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Showing results for "forms" in Secondary Keywords.

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Title
Akbar's Bounty
Artist
Michael Mode
Physical Description
A wide-mouthed bowl narrows steeply to a small base. A brown and white checker board pattern covers the interior and exterior and scales down as the diameter decreases toward the bottom.
wood bowl with geometric patterning in concentric rings, decreasing in size top to bottom
Artist Life Dates
born 1946
Century
late 20th century
Object Creation Date
2000
Accession Number
2002/2.166
Medium and Support
holly and morado
relevance
rank 2.28549
Secondary Keywords
visual arts
abstraction
artistic concepts
asian
associated concepts
concepts in the arts
containers
containers by form
descriptors
design elements
forms of expression
geometric patterns
historical, theoretical and critical concepts
indian
indian styles and periods
islamic indian styles and periods
materials
materials by origin
mughal
objects we use
patterns (design elements)
patterns by specific type
people and culture
plant material
processes and techniques
processes and techniques by material
processes and techniques by specific type
south asian
styles and periods
styles and periods by region
vessels
wood and wood products
woodworking and woodworking processes and techniques
Title
Surimono: The Lover in the Snow
Artist
Katsushika Hokusai
Physical Description
The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.
Artist Life Dates
1760-1849
Century
19th century
Object Creation Date
circa 1817-1849
Accession Number
1948/1.152
Medium and Support
color woodblock print on paper
relevance
rank 2.28167
Secondary Keywords
associated concepts
buildings and the land
costume
costume accessories
costume accessories carried
descriptors
document genres
document genres by form
document genres for literary works
earth sciences concepts
image-making processes and techniques
information forms
landscapes (environments)
natural landscapes
objects we use
people and culture
physical sciences concepts
plants
precipitation
processes and techniques
processes and techniques by specific type
scientific concepts
seasons
settlements and landscapes
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
weather and related phenomena
weather-related phenomena
woody plants
writing (processes)
Access to media is restricted to U-M users.
Title
D&H Rogue
Artist
Richard Francisco
Physical Description
Ombre orange and black abstract forms painted on paper cut out and attached to wood, laid on top of another larger cutout of pink abstract form with “shadows” from the cutout above it painted in red; the paper collage is centered on a large sheet of white paper. Signed “D[orothy] & H[erb] Rogue” in bottom left corner, “R. J. Francisco ‘82” in bottom right corner.
Artist Life Dates
(1942 - )
Century
20th century
Object Creation Date
1982
Accession Number
2008/2.229
Medium and Support
watercolor and ink wash on paper and painted wood
relevance
rank 2.28059
Secondary Keywords
visual arts
artistic concepts
associated concepts
concepts in the arts
descriptors
european
european styles and periods
forms of expression
image-making processes and techniques
materials
materials by origin
modern european fine arts styles and movements
modern european styles and movements
objects we use
painting and painting techniques
painting techniques
paintings
paintings by material or technique
people and culture
plant material
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
visual works
visual works by medium or technique
wood and wood products
Title
Eight Views of Ômi: #1 Evening Snow on Mount Hira
Artist
Andô Hiroshige
Physical Description
The snowy mass of Mount Hira rises behind a snow-covered village and clumps of bamboo by an inlet of Lake Biwa. The attendant poem in the upper left corner reads:
He who would see the beauty of the evening on the peaks of
Hira must behold it after the snows have fallen and before the
flowers are fully blown.
Artist Life Dates
1797-1858
Century
19th century
Object Creation Date
circa 1834
Accession Number
1948/1.134
Medium and Support
color woodblock print on paper
relevance
rank 2.27765
Secondary Keywords
scale
transfer method
upward
visual arts
artistic concepts
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
concepts in the arts
earth sciences concepts
forms of expression
lacustrine bodies
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
natural landscapes
objects we use
people and culture
physical sciences concepts
precipitation
prints
prints by process
prints by process or technique
relief prints
scientific concepts
settlements
settlements and landscapes
settlements by form
visual works
visual works by medium or technique
weather and related phenomena
weather-related phenomena
Access to media is restricted to U-M users.
Title
Study for 'Image in Xhorkom'
Artist
Arshile Gorky
Physical Description
Black and white drawing of organic forms vaguely resembling human figures flowing into one another in a room-like space. On the right hand side of the grouping stands the most recognizably humanoid figure.
Artist Life Dates
1904 - 1948
Century
20th century
Object Creation Date
circa 1936
Accession Number
1964/2.41
Medium and Support
graphite and tempera on off-white laid paper
relevance
rank 2.27641
Secondary Keywords
visual arts
abstraction
artistic concepts
asia
asia (continent)
associated concepts
biological concepts
biomorphic
concepts in the arts
drawings
drawings by function
european
european styles and periods
forms of expression
geographic and political locations
groups of people
kinship groups
life
life stages
locality
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
objects we use
people
people (agents)
people and culture
psychological concepts
scientific concepts
social groups
social science concepts
study
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works by subject type
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Title
St. Luke and St. Mark with a Portrait of the Virgin and Child
Artist
Ludolphe Buesinck
Physical Description
Two seated men, depicted in three-quarter length, with flowing beards and long robes look out from this print. A painting of a seated woman holding a child on her lap sits on an easel between them. A closed book is placed before the man on the left, and a second book sits open next to the figure on the right. This man holds a mahlstick, used by painters to steady their hand as they work, in his right hand. A palette and brushes are placed on a ledge in front of him.
Artist Life Dates
c.1590-after 1643
Century
17th century
Object Creation Date
17th century
Accession Number
2007/2.144
Medium and Support
chiaroscuro woodcut on laid paper
relevance
rank 2.26072
Secondary Keywords
transfer method
artists
equipment
equipment by process
furnishings
furnishings by form or function
furniture
furniture by form or function
image-making equipment
information artifacts
information artifacts by physical form
information forms
objects we use
painting equipment
people
people (agents)
people and culture
people by occupation
people by state or condition
people in the arts
people in the arts and related occupations
people in the humanities
people in the visual arts
people in the visual arts and related occupations
prints
prints by process
prints by process or technique
relief prints
support furniture
tools and equipment
visual works
visual works by medium or technique
woodcuts
Access to media is restricted to U-M users.
Title
Night Scene from Nicolas Boileau-Despréaux's "The Lectern" [Le Lutrin], Illustration for the 3rd Canto
Artist
Bernard Picart
Physical Description
Three men standing in a surprised movement with an owl coming out of an overturned lectern. There is decorated border around the drawing.
Artist Life Dates
1673-1733
Century
18th century
Accession Number
2013/2.566
Medium and Support
etching and engraving on laid paper
relevance
rank 2.25548
Secondary Keywords
accessories worn on the head
animals and creatures
architectural elements
architectural elements by building type
associated concepts
birds
candles and candleholders
christian religious building fixtures
clergy
components
components and systems
components by specific context
costume
costume accessories
costume accessories worn
furnishings
furnishings by form or function
headgear
information artifacts
information artifacts by physical form
information forms
lighting devices
lighting devices by form
objects we use
people
people (agents)
people and culture
people by gender
people by occupation
people in religion
people in religion and related occupations
people in the humanities
religions
religions and religious concepts
religious building fixtures
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Title
Articulation: Formulation, from the portfolio "Formulation: Articulation"
Artist
Josef Albers
Artist Life Dates
American, born Germany, 1888-1976
Century
20th century
Object Creation Date
1972
Accession Number
1983/1.336.11
Medium and Support
screenprint on paper
relevance
rank 2.25493
Secondary Keywords
transfer method
visual arts
abstraction
aegean
aegean periods
artistic concepts
associated concepts
concepts in the arts
descriptors
early western world
european
european styles and periods
forms of expression
greek
image-making processes and techniques
mediterranean
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
objects we use
people and culture
printing
printing and printing processes and techniques
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
visual and tactile
visual works
visual works by medium or technique
Title
Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
Artist
Kanô Tsunenobu
Physical Description
Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
Artist Life Dates
active 1636-1713
Century
17th century
Object Creation Date
circa 1670-1680
Accession Number
2002/1.168
Medium and Support
ink, color, and gold pigment and foil on paper
relevance
rank 2.24872
Secondary Keywords
upward
allegory and literature
architecture
artistic concepts
artistic devices
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
business and industry
concepts in the arts
deciduous trees
descriptors
document genres
gold and gold alloy
houses
information forms
inorganic material
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
materials
materials by composition
metal
metal and metal products
metal by composition or origin
mine
natural landscapes
nonferrous metal
objects we use
people and culture
people and occupations
plants
riverine bodies
settlements and landscapes
symbolism
the natural world
trees by leaf life
vegetation and vegetation components
vegetation components
woody plants
Title
Eight Views of Ômi: #2 Night Rain at Karasaki
Artist
Andô Hiroshige
Physical Description
Vertical lines stream downward across the print indicate torrents of rain. The dark color pallette and black strip across the top indicate that the image is set at night. A giant tree on an island looms over the image, surrounded by water. A poem in the upper left corner reads:
"Elsewhere will they talk of the music of the evening breeze
that has made the pine of Karasaki famous; the voice of the
wind is not heard through the sound of the rain in the night."
Artist Life Dates
1797-1858
Century
19th century
Object Creation Date
circa 1834
Accession Number
1948/1.135
Medium and Support
color woodblock print on paper
relevance
rank 2.24399
Secondary Keywords
transfer method
visual arts
artistic concepts
asian
associated concepts
buildings and the land
concepts in the arts
earth sciences concepts
east asian
evergreens
forms of expression
japanese
japanese printmaking styles
japanese styles
natural landscapes
objects we use
people and culture
physical sciences concepts
plants
precipitation
prints
prints by process
prints by process or technique
relief prints
scientific concepts
settlements and landscapes
styles and periods
styles and periods by region
trees
trees by leaf life
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
weather and related phenomena
weather-related phenomena
woody plants
Access to media is restricted to U-M users.
Title
Help Your Country Stop This - Enlist in the Navy
Artist
Sir Frank William Brangwyn
Artist Life Dates
1867-1956
Century
20th century
Object Creation Date
circa 1917
Accession Number
1954/2.35.9A
Medium and Support
auto-lithograph on paper
relevance
rank 2.24338
Secondary Keywords
architecture
armed conflicts
armed forces
army
declaratory and advertising artifacts
european
european styles and periods
events
fighting
figures
how we live
human-powered watercraft
information artifacts
information artifacts by function
information forms
military
modern and contemporary art
modern british styles and movements
modern british styles by reign
modern european regional styles and movements
modern european styles and movements
objects
objects we use
organizations
people and culture
people and occupations
rowed watercraft
ships
single level rowed watercraft
styles and periods
styles and periods by region
text-based art
the natural world
transportation vehicles
vehicles
war
watercraft
watercraft by method of propulsion
watercraft by specific type
waterscapes
world wars
Access to media is restricted to U-M users.
Title
Cubes and Cylinders
Artist
Judy Chicago
Physical Description
Twelve identical cubes and twelve identical cylinders of gold-plated steel. They are rearrangeable.
Artist Life Dates
born 1939
Century
20th century
Object Creation Date
1967
Accession Number
1997/1.121A-X
Medium and Support
milled steel, gold-plating
relevance
rank 2.24076
Secondary Keywords
visual arts
artistic concepts
associated concepts
components and systems
concepts in the arts
culture and related concepts
culture-related concepts
descriptors
european
european styles and periods
forms of expression
genres
geometric concepts
geometric figures
mathematical concepts
metalwork
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
object genres
object genres by material
object groupings
object groupings and systems
object groupings by general context
objects we use
people and culture
recreation
scientific concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
Help Your Country Stop This - Enlist in the Navy
Artist
Sir Frank William Brangwyn
Artist Life Dates
1867-1956
Century
20th century
Object Creation Date
circa 1917
Accession Number
1954/2.35.9B
Medium and Support
auto-lithograph on paper
relevance
rank 2.23162
Secondary Keywords
architecture
armed conflicts
armed forces
army
buildings
declaratory and advertising artifacts
european
european styles and periods
events
fighting
figures
how we live
human-powered watercraft
information artifacts
information artifacts by function
information forms
military
modern and contemporary art
modern british styles and movements
modern british styles by reign
modern european regional styles and movements
modern european styles and movements
objects
objects we use
organizations
people and culture
people and occupations
rowed watercraft
ships
single level rowed watercraft
soldiers
styles and periods
styles and periods by region
text-based art
the natural world
transportation vehicles
vehicles
war
watercraft
watercraft by method of propulsion
watercraft by specific type
waterscapes
world wars
Access to media is restricted to U-M users.
Title
Man in Motion (Uomo in movimento)
Artist
Mino Rosso
Physical Description
A bronze sculpture of an abstracted male figure in motion. His knees are bent as he leans into his movement. His arms are tucked along his torso, and he appears to be propelling his movement with great force. The surface is a bright bronze color but with some patina.
Artist Life Dates
1904 - 1963
Century
20th century
Object Creation Date
1934
Accession Number
1959/2.100
Medium and Support
bronze with wood base
relevance
rank 2.22886
Secondary Keywords
visual arts
artistic concepts
associated concepts
concepts in the arts
copper alloy
copper and copper alloy
descriptors
dynamics
european
european styles and periods
forms of expression
genres
inorganic material
materials
materials by composition
mechanics concepts
metal
metal and metal products
metal by composition or origin
modern and contemporary art
modern european regional styles and movements
modern european styles and movements
modern italian styles and movements
nonferrous metal
objects we use
people
people (agents)
people and culture
people by gender
physical sciences concepts
physics concepts
scientific concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works by subject type
Access to media is restricted to U-M users.
Title
Cactus
Artist
Graham Sutherland
Physical Description
Three forms that are simulatenously organic and sculptural stand in a line. At their base they appear sculptural or vessel-like, but further up they become more organic and cactus-like in their form. The table and background are yellow. The forms are executed mostly with white, off-white, and gray.
Artist Life Dates
1903 - 1980
Century
20th century
Object Creation Date
1950
Accession Number
1954/2.39
Medium and Support
oil on canvas
relevance
rank 2.22411
Secondary Keywords
visual arts
artistic concepts
associated concepts
biological concepts
buildings and the land
concepts in the arts
descriptors
european
european styles and periods
forms of expression
genres
image-making processes and techniques
landscapes (environments)
life
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
natural landscapes
objects we use
painting and painting techniques
painting techniques
painting techniques by medium
people and culture
plants
processes and techniques
processes and techniques by specific type
scientific concepts
settlements and landscapes
styles and periods
styles and periods by region
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
Abstract Composition (Abstrakte Komposition)
Artist
László Moholy-Nagy
Physical Description
A spare and restrained abstract composition, built up out of layers of mostly translucent basic geometric forms. The grey tones of the background are created with large rectangle shapes. In the upper part of the piece is a light colored circle, with a brighter circle inside it. Both are crossed by an axis of bright, thin orange lines. On the left, the point of a triangle protrudes from the edge. It is covered by a faint gray trapezoidal shape. Three small black semi-circles are also visible: one along the lines inside the circles; the other two along the trapezoidal shape and just beneath the triangle.
Artist Life Dates
Hungary, 1895-1946
Century
20th century
Object Creation Date
circa 1925
Accession Number
1953/2.9
Medium and Support
watercolor, India ink, and collage on off-white wove paper
relevance
rank 2.21798
Secondary Keywords
visual arts
artistic concepts
associated concepts
coating (material)
coating by form
concepts in the arts
descriptors
european
european styles and periods
forms of expression
genres
geometric concepts
geometric figures
international post-1945 styles and movements
materials
materials by function
mathematical concepts
modern and contemporary art
modern european regional styles and movements
modern european styles and movements
modern german styles and movements
objects we use
paintings
paintings by material or technique
people and culture
plane figures
polygons
post-1945 fine arts styles and movements
scientific concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Title
Landscape in Ni Tsan Style
Artist
Hine Taizan
Physical Description
A lone pavilion sits among trees in the foreground. Birds flock nearby, and in the background are more trees and rocky formations. Calligraphic texts in in the upper right corner.
Artist Life Dates
1813-1869
Century
19th century
Object Creation Date
1867
Accession Number
1983/2.247
Medium and Support
hanging scroll, ink on silk
relevance
rank 2.21630
Secondary Keywords
upward
animals
animals and creatures
architecture
asia
asian
buildings and the land
descriptors
forms
garden structures
geography
image-making processes and techniques
inorganic material
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
locality
making art
materials
materials by composition
natural landscapes
objects we use
plants
processes and techniques
processes and techniques by specific type
settlements and landscapes
single built works
single built works by location or context
single built works by specific type
text-based art
the natural world
transportation vehicles
vegetation and vegetation components
vegetation components
vehicles
watercraft
watercraft by general type
waterscapes
woody plants
writing (processes)
Title
Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"
Artist
Brassaï (Gyula Halász)
Physical Description
A highly abstracted photographic composition in which the viewer catches glimpses of a female nude seen in the stomach at center and the keyhole glimpse of a breast to the viewer's right; the overall composition is dark with patterned, textured overlapping fabrics
Artist Life Dates
1899 - 1984
Century
20th century
Object Creation Date
1934-1935; printed 1967
Accession Number
1971/2.150.4
Medium and Support
clichés-verre on paper
relevance
rank 2.21576
Secondary Keywords
plucked
visual arts
artistic concepts
associated concepts
breasts
chordophones
concepts in the arts
european
european styles and periods
figures
figures (representations)
forms of expression
genres
lutelike chordophones
lutelike chordophones with short neck
modern european fine arts styles and movements
modern european styles and movements
movement
objects
objects we use
people
people (agents)
people and culture
people and occupations
people by gender
photographs
photographs by processing or presentation technique
photographs by technique
sound devices
sound devices by acoustical characteristics
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works by subject type
Title
Descent of the River Ganges
Artist
Artist Unknown, India, Central India, Bundelkhand
Physical Description
In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.
Century
18th century
Object Creation Date
circa 1775
Accession Number
1979/1.148
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 2.19054
Secondary Keywords
animals and creatures
asian
associated concepts
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
components of bodies of water
descriptors
earth sciences concepts
forms
geography
image-making processes and techniques
landscapes (environments)
making art
mammals
natural landscapes
painting and painting techniques
painting techniques
painting techniques by medium
people
people (agents)
people and culture
people and occupations
people by gender
people by occupation
people by state or condition
people in religion
people in religion and related occupations
people in the humanities
physical sciences concepts
processes and techniques
processes and techniques by specific type
religions and religious concepts
religious (people)
religious concepts
religious figures
religious ideologies
riverine bodies
scientific concepts
settlements and landscapes
the natural world
time
Access to media is restricted to U-M users.
Title
Untitled [Child with straw leggings]
Artist
Saitô Kiyoshi
Physical Description
A child ventures out into the deep snow, holding up his broad leggings which are insulated with straw. Behind him, the house wall is plastered with two messages: "Careful with fire!" and "Felecitations for the Spring Equinox".
Artist Life Dates
(active 1907 - 1997)
Century
20th century
Object Creation Date
mid 20th century
Accession Number
1998/2.31
Medium and Support
color woodblock print on paper
relevance
rank 2.17571
Secondary Keywords
associated concepts
buildings and the land
costume
costume by form
declaratory and advertising artifacts
descriptors
earth sciences concepts
image-making processes and techniques
information artifacts
information artifacts by function
information forms
main garments
main garments for the lower body
object genres
object genres by material
objects we use
open spaces and site elements
people
people (agents)
people and culture
people by age group
physical activities
physical activities by general context
physical sciences concepts
precipitation
processes and techniques
processes and techniques by specific type
scientific concepts
site elements
visual works
visual works by subject type
weather and related phenomena
weather-related phenomena
writing (processes)
youth
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 1 (Das Vaterunser)
Artist
Max Pechstein
Physical Description
This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.423
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.17279
Secondary Keywords
transfer method
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
european
european styles and periods
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
, sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
Artist
Max Pechstein
Physical Description
Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.425
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.17265
Secondary Keywords
transfer method
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
european
european styles and periods
information forms
mental activities
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
prints
prints by process
prints by process or technique
rays
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
Artist
Max Pechstein
Physical Description
A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.424
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.16804
Secondary Keywords
transfer method
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
european
european styles and periods
human body
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by state or condition
prints
prints by process
prints by process or technique
rays
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
Manet's Olympia
Artist
Mel Ramos
Physical Description
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
Artist Life Dates
born 1935
Century
20th century
Object Creation Date
1974
Accession Number
1991/2.102.1
Medium and Support
collotype on wove paper
relevance
rank 2.16492
Secondary Keywords
aesthetic concepts
animals and creatures
artistic concepts
associated concepts
buildings and the land
child
concepts in the arts
family
forms of expression
herbaceous plants
historical, theoretical and critical concepts
how we live
international post-1945 styles and movements
landscapes (environments)
mammals
modern american styles and periods
modern and contemporary art
modern north american styles and movements
natural landscapes
objects we use
people
people (agents)
people and culture
people and occupations
people by activity
people by gender
people by occupation
people in service occupations
philosophical concepts
plants
post-1945 fine arts styles and movements
psychological concepts
relationships
settlements and landscapes
social science concepts
styles and periods
styles and periods by region
the americas
vegetation and vegetation components
vegetation components
visual works
visual works by subject type
woody plants
Title
Vanitas (Still Life), with globe, skull, candle, tazza, and covered cup
Artist
Willem Claesz Heda
Physical Description
This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.
Artist Life Dates
1594-1680
Century
17th century
Object Creation Date
1633-1635
Accession Number
1965/2.55
Medium and Support
oil on panel
relevance
rank 2.16429
Secondary Keywords
animal material
animal material by form or function
candleholders
candles and candleholders
containers
containers by function or context
containers for serving and consuming food
culinary containers
descriptors
drinking vessels
european
european styles and periods
furnishings
furnishings by form or function
information artifacts
information artifacts by physical form
information forms
lighting devices
lighting devices by form
materials
materials by origin
objects we use
people and culture
renaissance-baroque styles and periods
skeleton and skeleton components
skeleton components
still lifes
styles and periods
styles and periods by region
vessels for serving and consuming food
visual works
visual works by subject type
Title
Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)
Artist
Artist Unknown, Japan
Physical Description
This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.
Century
17th century
Object Creation Date
late 16th century - early 17th century
Accession Number
1967/2.5
Medium and Support
hanging scroll, ink and light color on paper
relevance
rank 2.16420
Secondary Keywords
scale
upward
architecture
asia
asia (continent)
asian
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
components of bodies of water
dwellings
figures
forms
geographic and political locations
geography
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
locality
making art
objects we use
paintings
paintings by form
people and occupations
plants
residential structures
riverine bodies
scroll paintings
settlements
settlements and landscapes
settlements by form
single built works
single built works by function
single built works by specific type
the natural world
transportation structures
transportation structures by form
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
waterscapes
woody plants
Title
The Happy Life of Fishermen
Artist
Qian Gong (Ch'ien Kung)
Physical Description
A group of fishermen and families sit in reeds, resting, playing, drinking, eating, and chatting. Birds fly in the backgrounf, and the reeds bend under the wind. At top center is calligraphic text.
Artist Life Dates
(active Suzhou, ca. 1573 - ca. 1620)
Century
17th century
Object Creation Date
1610
Accession Number
1985/2.29
Medium and Support
fan mounted as an album leaf, ink and color on gold paper
relevance
rank 2.13053
Secondary Keywords
books
books by internal form
buildings and the land
coating (material)
coating by form
costume
costume accessories
costume accessories carried
descriptors
information artifacts
information artifacts by physical form
information forms
inorganic material
landscapes (environments)
materials
materials by composition
materials by function
natural landscapes
objects we use
people
people (agents)
people and culture
people by occupation
people in agriculture or natural resource occupations
people in science-related occupations
physical activities
physical activities by location
physical activities by specific context
plants
scientists and people in science-related occupations
settlements and landscapes
transportation vehicles
vegetation and vegetation components
vegetation components
vehicles
water activities
watercraft
watercraft by general type
woody plants
Access to media is restricted to U-M users.
Title
Hammock Reader
Artist
Milton Avery
Physical Description
Painting depicting a featureless female figure, in tones of aqua and light blue extending across the center of the canvas in a light gray hammock. There is a bright white shape, perhaps a book, in the middle of the figure. Behind the figure, the rest of the composition is organized in horizontal sections. At top, a yellow sky; below that are two gently-curved mountains in dark brown, followed by two horizontal planes of color in tan and light brown.
Artist Life Dates
1885 - 1965
Century
20th century
Object Creation Date
1951
Accession Number
1974/2.37
Medium and Support
oil on canvas
relevance
rank 2.12839
Secondary Keywords
upward
attributes and properties
attributes and properties by specific type
buildings and the land
descriptors
european
european styles and periods
figures
form attributes
furnishings
furnishings by form or function
furniture
furniture by form or function
information artifacts
information artifacts by physical form
information forms
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
natural landscapes
objects
objects we use
people and culture
people and occupations
physical activities
physical activities by general context
settlements and landscapes
sleeping and reclining furniture
styles and periods
styles and periods by region
visual works
visual works by subject type
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
Artist
Max Pechstein
Physical Description
At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.431
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.11589
Secondary Keywords
transfer method
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
emotion
european
european styles and periods
events
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people and occupations
people by state or condition
personal life events
prints
prints by process
prints by process or technique
psychological concepts
relief prints
religions and religious concepts
religious concepts
social science concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
Artist
Max Pechstein
Physical Description
Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.427
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.11163
Secondary Keywords
transfer method
animals
associated concepts
components and systems
descriptors
document genres
document genres by form
document genres for literary works
european
european styles and periods
events
information forms
materials
materials by function
mental activities
modern and contemporary art
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
physical activities
physical activities by general context
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Title
Digambara Jain manuscript page: Jina and devotees
Artist
Artist Unknown, India, Sirohi School
Physical Description
Multi-colored ink on paper. Reds and golds make up the primary focus colors and are accented by dark blues. Features five figures, two larger figures on the top half of the page and three smaller figures on the bottom. Scene of worship.
Century
18th century
Object Creation Date
circa 18th century
Accession Number
1975/2.177
Medium and Support
ink, opaque watercolor, and gold on paper
relevance
rank 2.11061
Secondary Keywords
layout features
asian
bowl-shaped drums
buildings and the land
components
components and systems
components by specific context
containers
containers by form
drums (membranophones)
figures (representations)
forms
herbaceous plants
illustrations
illustrations by form
images and ornament
information form components
landscapes (environments)
layout features
making art
membranophones
natural landscapes
objects we use
people
people (agents)
people and culture
people by state or condition
physical activities
physical activities by general context
plants
religious visual works
settlements and landscapes
sound devices
sound devices by acoustical characteristics
sound devices by function
struck drums
text-based art
vegetation and vegetation components
vegetation components
vessels
visual works
visual works by function
visual works by subject type
woody plants
Access to media is restricted to U-M users.
Title
Construction (Konstruktion)
Artist
László Moholy-Nagy
Physical Description
Two tall, rectangular intersecting planes, one black and one white, create the appearance of a tall, minimal structure. Vertical lines of black and white add to the structure, which at its base projects slightly into a rough square shape that seems to delineate a kind of ground or base. The space around the structure is ochre.
Artist Life Dates
Hungary, 1895-1946
Century
20th century
Object Creation Date
1923
Accession Number
1957/1.30
Medium and Support
color lithograph on paper
relevance
rank 2.10181
Secondary Keywords
height
transfer method
visual arts
artistic concepts
associated concepts
buildings and the land
concepts in the arts
european
european styles and periods
forms of expression
genres
geometric concepts
geometric figures
international post-1945 styles and movements
lithographs
mathematical concepts
modern and contemporary art
modern european regional styles and movements
modern european styles and movements
modern german styles and movements
multistory buildings
objects we use
people and culture
plane figures
planographic prints
polygons
post-1945 fine arts styles and movements
prints
prints by process
prints by process or technique
quadrilaterals
scientific concepts
single built works
single built works by form
single built works by specific type
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
Orchids and Red Rock
Artist
Chang Ku-nien, Liu Yantao, Gao Yihong
Physical Description
A rough, red rock seems to grow out of the hillside, almost as organically as the orchids growing next to it. Calligraphic text is in the upper left corner.
Century
20th century
Object Creation Date
1980
Accession Number
2006/1.132
Medium and Support
hanging scroll, ink and light color on paper
relevance
rank 2.09639
Secondary Keywords
artists
asian
buildings and the land
chinese
chinese painting styles
chinese styles
chinese styles and periods
coating (material)
coating by form
descriptors
east asian
flowers (plants)
forms
herbaceous plants
inorganic material
landscapes (environments)
making art
materials
materials by composition
materials by function
natural landscapes
objects we use
painters (artists)
painters by subject of work
paintings
paintings by form
people
people (agents)
people and culture
people by occupation
people in the arts
people in the arts and related occupations
people in the humanities
people in the visual arts
people in the visual arts and related occupations
plants
scroll paintings
settlements and landscapes
styles and periods
styles and periods by region
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
woody plants
Access to media is restricted to U-M users.
Title
Durango I
Artist
Sean Scully
Physical Description
Rectangles of offwhite and blue-grey, of various sizes, arranged on a grid.
Artist Life Dates
active b. 1945
Century
20th century
Object Creation Date
1991
Accession Number
2002/2.54
Medium and Support
spitbite aquatint on paper
relevance
rank 2.09192
Secondary Keywords
transfer method
visual arts
abstraction
artistic concepts
associated concepts
biting techniques
concepts in the arts
descriptors
design elements
etchings
forms of expression
geometric concepts
geometric figures
geometric patterns
image-making processes and techniques
intaglio prints
international post-1945 styles and movements
mathematical concepts
objects we use
patterns (design elements)
patterns by specific type
people and culture
plane figures
polygons
post-1945 fine arts styles and movements
printing and printing processes and techniques
printing surface preparation techniques
printing techniques
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
quadrilaterals
scientific concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
Artist
Max Pechstein
Physical Description
A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.430
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.09179
Secondary Keywords
transfer method
animals and creatures
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
european
european styles and periods
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by general context
object groupings by specific context
objects we use
people and culture
physical activities
physical activities by general context
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
reptiles
sets (groups)
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
Portrait of Princess Amelia, part of a series of portraits of King George III's Family
Artist
Anonymous
Physical Description
The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.
Century
19th century
Object Creation Date
circa 1810
Accession Number
2013/2.564.1
Medium and Support
pencil and wash on wove paper
relevance
rank 2.08448
Secondary Keywords
layout features
aristocracy
buildings and the land
case furniture
components
components and systems
components by specific context
fortifications
furnishings
furnishings by form or function
furniture
furniture by form or function
groups of people
illustrations
illustrations by subject type
images and ornament
information artifacts
information artifacts by physical form
information form components
information forms
layout features
nobility
objects we use
people
people (agents)
people and culture
people by gender
people by occupation
people in government and administration
rulers (people)
single built works
single built works by function
single built works by specific type
social classes
social classes by specific type
social groups
storage and display furniture
upper class
visual works
visual works by subject type
Title
Rectangular Bronze Form No. 2
Artist
Robert Adams
Physical Description
Thin, double-side, H-shaped bronze sculpture. Each side is made up of a collection of rough rectangle shapes overlapping and butting up against one another. Two rectangle-shaped openings penetrate the piece.
Artist Life Dates
1917-1984
Century
20th century
Object Creation Date
circa 1953
Accession Number
1954/2.40
Medium and Support
bronze with wood base
relevance
rank 2.08322
Secondary Keywords
visual arts
artistic concepts
associated concepts
concepts in the arts
copper alloy
copper and copper alloy
descriptors
european
european styles and periods
forms of expression
genres
geometric concepts
geometric figures
geometric shapes
inorganic material
materials
materials by composition
mathematical concepts
metal
metal and metal products
metal by composition or origin
metalworking and metalworking processes and techniques
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
non-representational art
nonferrous metal
objects we use
people and culture
plane figures
polygons
processes and techniques
processes and techniques by material
processes and techniques by specific type
quadrilaterals
scientific concepts
styles and periods
styles and periods by region
visual and tactile
visual works
visual works by medium or technique
Title
Young Girl Dreaming (Jeune fille rêvant), Plate IX, from "Transmutations"
Artist
Brassaï (Gyula Halász)
Physical Description
A female figure reclines on a divan on her side with her back toward the viewer; Beneath the divan the dark background is lined with a diamond patterning. Behind the figure are textures suggesting pillows or other textiles.
Artist Life Dates
1899 - 1984
Century
20th century
Object Creation Date
1934-1935; printed 1967
Accession Number
1971/2.150.9
Medium and Support
clichés-verre on paper
relevance
rank 2.08221
Secondary Keywords
visual arts
artistic concepts
associated concepts
concepts in the arts
european
european styles and periods
events
figures
figures (representations)
forms of expression
furnishings
furnishings by form or function
furniture
furniture by form or function
genres
modern european fine arts styles and movements
modern european styles and movements
movement
objects
objects we use
people
people (agents)
people and culture
people and occupations
people by gender
personal life events
photographs
photographs by processing or presentation technique
photographs by technique
physical activities
physical activities by general context
sleeping and reclining furniture
sound devices
sound devices by function
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works by subject type
Access to media is restricted to U-M users.
Title
Northern Summer Window
Artist
Marsden Hartley
Physical Description
A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
Artist Life Dates
1877 - 1943
Century
20th century
Object Creation Date
1936
Accession Number
1949/2.89
Medium and Support
oil on canvas
relevance
rank 2.07981
Secondary Keywords
animals
architecture
atmospheric effects
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
containers
containers by form
descriptors
genres
geographic and political locations
herbaceous plants
image-making processes and techniques
information artifacts
information artifacts by physical form
information forms
landscapes (environments)
marine bodies
modern and contemporary art
natural landscapes
north and central america (continent)
objects
objects we use
painting and painting techniques
painting techniques
painting techniques by medium
paintings
paintings by material or technique
plants
processes and techniques
processes and techniques by specific type
seasons
settlements and landscapes
the natural world
united states (nation)
vegetation and vegetation components
vegetation components
vessels
visual works
visual works by medium or technique
visual works by subject type
woody plants
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
Artist
Max Pechstein
Physical Description
A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.429
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.07802
Secondary Keywords
transfer method
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
emotion
european
european styles and periods
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by general context
object groupings by specific context
objects we use
people and culture
physical activities
physical activities by general context
prints
prints by process
prints by process or technique
psychological concepts
relief prints
religions and religious concepts
religious concepts
sets (groups)
social science concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
Continuous
Artist
Edda Renouf
Physical Description
Several thin coats of blue-gray acrylic paint have been applied to primed linen canvas whose weave was altered by removing threads at more or less regular intervals. She then carefully sanded down the paint to highlight the new texture and make “visible the life within the linen material.” (artist’s statement (2009), http://www.eddarenouf.com/Statement.html)
Artist Life Dates
born 1943
Century
20th century
Object Creation Date
1976
Accession Number
2008/2.255
Medium and Support
acrylic on canvas
relevance
rank 2.07249
Secondary Keywords
arts
arts and related disciplines
attributes and properties
attributes and properties by specific type
descriptors
disciplines
document genres
document genres by form
european
european styles and periods
humanities
information forms
international post-1945 styles and movements
modern european fine arts styles and movements
modern european styles and movements
objects we use
paintings
paintings by form
people and culture
performing arts
post-1945 fine arts styles and movements
processes and techniques
processes and techniques by material
processes and techniques by specific type
styles and periods
styles and periods by region
textile construction processes and techniques
textile processes and techniques
textile weaving processes and techniques
visual works
visual works by medium or technique
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
Artist
Max Pechstein
Physical Description
One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.434
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.06841
Secondary Keywords
transfer method
arms
associated concepts
biological components
components
components and systems
components by specific context
document genres
document genres by form
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Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
Artist
Max Pechstein
Physical Description
A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.432
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.05049
Secondary Keywords
transfer method
animals
animals and creatures
associated concepts
components and systems
document genres
document genres by form
document genres for literary works
emotion
european
european styles and periods
figures
groups of people
information forms
kinship groups
mammals
mental activities
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people and occupations
prints
prints by process
prints by process or technique
psychological concepts
relief prints
religions and religious concepts
religious concepts
social groups
social science concepts
styles and periods
styles and periods by region
the natural world
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
Artist
Max Pechstein
Physical Description
A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.428
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 2.02529
Secondary Keywords
transfer method
arms
associated concepts
biological components
components
components and systems
components by specific context
document genres
document genres by form
document genres for literary works
european
european styles and periods
human body
information forms
mental activities
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
styles and periods
styles and periods by region
the human body
the natural world
upper body
visual works
visual works by medium or technique
visual works groupings
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
Artist
Max Pechstein
Physical Description
Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.426
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 1.99200
Secondary Keywords
transfer method
associated concepts
components and systems
daylight
doctrinal concepts
document genres
document genres by form
document genres for literary works
earth sciences concepts
electromagnetic radiation
energy
energy and related concepts
european
european styles and periods
information forms
light (energy)
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people
people (agents)
people and culture
people by gender
physical sciences concepts
physics concepts
prints
prints by process
prints by process or technique
rays
relief prints
religions and religious concepts
religious concepts
scientific concepts
styles and periods
styles and periods by region
visual works
visual works by medium or technique
visual works groupings
weather and related phenomena
weather-related phenomena
Title
Quilt with Central Diamond Pattern
Artist
Anonymous Amish, Lancaster County, Pennsylvania
Physical Description
A black diamond in the center is positioned within a lavender square surrounded by a pink frame. The entire is surrounded by thick frame of black.
Century
early 20th century
Object Creation Date
circa 1920
Accession Number
2000/2.321
Medium and Support
cotton and wool
relevance
rank 1.98192
Secondary Keywords
visual arts
abstraction
animal material
artistic concepts
associated concepts
bed coverings
bedcovers
christianity
components
components and systems
components by specific context
concepts in the arts
coverings and hangings
coverings and hangings by location or context
coverings and hangings by specific type
coverings and hangings components
coverings and hangings for furniture
coverings and hangings for sleeping and reclining furnitur
descriptors
design elements
fiber and fiber products
fiber products
forms of expression
furnishings
furnishings by form or function
furnishings components
geometric motifs
hair
hair and hair components
hair by form
keratinous material
materials
materials by form
materials by origin
materials by physical form
motifs
object genres
object genres by material
objects we use
patterns (design elements)
patterns by specific type
people and culture
protestantism
quilt components
religions
religions and religious concepts
textile materials
textile materials by composition or origin
visual and tactile
Title
Hercules
Artist
Albrecht Dürer
Physical Description
A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
Artist Life Dates
(Nüremberg, 1471 - 1528)
Century
Late 15th century
Object Creation Date
circa 1498
Accession Number
1956/1.78
Medium and Support
engraving on paper
relevance
rank 1.95457
Secondary Keywords
settlement area
transfer method
buildings and the land
country houses
cultural landscapes
cultural landscapes by location or context
descriptors
document genres
document genres by form
document genres for literary works
dwellings
houses
houses by location
houses by location or context
image-making processes and techniques
information forms
intaglio prints
landscapes (environments)
natural landscapes
objects we use
people
people (agents)
people and culture
people by age group
physical activities
physical activities by general context
plants
printing
printing and printing processes and techniques
prints
prints by process
prints by process or technique
processes and techniques
processes and techniques by specific type
residential structures
rural houses
settlements and landscapes
single built works
single built works by function
single built works by specific type
vegetation and vegetation components
vegetation components
visual works
visual works by medium or technique
wilderness
woody plants
youth
Access to media is restricted to U-M users.
Title
The Famous Picnic at Val Kill
Artist
Ann Murfee Allen
Physical Description
Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.
Artist Life Dates
1923 - 1995
Century
late 20th century
Object Creation Date
1975
Accession Number
2002/1.178
Medium and Support
oil on canvas
relevance
rank 1.92949
Secondary Keywords
american regions
art genres
artistic concepts
associated concepts
buildings and the land
concepts in the arts
descriptors
dwellings
furnishings
furnishings by form or function
furniture
furniture by form or function
how we live
identifying artifacts
information artifacts
information artifacts by function
information forms
landscapes (environments)
materials
materials by function
natural landscapes
north american
objects we use
people and culture
people and occupations
plants
political and social issues
residential structures
sailing vessels by size
seating furniture
settlements and landscapes
single built works
single built works by function
single built works by specific type
single seating furniture
standing
styles and periods
styles and periods by region
support furniture
tables (support furniture)
tables by function
the americas
the natural world
transportation vehicles
vegetation and vegetation components
vegetation components
vehicles
visual works
visual works by subject type
watercraft
watercraft by method of propulsion
watercraft by specific type
waterscapes
woody plants
Access to media is restricted to U-M users.
Title
The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
Artist
Max Pechstein
Physical Description
Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
Artist Life Dates
1881 - 1955
Century
20th century
Object Creation Date
1921
Accession Number
1948/1.433
Medium and Support
woodcut with hand-coloring on paper
relevance
rank 1.91884
Secondary Keywords
transfer method
architecture
arms
associated concepts
biological components
components
components and systems
components by specific context
document genres
document genres by form
document genres for literary works
earth sciences concepts
electromagnetic radiation
energy
energy and related concepts
european
european styles and periods
heads
human body
information forms
modern and contemporary art
modern european fine arts styles and movements
modern european styles and movements
monuments
movement
object groupings
object groupings and systems
object groupings by specific context
objects we use
people and culture
physical sciences concepts
physics concepts
prints
prints by process
prints by process or technique
relief prints
religions and religious concepts
religious concepts
scientific concepts
styles and periods
styles and periods by region
the human body
the natural world
upper body
visual works
visual works by medium or technique
visual works groupings
weather and related phenomena
weather-related phenomena
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