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Showing results for "modern european styles and movements" in Secondary Keywords.
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.56425
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)
- Artist
- George Grosz
- Physical Description
- In the top left corner a house lies on top of a hill of sand dunes covered with grasses, with the ocean to the right and storm clouds swirling overhead
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1949
- Accession Number
- 1954/1.112
- Medium and Support
- lithograph on paper
- relevance
- rank 15.55123
- Secondary Keywords
- relation to water
- associated concepts
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- eolian landforms
- european
- european styles and periods
- events
- geography
- landforms
- landforms and landform components
- landforms by formation process
- landforms by position
- landforms by shape or position
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- natural events
- natural landscapes
- people and culture
- physical sciences concepts
- plant material
- residential structures
- scientific concepts
- settlements and landscapes
- shores (landforms)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- weather and related phenomena
- weather-related phenomena
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- relevance
- rank 15.54484
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- Mantel clock with a priestess and Cupid offering a sacriffice to Venus
- Artist
- Joseph Buzot
- Physical Description
- The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
- Century
- 18th century
- Object Creation Date
- circa 1780
- Accession Number
- 2001/2.82
- Medium and Support
- gilded bronze, ebony, porcelain, and glass
- relevance
- rank 15.52089
- Secondary Keywords
- additive and joining processes and techniques
- altars and altar components
- animals and creatures
- architectural elements
- architectural elements by building type
- birds
- ceremonies
- components
- components and systems
- components by specific context
- descriptors
- design elements
- enclosing structural elements
- european
- european styles and periods
- events
- figure- and animal-derived motifs
- measuring devices
- measuring devices for extent
- metallizing
- modern european regional styles and movements
- modern european styles and movements
- modern french styles and movements
- modern french styles by reign
- motifs
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religious building fixtures
- religious ceremonies
- sculpture
- sculpture by material
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- timepieces
- timepieces by form
- visual works
- visual works by medium or technique
- wall components
- wall components by form or function
- walls and wall components
- Title
- Untitled (Head)
- Artist
- Michael Lucero
- Physical Description
- White earthenware “sleeping” head lying on its right cheek (right ear omitted to lay flat) with a geometric section of crown removed. The cut at the head is painted terra cotta, the cut at the neck painted with a landscape of a tree at the edge of a cliff. A forest scene set against pink mountains covers the face, and desert rock formations in silhouette cover the back of the head.
- Artist Life Dates
- (1953 - )
- Century
- 20th century
- Object Creation Date
- circa 1985
- Accession Number
- 2008/2.245
- Medium and Support
- glazes on white earthenware
- relevance
- rank 15.31780
- Secondary Keywords
- upward
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- european
- european styles and periods
- events
- heads
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- object genres
- object genres by material
- objects we use
- people and culture
- personal life events
- physical activities
- physical activities by general context
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- the human body
- upper body
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- wilderness
- woody plants
- Title
- Seated Harlequin (L'Arlequin assis)
- Artist
- Juan Gris
- Physical Description
- A massive harlequin figure, depicted in purples, greens, and yellow, sits in a chair at center, wearing a hat. A plate sits on the left armrest of the chair. The central composition of the seated harlequin is contained within a circular framework.
- Artist Life Dates
- 1887-1927
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1994/1.71
- Medium and Support
- oil on canvas
- relevance
- rank 15.30383
- Secondary Keywords
- descriptors
- european
- european styles and periods
- figures
- image-making processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Hammock Reader
- Artist
- Milton Avery
- Physical Description
- Painting depicting a featureless female figure, in tones of aqua and light blue extending across the center of the canvas in a light gray hammock. There is a bright white shape, perhaps a book, in the middle of the figure. Behind the figure, the rest of the composition is organized in horizontal sections. At top, a yellow sky; below that are two gently-curved mountains in dark brown, followed by two horizontal planes of color in tan and light brown.
- Artist Life Dates
- 1885 - 1965
- Century
- 20th century
- Object Creation Date
- 1951
- Accession Number
- 1974/2.37
- Medium and Support
- oil on canvas
- relevance
- rank 15.27961
- Secondary Keywords
- upward
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- european
- european styles and periods
- figures
- form attributes
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- information artifacts
- information artifacts by physical form
- information forms
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- settlements and landscapes
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Untitled (Dollhouse); from the 2002 Peter Norton Family Christmas Project
- Artist
- Yinka Shonibare
- Physical Description
- Dollhouse replica of a two-storey Victorian-style flat in the East End of London. The façade is red brick with white molding. The upper storey has two tall windows that face onto the street; the door into the flat is on the left, and to the right of it is a large bay window. The split-level interior holds a bedroom and parlor, both of which are decorated with wallpaper and furnishings, including cabinets, chairs, tables, fireplaces, and a canopy bed. Reproductions of paintings by Shonibare and Jean-Honoré Fragonard hang on the walls. A seal on the right-facing outside wall reads: “Yinka Shonibare, artist, lives here.”
- Artist Life Dates
- born 1962
- Century
- 20th century
- Object Creation Date
- 2002
- Accession Number
- 2008/2.256
- Medium and Support
- resin, plastic, wood, paper and fabric
- relevance
- rank 15.21866
- Secondary Keywords
- architectural elements
- associated concepts
- british
- case furniture
- components
- components and systems
- components by specific context
- culture and related concepts
- culture-related concepts
- derivative objects
- descriptors
- england (country)
- europe (continent)
- european
- european regions
- european styles and periods
- fireplaces and fireplace components
- furnishings
- furnishings by form or function
- furniture by form or function
- geographic and political locations
- greater london (metropolitan area)
- heating and cooking elements
- image-making processes and techniques
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- object genres
- object-making processes and techniques
- objects we use
- originals and derivative objects
- paintings
- paintings by form
- people and culture
- processes and techniques
- processes and techniques by specific type
- recreation
- recreational artifacts
- recreational artifacts for noncompetitive activities
- sculpture techniques
- seating furniture
- single seating furniture
- sleeping and reclining furniture
- storage and display furniture
- styles and periods
- styles and periods by region
- support furniture
- united kingdom (nation)
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.18988
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Bounded on the West by the Land Under Water
- Artist
- Kay Sage
- Physical Description
- Four spare industrial structures rise at different angles into an empty landscape. On the viewer's right, a scaffolding rises from the lower corner and angles to the left. On the left, another scaffold structure runs from the bottom corner along the left edge. In the middle, a building-like structure rises from the bottom of the composition and leans into the visual space, resting on a long rectangular solid that is draped with a cloth.
- Artist Life Dates
- 1898 - 1963
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1963/2.1
- Medium and Support
- oil on canvas
- relevance
- rank 15.13507
- Secondary Keywords
- massing or shape
- architecture
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- equipment
- equipment by process
- european
- european styles and periods
- genres
- image-making processes and techniques
- industrial structures
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- supporting equipment
- the natural world
- tools and equipment
- waterscapes
- Title
- Illustration for Tristian Tzara, 'La Bonne Heure'
- Artist
- Georges Braque
- Physical Description
- In this Dadaist piece, created by Georges Braque while working with poet Tristan Tzara, a flower emerges from several puddles of ink, which resemble the buds of other plants. Behind the foremost bud and the flower itself, a light blue shadow exists, mimicking the form of the surrounding plants.
- Artist Life Dates
- 1882-1963
- Century
- 20th century
- Object Creation Date
- 1955
- Accession Number
- 1983/1.245
- Medium and Support
- color etching on paper
- relevance
- rank 15.09970
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- forms of expression
- herbaceous plants
- landscapes (environments)
- modern european styles and movements
- natural landscapes
- people and culture
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Kind zwischen Bäumen (Child Among Trees)
- Artist
- Paula Modersohn-Becker
- Physical Description
- Drawing featuring a small child seated with its hands in its lap stares out at the viewer amid a forest of birch trees.
- Artist Life Dates
- 1876 - 1907
- Century
- 20th century
- Object Creation Date
- circa 1905
- Accession Number
- 2000/2.176
- Medium and Support
- black chalk on medium thick cream laid paper
- relevance
- rank 15.09656
- Secondary Keywords
- buildings and the land
- european
- european styles and periods
- figures
- landscapes (environments)
- modern european styles and movements
- natural landscapes
- people
- people (agents)
- people and culture
- people and occupations
- people by age group
- plants
- settlements and landscapes
- sketches
- styles and periods
- styles and periods by region
- the natural world
- vegetation and vegetation components
- vegetation components
- woods
- woody plants
- youth
- Title
- Death of Chatterton, from "Pictures of Chocolate"
- Artist
- Vik Muniz
- Physical Description
- Photograph of a drawing executed using chocolate syrup on a piece of white plexi-glass.
- Artist Life Dates
- born 1961
- Century
- 20th century
- Object Creation Date
- 2000
- Accession Number
- 2006/1.153
- Medium and Support
- Cibachrome mounted on aluminum on paper
- relevance
- rank 15.06989
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- european
- european styles and periods
- events
- historical, theoretical and critical concepts
- image-making processes and techniques
- modern european styles and movements
- people
- people (agents)
- people and culture
- people by gender
- personal life events
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- Still Life
- Artist
- Ben Nicholson
- Physical Description
- An angular bottle executed in two tones of white stands tall just to the (viewer's) right of center. To its left is a stack of gray drinking cups. Irregular blocks of various sizes and colors make up the rest of the field.
- Artist Life Dates
- 1894-1982
- Century
- 20th century
- Object Creation Date
- 1945
- Accession Number
- 1951/2.25
- Medium and Support
- oil on board
- relevance
- rank 15.01903
- Secondary Keywords
- bottles
- bottles by form
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- genres
- image-making processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- vessels
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.01680
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Still Life with Apples (Nature Morte aux Pommes)
- Artist
- Maurice de Vlaminck
- Physical Description
- A bowl containing apples rests in the center, flanked by two conical drinking cups.
- Artist Life Dates
- 1876-1958
- Century
- 20th century
- Object Creation Date
- 1910
- Accession Number
- 1984/1.288
- Medium and Support
- oil on canvas
- relevance
- rank 15.00268
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- food
- fruit
- genres
- image-making processes and techniques
- materials
- materials by function
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- plants
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- the natural world
- vessels
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Rectangular Bronze Form No. 2
- Artist
- Robert Adams
- Physical Description
- Thin, double-side, H-shaped bronze sculpture. Each side is made up of a collection of rough rectangle shapes overlapping and butting up against one another. Two rectangle-shaped openings penetrate the piece.
- Artist Life Dates
- 1917-1984
- Century
- 20th century
- Object Creation Date
- circa 1953
- Accession Number
- 1954/2.40
- Medium and Support
- bronze with wood base
- relevance
- rank 14.95534
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric concepts
- geometric figures
- geometric shapes
- inorganic material
- materials
- materials by composition
- mathematical concepts
- metal
- metal and metal products
- metal by composition or origin
- metalworking and metalworking processes and techniques
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- non-representational art
- nonferrous metal
- objects we use
- people and culture
- plane figures
- polygons
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- quadrilaterals
- scientific concepts
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.91797
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.84900
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Bullfight (Courses de taureaux)
- Artist
- Pablo Picasso
- Physical Description
- A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1994/1.70
- Medium and Support
- oil on canvas
- relevance
- rank 14.80131
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- european
- european styles and periods
- genres
- image-making processes and techniques
- mammals
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- recreation buildings
- recreation structures
- single built works
- single built works by function
- single built works by specific type
- sports buildings
- sports buildings by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Hesiod's Theogony. Abstract Composition
- Artist
- Georges Braque
- Physical Description
- Abstract etching on paper. Braque works wih line, evident in the fluidity of the mark and crosshatching. This exploration of line gives the piece three-dimensionality, common in his other abstract works.
- Artist Life Dates
- 1882-1963
- Century
- 20th century
- Object Creation Date
- circa 1932
- Accession Number
- 1953/1.66
- Medium and Support
- etching on paper
- relevance
- rank 14.75614
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- intaglio prints
- modern european styles and movements
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Young Girl Dreaming (Jeune fille rêvant), Plate IX, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Physical Description
- A female figure reclines on a divan on her side with her back toward the viewer; Beneath the divan the dark background is lined with a diamond patterning. Behind the figure are textures suggesting pillows or other textiles.
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934-1935; printed 1967
- Accession Number
- 1971/2.150.9
- Medium and Support
- clichés-verre on paper
- relevance
- rank 14.72507
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- events
- figures
- figures (representations)
- forms of expression
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- personal life events
- photographs
- photographs by processing or presentation technique
- photographs by technique
- physical activities
- physical activities by general context
- sleeping and reclining furniture
- sound devices
- sound devices by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.72035
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Weavers Cycle: March of the Weavers (from a set of 6 prints)
- Artist
- Käthe Kollwitz
- Physical Description
- The scene depicts a group of figures marching in the foreground from the left to the right of the composition. A thin sliver of land can be seen in the background. A man in the center carries a scythe over his shoulder. A woman in the center right carries a child on her back.
- Artist Life Dates
- 1867-1945
- Century
- 19th century
- Object Creation Date
- 1897
- Accession Number
- 1956/1.21
- Medium and Support
- etching on paper
- relevance
- rank 14.72000
- Secondary Keywords
- buildings and the land
- cultural landscapes
- cultural landscapes by function
- equipment
- equipment by general type
- european
- european styles and periods
- landscapes (environments)
- modern european styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- people by occupation
- physical activities
- physical activities by general context
- settlements and landscapes
- styles and periods
- styles and periods by region
- tools and equipment
- youth
- Title
- DCW (Dining Chair Wood)
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- Four-legged plywood side chair consisting of a trapezoidal seat and back connected by a wooden spine.
- Artist Life Dates
- 1907-1978
- Century
- 20th century
- Object Creation Date
- designed 1945; produced 1946
- Accession Number
- 2012/1.287
- Medium and Support
- molded walnut veneer plywood with rubber shock mounts
- relevance
- rank 14.70525
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- DCM (Dining Chair Metal)
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- Side chair consisting of separate trapezoidal seat and back mounted on a four-legged metal frame.
- Artist Life Dates
- American, 1907-1978
- Century
- 20th century
- Object Creation Date
- designed circa 1945-1946; produced 1946
- Accession Number
- 2012/1.288
- Medium and Support
- molded oak plywood, welded steel rods and rubber shock mounts
- relevance
- rank 14.70525
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- Head of a Woman (Frauenkopf)
- Artist
- Karl Schmidt-Rottluff
- Physical Description
- A monumentally stylized head of a woman. Her head is tilted slighty to the viewer's right. Her eyes, nose, and lips are large and almost mask-like. She appears to be wearing a hat of a modern style. Shading is executed with powerful parallel lines and cross-hatching. The year of the work's execution, 1916, appears in the lower right.
- Artist Life Dates
- 1884 - 1976
- Century
- 20th century
- Object Creation Date
- 1916
- Accession Number
- 1949/1.175
- Medium and Support
- wood cut on paper
- relevance
- rank 14.69665
- Secondary Keywords
- transfer method
- biological components
- components
- components and systems
- components by specific context
- european
- european styles and periods
- modern and contemporary art
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- styles and periods
- styles and periods by region
- the human body
- upper body
- visual works
- visual works by medium or technique
- Title
- Chair (model B33)
- Artist
- Marcel Breuer
- Physical Description
- Cantilever chair frame formed by a continuous line of thin steel tubing (connected under the seat with an additional piece of tubular steel), with separate lengths of black canvas wrapped around it at the seat and back.
- Artist Life Dates
- born Hungary, 1902-1981
- Century
- 20th century
- Object Creation Date
- designed 1927-1928; produced circa 1935
- Accession Number
- 2012/1.286
- Medium and Support
- chrome-plated tubular steel and canvas
- relevance
- rank 14.68488
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- inorganic material
- materials
- materials by composition
- metal and metal products
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- Chair (model B33)
- Artist
- Marcel Breuer
- Physical Description
- Cantilever chair frame formed by a continuous line of thin steel tubing (connected under the seat with an additional piece of tubular steel), with separate lengths of black canvas wrapped around it at the seat and back.
- Artist Life Dates
- (Pécs, Hungary [now Romania], 1902 - 1981, New York City, New York)
- Century
- 20th century
- Object Creation Date
- designed 1927-1928; produced circa 1935
- Accession Number
- 2012/1.285
- Medium and Support
- chrome-plated tubular steel and canvas
- relevance
- rank 14.68488
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- inorganic material
- materials
- materials by composition
- metal and metal products
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- Chair (model B33)
- Artist
- Marcel Breuer
- Physical Description
- Cantilever chair frame formed by a continuous line of thin steel tubing (connected under the seat with an additional piece of tubular steel), with separate lengths of black canvas wrapped around it at the seat and back.
- Artist Life Dates
- (Pécs, Hungary [now Romania], 1902 - 1981, New York City, New York)
- Century
- 20th century
- Object Creation Date
- designed 1927-1928; produced circa 1935
- Accession Number
- 2012/1.284
- Medium and Support
- chrome-plated tubular steel and canvas
- relevance
- rank 14.68488
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- inorganic material
- materials
- materials by composition
- metal and metal products
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- DSR (Dining height Sideshell Rod base) Chair
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- Dark gray-green side chair consisting of a single plastic "shell" mounted on a wire rod base.
- Artist Life Dates
- American, 1907-1978
- Century
- 20th century
- Object Creation Date
- circa 1950-1952
- Accession Number
- 2012/1.290
- Medium and Support
- fiberglass resin, rubber shockmounts, steel wire rod, rubber and metal glides
- relevance
- rank 14.62839
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- forming
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- LAX (Lounge Height Armshell X Base) Chair
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- Pale, yellowed plastic armchair, consisting of a single "shell" of compound curves, slightly tilted back on a four-legged metal base.
- Artist Life Dates
- 1907-1978
- Century
- 20th century
- Object Creation Date
- designed 1948; produced 1950
- Accession Number
- 2012/1.292
- Medium and Support
- fiberglass resin, rubber shock mounts, metal rods, and metal glides
- relevance
- rank 14.62839
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- forming
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- DAX (Dining height Armshell X base) Chair
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- White armchair consisting of a single plastic "shell" mounted on a black, four-legged metal base (an "H" base).
- Artist Life Dates
- 1907-1978
- Century
- 20th century
- Object Creation Date
- designed circa 1948-1950; produced 1957
- Accession Number
- 2012/1.289
- Medium and Support
- fiberglass resin, rubber shockmounts, black finished metal tubes and plastic glides
- relevance
- rank 14.62839
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- forming
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- DSX (Dining height Sideshell X base) Chair
- Artist
- Charles Ormond Eames Jr.
- Physical Description
- Cream-colored side chair consisting of a single plastic "shell" mounted on a black, four-legged metal base (an "H" base).
- Artist Life Dates
- 1907-1978
- Century
- 20th century
- Object Creation Date
- designed 1948-1950; produced circa 1957
- Accession Number
- 2012/1.291
- Medium and Support
- fiberglass resin, rubber shock mounts, black finished metal tubes, and nylon glides
- relevance
- rank 14.62839
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- descriptors
- disciplines
- european
- european styles and periods
- forming
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- modern european styles and movements
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.53941
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Hanging Wall Case
- Artist
- George Nakashima
- Physical Description
- A rectangular, wooden hanging wall case with three sliding screen doors, topped with an overhanging, free-edge slab.
- Artist Life Dates
- 1905-1990
- Century
- 20th century
- Object Creation Date
- designed circa 1955; created 1963
- Accession Number
- 2010/2.46
- Medium and Support
- walnut and pandanus cloth
- relevance
- rank 14.51897
- Secondary Keywords
- arts and related disciplines
- arts-related disciplines
- case furniture
- descriptors
- disciplines
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- humanities
- materials
- materials by origin
- modern european styles and movements
- objects we use
- people and culture
- plant material
- storage and display furniture
- styles and periods
- styles and periods by region
- wood and wood products
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.30048
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- Rouen Cathedral #6, from "Cathedral Portfoiio R L 69-230"
- Artist
- Roy Lichtenstein
- Physical Description
- This print has a dark purple background with a pattern of black dots covering its surface. Black lines and shapes are formed in areas where the dots overlap or merge.
- Artist Life Dates
- 10/28/1923 - 9/29/1997
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 2010/2.37
- Medium and Support
- lithograph on paper
- relevance
- rank 14.28865
- Secondary Keywords
- architectural elements
- buildings and the land
- churches
- churches by location or context
- components
- components and systems
- components by specific context
- descriptors
- design elements
- enclosing structural elements
- european
- european styles and periods
- exterior walls
- facades and facade components
- geometric motifs
- image-making processes and techniques
- modern european fine arts styles and movements
- modern european styles and movements
- motifs
- people and culture
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religious structures
- single built works
- single built works by function
- single built works by specific type
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- walls
- walls and wall components
- walls by location or context
- Title
- View of the Brooklyn Navy Yard
- Artist
- William Merritt Chase
- Physical Description
- Horizontal view of harbor scene with water, dock, and boats. Small figures and trees on pier in middle ground. WMC painted in green in lower right corner.
- Artist Life Dates
- 1849 - 1916
- Century
- 19th century
- Object Creation Date
- 1886-1890
- Accession Number
- 1961/1.170
- Medium and Support
- oil on panel
- relevance
- rank 14.14116
- Secondary Keywords
- architecture
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- built complexes and districts
- coastline bodies of water
- complexes
- complexes by function
- descriptors
- european
- european styles and periods
- geography
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- military bases
- military installations
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- people and culture
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- transportation complexes
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- water transportation complexes
- watercraft
- watercraft by general type
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- woody plants
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.77524
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- Proserpine
- Artist
- Hiram Powers
- Physical Description
- Bust-length white marble sculpture of a young female figure crowned with a plait of wheat and framed along the bottom with a wreath of sculpted acanthus leaves.
- Artist Life Dates
- 1805 - 1873
- Century
- 19th century
- Object Creation Date
- second version: modeled 1844; cut 1847
- Accession Number
- 1991/2.40
- Medium and Support
- Seravezza marble
- relevance
- rank 13.77440
- Secondary Keywords
- aegean
- aegean periods
- allegory and literature
- associated concepts
- card, table and board game elements
- concepts in the arts
- early western world
- european
- european styles and periods
- figures
- game pieces
- genres in the arts
- greek
- literary, oral and motion picture genres
- mediterranean
- modern european styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- portraits
- recreational artifacts
- recreational artifacts for competitive activities
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- In the Mountain Fastness
- Artist
- Daniel Huntington
- Physical Description
- Dark landscape set atop a rocky mountain with sparse vegetation. There is a small boulder in the left foreground space with a dead tree standing beside it; in the right foreground there is what appears to be a small cave. A dead and broken tree lies across the bottom of the picture frame. There are mountains in the distance and a dark stormy sky above with a break in the clouds near the center of the canvas that reveals a sunny blue sky.
- Artist Life Dates
- 1816 - 1906
- Century
- 19th century
- Object Creation Date
- 1850
- Accession Number
- 1916.1
- Medium and Support
- oil on canvas
- relevance
- rank 12.94863
- Secondary Keywords
- upward
- artistic concepts
- associated concepts
- atmospheric effects
- buildings and the land
- concepts in the arts
- descriptors
- earth sciences concepts
- european
- european styles and periods
- events
- forms of expression
- geography
- inorganic material
- landform components
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by composition
- modern european styles and movements
- natural events
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Flora
- Artist
- Richard James Wyatt
- Physical Description
- White marble sculpture of female figure, partially nude with a cloth draped loosely around her waist and over her left forearm. She holds a cluster of flowers in her left hand, and a single bloom in her right; a basket of flowers located on base to left and slightly behind figure.
- Artist Life Dates
- 1795 - 1850
- Century
- 19th century
- Object Creation Date
- 1850
- Accession Number
- 1931.17
- Medium and Support
- marble
- relevance
- rank 12.65943
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- figures
- figures (representations)
- genres
- genres in the arts
- herbaceous plants
- landscapes (environments)
- literary, oral and motion picture genres
- modern european styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- plants
- sculpture by subject type
- settlements and landscapes
- styles and periods
- styles and periods by region
- symbolism
- the natural world
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 12.30559
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Nydia, the Blind Flower Girl of Pompeii
- Artist
- Randolph Rogers
- Physical Description
- A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.
- Artist Life Dates
- 1825-1892
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1862.1
- Medium and Support
- Carrara marble
- relevance
- rank 10.57088
- Secondary Keywords
- aegean
- aegean architecture styles
- aegean styles
- allegory and literature
- architectural elements
- artistic concepts
- artistic devices
- associated concepts
- campania (region)
- capitals and capital components
- card, table and board game elements
- child
- column components
- columns and column components
- components
- components and systems
- components by specific context
- concepts in the arts
- descriptors
- early western world
- equipment
- equipment by context
- equipment for personal use
- europe
- europe (continent)
- european
- european styles and periods
- exceptional people
- figures
- game pieces
- genres in the arts
- geographic and political locations
- handicapped
- iconography
- inorganic material
- italy
- italy (nation)
- literary, oral and motion picture genres
- locality
- materials
- materials by composition
- mediterranean
- modern european styles and movements
- napoli (province)
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by state or condition
- physically handicapped
- recreational artifacts
- recreational artifacts for competitive activities
- rock
- rock by form
- sculpture by subject type
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- supporting and resisting elements
- symbolism
- tools and equipment
- visual works
- visual works by medium or technique
- visual works by subject type
- walking sticks