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Results for Museum%20Purchase
Check for portfolio Record Title Artist Physical Description Artist Life Dates Century Object Creation Date Accession Number Medium and Support Credit Line
Full Record: x-1972-sl-2.213/1972_2.213.JPG

Bowl

Louis Comfort Tiffany

Glass bowl-shaped vessel with the suggestion of lobes with a large flared lip and iridescent in color in shades of greens and blues

1848-1933

19th century

circa 1896-1900

1972/2.213

iridescent green glass

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.213

Full Record: x-1972-sl-2.214/1972_2.214.JPG

Vase

Louis Comfort Tiffany

1848-1933

19th century

circa 1896-1910

1972/2.214

opalescent glass with gold and red oxide

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.214

Full Record: x-1972-sl-2.215/1972_2.215.JPG

Vase

Louis Comfort Tiffany

This small bottle consists of iridescent glass with both a mirror-like quality and swirling leaf-like design the extends from the bottom of the vessel to the neck.

1848-1933

19th century

circa 1892-1896

1972/2.215

glass with design in silver luster and brown and green striations

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.215

Full Record: x-1972-sl-2.216/1972_2.216.JPG

Vase

Louis Comfort Tiffany

This small bottle consists of orange and green iridescent glass with a brown pointed leaf or blade design. The bottle has been pinched in at the sides.

1848-1933

19th century

circa 1892-1896

1972/2.216

glass with silver luster and brown and amber striations

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.216

Full Record: x-1972-sl-2.217/1972_2.217.JPG

Vase

Louis Comfort Tiffany

This large vase consists of dark iridescent glass with diagonal swril pattern in the glass. The vessel has dark scalloped desgins cut into the surface.

1848-1933

19th century

circa 1900

1972/2.217

iridescent glass with black decoration

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.217

Full Record: x-1972-sl-2.218/1972_2.218.JPG

Vase

Louis Comfort Tiffany

irridescent gold and yellow cylindrical vessel with wide mouth, slightly flared lip narrowing at base

1848-1933

19th century

circa 1896-1900

1972/2.218

glass with gold luster

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.218

Full Record: x-1972-sl-2.219/1972_2.219.JPG

Vase

Louis Comfort Tiffany

Multiple layser of translucent glass in brown, green, and tan creates a rich texture of glass that resembles tortoise shell. The vessel has a very simple profile.

1848-1933

19th century

circa 1892-1896

1972/2.219

glass with multi-colored slag

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.219

Full Record: x-1972-sl-2.220/1972_2.220.JPG

Vase

Louis Comfort Tiffany

This oval-shaped vase has an irregularly shaped mouth. The decoration, which consists of numerous layers of glass, has green and brown glass in the bottom third; a swriling brown and cream glass the overlays from the foot up to the lip of the vessel, and finally a horizontal pattern of warm brown dots (which are pulled into bands around the widest part of the vessel) that begins at the top.

1848-1933

19th century

circa 1896-1900

1972/2.220

glass with red slag and varigated design

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.220

Full Record: x-1972-sl-2.221/1972_2.221.JPG

Kuttrolf-like Decanter

Louis Comfort Tiffany

This orange/yellow iridescent decanter with a triangular-shapped stopper is pinched in the middle, dividing the vessel into several separate channels.

1848-1933

19th century

circa 1896-1900

1972/2.221

iridescent gold and rust glass

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.221

Full Record: x-1972-sl-2.222/1972_2.222.JPG

Decanter

Louis Comfort Tiffany

1848-1933

19th century

circa 1896-1900

1972/2.222

iridescent glass

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.222

Full Record: x-1972-sl-2.223/1972_2.223.JPG

Persian Rosewater Sprinkler

Louis Comfort Tiffany

This elongated vase has a small, round base and an undulating, swan-like attenuated neck that ends in a flaring mouth. The length of the neck of the vessel has ridges and the surface has a dark iridescent quality of green and blue

1848-1933

19th century

circa 1896-1900

1972/2.223

iridescent glass

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.223

Full Record: x-1972-sl-2.224/1972_2.224.JPG

Vase

Louis Comfort Tiffany

irridescent blue vase with large mouth and large flared foot

1848-1933

19th century

circa 1896-1900

1972/2.224

blue iridescent glass with purple striations

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.224

Full Record: x-1972-sl-2.225/1972_2.225.JPG

Vase

Louis Comfort Tiffany

This bottle has a tall neck and a body that swells out before tapering to a narrower base. The golden colored glass contains a design that extends up from the base in the form of blades or leaves.

1848-1933

19th century

circa 1892-1894

1972/2.225

glass with silver luster

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.225

Full Record: x-1972-sl-2.226/1972_2.226.JPG

Pitcher

Louis Comfort Tiffany

This small blown glass pitcher consists of bands of glass applied to the body of the vessel; as the pitcher was blown, the glass between the bands expanded, shaping the vessel into four lobes.

1848-1933

19th century

circa 1896-1900

1972/2.226

iridescent glass

rank 2.42738

University purchase 1930, transferred to the Museum of Art, 1972/2.226

Full Record: x-1996-sl-2.4.1/1996_2.4.1.JPG

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Kara Walker

Born 1969

20th century

1995

1996/2.4.1

aquatint and etching on light cream Somerset Satin wove paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1996-sl-2.4.2/1996_2.4.2.JPG

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Kara Walker

Born 1969

20th century

1995

1996/2.4.2

aquatint and etching on light cream Somerset Satin wove paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1996-sl-2.4.3/1996_2.4.3.JPG

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Kara Walker

Born 1969

20th century

1995

1996/2.4.3

aquatint and etching on light cream Somerset Satin wove paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1996-sl-2.4.4/1996_2.4.4.JPG

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Kara Walker

Born 1969

20th century

1995

1996/2.4.4

aquatint and etching on light cream Somerset Satin wove paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1996-sl-2.4.5/1996_2.4.5.JPG

One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"

Kara Walker

Born 1969

20th century

1995

1996/2.4.5

aquatint and etching on light cream Somerset Satin wove paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1988-sl-2.22/1988_2.22.JPG

Seymour

James McNeill Whistler

A young boy stands in profile, leaning against the trunk of a tree set in a woods with reflections in the foreground of a pond or small stream. The boy faces the light, casting deep shadows against the tree, and looks upwards.

1834-1903

19th century

1859

1988/2.22

etching and drypoint, printed in black ink on laid paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-2011-sl-1.75/2011_1_75.JPG

The Sisters

James McNeill Whistler

Two women dressed in dark clothing sit in an interior setting. The nearer woman leans far back in an armchair, head resting on her left hand, legs crossed. The other woman is sitting more upright at the center of the composition. The women look at one another in an attitude of quiet conversation. To the left of the composition is a round table.

1834-1903

1894-1895

2011/1.75

transfer lithograph, with scraping on antique cream laid paper

rank 2.42738

Museum Purchase in honor of Nesta R. Spink, made possible by the Oakriver Foundation

Full Record: x-1987-sl-1.156/1987_1.156.JPG

Untitled

John Willenbecher

Born 1938

20th century

1986

1987/1.156

black and white charcoal on white paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1986-sl-2.15/1986_2.15.JPG

Portrait of Stow Wegenroth Drawing on a Lithographic Stone

Keith Williams

1906-1951

20th century

1939

1986/2.15

etching on paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1988-sl-2.12/1988_2.12.JPG

Lunch on the Project

Barbara Willson

1914-

20th century

1939

1988/2.12

lithograph on paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-1990-sl-2.29/1990_2.29.JPG

Portrait of James Rosenquist

Theo Wujcik

born 1936

20th century

1972

1990/2.29

lithograph on paper

rank 2.42738

Museum purchase made possible by the Jean Paul Slusser Memorial Fund

Full Record: x-2003-sl-1.366/2003_1.366.JPG

Winter in Ann Arbor

Khaled al-Saa'i

b. 1970

21st century

2002

2003/1.366

natural ink, tempera and gouache on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-2003-sl-1.367a-c/2003_1_367_A-C.JPG

Resurrection (triptych)

Khaled al-Saa'i

b. 1970

21st century

2002

2003/1.367A-C

natural ink, tempera and gouache on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1960-sl-2.144/1960_2.144.JPG

Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province

Andô Hiroshige

This piece depicts boats decorated with lanterns, the evening sky and festivities. The shore is lined with teahouses set up for the event. The title for the print is located in the upper right corner in a red box.

1797-1858

19th century

1853-1856

1960/2.144

color woodblock print on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1960-sl-2.143/1960_2.143.JPG

One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain

Andô Hiroshige

This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.

The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it. Snow covers the ground.

The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.

1797-1858

19th century

circa 1856-1857

1960/2.143

color woodblock print on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1960-sl-2.142/1960_2.142.JPG

The Fifty-Three Stations of the Tokaido (Tate-e Edition): #38 Fujikawa

Andô Hiroshige

A village by a lake is shown in the snow. Several travelers are walking in the streets. The snow is steadily fallling and covers their hats, the roofs of the houses, the trees and the mountains. The title is in the upper right corner in a red box.

1797-1858

19th century

1855

1960/2.142

full color woodblock print (nishiki e)

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1960-sl-2.141/1960_2.141.JPG

Hôeidô Tôkaidô Series: Goyû: Women Soliciting Travelers

Andô Hiroshige

In the main street of Goyu village at nightfall, female touts aggressively solicit travelers by dragging them into the tea-house on the right, where one is already resting. The large circle on the wall bears the sign of the publisher of the series, Take-no-Uchi, which was omitted in later issues. On the sign-boards inside are given the names of the engraver, Firobei; the printer, Heibei; and the artist, Ichiryusai.

1797-1858

19th century

1833-1834

1960/2.141

color woodblock print on paper, ôban yoko-e size

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-2006-sl-1.154/2006_1.154.JPG

Monument to the Lycée Chases

Christian Boltanski

Three black and white photographs of young people's faces are vertically arranged. Above each and below the center image are smaller versions of similar portrait photographs. Four of these smaller photos are also arranged in the line of the large photographs, one on each end, and two separating the larger pictues. All the photos are surrounded by an arrangement of light bulbs, which are connected by a network of electrical cables that snake along the walls and over the photos.

Born 1944

20th century

1989

2006/1.154

gelatin silver prints, biscuit tins, electric cables, and sixty-eight lightbulbs

rank 2.40209

Museum purchase made possible by the W. Hawkins Ferry Fund and anonymous individual benefactors

Full Record: x-2003-sl-1.387a-amp-amp-sem-b/2003_1.387AB.JPG

Ritual Conch with Stand

Artist Unknown, Cambodia (Khmer)

A ritual object for use in royal and religious cermonies, this bronze is cast by the lost wax process in the shape of a conch, with an intricately decorated surface. The tripod stand, which may not be of the same date, is has three coiling serpentine legs that end in stylized naga (serpent) heads with cobra-like fans.

12th-13th century

12th century - 13th century

2003/1.387A&B

bronze with malachite patina

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-2004-sl-2.12/2004_2_12VW1.JPG

Guardian Lion

Artist Unknown, Cambodia (Khmer)

A buff sandstone sculpture of a lion, sitting erect with its front legs extended, all on a stone platform. The legs have been fully released from the stone, while surface details such as the curly mane and the tail are carved in low relief. In keeping with its role as a guardian figure, the lion has buldging eyes and its lips are drawn back to reveal sharp teeth.

12th century

12th century

2004/2.12

sandstone

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1977-sl-2.17/1977_2.17.JPG

Cat under Flowers

Chen Zun (Ch'en Tsun)

In this painting a well-fed cat nestles contentedly among the grass and flowers, relaxing on the bank of a stream.

(active Chia-hsing, Chekiang, 1573 - 1619)

17th century

1612

1977/2.17

hanging scroll, ink on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1986-sl-2.13/1986_2_13.JPG

Blue-and-white double-gourd wall vase, Wanli Era (1573-1619) mark and period

Artist Unknown, China

Porcelain bottle vase of double gourd design, flat on reverse side with a slot for hanging on the wall, possibly inside the chamber of a royal sedan chair. Dragon motif is represented on both the upper lobe and the lower one.

16th-17th century

1573-1620

1986/2.13

porcelain with underglaze cobalt blue decoration

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1987-sl-2.51/1987_2.51.JPG

Changsha ware pitcher with globular body, short spout, & appliqued fish design

Artist Unknown, China

7th-10th century

618-907

1987/2.51

stoneware

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1982-sl-1.272/1982_1.272.JPG

Spoon dish with scene from European mythology

Artist Unknown, China

18th century

circa 1740

1982/1.272

porcelain with overglaze (black and gold) enamel painting

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1985-sl-2.79/1985_2.79OBV.JPG

Bank Note (worth 200 copper coins)

Artist Unknown, China

n.d.

1985/2.79

bamboo

rank 2.40209

Museum Purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1986-sl-1.206/1986_1.206.JPG

Blue and white porcelain bowl with medallion designs

Artist Unknown, China

19th century?

late 19th century - early 20th century

1986/1.206

porcelain with blue underglaze painting

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1986-sl-2.102/1986_2.102.JPG

Winged beast (mythical animal): support for post

Artist Unknown, China

20th century

20th century

1986/2.102

bronze

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1986-sl-2.103/1986_2.103.JPG

Lamp Stand in the shape of a teapot with floral designs

Artist Unknown, China

18th-19th century

18th century - 19th century

1986/2.103

porcelain with blue underglaze painting

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1987-sl-2.50/1987_2.50.JPG

Changsha ware pitcher with short spout, appliqued figures, and bi-colored glaze

Artist Unknown, China

Stoneware pitcher with handle and short polygonal spout, flaring mouth, wide neck, decorated with appliquéd decor of musicians and dancers, white slip, and splashed brown glaze

9th century

9th century

1987/2.50

stoneware with applique decor, white slip, transparent brown glaze

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1989-sl-2.104/1989_2.104.JPG

Tea bowl

Artist Unknown, China

12th-13th century

12th century - 13th century

1989/2.104

stoneware with black glaze

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1991-sl-2.2/1991_2.2.JPG

Bowl (reproduction temmoku ware)

Artist Unknown, China

20th century

circa 1990

1991/2.2

stoneware with black glaze, temmoku ware

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1991-sl-2.79/1991_2.79.JPG

Head of Man

Artist Unknown, China

206 BCE - 220 CE

1991/2.79

pottery with polychrome decoration

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1981-sl-2.134/1981_2.134.JPG

Hares in a landscape

Artist Unknown, China

18th century

18th century

1981/2.134

handscroll, ink and color on paper

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1961-sl-2.12/1961_2.12.JPG

Herdboy and Buffalo in the Moonlight

Artist Unknown, China

14th century

13th century - 14th century

1961/2.12

hanging scroll, ink and light color on silk

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1985-sl-2.46/1985_2.46.JPG

Gods of Harmony

Artist Unknown, China

19th century?

19th century (?)

1985/2.46

carved rosewood

rank 2.40209

Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Full Record: x-1991-sl-1.119/1991_1.119.JPG

Rubbing of Stele from tomb of Chang Hsiang

Artist Unknown, China

780

1991/1.119

ink on paper

rank 2.40209

Museum Purchase made possible by the Margaret Watson Parker Art Collection Fund