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Showing results for "people" in Secondary Keywords.
- Title
- Study for an Overdoor Decoration in the Sala Regia of the Vatican
- Artist
- Taddeo Zuccaro
- Physical Description
- This drawing depicts two addorsed female figures reclining on a triangular slope. The women are partly clothed, and the one on the left wears an elephant-shaped headpiece. Between their shoulders appears a blank escutcheon held by two putti. Nude men in the background strain to hold back piles of objects that include shields and spears.
- Artist Life Dates
- (1529 - 1566)
- Century
- 16th century
- Object Creation Date
- 1564
- Accession Number
- 1966/1.93
- Medium and Support
- pen and brown ink with brown wash on buff paper
- relevance
- rank 0.95714
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- concepts in the arts
- descriptors
- drawing and drawing techniques
- drawings
- drawings by function
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- italy (nation)
- lazio (region)
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- roma (province)
- symbolism
- visual works
- visual works by medium or technique
- Title
- Man with Apple Peeler, Virginia late 1930's / printed later
- Artist
- Arthur Rothstein
- Physical Description
- A black and white photograph of an older, bearded man with a large machine to peel apples. The man, wearing a straw hat, looks down at his hands as he works peeling the apple, whose skin hangs down in one long ribbon.
- Artist Life Dates
- 1915 - 1985
- Object Creation Date
- circa 1930
- Accession Number
- 2012/1.218
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95714
- Secondary Keywords
- accessories worn on the head
- costume
- costume accessories
- costume accessories worn
- descriptors
- food
- fruit
- headgear
- image-making processes and techniques
- materials
- materials by function
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- Title
- The Martyrdom of Sts. Valerian and Cecilia
- Artist
- Lorenzo Peracini
- Artist Life Dates
- 18th century
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1970/2.52
- Medium and Support
- pen and black and brown ink with gray wash, laid down
- relevance
- rank 0.95688
- Secondary Keywords
- animals
- army
- mammals
- mental activities
- military
- objects
- people and culture
- people and occupations
- religious figures
- swords
- the natural world
- weaponry
- Title
- Royal Attendant for a Buddhist Shrine (one of a pair)
- Artist
- Artist Unknown, Burma
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2005/1.448.2
- Medium and Support
- gilt and lacquered wood with glass and tin inlay
- relevance
- rank 0.95686
- Secondary Keywords
- aristocracy
- associated concepts
- groups of people
- nobility
- objects we use
- people
- people (agents)
- people and culture
- religions
- religions and religious concepts
- religious visual works
- social classes
- social classes by specific type
- social groups
- upper class
- visual works
- visual works by function
- Title
- Untitled
- Artist
- Sergio di Giusti
- Physical Description
- A sculpture with a man wrapped in cloths, covering his face. One arm is behind him, the other across his chest and is bare. The colors are reds, gold, blue and black paints. The sculpture has a base and it looks like a corner of a wall with the man standing on the end.
- Object Creation Date
- 1980
- Accession Number
- 2013/2.303
- Medium and Support
- bronze, wood, plaster, paint
- relevance
- rank 0.95681
- Secondary Keywords
- descriptors
- fiber and fiber products
- fiber products
- figures (representations)
- materials
- materials by form
- materials by physical form
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- textile materials
- textile materials by form
- visual works
- visual works by subject type
- Title
- Jina and a devotee from a Digambara Jain manuscript
- Artist
- Artist Unknown, India
- Physical Description
- Nude (Jina, center) and a devotees (nude on left, and other clothed figures) depicted in a folio of a Jain manuscript.
- The image contains trees, lotus flowers and dark clouds. The the colors are composed of vivid reds, browns, yellows, greens and blues. The image is surrounded by a red and green pattereed border which resembles a chain.
- Century
- 18th century
- Object Creation Date
- circa 18th century
- Accession Number
- 1975/2.174
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 0.95558
- Secondary Keywords
- buildings and the land
- descriptors
- design elements
- herbaceous plants
- landscapes (environments)
- motifs
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical activities
- physical activities by general context
- plant-derived motifs
- plants
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Democritus in Meditation
- Artist
- Salvator Rosa
- Physical Description
- A bearded man sits in a cemetery upon a stone block and leans on a sarcophagus with his head in his hand. A book sits in his lap. Sarcophagi, obelisks, and funerary urns surround him. The bones and body parts of humans and animals along with a discarded helmet and books are strewn across the foreground.
- Artist Life Dates
- 1615-1673
- Century
- 17th century
- Object Creation Date
- 1615-1673
- Accession Number
- 1959/1.126
- Medium and Support
- etching with drypoint on laid paper
- relevance
- rank 0.95540
- Secondary Keywords
- animal material
- animal material by form or function
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- events
- image-making processes and techniques
- intaglio printing processes
- materials
- materials by origin
- people
- people (agents)
- people and culture
- people by occupation
- people in the humanities
- personal life events
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- skeleton and skeleton components
- skeleton components
- Title
- Krishna massaging the feet of Radha (a scene from the Gita Govinda?)
- Artist
- Artist Unknown, India, Punjab Hills, Mankot School
- Physical Description
- Bold colors depict Krishna, one of human manifestations of the Hindu god Vishnu, is seated with a woman, Radha, above him. He touches her leg, and the tips of her hands and feet glow red. She sits erect and holds a large flower, looking straight off the left edge of the picture. The two are framed in an architectural structure.
- Century
- 18th century
- Object Creation Date
- circa 1730
- Accession Number
- 1979/1.160
- Medium and Support
- ink, opaque watercolor, gold, and beetle thorax casings on paper
- relevance
- rank 0.95500
- Secondary Keywords
- image form
- associated concepts
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- herbaceous plants
- landscapes (environments)
- legs
- lower body
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by state or condition
- plants
- religions
- religions and religious concepts
- settlements and landscapes
- the human body
- vegetation and vegetation components
- vegetation components
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- woody plants
- Title
- Watching Geese
- Artist
- Chang Ku-nien
- Physical Description
- This landscape makes use of the wide range of tones possible from black ink and water. A man stands in a mountain clearing, gazing at geese in the distance. Calligraphic text is written vertically in the upper left corner.
- Artist Life Dates
- 1906-1987
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.124
- Medium and Support
- hanging scroll, ink on paper
- relevance
- rank 0.95382
- Secondary Keywords
- buildings and the land
- coating (material)
- coating by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- information forms
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by gender
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Bar on the Beach, from "Galveston, Texas"
- Artist
- Danny Lyon
- Physical Description
- Interior of a room with mesh screened windows. On the wall is a pay phone, ont he table is an ashtray and a stuffed bird, with the wings raised. Two kids are in the other room, viewable through the screen.
- Artist Life Dates
- b. 1942
- Object Creation Date
- 1967; printed 2010
- Accession Number
- 2013/2.349
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95382
- Secondary Keywords
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- exterior covered spaces
- people
- people (agents)
- people and culture
- people by family relationship
- residential structures
- rooms and spaces
- rooms and spaces by location or context
- single built works
- single built works by function
- single built works by specific type
- Title
- Durante el Viaje...
- Artist
- Fernando Ramos Prida
- Physical Description
- This print shows an abstract human form with a large head. The features are created by brown striations and the figure is surrounded by a brownish background. There is a circular form in the upper right corner of the work.
- Artist Life Dates
- b. 1937
- Object Creation Date
- 1967
- Accession Number
- 2010/2.34
- Medium and Support
- intaglio on paper
- relevance
- rank 0.95316
- Secondary Keywords
- european
- european styles and periods
- figures (representations)
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Buddha, seated in the padmasana pose, in bhumisparsa mudra
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A hollow cast bronze sculpture of the Buddha, including a lotus base. The bronze has a dark, shiny patina over most of its surface.
- The Buddha sits with his legs crossed in the padmasana pose; his right hand reaches down, palm inwards, to touch the earth, in an elegant gesture with just the tip of his third finger making contact, while his right hand rests in his lap. His torso is tall and erect. His dhoti (a skirt-like garment) is tied high on his torso, while his outer robe covers his left shoulder completely and just brushes against his right shoulder. His face is shaped like a tall and narrow "U," with wide, gently arching brows, downcast eyes under swelling lids, a long and high nose, and full, cupid's-bow lips. The urna, an auspicious mark on his forehead, is indicated here by a small bump with an incised outline. His hair is arranged in rows of snail-shell curls, which are repeated in a larger size on his ushnisha, culminating in a lotus bud.
- The upward-pointing lotus petals on the dais are in high relief, with curling tips.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1995/1.58
- Medium and Support
- bronze
- relevance
- rank 0.95313
- Secondary Keywords
- asian
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by function
- visual works by subject type
- Title
- Elephant Mask (mbap mteng)
- Artist
- Artist Unknown, African, Bamileke Peoples, Cameroon
- Physical Description
- Face mask embroidered extensively wtih glass beads. Two long panels hang down the front and back of the wearer. Humanoid face at top has two round eye holes allowing the wearer to see, a strip of fabric for nose and open, upturned mouth. Ears are protruding disks attached on either side of the face . Top of the head is covered with small, corklike knobs covered with black cloth. The beadwork is predominantly green, with intricate, scallop-shaped patterns along edge of panels, and vertical, star-like patterns filling center of the panels. Interior of panels is lined with damask.
- Century
- 20th century
- Object Creation Date
- 1950-1999
- Accession Number
- 1997/1.319
- Medium and Support
- cloth, glass beads, fiber
- relevance
- rank 0.95306
- Secondary Keywords
- animals and creatures
- aristocracy
- associated concepts
- beads and sets of beads
- costume
- costume by function
- descriptors
- events
- groups of people
- mammals
- masks (costume)
- nobility
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- political concepts
- social classes
- social classes by specific type
- social groups
- social science concepts
- social status
- sociological concepts
- upper class
- Title
- Untitled, #78, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- A side view of a nude woman with her left leg raised. Her body is against a wooden board and she is leaning forward.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 2011
- Accession Number
- 2013/2.368
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Untitled, #96, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- A side view of a nude woman with one leg straight and the other bent back. She is leaning forward.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 2007
- Accession Number
- 2013/2.370
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Untitled, #47, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- The rear view of a nude woman, lower back down. Her left leg is lifted and the right is straight. Her body is very overexposed and the background is very dark.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 2009
- Accession Number
- 2013/2.365
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Untitled, #56, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- Bare leg and foot being outstretched towards the viewer. The background is very dark.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 1991
- Accession Number
- 2013/2.367
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Untitled, #95, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- A nude woman and an arched column. Her back is arched and she has her right hand on the column leaning into it.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 2008
- Accession Number
- 2013/2.369
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Untitled, #55, from "Infanta Series"
- Artist
- Ralph Gibson
- Physical Description
- A nude woman from the top of the chest to the knees leaning up against a wooden fence. The rustic fence is held together by tounge and groove joints.
- Artist Life Dates
- b. 1939
- Object Creation Date
- 1994
- Accession Number
- 2013/2.366
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.95262
- Secondary Keywords
- image form
- descriptors
- figures (representations)
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by form
- visual works by subject type
- Title
- Dakini
- Artist
- Artist Unknown, Nepal
- Physical Description
- A small stone sculpture in bas-relief, depicting a tantric goddess. The back of the image is carved in a stylized petal shape, while the figure is crudely carved in relief on the front.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1983/1.111
- Medium and Support
- stone
- relevance
- rank 0.95205
- Secondary Keywords
- animal material
- animal material by form or function
- asian
- associated concepts
- descriptors
- materials
- materials by origin
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- skeleton and skeleton components
- skeleton components
- south asian
- styles and periods
- styles and periods by region
- Title
- Japanese Beauty in a Red Maple Leaf Robe
- Artist
- Yamaguchi Soken (Sojun)
- Physical Description
- This image is of a lone female figure centrally located on the scroll. The dominate color of the image is red. The figure's outer kimono is decorated with red and gold maple leaves.
- Artist Life Dates
- 1759-1818
- Century
- 19th century
- Object Creation Date
- early 19th century
- Accession Number
- 1985/2.7
- Medium and Support
- hanging scroll, ink and color on silk
- relevance
- rank 0.95204
- Secondary Keywords
- aesthetic concepts
- asia (continent)
- asian
- associated concepts
- buildings and the land
- costume
- costume by form
- deciduous trees
- east asian
- geographic and political locations
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- prostitutes
- scroll paintings
- settlements and landscapes
- styles and periods
- styles and periods by region
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Death of the Virgin (reverse copy after Schongauer)
- Artist
- Israhel Meckenem
- Physical Description
- A four-poster bed with curtains drawn back within an interior is angled towards the viewer, showing a woman reclined on the bed and attended by numerous figures. A lighted taper is placed in her hands, with assistance of a young man on the left side of the bed. Others of the figures stand or kneel with figures hands clasped in prayer; at the lower left corner are two men kneeling at the foot of the bead looking at a book of prayers. The overall effect is concern and movement around the still figure of the woman.
- Artist Life Dates
- d. 1503
- Century
- Late 15th century
- Object Creation Date
- circa 1490-1500
- Accession Number
- 1960/2.46
- Medium and Support
- engraving on fine off-white laid paper
- relevance
- rank 0.95111
- Secondary Keywords
- layout features
- animals and creatures
- candles and candleholders
- components
- components and systems
- components by specific context
- furnishings
- furnishings by form or function
- illustrations
- illustrations by form
- images and ornament
- information form components
- layout features
- legendary creatures
- lighting devices
- lighting devices by form
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- Title
- Head of a bodhisattva
- Artist
- Saitô Kiyoshi
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- 1955
- Accession Number
- 1959/2.4
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.95012
- Secondary Keywords
- image form
- associated concepts
- buddhist doctrinal concepts
- doctrinal concepts
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious concepts
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Le Follet
- Artist
- Gabrielle Toudaesq
- Physical Description
- This colored engraving features two women in elaborate dress on a beach with a wavy ocean behind them. The woman on the left wears a blue dress accented with pink and a hat in the same colors. The woman on the right wears a beige dress accented in brown and white and a hat in the same colors decorated with flowers. She also holds a small parasol above her head. The women appear engaged in conversation as they both gesture with their hands. In the distance in the water on the right there are three ships. On the left in the distance a rock formation is depicted.
- Object Creation Date
- circa 1870
- Accession Number
- 2012/2.203
- Medium and Support
- wood engraving with hand coloring on paper
- relevance
- rank 0.95012
- Secondary Keywords
- accessories worn on the head
- associated concepts
- costume
- costume accessories
- costume accessories carried
- costume accessories worn
- costume by form
- culture and related concepts
- culture-related concepts
- descriptors
- headgear
- inorganic material
- main garments
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- Title
- La Mode élégante
- Artist
- V. Muchot
- Physical Description
- This colored engraving depicts two women in elaborate dress examining an illustration in an interior space. The woman on the left has her back turned to the viewer. She is wearing a dark green dress with an exaggerated bustle. Her head is topped with a green hat decorated with pink ribbons and flowers. She holds an image on paper, which both figures contemplate. The woman on the right is shown in profile and outfitted in a lavender dress that also features an exaggerated bustle. She wears a black hat decorated with lavender flowers and green leaves.
- Object Creation Date
- circa 1870
- Accession Number
- 2012/2.202
- Medium and Support
- wood engraving with hand coloring on paper
- relevance
- rank 0.94914
- Secondary Keywords
- accessories worn on the head
- associated concepts
- costume
- costume accessories
- costume accessories worn
- costume by form
- culture and related concepts
- culture-related concepts
- headgear
- main garments
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- Title
- White Mountains in September, North Conway, New Hampshire
- Artist
- Sylvester Phelps Hodgdon
- Physical Description
- Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
- Artist Life Dates
- 1830 - 1906
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1895.57
- Medium and Support
- oil on canvas
- relevance
- rank 0.94912
- Secondary Keywords
- downward
- upward
- americas
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- grass (plant material)
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- mammals
- materials
- materials by origin
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- plant material
- plants
- scientific concepts
- scientists and people in science-related occupations
- service and utility vehicles
- settlements and landscapes
- the natural world
- transportation vehicles
- united states
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- Title
- The Labors of Hercules: The Lernean Hydra (one of the set of 13 prints)
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1550
- Accession Number
- 1956/1.64
- Medium and Support
- engraving on paper
- relevance
- rank 0.94882
- Secondary Keywords
- allegory and literature
- animal material
- animal material by form or function
- animals and creatures
- buildings and the land
- clubs
- descriptors
- figures
- figures (representations)
- geography
- iconography
- inorganic material
- landform components
- landforms and landform components
- landscapes (environments)
- legendary creatures
- materials
- materials by composition
- materials by origin
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- settlements and landscapes
- skeleton and skeleton components
- visual works
- visual works by subject type
- Title
- Markendeya purana series: Vishnu reclining on a serpent (Anantashayana), with other deities in attendance
- Artist
- Artist Unknown, India, Northern Andhra Pradesh
- Physical Description
- The four-armed Vishnu is shown lying on the serpent Ananta (“the endless one”), resting on the surface of the cosmic ocean. As his female consort gently strokes his leg, Vishnu awakens from a long sleep. From his navel sprouts a lotus, bearing the four-headed creator god, Brahma, who will begin a new cycle of the universe.
- Century
- 18th century
- Object Creation Date
- late 18th century
- Accession Number
- 1980/2.305
- Medium and Support
- ink, opaque watercolor, and gold on cloth
- relevance
- rank 0.94829
- Secondary Keywords
- animals
- animals and creatures
- descriptors
- geography
- hindu
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- named gods and goddesses
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- religion
- religions
- reptiles
- reptiles and amphibians
- subject matter
- the natural world
- Title
- Bodhisattva Tara (Tibetan, Jetsun Dolma)
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A suberply cast hollow bronze figure of Tara, a Buddhist goddess, shown leated in the lalitasana pose ("royal ease," with one knee bent and the other relaxed), her right hand extended to her right knee in vara mudra (the gesture of charity), and her left hand in vitarka mudra (the gesture of teaching, with the thumb and third finger brought together). She wears a dhoti and jewelry, including an elaborate tiara and enormous lotus-petal design ear plugs. Her face has a broad, open forehead, with wide, slightly arching brows; her eyes are downcast with "s"-shaped upper lids; her nose is straight and long, and her mouth, in a curved Cupid's bow shape, is small but full. Her torso leans slightly to her left, which is balanced by the right tilt of her head. She sits on a double lotus dais with beaded upper and lower rims. The image and the base were case in one piece in the lost-wax method. There are traces of red paint for her mouth and blue paint for her hair.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1972/2.40
- Medium and Support
- gilt bronze with inlaid semi-precious stones and traces of polychrome
- relevance
- rank 0.94806
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Emancipation Group
- Artist
- Thomas Ball
- Physical Description
- Bronze sculpture of a standing male figure his right hand holding a shield which rests upon a stack of book while his left arm is outstretched hovering over the crouching figure of an African American male figure.
- Artist Life Dates
- 1819-1911
- Century
- 19th century
- Object Creation Date
- 1865
- Accession Number
- 1895.13
- Medium and Support
- bronze
- relevance
- rank 0.94806
- Secondary Keywords
- armor (protective wear)
- armor by form
- costume
- costume by function
- information artifacts
- information artifacts by physical form
- information forms
- objects
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- protective wear
- visual works
- visual works by medium or technique
- weaponry
- Title
- Unidentified Buddhist Goddess with eight arms and three heads, with base
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A miniature figure of a tantric goddess, very finely cast by the cire perdue (lost wax) method. The goddess is shown seated in lalitasana pose ("royal ease," one knee bent and the other relaxes) on a lotus dais, which is separately cast. She has 8 arms which are in variants of vitarka mudra (the gesture of teaching). She has three heads, with the two lateral heads seen here as partial profiles; each wears the five-petal tiara of Tibetan Buddhist ritual. Her skirt is unusual, looking to be made of leaves, instead of the usual dhoti. Her hair is painted blue and her lips red.
- Accession Number
- 2006/2.64A&B
- Medium and Support
- copper? with blue paint for hair and red for lips
- relevance
- rank 0.94806
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- After Manet, from May Days Long Forgotten
- Artist
- Carrie Mae Weems
- Physical Description
- Black and white photograph in circular format depicting four young African American girls wearing floral dresses lounging on a blanket in the grass.
- Artist Life Dates
- b. 1953
- Century
- 21st century
- Object Creation Date
- 2002
- Accession Number
- 2004/2.3
- Medium and Support
- chromogenic color print on paper
- relevance
- rank 0.94726
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- historical, theoretical and critical concepts
- materials
- materials by origin
- modern american styles and periods
- modern north american styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- plant material
- styles and periods
- styles and periods by region
- the americas
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Buddha or Maitreya, seated in cross-legged pose, on dias with incised incense burner and figures of two donors
- Artist
- Artist Unknown, China
- Century
- Late 6th century
- Object Creation Date
- late 6th century
- Accession Number
- 1961/2.75
- Medium and Support
- gilt bronze
- relevance
- rank 0.94683
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Portrait of Princess Amelia, part of a series of portraits of King George III's Family
- Artist
- Anonymous
- Physical Description
- The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.
- Century
- 19th century
- Object Creation Date
- circa 1810
- Accession Number
- 2013/2.564.1
- Medium and Support
- pencil and wash on wove paper
- relevance
- rank 0.94654
- Secondary Keywords
- layout features
- aristocracy
- buildings and the land
- case furniture
- components
- components and systems
- components by specific context
- fortifications
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- groups of people
- illustrations
- illustrations by subject type
- images and ornament
- information artifacts
- information artifacts by physical form
- information form components
- information forms
- layout features
- nobility
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- rulers (people)
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- storage and display furniture
- upper class
- visual works
- visual works by subject type
- Title
- Boys Head
- Artist
- Isabel Bishop
- Physical Description
- This brown ink sketch is of a boy gazing to his right with his mouth and eyes slightly open. He wears a pointed hat that covers his forehead.
- Artist Life Dates
- 1902-1988
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 2009/1.477
- Medium and Support
- ink
- relevance
- rank 0.94644
- Secondary Keywords
- descriptors
- image-making processes and techniques
- intaglio printing processes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by subject type
- Title
- Baigneuse Assise
- Artist
- Pierre Auguste Renoir
- Physical Description
- Woven paper size: h 32 1/2cm x tw 24cm & bw 23 9/10cm. Laid paper size: h 21 9/10cm x w 13 3/5cm.
- Artist Life Dates
- 1841-1919
- Accession Number
- 2008/2.416
- Medium and Support
- etching and soft-ground on cream laid paper
- relevance
- rank 0.94634
- Secondary Keywords
- transfer method
- descriptors
- figures (representations)
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Untitled [Two children with a snow shovel]
- Artist
- Saitô Kiyoshi
- Physical Description
- This print depicts two children in the snow with a snow shovel.
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- mid 20th century
- Accession Number
- 1998/2.32
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.94602
- Secondary Keywords
- asia (continent)
- associated concepts
- construction equipment
- earth sciences concepts
- earthmoving equipment
- economic concepts
- equipment
- equipment by process
- geographic and political locations
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- physical sciences concepts
- precipitation
- scientific concepts
- seasons
- shovels
- social science concepts
- tools and equipment
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- youth
- Title
- Old Man and The Green Mountain (Ch'ing-shan lao-fu)
- Artist
- Shitao (Shih-t'ao)
- Physical Description
- An ink painting of a mountainscape with hills and abstract paths. Trees are depicted in darker shades, though most do not hold any detail. The image is in the lower half of the hanging scroll, and the upper half is covered with text. The image is entirely grey-scale.
- Artist Life Dates
- 1642-1707
- Century
- 17th century
- Object Creation Date
- circa 1671-1707
- Accession Number
- 1959/2.82
- Medium and Support
- ink on paper
- relevance
- rank 0.94596
- Secondary Keywords
- upward
- buildings and the land
- descriptors
- image-making processes and techniques
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by composition
- natural landscapes
- people
- people (agents)
- people and culture
- people by state or condition
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- The Fifty-Three Stations of the Tokaido (Gyôsho Edition): #40 Chiriu
- Artist
- Andô Hiroshige
- Physical Description
- Woodcut print. Title in a red rectangle in the upper right hand corner of the print. Colors are primarily greens and blues for the landscape and clothing, while the hats and straw mats are a faded yellow, and the trees are a solid brown.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1841-1842
- Accession Number
- 1949/1.136
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.94583
- Secondary Keywords
- transfer method
- buildings and the land
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Grand Interior View of a Courtesan House in the Yoshiwara District (Yoshiwara o-magaki no zu, one of pentaptych)
- Artist
- Katsushika Hokusai
- Physical Description
- A print of 15 women inside a building dressed in various kimono with the predominant colors being grey, red, black, and green. Some of the kimono also have orange coloring. The patterns and designs on the kimono vary from images of flowers to geometric designs. One male is kneeling towards the back and another man can be seen in the background leaving the room. Two women to the very back and left of the image appear to be adjusting their makeup. Three women to the front sit around a tea set (partially visable) and two women to their right are whispering to each other.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1811-1813
- Accession Number
- 1938.3
- Medium and Support
- woodblock print on paper, ôban tate-e size
- relevance
- rank 0.94551
- Secondary Keywords
- building divisions
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- costume
- costume by form
- dwellings
- main garments
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- physical activities
- physical activities by general context
- prostitutes
- residential structures
- rooms and spaces
- rooms and spaces by location or context
- service industry buildings
- single built works
- single built works by function
- single built works by specific type
- Title
- Portrait of Zeretelli II
- Artist
- Max Beckmann
- Physical Description
- Print featuring the head of a Caucasian man with short dark hair. Text written along a diagonal in lower right.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1949/1.185
- Medium and Support
- lithograph on paper
- relevance
- rank 0.94520
- Secondary Keywords
- european
- european styles and periods
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Royal Elephant Mask (Bajoun)
- Artist
- Artist Unknown, African, Cameroon, Bamileke
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.305
- Medium and Support
- cloth with multi-colored beadwork
- relevance
- rank 0.94491
- Secondary Keywords
- african
- african styles by region
- animals
- animals and creatures
- aristocracy
- beads and sets of beads
- beadwork
- cameroon grassfields
- cameroon styles
- costume
- costume by function
- descriptors
- groups of people
- mammals
- nobility
- object genres
- object genres by form
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- social classes
- social classes by specific type
- social groups
- styles and periods
- styles and periods by region
- the natural world
- upper class
- west african styles
- Title
- Pope Sixtus IV (obverse), and the Ponte Sisto (reverse)
- Artist
- Lysippus
- Physical Description
- The front (obverse) of this medal depicts the profile portrait of a man with a tonsure, wearing a cope adorned with acorns and oak leaves and a large clasp. An inscription runs around the border. The reverse represents a bridge spanning a river enclosed within a border of oak leaves. An inscription appears above the balustrade of the bridge.
- Artist Life Dates
- active 1471-1484
- Century
- 15th century
- Object Creation Date
- 1473
- Accession Number
- 1984/1.285
- Medium and Support
- cast bronze
- relevance
- rank 0.94460
- Secondary Keywords
- image form
- buildings and the land
- christian clergy
- clergy
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- As Long as I Don't Have to Get Up Before 11:00
- Artist
- Mark Kostabi
- Physical Description
- Ink drawing on paper. Black wash ground, with two figures drawn in opaque black ink. A comic figure who is shirtless and in boxers, with his beer belly hanging out, and whose pointy rimmed hat is reminiscent of the scarecrow in the Wizard of Oz, dances at the center of an ominous scene. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, but no cradle. The scene is possibly set in a graveyard; the edifice silhouetting behind the scarecrow figure is shaped like a headstone.
- Artist Life Dates
- born 1960
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2008/2.240
- Medium and Support
- ink on paper
- relevance
- rank 0.94428
- Secondary Keywords
- layout features
- animals and creatures
- architectural elements
- architectural elements by building type
- buildings and the land
- built complexes and districts
- business and related functions
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- drawings
- drawings by technique
- functions
- functions (activities)
- functions by specific context
- funerary structures
- images and ornament
- information form components
- layout features
- legendary creatures
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- sepulchral monuments
- single built works
- single built works by function
- single built works by specific type
- system components
- telecommunication systems components
- visual works
- visual works by medium or technique
- Title
- Effigy Head
- Artist
- Artist Unknown, African, Idoma
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1982/2.61
- Medium and Support
- carved wood with paint
- relevance
- rank 0.94419
- Secondary Keywords
- african
- african styles by region
- biological components
- components
- components and systems
- components by specific context
- figures (representations)
- igbo region
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- southern nigerian styles
- styles and periods
- styles and periods by region
- the human body
- upper body
- visual works
- visual works by subject type
- west african styles
- Title
- Six-armed Bodhisattva Mañjusri, standing, with two celestial attendants
- Artist
- Artist Unknown, India
- Physical Description
- Mañjusri, the Bodhisattva of Wisdom, standing with two celestial attendants. This representation of Manjushri includes six arms, one of which holds a sword, while a narrow book (modeled after books made from palm leaves) lays across his upper hand. Manjushri is wearing an ornamented crown and necklace, and is encircled by a halo of flames.
- Century
- 17th-18th century
- Object Creation Date
- 17th century
- Accession Number
- 1978/2.109
- Medium and Support
- bronze
- relevance
- rank 0.94419
- Secondary Keywords
- asian
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- edged weapons
- motifs
- natural element motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- south asian
- styles and periods
- styles and periods by region
- weapons
- weapons and ammunition
- Title
- Happy Couple
- Artist
- Mike Disfarmer
- Physical Description
- A seated couple seen from the waist up. He wears a short sleeve collared shirt and leans to his left, towards the woman. His left arm is around her back. She is to the viewer's right and wears a short sleeve button up shirt. Her arms are bent at the elbows and held in front of her.
- Artist Life Dates
- American, 1884 - 1959
- Object Creation Date
- circa 1940
- Accession Number
- 2012/2.26
- Medium and Support
- vintage gelatin silver contact print on paper
- relevance
- rank 0.94321
- Secondary Keywords
- components and systems
- descriptors
- image-making processes and techniques
- object groupings
- object groupings and systems
- object groupings by general context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- sets (groups)
- visual works
- visual works by medium or technique
- Title
- Vachere au Bord de l'Eau
- Artist
- Camille Pissarro
- Physical Description
- A woman sits at the left on a grassy bank looking at a group of cows standing in water. Behind are trees and a hill rising up in the distance.
- Possible watermark at center left (of verso); image shows a fleur de lis over a triangle. Paper size: lh 26 2/5cm & rh 26 1/2cm x w 19 1/2cm. Plate size: lh 19 7/10cm & rh 19 9/10cm x w 13 2/5cm. Image size: lh 19 1/10cm & rh 19cm x tw 12 2/5cm & bw 12 1/2cm.
- Artist Life Dates
- 1830-1903
- Accession Number
- 2008/2.401
- Medium and Support
- etching and drypoint printed in brown/black ink on light blue laid paper
- relevance
- rank 0.94307
- Secondary Keywords
- transfer method
- animals and creatures
- buildings and the land
- descriptors
- image-making processes and techniques
- intaglio prints
- mammals
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- Mother and Children in Garden
- Artist
- Artist Unknown
- Physical Description
- Sticker added to front of the print stamped with the numbers "1345". Colors: green, blue, purple, peach, yellow. Paper size: lh 44 & rh 44 1/5cm x tw 61 2/5cm & bw 61 3/10cm. Plate & Image Size: lh 30 4/5cm & rh 30 3/5cm x tw 45 3/5cm & bw 45 2/5cm.
- Accession Number
- 2008/2.442
- Medium and Support
- color etching, aquatint and soft-ground on Arches beige laid paper
- relevance
- rank 0.94293
- Secondary Keywords
- transfer method
- buildings and the land
- descriptors
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- parents
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- youth
- Title
- Pumpkin Renee, from "Galveston, Texas"
- Artist
- Danny Lyon
- Physical Description
- An African American woman laying on a bed leaning against a wooden headboard. She has a blanket over her body with a record "Make Way for Dionne Warwick."
- Artist Life Dates
- b. 1942
- Object Creation Date
- 1967; printed 2010
- Accession Number
- 2013/2.350
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.94278
- Secondary Keywords
- building divisions
- components
- components and systems
- components by specific context
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- rooms and spaces
- rooms and spaces by function
- sleeping and reclining furniture
- sleeping spaces