Search Results
Options
Filters
7751 to 7800 of 8220 results
Showing results for "objects" in Secondary Keywords.
- Title
- Untitled (Virginia)
- Artist
- Sally Mann
- Physical Description
- Contemporary black and white photograph made to look old. The image is contained within the circular field created by the aperture. A foggy landscape with silhouetted trees receding from the left into the hazy distance and sky.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 1993; printed 2002
- Accession Number
- 2003/1.365
- Medium and Support
- gelatin silver print, toned with tea on paper
- relevance
- rank 0.24626
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- social science concepts
- social sciences
- the natural world
- united states (nation)
- visual works
- visual works by medium or technique
- Title
- Warriors
- Artist
- Utagawa Kuniyoshi
- Physical Description
- A woodblock print of two men entangled in combat at the base of a tree. Tree trunk takes up left side of print, in the distance are two green mountain peaks. A brown horse and rider are in the background (center right).
- Artist Life Dates
- 1797 - 1861
- Object Creation Date
- 1849-1853
- Accession Number
- 2011/2.194
- Medium and Support
- woodblock print on paper
- relevance
- rank 0.24621
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- buildings and the land
- entertainment events
- events
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- performances
- physical activities
- physical activities by general context
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Study of a Scene of Martyrdom or Punishment
- Artist
- Polidoro da Caravaggio
- Physical Description
- This drawing represents seven nude men in a landscape with buildings indicated on a hill in the distance. One of the figures, represented full-length and in profile, is bound to a tree or stake on the left. All of the other men appear in half-length in the right part of the drawing. A bearded man sits and gestures in the direction of the bound man. Five other men appear around the seated figure, one of whom carries two long objects over his shoulder toward the man on the left.
- Artist Life Dates
- c. 1495-c.1543
- Century
- 16th century
- Object Creation Date
- 1525-1575
- Accession Number
- 2009/1.494
- Medium and Support
- brown ink on paper
- relevance
- rank 0.24613
- Secondary Keywords
- deaths
- descriptors
- drafting, drawing and writing equipment
- drafting, drawing and writing equipment by specific type
- drawing and drawing techniques
- equipment
- equipment by process
- events
- figures (representations)
- image-making equipment
- image-making processes and techniques
- objects we use
- people and culture
- personal life events
- processes and techniques
- processes and techniques by specific type
- tools and equipment
- visual works
- visual works by subject type
- Title
- Autumn Moon at Mt. Dongting
- Artist
- Wu Qingyun (Wu Ch'ing-yun)
- Physical Description
- Dark, wet ink wash and light accents of color capture the lyrical mood of an autumnal moonlit night at Lake Tai and Mount Dongting. A round moon hangs low in the sky at top right, with a diffuse glow slightly brightening the clouds and sky below. Two islands sit in the water below, the larger (closer) of the two has four boats moored just offshore. Up close the boats appear as freely brushed lines, and yet at a distance, their forms come into focus. A building sits on the closer island, light shining in the windows. The silhouette of a pagoda can be seen on the further island.
- Artist Life Dates
- died 1916
- Century
- 20th century
- Object Creation Date
- 1903
- Accession Number
- 1998/2.7
- Medium and Support
- hanging scroll, ink and light color on paper
- relevance
- rank 0.24608
- Secondary Keywords
- associated concepts
- atmospheric effects
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- moons
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- residential structures
- scientific concepts
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- woody plants
- Title
- The Fifty-Three Stations of the Tokaido (Gyosho Edition): #8 Hiratsuka
- Artist
- Andô Hiroshige
- Physical Description
- A woodblock print of three men and a horse ladened with packages in the foreground. They are beside a river and two grey mountain peaks and one central white mountain peak are set in the background. A small boat with men wearing large white hats is to the viewer's left.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1841-1842
- Accession Number
- 2011/2.196
- Medium and Support
- woodblock print on paper
- relevance
- rank 0.24608
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- riverine bodies
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- Title
- Hôeidô Tôkaidô Series: Sudden Shower at Shôno
- Artist
- Andô Hiroshige
- Physical Description
- Here, caught in a sudden downpour, people rush along the steep hillside. Bamboo bends under the force of wind and rain, and the people in the foreground mimic this downward motion in order to shield their eyes from the water streaming upon them in torrents. Masterfully depicted, the viewer can almost feel the bullets of rain, and sense of sympathy for these unfortunate travelers.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.130
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24601
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- earth sciences concepts
- events
- landscapes (environments)
- natural events
- natural landscapes
- objects we use
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Articulation: Formulation, from the portfolio "Formulation: Articulation"
- Artist
- Josef Albers
- Artist Life Dates
- American, born Germany, 1888-1976
- Century
- 20th century
- Object Creation Date
- 1972
- Accession Number
- 1983/1.336.13
- Medium and Support
- screenprint on paper
- relevance
- rank 0.24597
- Secondary Keywords
- transfer method
- associated concepts
- european
- european styles and periods
- geometric concepts
- geometric figures
- mathematical concepts
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- plane figures
- polygons
- prints
- prints by process
- prints by process or technique
- quadrilaterals
- rectangles
- scientific concepts
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- Seven Aquatints
- Artist
- Robert Mangold
- Physical Description
- This work is a burnt orange square. Within this color area is a circle outlined in brown, that touches all four edges of the square, and a smaller square outlined in white.
- Artist Life Dates
- born 1937
- Century
- 20th century
- Object Creation Date
- 1973
- Accession Number
- 1999/1.104.2
- Medium and Support
- aquatint printed in colors on BFK Rives wove paper
- relevance
- rank 0.24597
- Secondary Keywords
- transfer method
- associated concepts
- european
- european styles and periods
- genres
- geometric concepts
- geometric figures
- geometric shapes
- mathematical concepts
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- plane figures
- polygons
- prints
- prints by process
- prints by process or technique
- quadrilaterals
- rectangles
- scientific concepts
- styles and periods
- styles and periods by region
- visual and tactile
- visual works
- visual works by medium or technique
- Title
- Untitled (Reflective Water)
- Artist
- Henry Gilpin
- Physical Description
- An aerial view of a pond that creates a reflective pool and a silver ring around it. The surrounding area is an intense black.
- Artist Life Dates
- 1922-2011
- Accession Number
- 2012/1.242
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.24597
- Secondary Keywords
- image form
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- image-making processes and techniques
- lacustrine bodies
- landscapes (environments)
- natural landscapes
- objects we use
- photographic techniques
- photography and photographic processes and techniques
- picture-taking techniques
- picture-taking techniques by location or context
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Conch trumpet, in an embossed silver mount, inlaid with lapis lazuli, turquoise and coral
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- An elaborately decorated conch shell trumpet, with extensions and a side chamber made from silver, inlaid with other precious metals and semi-precious stones of turquoise, lapiz lazuli, and mountain coral.
- Century
- 9th-20th century
- Object Creation Date
- 800-1900
- Accession Number
- 1982/2.42A
- Medium and Support
- conch shell, silver, vermeil, lapis lazuli, and coral
- relevance
- rank 0.24597
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- legendary creatures
- mammals
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- shell (animal material)
- shell and shell material
- sound devices
- sound devices by function
- south asian
- styles and periods
- styles and periods by region
- Title
- Studies of Nine Male Helmeted Heads and a Man Smoking with a Devil
- Artist
- George Cruikshank
- Physical Description
- A study sketch of the heads of men along the top right side and a pair - a man and the devil - smoking in the bottom left corner. The men on the right are all helmeted in different syles of helmet with pointed faces. The man in the bottom corner is dressed in 17th century dress and reclining with legs outward while smoking. The devil figure is hard to discern, but appears to be a standing gargoyle-like figure in the distance. Clouds of smoke surround them.
- Artist Life Dates
- 1782-1878
- Object Creation Date
- 1825-1878
- Accession Number
- 2009/1.538
- Medium and Support
- graphite on paper
- relevance
- rank 0.24588
- Secondary Keywords
- animals and creatures
- costume
- costume by function
- european
- european styles and periods
- legendary creatures
- masks (costume)
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- styles and periods
- styles and periods by region
- Title
- Yogi Milarepa (c. 1032–c. 1135)
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A miniature sculpture of a the Tibetan yogin Milarepa as a rotund figure, seated in lalitasana (the posture of royal ease, with one knee drawn up and the other relaxed) on an antelope skin (the head of the antelope can be discerned just under the figure's left foot, as an incised design). The right hand is raised, cusping the right ear as though to better hear, while the left elbow rests on the left knee, and the right hand holds a nettle-shell bowl. Wrapped around his torso, from his right shoulder to his left knee, is a sash (sometimes referred to as a meditation belt), which allows him to keep his body upright during long hours of meditation. The base, cast in a single piece with the figure, is decorated with beading and a single band of lotus petals.
- Object Creation Date
- n.d.
- Accession Number
- 1981/2.56
- Medium and Support
- bronze
- relevance
- rank 0.24586
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- costume
- costume accessories
- costume accessories worn
- descriptors
- design elements
- ear ornaments
- form attributes
- jewelry
- jewelry by location
- jewelry worn on the head
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Calle del Sol
- Artist
- Emilio Sanchez
- Physical Description
- A black and white lithograph depicts three door entrances from the inside of the building, and the shadow of the door frame is seen on the ground.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1968
- Accession Number
- 2011/2.90
- Medium and Support
- black and white lithograph on paper
- relevance
- rank 0.24581
- Secondary Keywords
- transfer method
- architectural elements
- associated concepts
- components
- components and systems
- components by specific context
- doors and door components
- doorway components
- doorways and doorway components
- energy and related concepts
- energy-related concepts
- light-related concepts
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- planographic prints
- prints
- prints by process
- prints by process or technique
- scientific concepts
- visual works
- visual works by medium or technique
- Title
- Fame and Erato, Muse of Love Poetry
- Artist
- Sebastiano Conca
- Physical Description
- Two women accompanied by a pair of putti appear seated in the foreground of this painting. On the left sits a winged woman crowned with a laurel wreath and wearing a long white robe and a vivid ocher-colored mantle. She leans on a globe while cradling a large book in her right arm to which she points with her left hand. In her right hand she holds a compass. A putto peeks from beneath her mantle, and a viol is visible beneath the globe. The other woman sits on a cloud. She wears a golden crown and a richly colored blue mantle. She grasps a lyre with her left hand and leans toward the woman seated next to her, gesturing in the direction of the book with her right hand. A second putto stands near her left shoulder holding a gold circlet in his left hand. The background is filled with glimpses of neoclassical architecture, including fluted columns and a facade with a row of Ionic columns supporting an entablature.
- Artist Life Dates
- 1680 - 1764
- Century
- 18th century
- Object Creation Date
- circa 1725
- Accession Number
- 1987/1.159
- Medium and Support
- oil on canvas
- relevance
- rank 0.24578
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- chordophones
- concepts in the arts
- descriptors
- design elements
- drafting, drawing and writing equipment
- drafting, drawing and writing equipment by specific type
- equipment
- equipment by process
- figure- and animal-derived motifs
- image-making equipment
- information artifacts
- information artifacts by physical form
- information forms
- motifs
- objects we use
- paintings
- paintings by material or technique
- people and culture
- sound devices
- sound devices by acoustical characteristics
- symbolism
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- The Venetian Mast, from "Twelve Etchings" or "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A group of figures are seated at the lower right. Beyond is an open street or piazza with a flagpole in the middle and in the far distance are the rigging and masts of ships.
- Paper trimmed at plate line; except small tab at lower left with inscription. Paper size: lh 34cm & rh 33 4/5cm x tw 16cm & bw 16 3/10cm.
- Artist Life Dates
- 1834-1903
- Accession Number
- 2008/2.439
- Medium and Support
- etching and drypoint on beige laid paper
- relevance
- rank 0.24575
- Secondary Keywords
- transfer method
- descriptors
- engraving (printing process)
- engravings
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Composition: from 'Quantum Suite'
- Artist
- Garo Zareh Antreasian
- Artist Life Dates
- born 1922
- Century
- 20th century
- Object Creation Date
- 1966
- Accession Number
- 1971/1.193
- Medium and Support
- lithograph on paper
- relevance
- rank 0.24573
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- genres
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Composition: from 'Octet Suite'
- Artist
- Garo Zareh Antreasian
- Artist Life Dates
- born 1922
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 1971/1.192
- Medium and Support
- lithograph on paper
- relevance
- rank 0.24573
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- genres
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Untitled
- Artist
- Garo Zareh Antreasian
- Artist Life Dates
- born 1922
- Century
- 20th century
- Object Creation Date
- 1962
- Accession Number
- 1964/1.116
- Medium and Support
- embossed color lithograph on paper
- relevance
- rank 0.24573
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- genres
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- (El Sereno) The Watchman
- Artist
- Afro (Afro Basaldella)
- Artist Life Dates
- (Udine, Italy, 1912 - 1976, Zurich, Switzerland)
- Century
- 20th century
- Object Creation Date
- 1912-1956
- Accession Number
- 1956/1.85
- Medium and Support
- color lithograph on paper
- relevance
- rank 0.24566
- Secondary Keywords
- transfer method
- european
- european styles and periods
- genres
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Baigneuse Assise
- Artist
- Pierre Auguste Renoir
- Physical Description
- Woven paper size: h 32 1/2cm x tw 24cm & bw 23 9/10cm. Laid paper size: h 21 9/10cm x w 13 3/5cm.
- Artist Life Dates
- 1841-1919
- Accession Number
- 2008/2.416
- Medium and Support
- etching and soft-ground on cream laid paper
- relevance
- rank 0.24565
- Secondary Keywords
- transfer method
- descriptors
- figures (representations)
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Plate with painted design of a covered jar, 'Fragrant Orchid'
- Artist
- Tomimoto Kenkichi
- Physical Description
- Porcelain plate with raised brown rim. The inner circle uses blue underglaze painting to illustrate a jar with a lid that reads in kanji "fragrant orchid"
- Artist Life Dates
- 1886-1963
- Century
- 20th century
- Object Creation Date
- 1900-1963
- Accession Number
- 1978/1.165
- Medium and Support
- Porcelain with blue underglaze painting and iron glaze
- relevance
- rank 0.24551
- Secondary Keywords
- buildings and the land
- ceramics
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- dishes
- flowers (plants)
- herbaceous plants
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- object genres
- object genres by material
- objects we use
- plants
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- stoneware
- vegetation and vegetation components
- vegetation components
- vessels
- vessels for serving and consuming food
- woody plants
- writing (processes)
- Title
- We Will Accept Our Offering of the End of Autumn
- Artist
- Grace Hartigan
- Physical Description
- A black and white ink print. Possibly a room in a house.
- Artist Life Dates
- 1922 - 2008
- Object Creation Date
- 1962-1966
- Accession Number
- 2011/1.67
- Medium and Support
- lithograph on paper
- relevance
- rank 0.24550
- Secondary Keywords
- british renaissance-baroque architecture styles
- british renaissance-baroque styles
- coating (material)
- coating by form
- descriptors
- european
- european styles and periods
- materials
- materials by function
- objects we use
- people and culture
- prints
- prints by process or technique
- renaissance-baroque regional styles
- renaissance-baroque styles
- renaissance-baroque styles and periods
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Landscape
- Artist
- Katsushika Hokusai
- Physical Description
- The print depicts the landscape of hills by the sea, with some residential houses and a bridge in the left foreground. The print also illustrats ships floating on the water and birds flying above the sea from the distant mountain.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1st half of the 19th century
- Accession Number
- 1984/2.38
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24545
- Secondary Keywords
- upward
- animals and creatures
- buildings and the land
- descriptors
- dwellings
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- residential structures
- sailing vessels
- sailing vessels by size
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- Title
- Grand Interior View of a Courtesan House in the Yoshiwara District (Yoshiwara o-magaki no zu, one of pentaptych)
- Artist
- Katsushika Hokusai
- Physical Description
- A print of 15 women inside a building dressed in various kimono with the predominant colors being grey, red, black, and green. Some of the kimono also have orange coloring. The patterns and designs on the kimono vary from images of flowers to geometric designs. One male is kneeling towards the back and another man can be seen in the background leaving the room. Two women to the very back and left of the image appear to be adjusting their makeup. Three women to the front sit around a tea set (partially visable) and two women to their right are whispering to each other.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1811-1813
- Accession Number
- 1938.3
- Medium and Support
- woodblock print on paper, ôban tate-e size
- relevance
- rank 0.24544
- Secondary Keywords
- building divisions
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- costume
- costume by form
- dwellings
- main garments
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- physical activities
- physical activities by general context
- prostitutes
- residential structures
- rooms and spaces
- rooms and spaces by location or context
- service industry buildings
- single built works
- single built works by function
- single built works by specific type
- Title
- Mauve-and-gold brocade obi with woven chrysanthemum scroll pattern
- Artist
- Artist Unknown, Japan
- Physical Description
- One continuous length of cloth, doubled back on itself for lining. The front side has a brocade chysanthemum design woven in gold-wrapped thread in three tones. Lozenge pattern with gold-wrapped threads for weft woven throughout.
- Century
- 20th century
- Object Creation Date
- circa 1975
- Accession Number
- 2005/1.327
- Medium and Support
- silk brocade woven in lozenge pattern with gold-wrapped threads
- relevance
- rank 0.24536
- Secondary Keywords
- patterning
- costume
- costume accessories
- costume accessories worn
- costume by form
- costumes
- descriptors
- design elements
- fabric
- main garments
- objects we use
- patterns (design elements)
- patterns by specific type
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- weft patterning
- Title
- Censer with Maltese crosses, birds, and columns
- Artist
- Artist Unknown, Coptic, Egypt
- Physical Description
- The body of this cylindrical censer is decorated with eight columns spaced at regular intervals. The lid of the censer consists of an openwork dome divided into sections by eight vertical ribs that converge at its apex. An arched horizontal band intersects the midpoint of the ribs, and these eight junctures are marked with a projecting bird that holds a small bronze ball dangling from its beak. Two segments of the dome are decorated with Maltese crosses while another two feature curved plant forms. The apex is surmounted by a finial comprised of a globe topped by a Maltese cross on which a bird holding a piece of fruit perches.
- Century
- 6th-7th century
- Object Creation Date
- 500-699
- Accession Number
- 1960/2.4
- Medium and Support
- bronze
- relevance
- rank 0.24531
- Secondary Keywords
- animals and creatures
- architectural elements
- associated concepts
- ceremonial containers
- christianity
- columns and column components
- components
- components and systems
- components by specific context
- containers
- containers by function or context
- copper alloy
- copper and copper alloy
- crosses (motifs)
- descriptors
- design elements
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- motifs
- nonferrous metal
- objects we use
- people and culture
- religions
- religions and religious concepts
- structural elements
- structural elements and structural element components
- supporting and resisting elements
- Title
- Early Stage of Proposal for General Mills Commission (Egyptian Beauty)
- Artist
- Jene Highstein
- Physical Description
- Heavily worked and reworked pencil drawing on large square of grid paper. Form is an ovoid shape with longitudinal and lateral lines, thinner than it is tall, fit into a rectangular box that represents the block of stone to be carved. At the bottom right of the sketched image, Highstein has noted the dimensions (7’ x 7’ x 2’) x 7. Seven blocks of granite at 2’ x 2’ x 7’ were meant to be stacked and carved into the proposed shape.
- Artist Life Dates
- (1942 - )
- Century
- 20th century
- Object Creation Date
- 1987
- Accession Number
- 2008/2.232
- Medium and Support
- graphite on paper
- relevance
- rank 0.24529
- Secondary Keywords
- visual arts
- abstraction
- animal material
- animal material by form or function
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- egg and egg components
- forms of expression
- inorganic material
- international post-1945 styles and movements
- materials
- materials by composition
- materials by origin
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- rock
- rock by form
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Kaze (Shôjo) /Girl in the Wind
- Artist
- Nakayama Tadashi
- Physical Description
- A young girl in a yellow shirt is facing the wind. Leaves are being blown around her.
- Artist Life Dates
- b. 1927
- Century
- 20th century
- Object Creation Date
- 1956
- Accession Number
- 2011/2.10
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24524
- Secondary Keywords
- associated concepts
- books
- books by external form
- earth sciences concepts
- folded books
- information artifacts
- information artifacts by physical form
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- prints
- prints by process or technique
- scientific concepts
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Portrait of an unidentified Tibetan lama (teacher)
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A very finely hollow cast bronze portrait sculpture of a seated figure, with the lotus dais and pointed monk's cap cast in one piece with the figure.
- The monk is shown seated in the padmasana (lotus) pose, with each foot resting sole-upward on the opposite knee. In his right hand, he holds a vajra (a double-pronged scepter) and simultaneously makes the vitarka gesture for teaching. His left hand, resting on his lap, holds a bell. His costume consists of a dhoti, which is knotted high on his torso; a short-sleeved shirt, crossed over his chest and decorated with incised scroll patterns, with a fret design at the border; and an overrobe that wraps around his left shoulder and is draped over his right shoulder. His face has a broad forehead, incised eyebrows in a high arch; downcast eyes, with leaf-shaped upper eyelids; a broad, flat nose; a sweet smile and full lips; and a narrow chin. His tall, pointed monk's cap, which completely hides his hair, has flaps that spread to reach his upper arms.
- Accession Number
- 1995/1.57
- Medium and Support
- bronze
- relevance
- rank 0.24499
- Secondary Keywords
- hollow-bodied
- asian
- associated concepts
- bells and sets of bells
- chordophones
- descriptors
- design elements
- directly struck idiophones
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- percussion idiophones
- plant-derived motifs
- religions
- religions and religious concepts
- religious (people)
- sound devices
- sound devices by acoustical characteristics
- south asian
- struck idiophones
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Hôeido Tôkaidô Series: Sakanoshita, Fudesute-mine (Toss-away-the-brush Mountain)
- Artist
- Andô Hiroshige
- Physical Description
- A print of tavelers in the mountains. Some are walking, some resting in the tent, some looking into the distance at the mountains across the canyon.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1983/2.94
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24494
- Secondary Keywords
- upward
- animals and creatures
- buildings and the land
- demountable buildings
- descriptors
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- objects we use
- people and culture
- physical activities
- physical activities by general context
- plants
- portable buildings
- settlements and landscapes
- single built works
- single built works by design
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Orchids Room
- Artist
- Unge (Taigan)
- Physical Description
- Horizontally oriented. Begins with two large characters then a series of folliage imagery proceeded by calligraphy. Ink on paper, hand scroll.
- Artist Life Dates
- 1773-1850
- Century
- 19th century
- Object Creation Date
- 1823
- Accession Number
- 1968/2.25
- Medium and Support
- handscroll, ink on paper
- relevance
- rank 0.24486
- Secondary Keywords
- animals
- asia (continent)
- asian
- buildings and the land
- descriptors
- flowers (plants)
- forms
- geographic and political locations
- herbaceous plants
- image-making processes and techniques
- inorganic material
- landscapes (environments)
- making art
- materials
- materials by composition
- materials by origin
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant material
- plants
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- the natural world
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- writing (processes)
- Title
- Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
- Artist
- Samson Carver, Pricked-Ivories Workshop, Cologne, Germany
- Physical Description
- Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
- Century
- 12th century
- Object Creation Date
- circa 1150
- Accession Number
- 1987/1.262
- Medium and Support
- elephant ivory
- relevance
- rank 0.24478
- Secondary Keywords
- animals and creatures
- bone
- bone by form
- card, table and board game elements
- combination inorganic/organic animal material
- combination inorganic/organic material
- dentin
- descriptors
- edged weapons
- mammals
- materials
- materials by composition
- object-making processes and techniques
- objects we use
- people and culture
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- recreational artifacts
- recreational artifacts for competitive activities
- relief
- sculpture techniques
- tooth and tooth components
- tooth components
- weapons
- weapons and ammunition
- Title
- Casita de Gloria
- Artist
- Emilio Sanchez
- Physical Description
- A black and white print of a small house. The house is on stilts and has steps leading up to it.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1977
- Accession Number
- 2011/2.111
- Medium and Support
- black and white lithograph on paper
- relevance
- rank 0.24477
- Secondary Keywords
- architectural elements
- buildings and the land
- components
- components and systems
- components by specific context
- doors and door components
- doorway components
- doorways and doorway components
- dwellings
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- photographic prints
- photographic prints by color
- photographs
- photographs by form
- positives
- residential structures
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- windows and window components
- Title
- Mother and Children in Garden
- Artist
- Artist Unknown
- Physical Description
- Sticker added to front of the print stamped with the numbers "1345". Colors: green, blue, purple, peach, yellow. Paper size: lh 44 & rh 44 1/5cm x tw 61 2/5cm & bw 61 3/10cm. Plate & Image Size: lh 30 4/5cm & rh 30 3/5cm x tw 45 3/5cm & bw 45 2/5cm.
- Accession Number
- 2008/2.442
- Medium and Support
- color etching, aquatint and soft-ground on Arches beige laid paper
- relevance
- rank 0.24477
- Secondary Keywords
- transfer method
- buildings and the land
- descriptors
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- parents
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- youth
- Title
- Brick Walls
- Artist
- André Kertész
- Physical Description
- A black and white photo of brick buildings. A window and door of one building are captured. The background of the photo is composed with a sketch-like quality.
- Artist Life Dates
- b. Hungary, 1894-1985
- Object Creation Date
- October 23, 1961; printed 1973
- Accession Number
- 2011/2.8
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 0.24473
- Secondary Keywords
- color
- height
- architectural elements
- associated concepts
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- photographs
- photographs by form
- religions
- religions and religious concepts
- residential structures
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- windows and window components
- Title
- Old Beggar with One Crutch, from "Beggar Series" or "Les Gueux"
- Artist
- Jacques Callot
- Physical Description
- A man is seen from the back, dressed n rags and leaning on a staff. He has a hat over cloth that is wrapped around his head. The single figure dominates the composition.
- Paper size: h 21 7/10cm x w 15cm. Plate sizeL h 13 4/5cm x w 8 4/5cm.
- Object Creation Date
- circa 1621
- Accession Number
- 2008/2.383.4
- Medium and Support
- etching on medium laid paper
- relevance
- rank 0.24469
- Secondary Keywords
- transfer method
- biological components
- components
- components and systems
- components by specific context
- descriptors
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- the human body
- torsos
- visual works
- visual works by medium or technique
- Title
- Ups and Downs
- Artist
- Tyree Guyton
- Physical Description
- Two abstracted bust-length figures, one male and one female, look directly at the viewer with large smiles against a tan background filled with swirling lines and scribbles. The face and eyes of each figure are outlined in thick green, the mouths in thick yellow. The “whites” of the eyes are red, while the pupils are circles of pale purple. From the eyes of the male figure, purple paint drips down his checks; in the female figure, the paint drips upwards.
- Artist Life Dates
- born 8/24/1955
- Century
- 20th century
- Object Creation Date
- 1994
- Accession Number
- 2002/1.202
- Medium and Support
- acrylic on masonite
- relevance
- rank 0.24467
- Secondary Keywords
- art genres
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- modern american styles and periods
- modern european fine arts styles and movements
- modern european styles and movements
- modern north american styles and movements
- mouths
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- styles and periods
- styles and periods by region
- the americas
- visual works
- visual works by subject type
- Title
- Castronauts
- Artist
- Roberto Sebastián Antonio Echaurren Matta
- Physical Description
- An abstract arrangement of coils, arcs, angular and organic forms in "space" shading from rose to blue.
- Artist Life Dates
- 1911-2002
- Object Creation Date
- 1965
- Accession Number
- 2011/2.209
- Medium and Support
- color etching and aquatint on paper
- relevance
- rank 0.24467
- Secondary Keywords
- intaglio
- air and space transportation vehicles
- descriptors
- european
- european styles and periods
- image-making processes and techniques
- intaglio printing processes
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- photogravure
- photomechanical processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- transportation vehicles
- vehicles
- Title
- Arita ware shallow dish with landscape scene of fishing boats by a willow tree
- Artist
- Artist Unknown, Japan
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1987/1.304
- Medium and Support
- porcelain with blue underglaze painting
- relevance
- rank 0.24463
- Secondary Keywords
- buildings and the land
- ceramics
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- deciduous trees
- descriptors
- landscapes (environments)
- natural landscapes
- object genres
- object genres by material
- objects we use
- people and culture
- physical activities
- physical activities by location
- physical activities by specific context
- plants
- pottery (object genre)
- settlements and landscapes
- stoneware
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vessels for serving and consuming food
- water activities
- woody plants
- Title
- The Fifty-Three Stations of the Tokaido (Kichizo Edition): #39 Okazaki, Yahagi Bridge over the Toyokawa River
- Artist
- Andô Hiroshige
- Physical Description
- The print depicts an arch bridge over water, with travelers walking across the bridge. Several boats are sailing on the water, while two fishermen are standing on the shallow area by the waterbank.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 1948/1.132
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24460
- Secondary Keywords
- transfer method
- buildings and the land
- descriptors
- inorganic material
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- prints
- prints by process
- prints by process or technique
- relief prints
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- Title
- Frontispiece to Johann Kaspar Lavatar, Aphorisms on Man
- Artist
- William Blake
- Physical Description
- Print of a man sitting and ooking up toward a figure holding an inscribed sign with Greek letters.
- Artist Life Dates
- 1757-1827
- Century
- 18th century
- Object Creation Date
- plate 1788
- Accession Number
- 1985/2.134
- Medium and Support
- engraving on paper
- relevance
- rank 0.24450
- Secondary Keywords
- descriptors
- fiber and fiber products
- fiber products
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- information artifacts
- information artifacts by physical form
- information forms
- man
- materials
- materials by form
- materials by physical form
- measuring devices
- measuring devices for extent
- objects we use
- people and occupations
- sandglasses
- seating furniture
- single seating furniture
- text-based art
- timepieces
- timepieces by form
- Title
- Engaged capital with vine rinceau, palmette leaves, and rosettes
- Artist
- Anonymous French
- Physical Description
- Engaged capital carved in grayish, coarse sandstone (arkose). The bell-shaped drum is decorated with a pattern of vine rinceau that encircles palmette leaves in a roughly symmetrical arrangement on each face of the capital. These ornamental plant forms are deeply undercut to highlight the pattern in sharp relief. A pair of volutes decorated with vertical striations springs from the vine rinceau in the upper portion of each face of the capital. A rosette enclosed in a circle appears at the top edge of the center of each face of the capital, above the point where the branches of the volutes diverge.
- Century
- First quarter of 12th century
- Object Creation Date
- 1100-1125
- Accession Number
- 1982/1.273
- Medium and Support
- sandstone
- relevance
- rank 0.24447
- Secondary Keywords
- architectural elements
- capitals and capital components
- column components
- columns and column components
- components
- components and systems
- components by specific context
- descriptors
- design elements
- inorganic material
- materials
- materials by composition
- motifs
- object-making processes and techniques
- objects we use
- patterns (design elements)
- patterns by specific type
- plant-derived motifs
- processes and techniques
- processes and techniques by specific type
- relief
- rock
- rock by form
- scrollwork
- sculpture techniques
- structural elements
- structural elements and structural element components
- supporting and resisting elements
- Title
- Portrait of Princess Soto'ori
- Artist
- Tosa Mitsuoki
- Physical Description
- Hanging scroll. A female figure is sitting against a blank background. She wears multiple layers of kimono, her hair is black and long, and her face white. She is watching a spider, descending from ceiling; her arms are extending in front as if she is trying to catch it. A screen of white and brown fabric is on her right, and an oil ramp with flame is on the other side. Three rolls of paper are placed in front of her. There are the artist's signature and seal on the left lower corner.
- The painting is mounted on light blue brocade with designs of auspicious characters and objects, including character “longevity,” treasures, and double gourds. The sides are made of golden brocade, but the gold foil is almost worn out.
- Warm holes on the upper right side, some small stains and dark lines on the top and near the face of the figure. Two repaired damages on the lower right corner. Some warm holes on the mounting as well. The wooden scroll bar is black lacquered.
- Artist Life Dates
- 1617-1691
- Century
- 17th century
- Object Creation Date
- 2nd half of 17th century
- Accession Number
- 1955/1.262
- Medium and Support
- Hanging scroll: ink and color on silk
- relevance
- rank 0.24446
- Secondary Keywords
- aristocracy
- asian
- associated concepts
- concepts in the arts
- costume
- costume by form
- east asian
- genres in the arts
- groups of people
- japanese
- japanese painting styles
- japanese styles
- literary, oral and motion picture genres
- main garments
- nobility
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in government and administration
- rulers (people)
- social classes
- social classes by specific type
- social groups
- styles and periods
- styles and periods by region
- upper class
- visual works
- visual works by subject type
- Title
- The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara
- Artist
- Andô Hiroshige
- Physical Description
- In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara. Writing is centered at the top of the image, as well as aloong the bottom left wide with a seal. Three figures walk through the snow.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.122
- Medium and Support
- color woodblock print on paper
- relevance
- rank 0.24443
- Secondary Keywords
- scale
- transfer method
- asian
- associated concepts
- buildings and the land
- earth sciences concepts
- east asian
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Profile Head of a Woman
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 18th-19th century
- Object Creation Date
- 1782-1878
- Accession Number
- 1983/1.129
- Medium and Support
- pen, ink and watercolor on paper
- relevance
- rank 0.24442
- Secondary Keywords
- image form
- biological components
- components
- components and systems
- components by specific context
- european
- european styles and periods
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- styles and periods
- styles and periods by region
- the human body
- upper body
- views
- views by vantage point or orientation
- visual works
- visual works by form
- women
- Title
- Vairocana Buddha (Japanese, Dainichi Nyorai)
- Artist
- Artist Unknown, Japan
- Physical Description
- A figure is sitting on a lotus-shaped pedestal, which is itself placed on an hexagonal pedestal. The figure wears a drape hanging from the left shoulder and covering the bottom. The arms are placed in front; right hand holding the left index finger. The facial expression is calm; the two eyes looking down; a dot on the forehead. Two elongated ears. A tall crown on the head. The two halos are on the back of the figure; one behind the head and other behind the torso. Two halos are surrounded by an oval-shaped dais. The statue and pedestals are guilded with gold; some polychrome remnants.
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 2003/2.59.1
- Medium and Support
- cypress wood with gesso, lacquer, polychrome, and gilding
- relevance
- rank 0.24439
- Secondary Keywords
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- earth sciences concepts
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical sciences concepts
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- scientific concepts
- sculpture
- sculpture by subject type
- visual works
- visual works by medium or technique
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- Title
- Figure
- Artist
- Henry Moore
- Physical Description
- A small carved wood sculpture depicting a seated figure with legs crossed.
- Artist Life Dates
- (Castleford, England, 7/30/1898 - 8/31/1986, Hertforshire, England)
- Century
- 20th century
- Object Creation Date
- 1932
- Accession Number
- 1953/1.27
- Medium and Support
- lignum vitae with wood base
- relevance
- rank 0.24437
- Secondary Keywords
- descriptors
- european
- european styles and periods
- genres
- materials
- materials by origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- plant material
- sculpture
- sculpture by material
- sculpture by technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- wood and wood products
- Title
- Aqueduct of Nerone, Tivoli
- Artist
- Joseph Antoine David de Marseille
- Physical Description
- This drawing depicts a landscape with two figures against a tree in dark wash in the lower left foreground and a faintly washed mid-ground scene of a relief of a crowd of figures on an architectural element. An arch of an aqueduct and a faint castle tower somewhat in ruins appear in the background surrounded by lush foliage.
- Artist Life Dates
- 1725-1789
- Object Creation Date
- 18th century
- Accession Number
- 2012/2.191
- Medium and Support
- pen and ink, black chalk and grey wash over graphite on laid paper, laid down
- relevance
- rank 0.24436
- Secondary Keywords
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- hydraulic structures
- hydraulic structures by function
- landscapes (environments)
- natural landscapes
- objects we use
- plants
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- water distribution structures
- woody plants
- Title
- Rats peintres (alias rapins), from La ménagerie parisienne; #9 of album of 24. P
- Artist
- Gustave Doré
- Artist Life Dates
- 1832-1883
- Century
- 19th century
- Object Creation Date
- 1854
- Accession Number
- 1969/2.111
- Medium and Support
- lithograph on paper
- relevance
- rank 0.24434
- Secondary Keywords
- equipment
- equipment by process
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- image-making equipment
- men
- models
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- painting equipment
- people and culture
- people and occupations
- studios
- styles and periods
- styles and periods by region
- support furniture
- tools and equipment
- women
- Title
- Rue de la Tonnellerie (Maison dite de Molière)
- Artist
- Maxime Lalanne
- Artist Life Dates
- 1827-1886
- Century
- 19th century
- Object Creation Date
- circa 1863
- Accession Number
- 1973/1.779
- Medium and Support
- etching and drypoint on paper
- relevance
- rank 0.24430
- Secondary Keywords
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- dwellings
- landscapes (environments)
- multiple dwellings
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- plants
- residential structures
- roads
- roads by form
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation spaces
- vegetation and vegetation components
- vegetation components
- woody plants