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Showing results for "non-representational art" in Secondary Keywords.
- Title
- Northern Summer Window
- Artist
- Marsden Hartley
- Physical Description
- A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
- Artist Life Dates
- 1877 - 1943
- Century
- 20th century
- Object Creation Date
- 1936
- Accession Number
- 1949/2.89
- Medium and Support
- oil on canvas
- relevance
- rank 0.51694
- Secondary Keywords
- animals
- architecture
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- containers
- containers by form
- descriptors
- genres
- geographic and political locations
- herbaceous plants
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- marine bodies
- modern and contemporary art
- natural landscapes
- north and central america (continent)
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- plants
- processes and techniques
- processes and techniques by specific type
- seasons
- settlements and landscapes
- the natural world
- united states (nation)
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.51650
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Landscape
- Artist
- Adolph Gottlieb
- Physical Description
- A landscape reduced to minimal abstract elements. The lower half of the painting is black. The upper half, various shades of white and blue. Two black squares are suspended in the white above the black. A small pale blue circle is between the squares.
- Artist Life Dates
- 1903 - 1974)
- Century
- 20th century
- Object Creation Date
- 1952
- Accession Number
- 1968/1.81
- Medium and Support
- oil on board
- relevance
- rank 0.51452
- Secondary Keywords
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- european
- european styles and periods
- genres
- image-making processes and techniques
- international post-1945 styles and movements
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- physical sciences concepts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.51411
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Bullfight (Courses de taureaux)
- Artist
- Pablo Picasso
- Physical Description
- A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1994/1.70
- Medium and Support
- oil on canvas
- relevance
- rank 0.51246
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- european
- european styles and periods
- genres
- image-making processes and techniques
- mammals
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- recreation buildings
- recreation structures
- single built works
- single built works by function
- single built works by specific type
- sports buildings
- sports buildings by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.50965
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.50339
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.49512
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- View of the Brooklyn Navy Yard
- Artist
- William Merritt Chase
- Physical Description
- Horizontal view of harbor scene with water, dock, and boats. Small figures and trees on pier in middle ground. WMC painted in green in lower right corner.
- Artist Life Dates
- 1849 - 1916
- Century
- 19th century
- Object Creation Date
- 1886-1890
- Accession Number
- 1961/1.170
- Medium and Support
- oil on panel
- relevance
- rank 0.48960
- Secondary Keywords
- architecture
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- built complexes and districts
- coastline bodies of water
- complexes
- complexes by function
- descriptors
- european
- european styles and periods
- geography
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- military bases
- military installations
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- people and culture
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- transportation complexes
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- water transportation complexes
- watercraft
- watercraft by general type
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- woody plants
- Title
- The Famous Picnic at Val Kill
- Artist
- Ann Murfee Allen
- Physical Description
- Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.
- Artist Life Dates
- 1923 - 1995
- Century
- late 20th century
- Object Creation Date
- 1975
- Accession Number
- 2002/1.178
- Medium and Support
- oil on canvas
- relevance
- rank 0.47958
- Secondary Keywords
- american regions
- art genres
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- descriptors
- dwellings
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- how we live
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- north american
- objects we use
- people and culture
- people and occupations
- plants
- political and social issues
- residential structures
- sailing vessels by size
- seating furniture
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- single seating furniture
- standing
- styles and periods
- styles and periods by region
- support furniture
- tables (support furniture)
- tables by function
- the americas
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- woody plants
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 0.47693
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena