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Showing results for "associated concepts" in Secondary Keywords.
- Title
- Quilt with Central Diamond Pattern
- Artist
- Anonymous Amish, Lancaster County, Pennsylvania
- Physical Description
- A black diamond in the center is positioned within a lavender square surrounded by a pink frame. The entire is surrounded by thick frame of black.
- Century
- early 20th century
- Object Creation Date
- circa 1920
- Accession Number
- 2000/2.321
- Medium and Support
- cotton and wool
- relevance
- rank 3.76086
- Secondary Keywords
- visual arts
- abstraction
- animal material
- artistic concepts
- associated concepts
- bed coverings
- bedcovers
- christianity
- components
- components and systems
- components by specific context
- concepts in the arts
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings components
- coverings and hangings for furniture
- coverings and hangings for sleeping and reclining furnitur
- descriptors
- design elements
- fiber and fiber products
- fiber products
- forms of expression
- furnishings
- furnishings by form or function
- furnishings components
- geometric motifs
- hair
- hair and hair components
- hair by form
- keratinous material
- materials
- materials by form
- materials by origin
- materials by physical form
- motifs
- object genres
- object genres by material
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- protestantism
- quilt components
- religions
- religions and religious concepts
- textile materials
- textile materials by composition or origin
- visual and tactile
- Title
- Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
- Artist
- Kanô Tsunenobu
- Physical Description
- Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
- Artist Life Dates
- active 1636-1713
- Century
- 17th century
- Object Creation Date
- circa 1670-1680
- Accession Number
- 2002/1.168
- Medium and Support
- ink, color, and gold pigment and foil on paper
- relevance
- rank 3.75272
- Secondary Keywords
- upward
- allegory and literature
- architecture
- artistic concepts
- artistic devices
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- business and industry
- concepts in the arts
- deciduous trees
- descriptors
- document genres
- gold and gold alloy
- houses
- information forms
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- mine
- natural landscapes
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- plants
- riverine bodies
- settlements and landscapes
- symbolism
- the natural world
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Bust of a Buddha (Chieng Sen Style)
- Artist
- Artist Unknown, Thailand
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1993/2.47
- Medium and Support
- bronze
- relevance
- rank 3.75201
- Secondary Keywords
- associated concepts
- descriptors
- devotional images
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- visual works by subject type
- Title
- Fishermen Returning in the Evening Snow
- Artist
- Jiang Song (Chiang Sung)
- Physical Description
- Swift, spontaneous brushwork is used to capture a winter landscape. Two fishermen, wearing wide-brimmed straw hats and thatched grass rain capes, work their way through the heavy snow as they cross a bridge, carrying nets on their shoulders.
- Artist Life Dates
- (1478 - after 1567)
- Century
- 16th century
- Object Creation Date
- early 16th century
- Accession Number
- 1976/2.139
- Medium and Support
- hanging scroll, ink on silk
- relevance
- rank 3.75077
- Secondary Keywords
- accessories worn on the head
- associated concepts
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories worn
- descriptors
- earth sciences concepts
- fishing vessels
- fishing vessels by function
- hats
- headgear
- hunting and commercial fishing vessels
- image-making processes and techniques
- inorganic material
- materials
- materials by composition
- materials by function
- object genres
- object genres by form
- objects we use
- painting and painting techniques
- people
- people (agents)
- people and culture
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- precipitation
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- scientists and people in science-related occupations
- seasons
- settlements and landscapes
- transportation vehicles
- vehicles
- watercraft
- watercraft by function
- watercraft by specific type
- weather and related phenomena
- weather-related phenomena
- Title
- Kalpasutra manuscript page: Monks and Devotees
- Artist
- Artist Unknown, India, Gujarat
- Physical Description
- The horizontal folio from a Kalpasutra manuscript consists of seven lines of text to the left and center broken by a squarish gold symbol framed in a red line and cusped blue lines. Gold diamond shapes framed in red are at the sides, with a vertical red line between the one on the left and the text. Between the text and the right diamond shape there is a painting consisting of three registers of figures against a red ground. The top row depicts three laymen wearing crowns, the middle two monks and a nun and the bottom row three nuns.
- Century
- 15th century
- Object Creation Date
- 1400-1450
- Accession Number
- 1970/2.116
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 3.74813
- Secondary Keywords
- associated concepts
- document genres
- document genres by conditions of production
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religion
- religions
- religions and religious concepts
- religious (people)
- religious figures
- text-based art
- Title
- Buddha's Footprint at Zhutang Temple, from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)
- Artist
- Gao Cen (Kao Ts'en)
- Artist Life Dates
- act. 1643-1679
- Century
- 17th-18th century
- Object Creation Date
- late 17th century - 18th century
- Accession Number
- 1970/2.159.9
- Medium and Support
- album leaf, ink and color on paper
- relevance
- rank 3.74813
- Secondary Keywords
- associated concepts
- buildings and the land
- document genres
- document genres by form
- information forms
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- the natural world
- Title
- Untitled
- Artist
- Robert Barry
- Physical Description
- Diptych of two square sheets of paper printed with words and lines. Left: Four lines along the diagonal divide the sheet into four triangles. The lines do not intersect in the middle, and stop just short of the corner of the paper. On each line are two words, one right side up, the other upside down. The “pairs” are (from center out, clockwise from top left): inner/ most; obtain/ clarity; come/ startle; replace/ toward. Right: A square is printed just inside the edges of the sheet. On each line are two words, one right side up, the other upside down. The “pairs” are (from top, left to right): lure/ handle; never/ given; random/ roam; diminish/ scale.
- Artist Life Dates
- (1936 - )
- Century
- 20th century
- Object Creation Date
- 1976
- Accession Number
- 2008/2.221
- Medium and Support
- transfer type on paper
- relevance
- rank 3.74730
- Secondary Keywords
- associated concepts
- components
- components and systems
- components by specific context
- concepts in the arts
- genres in the arts
- information form components
- international post-1945 styles and movements
- layout features
- literary, oral and motion picture genres
- people and culture
- post-1945 fine arts styles and movements
- styles and periods
- styles and periods by region
- Title
- Untitled
- Artist
- Robert Barry
- Physical Description
- Transfer type on square sheet of paper. Four lines divide the sheet into quadrants. The lines do not intersect in the middle, and stop just short of the edge of the paper. On each line are two words, one right side up, the other upside down. The “pairs” are (from center out, clockwise from top): aged/ fair; mess/ change; lovely/ private; trap/ hope.
- Artist Life Dates
- (1936 - )
- Century
- 20th century
- Object Creation Date
- 1976
- Accession Number
- 2008/2.222
- Medium and Support
- transfer type and ink on paper
- relevance
- rank 3.74730
- Secondary Keywords
- associated concepts
- components
- components and systems
- components by specific context
- concepts in the arts
- genres in the arts
- information form components
- international post-1945 styles and movements
- layout features
- literary, oral and motion picture genres
- people and culture
- post-1945 fine arts styles and movements
- styles and periods
- styles and periods by region
- Title
- California Orange Grove
- Artist
- David Courlander
- Physical Description
- Painting of landscape scene with blue sky and green field. Mountains and three houses in background in the upper-left quadrant. Grove with orange trees in center. Two men fishing along the banks of a stream in the lower right foreground.
- Artist Life Dates
- 1866-1961
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/2.89
- Medium and Support
- oil on canvas board
- relevance
- rank 3.74296
- Secondary Keywords
- settlement area
- upward
- americas
- art genres
- artistic concepts
- associated concepts
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- concepts in the arts
- deciduous trees
- descriptors
- dwellings
- earth sciences concepts
- equipment
- equipment by context
- fishing and trapping tools and equipment
- food
- fruit
- geographic and political locations
- geography
- houses by location
- houses by location or context
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- materials
- materials by composition
- materials by function
- modern and contemporary art
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by location
- physical activities by specific context
- physical sciences concepts
- plant communities
- plants
- residential structures
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- tools and equipment
- trees
- trees by leaf life
- united states
- united states (nation)
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- water activities
- weather and related phenomena
- weather-related phenomena
- woods
- woody plants
- Title
- Flora
- Artist
- Richard James Wyatt
- Physical Description
- White marble sculpture of female figure, partially nude with a cloth draped loosely around her waist and over her left forearm. She holds a cluster of flowers in her left hand, and a single bloom in her right; a basket of flowers located on base to left and slightly behind figure.
- Artist Life Dates
- 1795 - 1850
- Century
- 19th century
- Object Creation Date
- 1850
- Accession Number
- 1931.17
- Medium and Support
- marble
- relevance
- rank 3.74287
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- figures
- figures (representations)
- genres
- genres in the arts
- herbaceous plants
- landscapes (environments)
- literary, oral and motion picture genres
- modern european styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- plants
- sculpture by subject type
- settlements and landscapes
- styles and periods
- styles and periods by region
- symbolism
- the natural world
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- Leaf from a Gradual with St. Lawrence
- Artist
- Ludovico de Gaci
- Physical Description
- This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
- Century
- 15th century
- Object Creation Date
- 1489
- Accession Number
- 1986/2.85
- Medium and Support
- ink, tempera and gold on parchment
- relevance
- rank 3.74076
- Secondary Keywords
- architectural elements
- associated concepts
- barrier elements
- barriers and barrier elements
- components
- components and systems
- components by specific context
- document genres
- document genres by conditions of production
- document genres by function
- europe (continent)
- geographic and political locations
- information forms
- italy (nation)
- liturgical texts
- lombardy (region)
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious texts
- Title
- Lamp
- Artist
- Artist Unknown, Syria
- Century
- 12th-13th century
- Object Creation Date
- 12th century - 13th century
- Accession Number
- 1961/1.191
- Medium and Support
- glass with enameled decoration
- relevance
- rank 3.73763
- Secondary Keywords
- associated concepts
- components
- components and systems
- components by specific context
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- drinking vessels
- furnishings components
- lighting device components
- objects we use
- people and culture
- religions
- religions and religious concepts
- vessels for serving and consuming food
- Title
- Boaz and the Elders. from the Story from Ruth in Gerard de Jode's "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
- Artist
- Artist Unknown
- Physical Description
- A group of men in an outdoor setting of a stone structure all seated having a conversation. Towards the one side you can see two houses in the distance. The men are all wearing cloaks.
- Century
- 16th century
- Accession Number
- 2013/2.534
- Medium and Support
- engraving on laid paper
- relevance
- rank 3.73608
- Secondary Keywords
- accessories worn on the legs or feet
- associated concepts
- costume
- costume accessories
- costume accessories worn
- footwear
- footwear by form
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- Title
- Progress of Beauty 3
- Artist
- Mark Kostabi
- Physical Description
- Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress and the cash register are partially filled in with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears a “pattern” of crosses and eye-shaped forms. The map has been filled in with fingerprints.
- Artist Life Dates
- born 1960
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2008/2.239
- Medium and Support
- ink on paper
- relevance
- rank 3.73523
- Secondary Keywords
- architectural elements
- art genres
- artistic concepts
- associated concepts
- business and related functions
- components
- components and systems
- components by specific context
- concepts in the arts
- containers
- containers by form
- derivative objects
- descriptors
- european
- european regions
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- netherlandish
- object genres
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- originals and derivative objects
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- vessels
- windows and window components
- Title
- Progress of Beauty 2
- Artist
- Mark Kostabi
- Physical Description
- Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
- Artist Life Dates
- born 1960
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2008/2.238
- Medium and Support
- ink on paper
- relevance
- rank 3.73523
- Secondary Keywords
- architectural elements
- art genres
- artistic concepts
- associated concepts
- business and related functions
- components
- components and systems
- components by specific context
- concepts in the arts
- containers
- containers by form
- derivative objects
- descriptors
- european
- european regions
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- netherlandish
- object genres
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- originals and derivative objects
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- vessels
- windows and window components
- Title
- Progress of Beauty 1
- Artist
- Mark Kostabi
- Physical Description
- Line drawing in felt tip marker on ivory ~ 10x13” paper.
- Artist Life Dates
- born 1960
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2008/2.241
- Medium and Support
- ink on paper
- relevance
- rank 3.73523
- Secondary Keywords
- architectural elements
- art genres
- artistic concepts
- associated concepts
- business and related functions
- components
- components and systems
- components by specific context
- concepts in the arts
- containers
- containers by form
- derivative objects
- descriptors
- european
- european regions
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- netherlandish
- object genres
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- originals and derivative objects
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- vessels
- windows and window components
- Title
- Preacher on the Street, New York City, USA
- Artist
- Leonard Freed
- Physical Description
- A man preaching on a public street. There are people passing by him. He is holding a bible in one hand.
- Object Creation Date
- 1980
- Accession Number
- 2014/2.340
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 3.72944
- Secondary Keywords
- associated concepts
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- roads
- roads by form
- transportation spaces
- Title
- Napoleon Standing Next to Chair
- Artist
- Larry Rivers
- Physical Description
- Sketch of a standing male figure outlined in dark blue spray paint to the left of a color rendering of the same male figure outlined in light blue standing next to a chair. The name “DAVID” stenciled at bottom left of center. Composed of various materials, including patent leather, felt, plastic, wool and spray paint on canvas.
- Artist Life Dates
- 1923 - 2002
- Century
- 20th century
- Object Creation Date
- 1970
- Accession Number
- 1997/1.135
- Medium and Support
- patent leather, felt, plastic, wool and spray paint on canvas
- relevance
- rank 3.72711
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- emperor
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- historical, theoretical and critical concepts
- international post-1945 styles and movements
- modern and contemporary art
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and culture
- people and occupations
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- seating furniture
- single seating furniture
- styles and periods
- styles and periods by region
- textile processes and techniques
- textile working processes and techniques
- visual works
- visual works by subject type
- Title
- Tile fragment with inscription, Molded calligraphy in depressed band in the tile, glazed in bluish-turquoise, slight incrustation and iridescence.
- Artist
- Artist Unknown, Iran
- Century
- 12th-13th century
- Object Creation Date
- 12th century - 13th century
- Accession Number
- 1972/2.153
- Medium and Support
- molded fritware with turquoise glaze
- relevance
- rank 3.72234
- Secondary Keywords
- associated concepts
- components
- components and systems
- components by specific context
- descriptors
- forming
- image-making processes and techniques
- information form components
- layout features
- materials
- materials by form
- materials by physical form
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- writing (processes)
- Title
- Nuwa Repairing the Columns that Support the Earth
- Artist
- Ren Yi (Jen I)
- Artist Life Dates
- 1840 - 1896
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 2006/2.15
- Medium and Support
- ink and color on paper
- relevance
- rank 3.72215
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- genres in the arts
- image-making processes and techniques
- literary, oral and motion picture genres
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by subject type
- writing (processes)
- Title
- Buddha, seated in the ardha padmasana pose, in bhumisparsa mudra (Chieng Sen style)
- Artist
- Artist Unknown, Thailand
- Physical Description
- The Buddha in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. In Southeast Asian contexts, this hand gesture is often referred to as Maravijaya mudra, or "victory over Mara." The Buddha’s elongated earlobes refer to his early life as a prince, when he wore heavy earrings. Texts that describe how a Buddha’s face should look often use comparisons to natural forms such as eyes like lotus petals, eyebrows like an archer’s bow, and a chin like a mango stone. The artist who created this sculpture clearly followed similar instructions.
- Century
- 16th century
- Object Creation Date
- 1500-1599
- Accession Number
- 1993/2.48
- Medium and Support
- bronze
- relevance
- rank 3.71743
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical activities
- physical activities by general context
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Thailand
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1993/2.42
- Medium and Support
- sandstone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha (Ayutthaya style)
- Artist
- Artist Unknown, Thailand
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1993/2.41
- Medium and Support
- stone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Thailand
- Century
- 15th century
- Object Creation Date
- circa 15th century
- Accession Number
- 1977/2.27
- Medium and Support
- sandstone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Gandhara (ancient Pakistan and Afghanistan)
- Century
- 2nd-3rd century
- Object Creation Date
- 2nd century - 3rd century
- Accession Number
- 1996/2.32
- Medium and Support
- gray schist
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Indonesia, Java
- Century
- 10th century
- Object Creation Date
- 10th century
- Accession Number
- 2001/2.129
- Medium and Support
- andesite stone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha, adorned with a crown
- Artist
- Artist Unknown, Thailand
- Century
- 16th century
- Object Creation Date
- circa 16th century
- Accession Number
- 1978/2.47
- Medium and Support
- bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha, Lopburi Style (fake)
- Artist
- Artist Unknown, Thailand
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 1993/2.39
- Medium and Support
- sandstone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Gandhara (ancient Pakistan and Afghanistan)
- Century
- 3rd century
- Object Creation Date
- 3rd century
- Accession Number
- 1981/2.67
- Medium and Support
- stone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Thailand
- Century
- 14th-15th century
- Object Creation Date
- 14th century - 15th century
- Accession Number
- 1974/2.6
- Medium and Support
- bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Thailand
- Century
- 17th-18th century
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 2005/1.452
- Medium and Support
- gilt bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Artist Unknown, Thailand
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1975/1.67
- Medium and Support
- bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha, with flaming topknot
- Artist
- Artist Unknown, Thailand
- Century
- 20th century
- Object Creation Date
- circa 17th century - 18th century
- Accession Number
- 1978/2.46
- Medium and Support
- bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha (Sukhothai style)
- Artist
- Artist Unknown, Thailand
- Century
- 15th century
- Object Creation Date
- 15th Century
- Accession Number
- 1993/2.53
- Medium and Support
- bronze
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha
- Artist
- Indonesia
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 2000/1.26
- Medium and Support
- stone
- relevance
- rank 3.70984
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- devotional images
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Yungdron Dorje Pal (1284–1365) subduing a wrathful demon while attended by a meditation deity, Mahakala and other monks.
- Artist
- Workshop Unknown, Tibet or Nepal
- Physical Description
- A portable painting done in ink and gouache on loose-weave, primed cotton, surround by two strips of fabric. This painting has suffered greatly from water damage, running the pigments together.
- Century
- 18th-20th century
- Object Creation Date
- 1700-1750
- Accession Number
- 1973/1.719
- Medium and Support
- ink and gouache on cotton
- relevance
- rank 3.70615
- Secondary Keywords
- asian
- associated concepts
- buddhism
- conditions and effects
- descriptors
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- religious (people)
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Teacher and adept in a garden, with a yab-yum figure
- Artist
- Artist Unknown, Tibet or China
- Physical Description
- A painting in ink, gouache, and gold pigment on cotton, with considerable damage.
- Century
- 18th-19th century
- Object Creation Date
- 18th century - 19th century
- Accession Number
- 1955/1.94
- Medium and Support
- ink, gouache, and gold on cotton
- relevance
- rank 3.70504
- Secondary Keywords
- asian
- associated concepts
- buildings and the land
- educating
- educational functions
- functions
- functions (activities)
- functions by specific context
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Tosyodaiji (Tôshôdai-ji)
- Artist
- Saitô Kiyoshi
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- 1955
- Accession Number
- 1958/2.31
- Medium and Support
- color woodblock print on paper
- relevance
- rank 3.70205
- Secondary Keywords
- associated concepts
- buildings and the land
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)
- Artist
- Andô Hiroshige
- Physical Description
- Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1840-1841
- Accession Number
- 1948/1.139
- Medium and Support
- color woodblock print on paper
- relevance
- rank 3.70045
- Secondary Keywords
- layout features
- transfer method
- upward
- associated concepts
- buildings and the land
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories carried
- descriptors
- dwellings
- earth sciences concepts
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- layout features
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- Journey of the Soul to the Paradise of the Queen Mother of the West
- Artist
- Artist Unknown, China
- Physical Description
- Limestone slab carved bas-relief with six registers. The lower register depicts a chariot procession above fish-inhabited waters. The central three registers depict figures carrying out funerary rites. The top register shows a winged creature with a human face flanked by two writhing dragons and other animals, including two rabbits and a nine-tailed fox.
- Century
- 2nd century
- Object Creation Date
- 2nd century
- Accession Number
- 2000/2.1
- Medium and Support
- carved limestone slab
- relevance
- rank 3.69980
- Secondary Keywords
- agricultural equipment
- animals and creatures
- associated concepts
- buildings and the land
- ceremonial objects
- death
- descriptors
- earth sciences concepts
- equipment
- equipment by process
- freewheeled vehicles
- freewheeled vehicles by form or function
- funerary structures
- great lake and central woodland native american styles
- how we live
- inorganic material
- land vehicles
- land vehicles by form
- legendary creatures
- mammals
- materials
- materials by composition
- native american
- native north american styles
- object genres
- object genres by function
- object-making processes and techniques
- objects we use
- people and culture
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- religious structures
- rites of passage
- scientific concepts
- sculpture techniques
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the americas
- tools and equipment
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- Title
- One of a pair of six-fold screens
- Artist
- Attributed Kanô Tan'yû
- Physical Description
- These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.
- Artist Life Dates
- (Kyoto, 1604 - 1674, Edo)
- Century
- 19th century?
- Object Creation Date
- 19th century
- Accession Number
- 1965/1.179
- Medium and Support
- ink and light color on paper, one of pair of Six fold screens
- relevance
- rank 3.69816
- Secondary Keywords
- upward
- animals and creatures
- asian
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- deciduous trees
- descriptors
- dwellings
- earth sciences concepts
- east asian
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- grass (plant material)
- herbaceous plants
- japanese
- japanese styles
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plant material
- plants
- residential structures
- riverine bodies
- scientific concepts
- seasons
- settlements and landscapes
- shrubs
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation vehicles
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- woody plants
- Title
- Buddha, standing on a table-like pedestal, with a flame mandorla
- Artist
- Artist Unknown, China
- Century
- 4th century
- Object Creation Date
- 4th century
- Accession Number
- 1964/1.92
- Medium and Support
- cast and incised bronze
- relevance
- rank 3.69774
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- natural element motifs
- object genres
- object genres by form
- people and culture
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- Title
- Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Physical Description
- A highly abstracted photographic composition in which the viewer catches glimpses of a female nude seen in the stomach at center and the keyhole glimpse of a breast to the viewer's right; the overall composition is dark with patterned, textured overlapping fabrics
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934-1935; printed 1967
- Accession Number
- 1971/2.150.4
- Medium and Support
- clichés-verre on paper
- relevance
- rank 3.69771
- Secondary Keywords
- plucked
- visual arts
- artistic concepts
- associated concepts
- breasts
- chordophones
- concepts in the arts
- european
- european styles and periods
- figures
- figures (representations)
- forms of expression
- genres
- lutelike chordophones
- lutelike chordophones with short neck
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- photographs
- photographs by processing or presentation technique
- photographs by technique
- sound devices
- sound devices by acoustical characteristics
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Tray
- Artist
- Artist Unknown, Iran
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 1959/1.110
- Medium and Support
- bronze with inlaid silver and copper
- relevance
- rank 3.69636
- Secondary Keywords
- associated concepts
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- containers for writing equipment
- culinary containers
- descriptors
- image-making processes and techniques
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- vessels for serving and consuming food
- writing (processes)
- Title
- Pehar Gyalpo
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A portable painting in mineral pigments and gold on a primed cotton ground; the painting is designed to be rolled up when not in use. The painting was folded at some time in its history, resulting in a loss of pigment along two vertical lines.
- Century
- 19th century
- Object Creation Date
- 19th century?
- Accession Number
- 1980/2.211
- Medium and Support
- ink, gouache, and gold pigment on cotton
- relevance
- rank 3.69522
- Secondary Keywords
- african
- african styles by region
- animals and creatures
- asian
- associated concepts
- descriptors
- design elements
- ewe cultures
- mammals
- motifs
- natural element motifs
- people
- people (agents)
- people and culture
- people by activity
- people by state or condition
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- west african styles
- western guinea coast styles
- Title
- Bombed-out Church, World War II Liberation, Limousin, Haute-Vienne, Oradour-sur-Glane, France
- Artist
- Henri Cartier-Bresson
- Physical Description
- A bombed out church with debris all around.
- Artist Life Dates
- 1908-2004
- Object Creation Date
- 1944
- Accession Number
- 2014/2.323
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 3.68426
- Secondary Keywords
- associated concepts
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- people and culture
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- Title
- Crossbow fibula with vegetal ornament on the catchplate
- Artist
- Anonymous Gallo-Roman
- Physical Description
- This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
- Century
- 5th century
- Object Creation Date
- 450-500
- Accession Number
- 1966/2.17
- Medium and Support
- gilt bronze
- relevance
- rank 3.68321
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- culture and related concepts
- culture-related concepts
- descriptors
- europe (continent)
- european
- european styles and periods
- geographic and political locations
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on costume
- materials
- materials by composition
- medieval
- medieval styles and periods
- metal
- metal and metal products
- metal by composition or origin
- metallizing
- nonferrous metal
- objects we use
- people and culture
- pins (jewelry)
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- Title
- An imaginary portrait of the Tibetan monk and scholar Go Lotsawa (1392–1481)
- Artist
- Workshop Unknown, Tibet or Nepal
- Century
- 18th-19th century
- Object Creation Date
- 18th century - 19th century
- Accession Number
- 1972/2.347
- Medium and Support
- ink on silk?
- relevance
- rank 3.67771
- Secondary Keywords
- asian
- associated concepts
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- religious (people)
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Heavy Burden, Esztergom, from "Hungarian Memories"
- Artist
- André Kertész
- Physical Description
- A woman makes a physical trek up the hillside that overlooks her small village. She balances two heavy buckets held together by a piece of wood. In the horizon of the photo, beyond the village, lies a body of water.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- 1916; printed 1981
- Accession Number
- 1985/1.125.7
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 3.67669
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- containers
- containers by form
- descriptors
- dwellings
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- religions
- religions and religious concepts
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vessels
- Title
- Egôro (ritual censer)
- Artist
- Artist Unknown, Japan
- Physical Description
- It is a bronze incense burner with a long handle. The circular bowl is a brazier, in which incense is burnt in Shinto rituals. The brazier has a fluted mouth and double-lines on the outside body. A circular foot, in a chrysanthemum shape, is attached to the brazier. There is a support that connects between the brazier and the foot. The brazier’s lid has an intricate openwork design of lotus flower scrolls with a knob in the shape of a lotus bud. The rim has an incised, stylized design of clouds. The mounting between the brazier and the handle is in the shape of Buddhist jewel with two semi-precious stones. The handle has carved lotus flower scrolls, and the end of which is bent at a right angle and joined to a round pedestal. Rising from the pedestal is a small statue of a lion on a lotus-shape pedestal, which serves as a knob handgrip when the incense burner is held.
- Century
- 16th-17th century
- Object Creation Date
- 1583-1650
- Accession Number
- 2007/2.6
- Medium and Support
- gilt bronze with semiprecious stones
- relevance
- rank 3.67162
- Secondary Keywords
- animals and creatures
- associated concepts
- buildings and the land
- containers
- containers by function or context
- descriptors
- design elements
- events
- flowers (plants)
- herbaceous plants
- landscapes (environments)
- mammals
- motifs
- natural landscapes
- object genres
- object genres by material
- objects we use
- people and culture
- plant-derived motifs
- plants
- religions
- religions and religious concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woody plants