Abstract painting, primarily white with a large squarish area of dark green in the top left quadrant. Loose brushwork varies from wide, full strokes to the short, rapid strokes at the compositions center. Pigment application ranges from a very thin wash to heavy impasto.
In "White Territory," the title of the work along with its gestural brushwork strongly evoke the memory or sensation of a landscape. It is a reflection upon personal associations and inner domains that the artist calls "internal weather."
Made of thick steel, this sculpture has two very distinct halves. One on side, the thick sheet of steel gracefully curves around and back on itself, making loops and rounded edges. On the reverse, the steel is angular, jagged, and sharp, jutting into the spaces in the sculpture's interior and the space around the whole. At the very center of the piece, along the implied dividing line between the two sides, is a relatively small box.
The subjects of Lucas Samara's steel sculpture are in part formal: the encounter between the two different halves, the curved and the jagged; the different relationships between the material and these distinct forms. The box at the center of the divided forms and in the title, "Stiff Box 12," suggests other thematic content: a kind of Pandora's box idea of chaos and strife springing from the opened container; a contest over possession of an object.