Late 15th century

Object Creation Date

1497

Accession Number

1960/2.35

Medium and Support

woodcut on paper

relevance

rank 3.05338

Secondary Keywords

transfer method

accessories worn on the head

animal equipment

associated concepts

bavaria (state)

components and systems

costume

costume accessories

costume accessories worn

equipment

equipment by context

europe (continent)

geographic and political locations

germany (nation)

groups of people

groups of people by activity

headgear

mittelfranken (national district)

narrative cycles

object groupings

object groupings and systems

object groupings by specific context

objects we use

people

people (agents)

people and culture

prints

prints by process

prints by process or technique

relief prints

religions

religions and religious concepts

tools and equipment

visual works

visual works by medium or technique

visual works groupings

Title

Night Scene from Nicolas Boileau-Despréaux's "The Lectern" [Le Lutrin], Illustration for the 3rd Canto

Artist

Bernard Picart

Physical Description

Three men standing in a surprised movement with an owl coming out of an overturned lectern. There is decorated border around the drawing.

Artist Life Dates

1673-1733

Century

18th century

Accession Number

2013/2.566

Medium and Support

etching and engraving on laid paper

relevance

rank 3.03677

Secondary Keywords

accessories worn on the head

animals and creatures

architectural elements

architectural elements by building type

associated concepts

birds

candles and candleholders

christian religious building fixtures

clergy

components

components and systems

components by specific context

costume

costume accessories

costume accessories worn

furnishings

furnishings by form or function

headgear

information artifacts

information artifacts by physical form

information forms

lighting devices

lighting devices by form

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in religion

people in religion and related occupations

people in the humanities

religions

religions and religious concepts

religious building fixtures

Title

A Votive plaque depicting the Buddha seated in dhyana mudra, and flanked by two stupas

Artist

Artist Unknown, China

Physical Description

A small, thin, molded clay plaque with a bas-relief scene.

Century

7th-9th century

Object Creation Date

618-907

Accession Number

1964/2.23

Medium and Support

terracotta, molded

relevance

rank 3.01718

Secondary Keywords

associated concepts

attributes and properties

attributes and properties by specific type

buildings and the land

descriptors

design elements

form attributes

motifs

object genres

object genres by form

object-making processes and techniques

objects we use

people and culture

plant-derived motifs

processes and techniques

processes and techniques by specific type

relief

religions

religions and religious concepts

religious structures

sculpture techniques

single built works

single built works by function

single built works by specific type

size (extent)

size by specific type

visual works

visual works by subject type

Title

Do yu Get it

Artist

Martin Johnson

Physical Description

7-sided frame made of reclaimed wood moulding and slats nailed together and backed with strips of green felt, possibly from a pool table. Gold wire traces the wood frame, and is accented with a fuzz ball or googly eye at each corner. A toy car is placed on the gold wire “track” at bottom center; car racing flag stickers attached to the frame in a couple places. Three pieces of thread are strung horizontally across the frame, a “spider web” attached to top two lines with puffy paint. A wood (?) cutout of a smiling joker mouth hung from web by wire.

Artist Life Dates

(1951 - )

Century

20th century

Object Creation Date

1996

Accession Number

2008/2.235

Medium and Support

mixed media consruction, paint, wood, wire, toy car

relevance

rank 2.99570

Secondary Keywords

abstract expressionist

animals and creatures

applied decoration

arthropods

associated concepts

biological components

biological concepts

buildings and the land

built complexes and districts

complexes

complexes by function

components

components and systems

components by specific context

descriptors

design elements

faces

found object sculpture

freewheeled vehicles

freewheeled vehicles by form or function

heads

image-making processes and techniques

international post-1945 styles and movements

land vehicles

land vehicles by form

leisure and competition vehicles

life

life stages

metalwork

object genres

object genres by material

object-making processes and techniques

objects we use

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the performing arts

performing artists

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

recreation areas

recreational artifacts

recreational artifacts for noncompetitive activities

scientific concepts

sculpture

sculpture by material

sculpture techniques

sports complexes

styles and periods

styles and periods by region

the human body

transportation vehicles

upper body

vehicles

visual works

visual works by medium or technique

Title

Crucifixion

Artist

Bartolommeo da Brescia

Physical Description

From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.

Artist Life Dates

1506 - 1576 or 1578

Century

16th century

Object Creation Date

1565-1576

Accession Number

1970/1.177

Medium and Support

etching on paper

relevance

rank 2.97500

Secondary Keywords

animal material

animal material by form or function

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by location

buildings and the land

coastline bodies of water

descriptors

design elements

europe (continent)

events

executions

figure- and animal-derived motifs

geographic and political locations

image-making processes and techniques

intaglio printing processes

italy (nation)

landscapes (environments)

lombardy (region)

materials

materials by origin

motifs

natural landscapes

objects we use

people and culture

printing and printing processes and techniques

printing processes

processes and techniques

processes and techniques by specific type

religions

religions and religious concepts

settlements and landscapes

skeleton and skeleton components

skeleton components

visual works

visual works by subject type

Title

Nydia, the Blind Flower Girl of Pompeii

Artist

Randolph Rogers

Physical Description

A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.

Artist Life Dates

1825-1892

Century

19th century

Object Creation Date

1861

Accession Number

1862.1

Medium and Support

Carrara marble

relevance

rank 2.94847

Secondary Keywords

aegean

aegean architecture styles

aegean styles

allegory and literature

architectural elements

artistic concepts

artistic devices

associated concepts

campania (region)

capitals and capital components

card, table and board game elements

child

column components

columns and column components

components

components and systems

components by specific context

concepts in the arts

descriptors

early western world

equipment

equipment by context

equipment for personal use

europe

europe (continent)

european

european styles and periods

exceptional people

figures

game pieces

genres in the arts

geographic and political locations

handicapped

iconography

inorganic material

italy

italy (nation)

literary, oral and motion picture genres

locality

materials

materials by composition

mediterranean

modern european styles and movements

napoli (province)

objects

objects we use

people

people (agents)

people and culture

people and occupations

people by gender

people by state or condition

physically handicapped

recreational artifacts

recreational artifacts for competitive activities

rock

rock by form

sculpture by subject type

structural elements

structural elements and structural element components

styles and periods

styles and periods by region

supporting and resisting elements

symbolism

tools and equipment

visual works

visual works by medium or technique

visual works by subject type

walking sticks

Title

Christ giving communion to the Apostles in an historiated initial "C"

Artist

Artist Unknown, Netherlands

Physical Description

Eight robed male figures, each with a halo, kneel before a v-shaped bench or rail. They face a male figure with a crossed halo that stands on the other side of the bench, holding a golden chalice in his left hand and a circular white wafer imprinted with a crucifixion scene in his right. An altar draped with a red cloth appears behind him. The entire scene is enframed within the letter "C."

Century

Mid-15th century

Object Creation Date

1440-1460

Accession Number

1968/2.44

Medium and Support

tempera and gold leaf on vellum

relevance

rank 2.90227

Secondary Keywords

altar and altar component coverings and hangings

altars and altar components

architectural elements

architectural elements by building type

associated concepts

celebrations

ceremonial containers

ceremonies

components

components and systems

components by specific context

containers

containers by function or context

coverings and hangings

coverings and hangings by location or context

coverings and hangings by specific type

coverings and hangings for religious building fixtures

disciples

events

furnishings

furnishings by form or function

liturgical containers

liturgical vessels

objects we use

people

people (agents)

people and culture

people by activity

religions

religions and religious concepts

religious building fixtures

religious ceremonies

Title

The Resurrection

Artist

Hippolyte Flandrin

Artist Life Dates

1809-1864

Century

19th century

Object Creation Date

1842-1846

Accession Number

1983/2.199

Medium and Support

graphite on paper

relevance

rank 2.88911

Secondary Keywords

allegory and literature

associated concepts

bible

child

how we live

new testament

people

people (agents)

people and culture

people and occupations

people by gender

political and social issues

religions

Title

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Artist

Kara Walker

Artist Life Dates

Born 1969

Century

20th century

Object Creation Date

1995

Accession Number

1996/2.4.4

Medium and Support

aquatint and etching on light cream Somerset Satin wove paper

relevance

rank 2.65314

Secondary Keywords

biological components

components

components and systems

components by specific context

concepts

hands

human body

modern and contemporary art

people and occupations

the human body

the natural world

upper body

Title

Karl Struss (Portrait of Karl Struss with Bell & Howell Motion-Picture Camera an

Artist

Ethel Struss

Century

20th century

Object Creation Date

circa 1931

Accession Number

1979/2.138

Medium and Support

linocut on paper

relevance

rank 2.45863

Secondary Keywords

image form

biological components

components

components and systems

components by specific context

concepts

genres

man

modern and contemporary art

objects we use

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Title

Stearns Collection

Artist

David B. Capps

Artist Life Dates

1925 - 2000

Century

20th century

Object Creation Date

20th century

Accession Number

2002/1.225

Medium and Support

gelatin silver print on paper

relevance

rank 2.42613

Secondary Keywords

architecture

concepts

figures

furnishings

furnishings by form or function

furniture

furniture by form or function

musical instruments

objects

objects we use

people and occupations

seating furniture

single seating furniture

standing

Title

Durga, seated, with sixteen arms

Artist

Artist Unknown, India, South India

Physical Description

Durga sits with her legs in a half lotus position, crossed in front of her, but not interlaced. She has a narrow waist and rounded pointy breasts with broad shoulders. Her front two hands hold a rosary (also in a reassuring gesture) and a pot. Her other hands fan out around her. Reading clockwise, she carries a wide assortment of weapons, an arrow, sword, feather, club, discus, trident and [?] on her right and conch, bell, noose, trident, club?, shield, bow and a kapala (skull cup). She has large open eyes and a full mouth and nose. She wears jewelry including necklaces and shoulder loops, armlets, bracelets and large floral earrings. Her crown rest atop her head, but there are wing-like elements that fan out behind her ears. She sits on a squared base with stylized lotus petals over simpler moldings.

Century

18th century

Object Creation Date

18th century

Accession Number

1981/2.59

Medium and Support

copper

relevance

rank 2.42073

Secondary Keywords

hollow-bodied

animal material

associated concepts

beads and sets of beads

bells and sets of bells

buildings and the land

chordophones

combination inorganic/organic animal material

combination inorganic/organic material

costume

costume accessories

costume accessories worn

descriptors

directly struck idiophones

edged weapons

figures

herbaceous plants

keratinous material

landscapes (environments)

materials

materials by composition

materials by origin

natural landscapes

object genres

object genres by form

objects we use

people

people (agents)

people and culture

people and occupations

people by state or condition

percussion idiophones

percussive weapons

plants

projectile weapons

projectile weapons with nonexplosive propellant

projectiles with nonexplosive propellant

recreational artifacts

recreational artifacts for competitive activities

religions

religions and religious concepts

sets of beads

settlements and landscapes

shell (animal material)

shell and shell material

sound devices

sound devices by acoustical characteristics

spears (weapons)

spears by form

sports and athletic equipment

staff weapons

struck idiophones

track and field sports equipment

vegetation and vegetation components

vegetation components

weapons

weapons and ammunition

woody plants