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Showing results for "forms" in Secondary Keywords.
- Title
- Akbar's Bounty
- Artist
- Michael Mode
- Physical Description
- A wide-mouthed bowl narrows steeply to a small base. A brown and white checker board pattern covers the interior and exterior and scales down as the diameter decreases toward the bottom.
- wood bowl with geometric patterning in concentric rings, decreasing in size top to bottom
- Artist Life Dates
- born 1946
- Century
- late 20th century
- Object Creation Date
- 2000
- Accession Number
- 2002/2.166
- Medium and Support
- holly and morado
- relevance
- rank 2.28549
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asian
- associated concepts
- concepts in the arts
- containers
- containers by form
- descriptors
- design elements
- forms of expression
- geometric patterns
- historical, theoretical and critical concepts
- indian
- indian styles and periods
- islamic indian styles and periods
- materials
- materials by origin
- mughal
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- south asian
- styles and periods
- styles and periods by region
- vessels
- wood and wood products
- woodworking and woodworking processes and techniques
- Title
- Surimono: The Lover in the Snow
- Artist
- Katsushika Hokusai
- Physical Description
- The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.
- Artist Life Dates
- 1760-1849
- Century
- 19th century
- Object Creation Date
- circa 1817-1849
- Accession Number
- 1948/1.152
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.28167
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- descriptors
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- image-making processes and techniques
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- seasons
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- woody plants
- writing (processes)
- Title
- D&H Rogue
- Artist
- Richard Francisco
- Physical Description
- Ombre orange and black abstract forms painted on paper cut out and attached to wood, laid on top of another larger cutout of pink abstract form with “shadows” from the cutout above it painted in red; the paper collage is centered on a large sheet of white paper. Signed “D[orothy] & H[erb] Rogue” in bottom left corner, “R. J. Francisco ‘82” in bottom right corner.
- Artist Life Dates
- (1942 - )
- Century
- 20th century
- Object Creation Date
- 1982
- Accession Number
- 2008/2.229
- Medium and Support
- watercolor and ink wash on paper and painted wood
- relevance
- rank 2.28059
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- image-making processes and techniques
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- paintings
- paintings by material or technique
- people and culture
- plant material
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- wood and wood products
- Title
- Eight Views of Ômi: #1 Evening Snow on Mount Hira
- Artist
- Andô Hiroshige
- Physical Description
- The snowy mass of Mount Hira rises behind a snow-covered village and clumps of bamboo by an inlet of Lake Biwa. The attendant poem in the upper left corner reads:
- He who would see the beauty of the evening on the peaks of
- Hira must behold it after the snows have fallen and before the
- flowers are fully blown.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.134
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.27765
- Secondary Keywords
- scale
- transfer method
- upward
- visual arts
- artistic concepts
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- concepts in the arts
- earth sciences concepts
- forms of expression
- lacustrine bodies
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Study for 'Image in Xhorkom'
- Artist
- Arshile Gorky
- Physical Description
- Black and white drawing of organic forms vaguely resembling human figures flowing into one another in a room-like space. On the right hand side of the grouping stands the most recognizably humanoid figure.
- Artist Life Dates
- 1904 - 1948
- Century
- 20th century
- Object Creation Date
- circa 1936
- Accession Number
- 1964/2.41
- Medium and Support
- graphite and tempera on off-white laid paper
- relevance
- rank 2.27641
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asia
- asia (continent)
- associated concepts
- biological concepts
- biomorphic
- concepts in the arts
- drawings
- drawings by function
- european
- european styles and periods
- forms of expression
- geographic and political locations
- groups of people
- kinship groups
- life
- life stages
- locality
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- psychological concepts
- scientific concepts
- social groups
- social science concepts
- study
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- St. Luke and St. Mark with a Portrait of the Virgin and Child
- Artist
- Ludolphe Buesinck
- Physical Description
- Two seated men, depicted in three-quarter length, with flowing beards and long robes look out from this print. A painting of a seated woman holding a child on her lap sits on an easel between them. A closed book is placed before the man on the left, and a second book sits open next to the figure on the right. This man holds a mahlstick, used by painters to steady their hand as they work, in his right hand. A palette and brushes are placed on a ledge in front of him.
- Artist Life Dates
- c.1590-after 1643
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 2007/2.144
- Medium and Support
- chiaroscuro woodcut on laid paper
- relevance
- rank 2.26072
- Secondary Keywords
- transfer method
- artists
- equipment
- equipment by process
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- image-making equipment
- information artifacts
- information artifacts by physical form
- information forms
- objects we use
- painting equipment
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- prints
- prints by process
- prints by process or technique
- relief prints
- support furniture
- tools and equipment
- visual works
- visual works by medium or technique
- woodcuts
- Title
- Night Scene from Nicolas Boileau-Despréaux's "The Lectern" [Le Lutrin], Illustration for the 3rd Canto
- Artist
- Bernard Picart
- Physical Description
- Three men standing in a surprised movement with an owl coming out of an overturned lectern. There is decorated border around the drawing.
- Artist Life Dates
- 1673-1733
- Century
- 18th century
- Accession Number
- 2013/2.566
- Medium and Support
- etching and engraving on laid paper
- relevance
- rank 2.25548
- Secondary Keywords
- accessories worn on the head
- animals and creatures
- architectural elements
- architectural elements by building type
- associated concepts
- birds
- candles and candleholders
- christian religious building fixtures
- clergy
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- furnishings
- furnishings by form or function
- headgear
- information artifacts
- information artifacts by physical form
- information forms
- lighting devices
- lighting devices by form
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- religious building fixtures
- Title
- Articulation: Formulation, from the portfolio "Formulation: Articulation"
- Artist
- Josef Albers
- Artist Life Dates
- American, born Germany, 1888-1976
- Century
- 20th century
- Object Creation Date
- 1972
- Accession Number
- 1983/1.336.11
- Medium and Support
- screenprint on paper
- relevance
- rank 2.25493
- Secondary Keywords
- transfer method
- visual arts
- abstraction
- aegean
- aegean periods
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- early western world
- european
- european styles and periods
- forms of expression
- greek
- image-making processes and techniques
- mediterranean
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
- Artist
- Kanô Tsunenobu
- Physical Description
- Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
- Artist Life Dates
- active 1636-1713
- Century
- 17th century
- Object Creation Date
- circa 1670-1680
- Accession Number
- 2002/1.168
- Medium and Support
- ink, color, and gold pigment and foil on paper
- relevance
- rank 2.24872
- Secondary Keywords
- upward
- allegory and literature
- architecture
- artistic concepts
- artistic devices
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- business and industry
- concepts in the arts
- deciduous trees
- descriptors
- document genres
- gold and gold alloy
- houses
- information forms
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- mine
- natural landscapes
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- plants
- riverine bodies
- settlements and landscapes
- symbolism
- the natural world
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Eight Views of Ômi: #2 Night Rain at Karasaki
- Artist
- Andô Hiroshige
- Physical Description
- Vertical lines stream downward across the print indicate torrents of rain. The dark color pallette and black strip across the top indicate that the image is set at night. A giant tree on an island looms over the image, surrounded by water. A poem in the upper left corner reads:
- "Elsewhere will they talk of the music of the evening breeze
- that has made the pine of Karasaki famous; the voice of the
- wind is not heard through the sound of the rain in the night."
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.135
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.24399
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- asian
- associated concepts
- buildings and the land
- concepts in the arts
- earth sciences concepts
- east asian
- evergreens
- forms of expression
- japanese
- japanese printmaking styles
- japanese styles
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Help Your Country Stop This - Enlist in the Navy
- Artist
- Sir Frank William Brangwyn
- Artist Life Dates
- 1867-1956
- Century
- 20th century
- Object Creation Date
- circa 1917
- Accession Number
- 1954/2.35.9A
- Medium and Support
- auto-lithograph on paper
- relevance
- rank 2.24338
- Secondary Keywords
- architecture
- armed conflicts
- armed forces
- army
- declaratory and advertising artifacts
- european
- european styles and periods
- events
- fighting
- figures
- how we live
- human-powered watercraft
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- objects we use
- organizations
- people and culture
- people and occupations
- rowed watercraft
- ships
- single level rowed watercraft
- styles and periods
- styles and periods by region
- text-based art
- the natural world
- transportation vehicles
- vehicles
- war
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- world wars
- Title
- Cubes and Cylinders
- Artist
- Judy Chicago
- Physical Description
- Twelve identical cubes and twelve identical cylinders of gold-plated steel. They are rearrangeable.
- Artist Life Dates
- born 1939
- Century
- 20th century
- Object Creation Date
- 1967
- Accession Number
- 1997/1.121A-X
- Medium and Support
- milled steel, gold-plating
- relevance
- rank 2.24076
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- components and systems
- concepts in the arts
- culture and related concepts
- culture-related concepts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- mathematical concepts
- metalwork
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- object genres
- object genres by material
- object groupings
- object groupings and systems
- object groupings by general context
- objects we use
- people and culture
- recreation
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Help Your Country Stop This - Enlist in the Navy
- Artist
- Sir Frank William Brangwyn
- Artist Life Dates
- 1867-1956
- Century
- 20th century
- Object Creation Date
- circa 1917
- Accession Number
- 1954/2.35.9B
- Medium and Support
- auto-lithograph on paper
- relevance
- rank 2.23162
- Secondary Keywords
- architecture
- armed conflicts
- armed forces
- army
- buildings
- declaratory and advertising artifacts
- european
- european styles and periods
- events
- fighting
- figures
- how we live
- human-powered watercraft
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- objects we use
- organizations
- people and culture
- people and occupations
- rowed watercraft
- ships
- single level rowed watercraft
- soldiers
- styles and periods
- styles and periods by region
- text-based art
- the natural world
- transportation vehicles
- vehicles
- war
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- world wars
- Title
- Man in Motion (Uomo in movimento)
- Artist
- Mino Rosso
- Physical Description
- A bronze sculpture of an abstracted male figure in motion. His knees are bent as he leans into his movement. His arms are tucked along his torso, and he appears to be propelling his movement with great force. The surface is a bright bronze color but with some patina.
- Artist Life Dates
- 1904 - 1963
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1959/2.100
- Medium and Support
- bronze with wood base
- relevance
- rank 2.22886
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- dynamics
- european
- european styles and periods
- forms of expression
- genres
- inorganic material
- materials
- materials by composition
- mechanics concepts
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern italian styles and movements
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Cactus
- Artist
- Graham Sutherland
- Physical Description
- Three forms that are simulatenously organic and sculptural stand in a line. At their base they appear sculptural or vessel-like, but further up they become more organic and cactus-like in their form. The table and background are yellow. The forms are executed mostly with white, off-white, and gray.
- Artist Life Dates
- 1903 - 1980
- Century
- 20th century
- Object Creation Date
- 1950
- Accession Number
- 1954/2.39
- Medium and Support
- oil on canvas
- relevance
- rank 2.22411
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- biological concepts
- buildings and the land
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- image-making processes and techniques
- landscapes (environments)
- life
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- natural landscapes
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- Title
- Abstract Composition (Abstrakte Komposition)
- Artist
- László Moholy-Nagy
- Physical Description
- A spare and restrained abstract composition, built up out of layers of mostly translucent basic geometric forms. The grey tones of the background are created with large rectangle shapes. In the upper part of the piece is a light colored circle, with a brighter circle inside it. Both are crossed by an axis of bright, thin orange lines. On the left, the point of a triangle protrudes from the edge. It is covered by a faint gray trapezoidal shape. Three small black semi-circles are also visible: one along the lines inside the circles; the other two along the trapezoidal shape and just beneath the triangle.
- Artist Life Dates
- Hungary, 1895-1946
- Century
- 20th century
- Object Creation Date
- circa 1925
- Accession Number
- 1953/2.9
- Medium and Support
- watercolor, India ink, and collage on off-white wove paper
- relevance
- rank 2.21798
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- coating (material)
- coating by form
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- international post-1945 styles and movements
- materials
- materials by function
- mathematical concepts
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern german styles and movements
- objects we use
- paintings
- paintings by material or technique
- people and culture
- plane figures
- polygons
- post-1945 fine arts styles and movements
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Landscape in Ni Tsan Style
- Artist
- Hine Taizan
- Physical Description
- A lone pavilion sits among trees in the foreground. Birds flock nearby, and in the background are more trees and rocky formations. Calligraphic texts in in the upper right corner.
- Artist Life Dates
- 1813-1869
- Century
- 19th century
- Object Creation Date
- 1867
- Accession Number
- 1983/2.247
- Medium and Support
- hanging scroll, ink on silk
- relevance
- rank 2.21630
- Secondary Keywords
- upward
- animals
- animals and creatures
- architecture
- asia
- asian
- buildings and the land
- descriptors
- forms
- garden structures
- geography
- image-making processes and techniques
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by location or context
- single built works by specific type
- text-based art
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- woody plants
- writing (processes)
- Title
- Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Physical Description
- A highly abstracted photographic composition in which the viewer catches glimpses of a female nude seen in the stomach at center and the keyhole glimpse of a breast to the viewer's right; the overall composition is dark with patterned, textured overlapping fabrics
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934-1935; printed 1967
- Accession Number
- 1971/2.150.4
- Medium and Support
- clichés-verre on paper
- relevance
- rank 2.21576
- Secondary Keywords
- plucked
- visual arts
- artistic concepts
- associated concepts
- breasts
- chordophones
- concepts in the arts
- european
- european styles and periods
- figures
- figures (representations)
- forms of expression
- genres
- lutelike chordophones
- lutelike chordophones with short neck
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- photographs
- photographs by processing or presentation technique
- photographs by technique
- sound devices
- sound devices by acoustical characteristics
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Descent of the River Ganges
- Artist
- Artist Unknown, India, Central India, Bundelkhand
- Physical Description
- In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.
- Century
- 18th century
- Object Creation Date
- circa 1775
- Accession Number
- 1979/1.148
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 2.19054
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- descriptors
- earth sciences concepts
- forms
- geography
- image-making processes and techniques
- landscapes (environments)
- making art
- mammals
- natural landscapes
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious (people)
- religious concepts
- religious figures
- religious ideologies
- riverine bodies
- scientific concepts
- settlements and landscapes
- the natural world
- time
- Title
- Untitled [Child with straw leggings]
- Artist
- Saitô Kiyoshi
- Physical Description
- A child ventures out into the deep snow, holding up his broad leggings which are insulated with straw. Behind him, the house wall is plastered with two messages: "Careful with fire!" and "Felecitations for the Spring Equinox".
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- mid 20th century
- Accession Number
- 1998/2.31
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.17571
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume by form
- declaratory and advertising artifacts
- descriptors
- earth sciences concepts
- image-making processes and techniques
- information artifacts
- information artifacts by function
- information forms
- main garments
- main garments for the lower body
- object genres
- object genres by material
- objects we use
- open spaces and site elements
- people
- people (agents)
- people and culture
- people by age group
- physical activities
- physical activities by general context
- physical sciences concepts
- precipitation
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- site elements
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- writing (processes)
- youth
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.17279
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.17265
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.16804
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Manet's Olympia
- Artist
- Mel Ramos
- Physical Description
- A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
- Artist Life Dates
- born 1935
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 1991/2.102.1
- Medium and Support
- collotype on wove paper
- relevance
- rank 2.16492
- Secondary Keywords
- aesthetic concepts
- animals and creatures
- artistic concepts
- associated concepts
- buildings and the land
- child
- concepts in the arts
- family
- forms of expression
- herbaceous plants
- historical, theoretical and critical concepts
- how we live
- international post-1945 styles and movements
- landscapes (environments)
- mammals
- modern american styles and periods
- modern and contemporary art
- modern north american styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- post-1945 fine arts styles and movements
- psychological concepts
- relationships
- settlements and landscapes
- social science concepts
- styles and periods
- styles and periods by region
- the americas
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Vanitas (Still Life), with globe, skull, candle, tazza, and covered cup
- Artist
- Willem Claesz Heda
- Physical Description
- This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.
- Artist Life Dates
- 1594-1680
- Century
- 17th century
- Object Creation Date
- 1633-1635
- Accession Number
- 1965/2.55
- Medium and Support
- oil on panel
- relevance
- rank 2.16429
- Secondary Keywords
- animal material
- animal material by form or function
- candleholders
- candles and candleholders
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- furnishings
- furnishings by form or function
- information artifacts
- information artifacts by physical form
- information forms
- lighting devices
- lighting devices by form
- materials
- materials by origin
- objects we use
- people and culture
- renaissance-baroque styles and periods
- skeleton and skeleton components
- skeleton components
- still lifes
- styles and periods
- styles and periods by region
- vessels for serving and consuming food
- visual works
- visual works by subject type
- Title
- Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.
- Century
- 17th century
- Object Creation Date
- late 16th century - early 17th century
- Accession Number
- 1967/2.5
- Medium and Support
- hanging scroll, ink and light color on paper
- relevance
- rank 2.16420
- Secondary Keywords
- scale
- upward
- architecture
- asia
- asia (continent)
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- dwellings
- figures
- forms
- geographic and political locations
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- residential structures
- riverine bodies
- scroll paintings
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- waterscapes
- woody plants
- Title
- The Happy Life of Fishermen
- Artist
- Qian Gong (Ch'ien Kung)
- Physical Description
- A group of fishermen and families sit in reeds, resting, playing, drinking, eating, and chatting. Birds fly in the backgrounf, and the reeds bend under the wind. At top center is calligraphic text.
- Artist Life Dates
- (active Suzhou, ca. 1573 - ca. 1620)
- Century
- 17th century
- Object Creation Date
- 1610
- Accession Number
- 1985/2.29
- Medium and Support
- fan mounted as an album leaf, ink and color on gold paper
- relevance
- rank 2.13053
- Secondary Keywords
- books
- books by internal form
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- information artifacts
- information artifacts by physical form
- information forms
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by location
- physical activities by specific context
- plants
- scientists and people in science-related occupations
- settlements and landscapes
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- water activities
- watercraft
- watercraft by general type
- woody plants
- Title
- Hammock Reader
- Artist
- Milton Avery
- Physical Description
- Painting depicting a featureless female figure, in tones of aqua and light blue extending across the center of the canvas in a light gray hammock. There is a bright white shape, perhaps a book, in the middle of the figure. Behind the figure, the rest of the composition is organized in horizontal sections. At top, a yellow sky; below that are two gently-curved mountains in dark brown, followed by two horizontal planes of color in tan and light brown.
- Artist Life Dates
- 1885 - 1965
- Century
- 20th century
- Object Creation Date
- 1951
- Accession Number
- 1974/2.37
- Medium and Support
- oil on canvas
- relevance
- rank 2.12839
- Secondary Keywords
- upward
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- european
- european styles and periods
- figures
- form attributes
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- information artifacts
- information artifacts by physical form
- information forms
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- settlements and landscapes
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.11589
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.11163
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Digambara Jain manuscript page: Jina and devotees
- Artist
- Artist Unknown, India, Sirohi School
- Physical Description
- Multi-colored ink on paper. Reds and golds make up the primary focus colors and are accented by dark blues. Features five figures, two larger figures on the top half of the page and three smaller figures on the bottom. Scene of worship.
- Century
- 18th century
- Object Creation Date
- circa 18th century
- Accession Number
- 1975/2.177
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 2.11061
- Secondary Keywords
- layout features
- asian
- bowl-shaped drums
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- drums (membranophones)
- figures (representations)
- forms
- herbaceous plants
- illustrations
- illustrations by form
- images and ornament
- information form components
- landscapes (environments)
- layout features
- making art
- membranophones
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical activities
- physical activities by general context
- plants
- religious visual works
- settlements and landscapes
- sound devices
- sound devices by acoustical characteristics
- sound devices by function
- struck drums
- text-based art
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by function
- visual works by subject type
- woody plants
- Title
- Construction (Konstruktion)
- Artist
- László Moholy-Nagy
- Physical Description
- Two tall, rectangular intersecting planes, one black and one white, create the appearance of a tall, minimal structure. Vertical lines of black and white add to the structure, which at its base projects slightly into a rough square shape that seems to delineate a kind of ground or base. The space around the structure is ochre.
- Artist Life Dates
- Hungary, 1895-1946
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1957/1.30
- Medium and Support
- color lithograph on paper
- relevance
- rank 2.10181
- Secondary Keywords
- height
- transfer method
- visual arts
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- international post-1945 styles and movements
- lithographs
- mathematical concepts
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern german styles and movements
- multistory buildings
- objects we use
- people and culture
- plane figures
- planographic prints
- polygons
- post-1945 fine arts styles and movements
- prints
- prints by process
- prints by process or technique
- quadrilaterals
- scientific concepts
- single built works
- single built works by form
- single built works by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Orchids and Red Rock
- Artist
- Chang Ku-nien, Liu Yantao, Gao Yihong
- Physical Description
- A rough, red rock seems to grow out of the hillside, almost as organically as the orchids growing next to it. Calligraphic text is in the upper left corner.
- Century
- 20th century
- Object Creation Date
- 1980
- Accession Number
- 2006/1.132
- Medium and Support
- hanging scroll, ink and light color on paper
- relevance
- rank 2.09639
- Secondary Keywords
- artists
- asian
- buildings and the land
- chinese
- chinese painting styles
- chinese styles
- chinese styles and periods
- coating (material)
- coating by form
- descriptors
- east asian
- flowers (plants)
- forms
- herbaceous plants
- inorganic material
- landscapes (environments)
- making art
- materials
- materials by composition
- materials by function
- natural landscapes
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- plants
- scroll paintings
- settlements and landscapes
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Durango I
- Artist
- Sean Scully
- Physical Description
- Rectangles of offwhite and blue-grey, of various sizes, arranged on a grid.
- Artist Life Dates
- active b. 1945
- Century
- 20th century
- Object Creation Date
- 1991
- Accession Number
- 2002/2.54
- Medium and Support
- spitbite aquatint on paper
- relevance
- rank 2.09192
- Secondary Keywords
- transfer method
- visual arts
- abstraction
- artistic concepts
- associated concepts
- biting techniques
- concepts in the arts
- descriptors
- design elements
- etchings
- forms of expression
- geometric concepts
- geometric figures
- geometric patterns
- image-making processes and techniques
- intaglio prints
- international post-1945 styles and movements
- mathematical concepts
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- plane figures
- polygons
- post-1945 fine arts styles and movements
- printing and printing processes and techniques
- printing surface preparation techniques
- printing techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- quadrilaterals
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.09179
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Portrait of Princess Amelia, part of a series of portraits of King George III's Family
- Artist
- Anonymous
- Physical Description
- The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.
- Century
- 19th century
- Object Creation Date
- circa 1810
- Accession Number
- 2013/2.564.1
- Medium and Support
- pencil and wash on wove paper
- relevance
- rank 2.08448
- Secondary Keywords
- layout features
- aristocracy
- buildings and the land
- case furniture
- components
- components and systems
- components by specific context
- fortifications
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- groups of people
- illustrations
- illustrations by subject type
- images and ornament
- information artifacts
- information artifacts by physical form
- information form components
- information forms
- layout features
- nobility
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- rulers (people)
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- storage and display furniture
- upper class
- visual works
- visual works by subject type
- Title
- Rectangular Bronze Form No. 2
- Artist
- Robert Adams
- Physical Description
- Thin, double-side, H-shaped bronze sculpture. Each side is made up of a collection of rough rectangle shapes overlapping and butting up against one another. Two rectangle-shaped openings penetrate the piece.
- Artist Life Dates
- 1917-1984
- Century
- 20th century
- Object Creation Date
- circa 1953
- Accession Number
- 1954/2.40
- Medium and Support
- bronze with wood base
- relevance
- rank 2.08322
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- geometric shapes
- inorganic material
- materials
- materials by composition
- mathematical concepts
- metal
- metal and metal products
- metal by composition or origin
- metalworking and metalworking processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- non-representational art
- nonferrous metal
- objects we use
- people and culture
- plane figures
- polygons
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- quadrilaterals
- scientific concepts
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- Young Girl Dreaming (Jeune fille rêvant), Plate IX, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Physical Description
- A female figure reclines on a divan on her side with her back toward the viewer; Beneath the divan the dark background is lined with a diamond patterning. Behind the figure are textures suggesting pillows or other textiles.
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934-1935; printed 1967
- Accession Number
- 1971/2.150.9
- Medium and Support
- clichés-verre on paper
- relevance
- rank 2.08221
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- events
- figures
- figures (representations)
- forms of expression
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- personal life events
- photographs
- photographs by processing or presentation technique
- photographs by technique
- physical activities
- physical activities by general context
- sleeping and reclining furniture
- sound devices
- sound devices by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Northern Summer Window
- Artist
- Marsden Hartley
- Physical Description
- A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
- Artist Life Dates
- 1877 - 1943
- Century
- 20th century
- Object Creation Date
- 1936
- Accession Number
- 1949/2.89
- Medium and Support
- oil on canvas
- relevance
- rank 2.07981
- Secondary Keywords
- animals
- architecture
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- containers
- containers by form
- descriptors
- genres
- geographic and political locations
- herbaceous plants
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- marine bodies
- modern and contemporary art
- natural landscapes
- north and central america (continent)
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- plants
- processes and techniques
- processes and techniques by specific type
- seasons
- settlements and landscapes
- the natural world
- united states (nation)
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.07802
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Continuous
- Artist
- Edda Renouf
- Physical Description
- Several thin coats of blue-gray acrylic paint have been applied to primed linen canvas whose weave was altered by removing threads at more or less regular intervals. She then carefully sanded down the paint to highlight the new texture and make “visible the life within the linen material.” (artist’s statement (2009), http://www.eddarenouf.com/Statement.html)
- Artist Life Dates
- born 1943
- Century
- 20th century
- Object Creation Date
- 1976
- Accession Number
- 2008/2.255
- Medium and Support
- acrylic on canvas
- relevance
- rank 2.07249
- Secondary Keywords
- arts
- arts and related disciplines
- attributes and properties
- attributes and properties by specific type
- descriptors
- disciplines
- document genres
- document genres by form
- european
- european styles and periods
- humanities
- information forms
- international post-1945 styles and movements
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- paintings
- paintings by form
- people and culture
- performing arts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.06841
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.05049
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 2.02529
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.99200
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- Quilt with Central Diamond Pattern
- Artist
- Anonymous Amish, Lancaster County, Pennsylvania
- Physical Description
- A black diamond in the center is positioned within a lavender square surrounded by a pink frame. The entire is surrounded by thick frame of black.
- Century
- early 20th century
- Object Creation Date
- circa 1920
- Accession Number
- 2000/2.321
- Medium and Support
- cotton and wool
- relevance
- rank 1.98192
- Secondary Keywords
- visual arts
- abstraction
- animal material
- artistic concepts
- associated concepts
- bed coverings
- bedcovers
- christianity
- components
- components and systems
- components by specific context
- concepts in the arts
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings components
- coverings and hangings for furniture
- coverings and hangings for sleeping and reclining furnitur
- descriptors
- design elements
- fiber and fiber products
- fiber products
- forms of expression
- furnishings
- furnishings by form or function
- furnishings components
- geometric motifs
- hair
- hair and hair components
- hair by form
- keratinous material
- materials
- materials by form
- materials by origin
- materials by physical form
- motifs
- object genres
- object genres by material
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- protestantism
- quilt components
- religions
- religions and religious concepts
- textile materials
- textile materials by composition or origin
- visual and tactile
- Title
- Hercules
- Artist
- Albrecht Dürer
- Physical Description
- A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- circa 1498
- Accession Number
- 1956/1.78
- Medium and Support
- engraving on paper
- relevance
- rank 1.95457
- Secondary Keywords
- settlement area
- transfer method
- buildings and the land
- country houses
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- document genres
- document genres by form
- document genres for literary works
- dwellings
- houses
- houses by location
- houses by location or context
- image-making processes and techniques
- information forms
- intaglio prints
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- physical activities
- physical activities by general context
- plants
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- residential structures
- rural houses
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- wilderness
- woody plants
- youth
- Title
- The Famous Picnic at Val Kill
- Artist
- Ann Murfee Allen
- Physical Description
- Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.
- Artist Life Dates
- 1923 - 1995
- Century
- late 20th century
- Object Creation Date
- 1975
- Accession Number
- 2002/1.178
- Medium and Support
- oil on canvas
- relevance
- rank 1.92949
- Secondary Keywords
- american regions
- art genres
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- descriptors
- dwellings
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- how we live
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- north american
- objects we use
- people and culture
- people and occupations
- plants
- political and social issues
- residential structures
- sailing vessels by size
- seating furniture
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- single seating furniture
- standing
- styles and periods
- styles and periods by region
- support furniture
- tables (support furniture)
- tables by function
- the americas
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- woody plants
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.91884
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena