A menage of female figures lie entangled together, painted in many different colors. Certain body parts appear identifiable and are emphasized with bleeding lines. In the background appears straight-lined brush strokes emoting a fence or barricade much like one would see within a concentration camp. Beneath the watery brushstrokes are thin, precise lines.
Signed: Albert W. Barker Titled: 139. Hooping the Wheel. On mat: Library of Congress, Smithsonian Institution, Gold Medal, C.P.M--1935. Fascist Committee of Industry (bought from Venice International 1938).
Lithograph print on white paper. In the center, a very bulbous teapot, with a large conical mouth and protruding spout, is depicted in crude outline and filled in with patchy dark brown. To the right is a banana and the outline of an apple. A gray background fills the space around the objects and trails off into the white paper at the edges.
Still life with teapot and fruit, executed in a late Cubist style. The emphasis is on a minimal representation of space and objects.
A squat teapot with an upturned spout, executed in gray and white that suggests silverware, sits left of center on a darker gray tray. To the right of the teapot is a lemon in bright yellow. The objects are surounded by black, and there is a dark gray frame of color around the entire print.
A color lithograph still life by Georges Braque. Braque uses the medium to explore minimal representations of objects and space through color, form, and line. The piece is an interesting mix of Cubist and Impressionist representations of perception.